{ "objects" : [ { "embark_ID" : 1023, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1023", "Disp_Access_No" : "G1966.2.217", "_AccNumSort1" : "", "Disp_Create_DT" : "1920", "_Disp_Start_Dat" : "1920", "_Disp_End_Date" : "1920", "Disp_Title" : "Emma and Marjorie on a Sofa", "Alt_Title" : "", "Obj_Title" : "Emma and Marjorie on a Sofa", "Series_Title" : "", "Disp_Maker_1" : "George Wesley Bellows", "Sort_Artist" : "Bellows, George Wesley", "Disp_Dimen" : "32.7 cm x 26.2 cm (12 7/8 in. x 10 5/16 in.)", "Disp_Height" : "32.7 cm", "Disp_Width" : "26.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 1024, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1024", "Disp_Access_No" : "G1966.2.216", "_AccNumSort1" : "", "Disp_Create_DT" : "1923-1924", "_Disp_Start_Dat" : "1923", "_Disp_End_Date" : "1924", "Disp_Title" : "Ann in a Black Hat", "Alt_Title" : "", "Obj_Title" : "Ann in a Black Hat", "Series_Title" : "", "Disp_Maker_1" : "George Wesley Bellows", "Sort_Artist" : "Bellows, George Wesley", "Disp_Dimen" : "45.05 cm x 36.7 cm (17 3/4 in. x 14 7/16 in.)", "Disp_Height" : "45.05 cm", "Disp_Width" : "36.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 4432, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4432", "Disp_Access_No" : "1981.37", "_AccNumSort1" : "", "Disp_Create_DT" : "1916", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1916", "Disp_Title" : "Splinter Beach", "Alt_Title" : "", "Obj_Title" : "Splinter Beach", "Series_Title" : "", "Disp_Maker_1" : "George Wesley Bellows", "Sort_Artist" : "Bellows, George Wesley", "Disp_Dimen" : "41.8 cm x 53.2 cm (16 7/16 in. x 20 15/16 in.)", "Disp_Height" : "41.8 cm", "Disp_Width" : "53.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "George Bellows was associated with the Ashcan School, a group of American painters that also included Robert Henri, John Sloan, and George Luks, who were committed to conveying the character of the new urban American experience through a nuanced realism. Best known for his paintings (the museum owns a remarkable seascape dating from 1913), Bellows began exploring the medium of lithography in 1916. Splinter Beach is one of his early lithographs, made with printer George C. Miller. The complex image presents a rare moment of leisure in these workers’ lives as, in various states of undress, they prepare for a swim on a stretch of urban river that was surely not meant for that purpose. Bellows juxtaposes this teeming—and timeless—figurative tableau against the contemporary engine of burgeoning commerce, literalized here by a boat forging through choppy waters. In the distance the new metropolis beckons: the engineering wonder of the Brooklyn Bridge and the new skyscrapers surrounding it. This was the future vision of America—dynamic, productive, ingenious—and the topic seems uniquely well suited to Bellows, a visionary man. As the first well-known artist in the United States to develop a complete body of lithographic works, Bellows challenged preconceptions about the medium, expanding its expressive potential ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1981", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1981.37.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1981.37.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1981.37.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1981.37.tif", "IsPrimary" : "1", "_SurrogateID" : "2690", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4438, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4438", "Disp_Access_No" : "1992.23", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "The Life Class, First Stone", "Alt_Title" : "", "Obj_Title" : "The Life Class, First Stone", "Series_Title" : "", "Disp_Maker_1" : "George Wesley Bellows", "Sort_Artist" : "Bellows, George Wesley", "Disp_Dimen" : "48 cm x 65.5 cm (18 7/8 in. x 25 13/16 in.)", "Disp_Height" : "48 cm", "Disp_Width" : "65.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the Still Water Foundation, 1992", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.23.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.23.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.23.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1992.23.TIF", "IsPrimary" : "1", "_SurrogateID" : "9882", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4499, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4499", "Disp_Access_No" : "1998.113", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "Study of Two Prisoners for The Case of Sergeant Delaney, First Stone", "Alt_Title" : "", "Obj_Title" : "Study of Two Prisoners for The Case of Sergeant Delaney, First Stone", "Series_Title" : "", "Disp_Maker_1" : "George Wesley Bellows", "Sort_Artist" : "Bellows, George Wesley", "Disp_Dimen" : "40.4 cm x 27.9 cm (15 7/8 in. x 11 in.)", "Disp_Height" : "40.4 cm", "Disp_Width" : "27.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithographic crayon on beige wove paper, laid down on ivory wove paper", "Support" : "", "Disp_Medium" : "Lithographic crayon on beige wove paper, laid down on ivory wove paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.113.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.113.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.113.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.113.tif", "IsPrimary" : "1", "_SurrogateID" : "5973", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4512, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4512", "Disp_Access_No" : "1978.85", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "Elsie, Emma, and Marjorie, Second Stone", "Alt_Title" : "", "Obj_Title" : "Elsie, Emma, and Marjorie, Second Stone", "Series_Title" : "", "Disp_Maker_1" : "George Wesley Bellows", "Sort_Artist" : "Bellows, George Wesley", "Disp_Dimen" : "39.8 cm x 47.5 cm (15 11/16 in. x 18 11/16 in.)", "Disp_Height" : "39.8 cm", "Disp_Width" : "47.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Seated in the interior of the artist's studio are, from left to right, the wives of Eugene Speicher, Bellows, and Robert Henri. The three artists themselves form the shadowed group in the background.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1978", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1978.85-Crop.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1978.85-Crop.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1978.85-Crop.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1978.85-Crop.tif", "IsPrimary" : "1", "_SurrogateID" : "19961", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1978.85-Sheet.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1978.85-Sheet.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1978.85-Sheet.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1978.85-Sheet.tif", "IsPrimary" : "0", "_SurrogateID" : "19962", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13940, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13940", "Disp_Access_No" : "P1969.8.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1913", "_Disp_Start_Dat" : "1913", "_Disp_End_Date" : "1913", "Disp_Title" : "Rolling Breakers", "Alt_Title" : "", "Obj_Title" : "Rolling Breakers", "Series_Title" : "", "Disp_Maker_1" : "George Wesley Bellows", "Sort_Artist" : "Bellows, George Wesley", "Disp_Dimen" : "38 cm x 50 cm (14 15/16 in. x 19 11/16 in.)", "Disp_Height" : "38 cm", "Disp_Width" : "50 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Vertical patches of blue-green and white repeat, emphasizing the eternal crashing of waves on a rocky shoreline. Rolling Breakers is one of 117 pictures George Bellows painted during a summer spent on Monhegan Island, Maine. While they are reminiscent of Winslow Homer’s celebrated images of Maine, Bellows’ seascapes are distinguished by their thick, muscular paint surfaces and their unique manipulation of perspective, which places the viewer virtually in the breaking surf.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1969", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1969.8.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1969.8.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1969.8.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1969.8.1.tif", "IsPrimary" : "1", "_SurrogateID" : "2526", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17143, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17143", "Disp_Access_No" : "2004.96", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1921", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1926", "Disp_Title" : "Tennis Tournament", "Alt_Title" : "", "Obj_Title" : "Tennis Tournament", "Series_Title" : "", "Disp_Maker_1" : "George Wesley Bellows", "Sort_Artist" : "Bellows, George Wesley", "Disp_Dimen" : "51 cm x 56.9 cm (20 1/16 in. x 22 3/8 in.)", "Disp_Height" : "51 cm", "Disp_Width" : "56.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Bellows made two paintings and two lithographs of this subject from sketches he had made in Newport, Rhode Island. The lithographs differ slightly in composition from the paintings but retain much of the same luminous style. Bolton Brown worked closely with Bellows to print many of his lithographs. He also made batches of crayons specially formulated to allow Bellows to produce the fullest possible tonal range. Through parallel hatchings and rubbing, Bellows shows not only the texture of the grass but the play of the summer sunshine.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Susan Garwood in memory of Sue Ann Reagan, 2004", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.96.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.96.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.96.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.96.tif", "IsPrimary" : "1", "_SurrogateID" : "3680", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }