{ "objects" : [ { "embark_ID" : 12757, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12757", "Disp_Access_No" : "2002.1208", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Young Girl with Basket", "Alt_Title" : "", "Obj_Title" : "Young Girl with Basket", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "31.1 cm x 21.5 cm (12 1/4 in. x 8 7/16 in.)", "Disp_Height" : "31.1 cm", "Disp_Width" : "21.5 cm", "Dimen_Extent" : "sheet", "Medium" : "wood engraving", "Support" : "", "Disp_Medium" : "wood engraving", "Info_Page_Comm" : "In all English satire, Gillray’s imagery is the most original and outrageous. His hand and technique are consonantly uninhibited, unsanitized, and powerful. The Steinberg Collection adds one typical subject to the Blanton’s previous holdings of eight fine, early printings of Gillray’s satires. This print is an anomaly. The subject and above all the technique –– positive drawing upon the copper plate with acid resist, so that biting subtracts the negative areas of the composition –– indicate an experiment by the artist. Only a handful of impressions are known. Inherent interest aside, the experiment paralleled the development of wood engraving and predicted Blake’s pursuit of relief etching. ", "Dedication" : "The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1208.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1208.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1208.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1208.tif", "IsPrimary" : "1", "_SurrogateID" : "1764", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3657, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3657", "Disp_Access_No" : "2002.1214", "_AccNumSort1" : "", "Disp_Create_DT" : "1781", "_Disp_Start_Dat" : "1781", "_Disp_End_Date" : "1781", "Disp_Title" : "Sketched by Humphrey – Spoil'd by Gillray", "Alt_Title" : "", "Obj_Title" : "Sketched by Humphrey – Spoil'd by Gillray", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "30.5 cm x 23.2 cm (12 in. x 9 1/8 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "23.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and stipple engraving", "Support" : "", "Disp_Medium" : "Etching and stipple engraving", "Info_Page_Comm" : "A satire on his own work as an engraver, Gillray defaced the plate Sketched by Humphrey-Spoil’d by Gillray and published it as a warning against the “bad effect of cobbling and altering.” ", "Dedication" : "The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1214.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1214.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1214.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1214.tif", "IsPrimary" : "1", "_SurrogateID" : "5016", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16778, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16778", "Disp_Access_No" : "2003.25", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1786", "_Disp_Start_Dat" : "1781", "_Disp_End_Date" : "1791", "Disp_Title" : "The Injured Count,,S-", "Alt_Title" : "", "Obj_Title" : "The Injured Count,,S-", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "28.2 cm x 42.5 cm (11 1/8 in. x 16 3/4 in.)", "Disp_Height" : "28.2 cm", "Disp_Width" : "42.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and softground etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and softground etching with hand-coloring", "Info_Page_Comm" : "Because of their subject matter, several of Gillray’s prints, including this one, were not in circulation; these “suppressed plates” were published in a separate volume circa 1850. Mary Eleanor Bowes is pictured drinking with her servants, suckling her precious cats and neglecting her crying children while her footman beacons her to bed. Her cruel and adulterous husband, Andrew Stoney-Bowes, on the far left of the image, examines a map of his wife’s estates. His behavior drove his wife to petition for divorce, something that was rarely granted to woman at this time. In order to hinder her success, he launched a smear campaign against her; her husband probably funded the production of this particularly slanderous print for this purpose. ", "Dedication" : "Blanton Museum Purchase, 2003", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.25.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.25.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.25.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.25.tif", "IsPrimary" : "1", "_SurrogateID" : "2128", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19292, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19292", "Disp_Access_No" : "2008.143", "_AccNumSort1" : "", "Disp_Create_DT" : "1791", "_Disp_Start_Dat" : "1791", "_Disp_End_Date" : "1791", "Disp_Title" : "Wierd [sic]–Sisters; Ministers of Darkness; Minions to the Moon", "Alt_Title" : "", "Obj_Title" : "Wierd [sic]–Sisters; Ministers of Darkness; Minions to the Moon", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "25.7 cm x 35.2 cm (10 1/8 in. x 13 7/8 in.)", "Disp_Height" : "25.7 cm", "Disp_Width" : "35.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand-coloring", "Info_Page_Comm" : "After the painting Weird Sisters by Henri Fuseli (see dedication in upper margin), Gillray represents Henry Dundas, William Pitt, and Edward Thurlow, all members of the Cabinet Ministry, as the three witches from Macbeth. A parody on the sanity of King George III, the three men contemplate the moon, half enlightened with the portrait of Queen Charlotte and half eclipsed with the portrait of the king.", "Dedication" : "Jack S. Blanton Curatorial Endowment Fund, 2008", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.143.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.143.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.143.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.143.tif", "IsPrimary" : "1", "_SurrogateID" : "4929", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16564, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16564", "Disp_Access_No" : "2002.2820", "_AccNumSort1" : "", "Disp_Create_DT" : "1793", "_Disp_Start_Dat" : "1793", "_Disp_End_Date" : "1793", "Disp_Title" : "A vestal of –93, trying on the cestus of Venus", "Alt_Title" : "", "Obj_Title" : "A vestal of –93, trying on the cestus of Venus", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "33.8 cm x 40.1 cm (13 5/16 in. x 15 13/16 in.)", "Disp_Height" : "33.8 cm", "Disp_Width" : "40.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint", "Support" : "", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "Vestal Virgins were female priestesses in ancient Rome who were responsible for maintaining the sacred fire in the temple of Vesta. In this print, an inattentive priestess and her three clumsy putti have knocked over her altar while trying to tie on the cestus of Venus, a band meant to awaken love. A parody on this peculiar fashion trend in 1793, this love-starved woman remains unappealing even with the aid of the cestus.", "Dedication" : "Archer M. Huntington Museum Fund, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2820.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2820.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2820.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2820.tif", "IsPrimary" : "1", "_SurrogateID" : "4146", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3724, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3724", "Disp_Access_No" : "2002.1819", "_AccNumSort1" : "", "Disp_Create_DT" : "1796", "_Disp_Start_Dat" : "1796", "_Disp_End_Date" : "1796", "Disp_Title" : "A Peep at Christie’s; -or- Tally – ho, & his Nimeney–pimmeney taking the Morning Lounge", "Alt_Title" : "", "Obj_Title" : "A Peep at Christie’s; -or- Tally – ho, & his Nimeney–pimmeney taking the Morning Lounge", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "37.7 cm x 28 cm (14 13/16 in. x 11 in.)", "Disp_Height" : "37.7 cm", "Disp_Width" : "28 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and aquatint with hand coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand coloring", "Info_Page_Comm" : "Lord Derby, a great hunter and horseman, is known more for his involvement in organizing horse races than his political career. He is pictured here with actress Elizabeth Farren. Famous for her role as Nimeney-pimmeney in John Burgoyne’s Heiress, she frequented Queen Charlotte’s drawing-room and was celebrated for her good conduct and appealing disposition. Gillray seems to be alone in his distaste for Farren. He portrays her as a fortune seeker browsing artwork with equally haughty company. Her focus falls on a painting of Xenocrates and Phryne. According to the ancient Greek biographer, Diogenes Laërtius, the courtesan Phryne attempted to seduce Xenocrates, a Greek philosopher and mathematician. The print is a stab at the questionable morals of Farren, who married Lord Derby eight months after its publication.", "Dedication" : "The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1819.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1819.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1819.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1819.tif", "IsPrimary" : "1", "_SurrogateID" : "1855", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16777, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16777", "Disp_Access_No" : "2003.24", "_AccNumSort1" : "", "Disp_Create_DT" : "1798", "_Disp_Start_Dat" : "1798", "_Disp_End_Date" : "1798", "Disp_Title" : "The Apotheosis of Hoche", "Alt_Title" : "", "Obj_Title" : "The Apotheosis of Hoche", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "50.5 cm x 38.6 cm (19 7/8 in. x 15 3/16 in.)", "Disp_Height" : "50.5 cm", "Disp_Width" : "38.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching with hand-coloring", "Info_Page_Comm" : "This elaborate print depicts Louis Lazare Hoche, French general of the Revolutionary Army, ascending into a Jacobin heaven while plucking his guillotine-lyre. Jacobin is a general term used to address those who publically declare revolutionary opinions. Below lies France, blood-soaked and scorched, a result of campaigns headed by Hoche during the French Revolution. Hoche is greeted by droves of headless figures, monsters, and grotesque cherubs, all wearing Phrygian caps, a motif associated with the Revolution; to the left are martyrs of the revolution paying their respects. Suspended in the heavens is the Jacobin Decalogue, the antithesis of the Ten Commandments.", "Dedication" : "Blanton Museum Purchase, 2003", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.24.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.24.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.24.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.24.tif", "IsPrimary" : "1", "_SurrogateID" : "5358", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16779, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16779", "Disp_Access_No" : "2003.30", "_AccNumSort1" : "", "Disp_Create_DT" : "1800", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1800", "Disp_Title" : "Taking Physick", "Alt_Title" : "", "Obj_Title" : "Taking Physick", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "28.5 cm x 22 cm (11 1/4 in. x 8 11/16 in.)", "Disp_Height" : "28.5 cm", "Disp_Width" : "22 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand-coloring", "Info_Page_Comm" : "This is possibly the first in a series of five prints demonstrating the stages of illness and, more importantly, how the cure is often more agonizing than the sickness. The series includes: Taking Physick, Gentle Emetic, Brisk–Cathartic, Breathing the Vein, and Charming-well Again. Dr. Philip Syng Physick (1768-1837), the conceivable inspiration behind the print, was an American physician who studied under John Hunter in London in the 1790s. ", "Dedication" : "The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2003", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.30.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.30.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.30.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.30.tif", "IsPrimary" : "1", "_SurrogateID" : "4806", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16560, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16560", "Disp_Access_No" : "2002.2811", "_AccNumSort1" : "", "Disp_Create_DT" : "1801", "_Disp_Start_Dat" : "1801", "_Disp_End_Date" : "1801", "Disp_Title" : "Metallic–Tractors", "Alt_Title" : "", "Obj_Title" : "Metallic–Tractors", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "34.2 cm x 39 cm (13 7/16 in. x 15 3/8 in.)", "Disp_Height" : "34.2 cm", "Disp_Width" : "39 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint with hand coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand coloring", "Info_Page_Comm" : "Quack doctors and their desperate patients were especially vulnerable targets for satirists of the early nineteenth century. In this print, Dr. Elisha Perkins demonstrates his latest cure-all, a pair of brass and iron rods forged by the doctor in his own furnace that, when stroked over an unhealthy area, draws out affliction. Headlines from the newspaper on the table include the secret of the philosopher’s stone and how to turn all metals into gold, followed by Gillray’s mantra: pro bono publico (“for the public good”). ", "Dedication" : "The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2811.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2811.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2811.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2811.tif", "IsPrimary" : "1", "_SurrogateID" : "4144", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16780, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16780", "Disp_Access_No" : "2003.26", "_AccNumSort1" : "", "Disp_Create_DT" : "1801", "_Disp_Start_Dat" : "1801", "_Disp_End_Date" : "1801", "Disp_Title" : "The Union Club", "Alt_Title" : "", "Obj_Title" : "The Union Club", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "30.8 cm x 45.2 cm (12 1/8 in. x 17 13/16 in.)", "Disp_Height" : "30.8 cm", "Disp_Width" : "45.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching with hand-coloring", "Info_Page_Comm" : "The Union Club in London, a fashionable spot for jovial debauchery, was established after the formation of the United Kingdom of Great Britain and Ireland on 1 January 1801. In the foreground members of the ministry raise glasses, shake hands and celebrate the successful union while a heated fight takes places in the background.", "Dedication" : "Blanton Museum Purchase, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.26.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.26.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.26.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.26.tif", "IsPrimary" : "1", "_SurrogateID" : "8333", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3750, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3750", "Disp_Access_No" : "1990.153", "_AccNumSort1" : "", "Disp_Create_DT" : "1808", "_Disp_Start_Dat" : "1808", "_Disp_End_Date" : "1808", "Disp_Title" : "Phaeton alarm’d!", "Alt_Title" : "", "Obj_Title" : "Phaeton alarm’d!", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "34.6 cm x 37.7 cm (13 5/8 in. x 14 13/16 in.)", "Disp_Height" : "34.6 cm", "Disp_Width" : "37.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and aquatint with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand-coloring", "Info_Page_Comm" : "According to Greek mythology, Phaeton convinced his father Apollo to allow him to drive the chariot of the sun across the heavens. When Phaeton could not control the horses, they galloped too close to the earth and scorched its surface. In one of Gillray’s finest political allegories, Foreign Secretary George Canning, a passionate follower of former Prime Minster William Pitt, plays the role of Phaeton. His chariot drives the sun of Anti-Jacobinism through hostile constellations personified by members of the political opposition. Napoleon, straddling the Russian Bear, heads towards Western Europe while the ghosts of Pitt and Charles James Fox cower in the lower corners, watching the flames spread across the globe", "Dedication" : "Purchase through the generosity of the Still Water Foundation, 1990", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.153.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.153.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.153.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.153.tif", "IsPrimary" : "1", "_SurrogateID" : "5015", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }