{ "objects" : [ { "embark_ID" : 7783, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7783", "Disp_Access_No" : "1986.62", "_AccNumSort1" : "", "Disp_Create_DT" : "1985", "_Disp_Start_Dat" : "1985", "_Disp_End_Date" : "1985", "Disp_Title" : "Anticuario", "Alt_Title" : "", "Obj_Title" : "Anticuario", "Series_Title" : "", "Disp_Maker_1" : "Fernando Allievi", "Sort_Artist" : "Allievi, Fernando", "Disp_Dimen" : "95.5 cm x 127 cm (37 5/8 in. x 50 in.)", "Disp_Height" : "95.5 cm", "Disp_Width" : "127 cm", "Dimen_Extent" : "Sheet", "Medium" : "Graphite and colored pencil on paper with a liquid fixer applied for soft media", "Support" : "", "Disp_Medium" : "Graphite and colored pencil on paper with a liquid fixer applied for soft media", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1986", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.62.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.62.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.62.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.62.tif", "IsPrimary" : "1", "_SurrogateID" : "3421", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.62.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.62.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.62.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.62.tif", "IsPrimary" : "0", "_SurrogateID" : "3427", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7762, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7762", "Disp_Access_No" : "1986.63", "_AccNumSort1" : "", "Disp_Create_DT" : "1985", "_Disp_Start_Dat" : "1985", "_Disp_End_Date" : "1985", "Disp_Title" : "Grupo de familia [Pioneers]", "Alt_Title" : "", "Obj_Title" : "Grupo de familia [Pioneers]", "Series_Title" : "", "Disp_Maker_1" : "Fernando Allievi", "Sort_Artist" : "Allievi, Fernando", "Disp_Dimen" : "58.6 cm x 73.8 cm (23 1/16 in. x 29 1/16 in.)", "Disp_Height" : "58.6 cm", "Disp_Width" : "73.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Graphite and colored pencil on paper with a liquid fixer applied for soft media", "Support" : "", "Disp_Medium" : "Graphite and colored pencil on paper with a liquid fixer applied for soft media", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1986", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.63.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.63.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.63.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.63.tif", "IsPrimary" : "1", "_SurrogateID" : "3422", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.63.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.63.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.63.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.63.tif", "IsPrimary" : "0", "_SurrogateID" : "3428", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7710, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7710", "Disp_Access_No" : "1986.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1982", "_Disp_Start_Dat" : "1982", "_Disp_End_Date" : "1982", "Disp_Title" : "La hora del té [Tea Time]", "Alt_Title" : "Tea Time", "Obj_Title" : "La hora del té [Tea Time]", "Series_Title" : "", "Disp_Maker_1" : "Jorge Alvaro", "Sort_Artist" : "Alvaro, Jorge", "Disp_Dimen" : "101.8 cm x 72.7 cm (40 1/16 in. x 28 5/8 in.)", "Disp_Height" : "101.8 cm", "Disp_Width" : "72.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Watercolor, charcoal & pencil", "Support" : "", "Disp_Medium" : "Watercolor, charcoal & pencil", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1986", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.64.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.64.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.64.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.64.tif", "IsPrimary" : "1", "_SurrogateID" : "3437", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18925, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18925", "Disp_Access_No" : "2010.10", "_AccNumSort1" : "", "Disp_Create_DT" : "2001", "_Disp_Start_Dat" : "2001", "_Disp_End_Date" : "2001", "Disp_Title" : "30 minutos de linea, 3746 posibilidades, 255 intersecciones", "Alt_Title" : "", "Obj_Title" : "30 minutos de linea, 3746 posibilidades, 255 intersecciones", "Series_Title" : "", "Disp_Maker_1" : "Ernesto Ballesteros", "Sort_Artist" : "Ballesteros, Ernesto", "Disp_Dimen" : "140 cm x 190 cm (55 1/8 in. x 74 13/16 in.)", "Disp_Height" : "140 cm", "Disp_Width" : "190 cm", "Dimen_Extent" : "canvas", "Medium" : "Pencil and acrylic", "Support" : "canvas", "Disp_Medium" : "Pencil and acrylic on canvas", "Info_Page_Comm" : "Ballesteros’s work references abstraction and conceptual art, a practice that challenges traditional approaches to art and materials by giving precedence to ideas. As the title states, the artist drew continuously for 30 minutes to produce this work, creating 3746 possible formal arrangements and 255 intersection points. At first glance, the drawing appears to be an abstract composition, but after reading the drawing’s title, we realize the artwork is a documentation of actions that took place in order to create it. Ballesteros’s drawings mirror his performances, and his explanatory titles are descriptions of his movements.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Michael Chesser, 2010", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/PG2008.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/PG2008.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/PG2008.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/PG2008.1.tif", "IsPrimary" : "1", "_SurrogateID" : "6516", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14642, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14642", "Disp_Access_No" : "1987.76", "_AccNumSort1" : "", "Disp_Create_DT" : "1985", "_Disp_Start_Dat" : "1985", "_Disp_End_Date" : "1985", "Disp_Title" : "Homenaje a Pallière A [Homage to Pallière A]", "Alt_Title" : "[Homage to Pallière]", "Obj_Title" : "Homenaje a Pallière A [Homage to Pallière A]", "Series_Title" : "", "Disp_Maker_1" : "Luis Fernando Benedit", "Sort_Artist" : "Benedit, Luis Fernando", "Disp_Dimen" : "129.8 cm x 149.5 cm (51 1/8 in. x 58 7/8 in.)", "Disp_Height" : "129.8 cm", "Disp_Width" : "149.5 cm", "Dimen_Extent" : "Sight", "Medium" : "Acrylic, oil and charcoal on canvas", "Support" : "canvas", "Disp_Medium" : "Acrylic, oil and charcoal on canvas on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. David Guss and the Archer M. Huntington Museum Fund, 1987", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.76.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.76.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.76.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.76.tif", "IsPrimary" : "1", "_SurrogateID" : "6416", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14641, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14641", "Disp_Access_No" : "1987.77", "_AccNumSort1" : "", "Disp_Create_DT" : "1985", "_Disp_Start_Dat" : "1985", "_Disp_End_Date" : "1985", "Disp_Title" : "Los indios del Chaco [The Chaco Indians]", "Alt_Title" : "The Indians of the Chaco", "Obj_Title" : "Los indios del Chaco [The Chaco Indians]", "Series_Title" : "", "Disp_Maker_1" : "Luis Fernando Benedit", "Sort_Artist" : "Benedit, Luis Fernando", "Disp_Dimen" : "97.3 cm x 62 cm x 59.8 cm (38 5/16 in. x 24 7/16 in. x 23 9/16 in.)", "Disp_Height" : "97.3 cm", "Disp_Width" : "62 cm", "Dimen_Extent" : "HLW", "Medium" : "Sheet metal, epoxy resin, wood, oil, and enamel sculpture on a wooden base", "Support" : "", "Disp_Medium" : "Sheet metal, epoxy resin, wood, oil, and enamel sculpture on a wooden base", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. David Guss and the Archer M. Huntington Museum Fund, 1987.", "Copyright_Type" : "", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.77_right_side.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.77_right_side.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.77_right_side.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.77_right_side.tif", "IsPrimary" : "0", "_SurrogateID" : "3499", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.77_left_side.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.77_left_side.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.77_left_side.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.77_left_side.tif", "IsPrimary" : "1", "_SurrogateID" : "6415", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7688, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7688", "Disp_Access_No" : "1982.661", "_AccNumSort1" : "", "Disp_Create_DT" : "1981", "_Disp_Start_Dat" : "1981", "_Disp_End_Date" : "1981", "Disp_Title" : "Interior", "Alt_Title" : "", "Obj_Title" : "Interior", "Series_Title" : "", "Disp_Maker_1" : "Marcelo Bonevardi", "Sort_Artist" : "Bonevardi, Marcelo", "Disp_Dimen" : "165.4 cm x 117.2 cm (65 1/8 in. x 46 1/8 in.)", "Disp_Height" : "165.4 cm", "Disp_Width" : "117.2 cm", "Dimen_Extent" : "Frame", "Medium" : "Charcoal, dry pigments, Conté pencil and fixative on paper", "Support" : "", "Disp_Medium" : "Charcoal, dry pigments, Conté pencil and fixative on paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Barbara Duncan Fund, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.661.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.661.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.661.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.661.tif", "IsPrimary" : "1", "_SurrogateID" : "3179", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7695, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7695", "Disp_Access_No" : "1991.402", "_AccNumSort1" : "", "Disp_Create_DT" : "1982", "_Disp_Start_Dat" : "1982", "_Disp_End_Date" : "1982", "Disp_Title" : "Difracción 3 [Diffraction 3]", "Alt_Title" : "Diffraction #3", "Obj_Title" : "Difracción 3 [Diffraction 3]", "Series_Title" : "", "Disp_Maker_1" : "Ary Brizzi", "Sort_Artist" : "Brizzi, Ary", "Disp_Dimen" : "70 cm x 50 cm (27 9/16 in. x 19 11/16 in.)", "Disp_Height" : "70 cm", "Disp_Width" : "50 cm", "Dimen_Extent" : "Sheet", "Medium" : "Airbrushed ink on paper", "Support" : "", "Disp_Medium" : "Airbrushed ink on paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Barbara Duncan, 1991", "Copyright_Type" : "edu; promo; merch; web", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.402.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.402.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.402.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.402.tif", "IsPrimary" : "1", "_SurrogateID" : "6286", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7764, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7764", "Disp_Access_No" : "1985.76", "_AccNumSort1" : "", "Disp_Create_DT" : "1985", "_Disp_Start_Dat" : "1985", "_Disp_End_Date" : "1985", "Disp_Title" : "La Pareja [The Couple]", "Alt_Title" : "The Couple", "Obj_Title" : "La Pareja [The Couple]", "Series_Title" : "", "Disp_Maker_1" : "Sergio Camporeale", "Sort_Artist" : "Camporeale, Sergio", "Disp_Dimen" : "57 cm x 76 cm (22 7/16 in. x 29 15/16 in.)", "Disp_Height" : "57 cm", "Disp_Width" : "76 cm", "Dimen_Extent" : "Sheet", "Medium" : "Watercolor and ink on paper", "Support" : "", "Disp_Medium" : "Watercolor and ink on paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1985", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.76.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.76.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.76.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.76.tif", "IsPrimary" : "1", "_SurrogateID" : "3402", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7714, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7714", "Disp_Access_No" : "1986.67", "_AccNumSort1" : "", "Disp_Create_DT" : "1983", "_Disp_Start_Dat" : "1983", "_Disp_End_Date" : "1983", "Disp_Title" : "Acuerdo [Agreement]", "Alt_Title" : "", "Obj_Title" : "Acuerdo [Agreement]", "Series_Title" : "", "Disp_Maker_1" : "Alicia Carletti", "Sort_Artist" : "Carletti, Alicia", "Disp_Dimen" : "65 cm x 49.9 cm (25 9/16 in. x 19 5/8 in.)", "Disp_Height" : "65 cm", "Disp_Width" : "49.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Watercolor on paper", "Support" : "", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1986", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.67.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.67.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.67.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.67.tif", "IsPrimary" : "1", "_SurrogateID" : "3438", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17271, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17271", "Disp_Access_No" : "2004.173", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "Cordero sacrificado [Sacrificed Lamb]", "Alt_Title" : "", "Obj_Title" : "Cordero sacrificado [Sacrificed Lamb]", "Series_Title" : "", "Disp_Maker_1" : "Feliciano Centurión", "Sort_Artist" : "Centurión, Feliciano", "Disp_Dimen" : "236.2 cm x 130.8 cm (93 in. x 51 1/2 in.)", "Disp_Height" : "236.2 cm", "Disp_Width" : "130.8 cm", "Dimen_Extent" : "outer dimension", "Medium" : "Acrylic", "Support" : "polyester blanket", "Disp_Medium" : "Acrylic on polyester blanket", "Info_Page_Comm" : "In Buenos Aires in the 1990s, a new generation of artists responded enthusiastically to the recent democratically elected government and to the air of social tolerance that came with it. Feliciano Centurión was a central figure in the Arte Light movement, known for flamboyant, irreverent works that embodied progressive attitudes about lifestyle and sexuality. By using cheap blankets as the support for large-scale paintings, he sought a new type of beauty through the language of kitsch, humor, and theatricality. Centurión painted his most poignant and personal work, "Sacrificed Lamb," the day he was diagnosed with AIDS. The timing of the work, along with the Christian symbol of the sacrificial lamb, reflects a somber undercurrent in his humor and a sense of impending mortality.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Museum purchase with funds provided by Donald R. Mullins, Jr., 2004", "Copyright_Type" : "All", "Disp_Obj_Type" : "textile", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.173.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.173.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.173.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.173.tif", "IsPrimary" : "1", "_SurrogateID" : "2950", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17272, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17272", "Disp_Access_No" : "2004.174", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1996", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "2001", "Disp_Title" : "Luz divina del alma [Divine Light of the Soul]", "Alt_Title" : "", "Obj_Title" : "Luz divina del alma [Divine Light of the Soul]", "Series_Title" : "", "Disp_Maker_1" : "Feliciano Centurión", "Sort_Artist" : "Centurión, Feliciano", "Disp_Dimen" : "22.2 cm x 38 cm x 7.3 cm (8 3/4 in. x 14 15/16 in. x 2 7/8 in.)", "Disp_Height" : "22.2 cm", "Disp_Width" : "38 cm", "Dimen_Extent" : "outer dimension", "Medium" : "Hand embroidered pillow", "Support" : "", "Disp_Medium" : "Hand embroidered pillow", "Info_Page_Comm" : "Few objects are as common and as evocative as pillows. In their place at the “head” of the bed, they are associated with our bodies as we rest, love, convalesce, sleep, and die. Feliciano Centurión embroidered these pillowcases at the hospital where he received treatment for the HIV-related complications that led to his early death. The blue eyes with frilly lace lashes of “Luz divina del alma” are both comic and poignant when paired with the embroidered title. In “Soledad,” the delicate handwriting of the embroidery radiates vulnerability, making the decorative lace along the edge (an important tradition in the artist’s native Paraguay) all the more moving. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Museum purchase with funds provided by Donald R. Mullins, Jr., 2004", "Copyright_Type" : "All", "Disp_Obj_Type" : "textile", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.174.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.174.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.174.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.174.tif", "IsPrimary" : "1", "_SurrogateID" : "2713", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17273, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17273", "Disp_Access_No" : "2004.175", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "Me adapto a mi enfermedad, de la serie Flores del mal de amor [I Adjust to My Illness, from the series Flowers of Love Sickness]", "Alt_Title" : "", "Obj_Title" : "Me adapto a mi enfermedad, de la serie Flores del mal de amor [I Adjust to My Illness, from the series Flowers of Love Sickness]", "Series_Title" : "", "Disp_Maker_1" : "Feliciano Centurión", "Sort_Artist" : "Centurión, Feliciano", "Disp_Dimen" : "54 cm x 36.5 cm (21 1/4 in. x 14 3/8 in.)", "Disp_Height" : "54 cm", "Disp_Width" : "36.5 cm", "Dimen_Extent" : "outer dimension", "Medium" : "Hand embroidered blanket", "Support" : "", "Disp_Medium" : "Hand embroidered blanket", "Info_Page_Comm" : "The artist produced this pillow as he was dying from complications related to AIDS. Domestic linens appear prominently in Centurión’s earlier work as well: in the early 1990s he explored notions of beauty, sexuality, and femininity through a series of large painted or embroidered blankets. Towards the end of his life he began working on a smaller scale due to his weak and bedridden circumstances. These embroidered pillows and linens articulate the passion, desire, and despair of Centurión’s emotional and mental states at that time.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Museum purchase with funds provided by Donald R. Mullins, Jr., 2004", "Copyright_Type" : "All", "Disp_Obj_Type" : "textile", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.175.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.175.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.175.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.175.tif", "IsPrimary" : "1", "_SurrogateID" : "2935", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17274, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17274", "Disp_Access_No" : "2004.176", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1993", "_Disp_Start_Dat" : "1988", "_Disp_End_Date" : "1998", "Disp_Title" : "Pulpo blanco [White Octopus]", "Alt_Title" : "", "Obj_Title" : "Pulpo blanco [White Octopus]", "Series_Title" : "", "Disp_Maker_1" : "Feliciano Centurión", "Sort_Artist" : "Centurión, Feliciano", "Disp_Dimen" : "241.3 cm x 213.4 cm (95 in. x 84 in.)", "Disp_Height" : "241.3 cm", "Disp_Width" : "213.4 cm", "Dimen_Extent" : "outer dimension", "Medium" : "Acrylic", "Support" : "polyester blanket", "Disp_Medium" : "Acrylic on polyester blanket", "Info_Page_Comm" : "In Buenos Aires in the 1990s, a new generation of artists responded enthusiastically to the recently (and democratically) elected government and to the air of social tolerance that followed by creating works that were flamboyant and irreverent and that embodied progressive attitudes towards lifestyle and sexuality. Centurión was a central figure in the “Arte Light” movement, which came to symbolize this new spirit. By taking blankets, which were associated with poverty, and using them as the support for paintings of large, extravagant forms like this white octopus, Centurión sought a new type of beauty through the language of kitsch, humor, and theatricality. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Museum purchase with funds provided by Donald R. Mullins, Jr., 2004", "Copyright_Type" : "All", "Disp_Obj_Type" : "textile", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.176.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.176.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.176.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.176.tif", "IsPrimary" : "1", "_SurrogateID" : "2951", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17275, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17275", "Disp_Access_No" : "2004.177", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1996", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "2001", "Disp_Title" : "Reposa [Rest]", "Alt_Title" : "", "Obj_Title" : "Reposa [Rest]", "Series_Title" : "", "Disp_Maker_1" : "Feliciano Centurión", "Sort_Artist" : "Centurión, Feliciano", "Disp_Dimen" : "22 cm x 38 cm (8 11/16 in. x 14 15/16 in.)", "Disp_Height" : "22 cm", "Disp_Width" : "38 cm", "Dimen_Extent" : "outer dimension", "Medium" : "Hand embroidered pillow", "Support" : "", "Disp_Medium" : "Hand embroidered pillow", "Info_Page_Comm" : "Few objects are as common and as evocative as pillows. In their place at the “head” of the bed, they are associated with our bodies as we rest, love, convalesce, sleep, and die. Feliciano Centurión embroidered these pillowcases at the hospital where he received treatment for the HIV-related complications that led to his early death. The blue eyes with frilly lace lashes of “Luz divina del alma” are both comic and poignant when paired with the embroidered title. In “Soledad,” the delicate handwriting of the embroidery radiates vulnerability, making the decorative lace along the edge (an important tradition in the artist’s native Paraguay) all the more moving. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Museum purchase with funds provided by Donald R. Mullins, Jr., 2004", "Copyright_Type" : "All", "Disp_Obj_Type" : "textile", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.177.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.177.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.177.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.177.tif", "IsPrimary" : "1", "_SurrogateID" : "2714", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17276, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17276", "Disp_Access_No" : "2004.178", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1996", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "2001", "Disp_Title" : "Soledad [Solitude]", "Alt_Title" : "", "Obj_Title" : "Soledad [Solitude]", "Series_Title" : "", "Disp_Maker_1" : "Feliciano Centurión", "Sort_Artist" : "Centurión, Feliciano", "Disp_Dimen" : "26 cm x 43 cm (10 1/4 in. x 16 15/16 in.)", "Disp_Height" : "26 cm", "Disp_Width" : "43 cm", "Dimen_Extent" : "outer dimension", "Medium" : "Hand embroidered pillow", "Support" : "", "Disp_Medium" : "Hand embroidered pillow", "Info_Page_Comm" : "Few objects are as common and as evocative as pillows. In their place at the “head” of the bed, they are associated with our bodies as we rest, love, convalesce, sleep, and die. Feliciano Centurión embroidered these pillowcases at the hospital where he received treatment for the HIV-related complications that led to his early death. The blue eyes with frilly lace lashes of “Luz divina del alma” are both comic and poignant when paired with the embroidered title. In “Soledad,” the delicate handwriting of the embroidery radiates vulnerability, making the decorative lace along the edge (an important tradition in the artist’s native Paraguay) all the more moving. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Museum purchase with funds provided by Donald R. Mullins, Jr., 2004", "Copyright_Type" : "All", "Disp_Obj_Type" : "textile", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.178.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.178.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.178.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.178.tif", "IsPrimary" : "1", "_SurrogateID" : "2715", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17277, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17277", "Disp_Access_No" : "2004.179", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1996", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "2001", "Disp_Title" : "Soy el alma que no muere [I am the soul that does not die]", "Alt_Title" : "", "Obj_Title" : "Soy el alma que no muere [I am the soul that does not die]", "Series_Title" : "", "Disp_Maker_1" : "Feliciano Centurión", "Sort_Artist" : "Centurión, Feliciano", "Disp_Dimen" : "49 cm x 51.5 cm (19 5/16 in. x 20 1/4 in.)", "Disp_Height" : "49 cm", "Disp_Width" : "51.5 cm", "Dimen_Extent" : "outer dimension", "Medium" : "Hand embroidered blanket", "Support" : "", "Disp_Medium" : "Hand embroidered blanket", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Museum purchase with funds provided by Donald R. Mullins, Jr., 2004", "Copyright_Type" : "All", "Disp_Obj_Type" : "textile", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.179.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.179.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.179.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.179.tif", "IsPrimary" : "1", "_SurrogateID" : "2936", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17278, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17278", "Disp_Access_No" : "2004.180", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1996", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "2001", "Disp_Title" : "Sueña [Dream]", "Alt_Title" : "", "Obj_Title" : "Sueña [Dream]", "Series_Title" : "", "Disp_Maker_1" : "Feliciano Centurión", "Sort_Artist" : "Centurión, Feliciano", "Disp_Dimen" : "22 cm x 31 cm (8 11/16 in. x 12 3/16 in.)", "Disp_Height" : "22 cm", "Disp_Width" : "31 cm", "Dimen_Extent" : "outer dimension", "Medium" : "Hand embroidered pillow", "Support" : "", "Disp_Medium" : "Hand embroidered pillow", "Info_Page_Comm" : "In Buenos Aires in the 1990s, a new generation of artists responded enthusiastically to the recent democratically elected government and to the air of social tolerance that came with it. Feliciano Centurión was a central figure in the Arte Light movement, known for irreverent works that embodied progressive attitudes about lifestyle and sexuality. Centurión embroidered “Sueña” at the hospital where he received treatment for the HIV-related complications that led to his early death. In this work, pillows are recognized as being both familiar and evocative: in their place at the “head” of the bed, they are associated with our bodies as we rest, love, convalesce, sleep, and die. Weak and bedridden towards the end of his life, Centurión embroidered linens and smaller-scale pillows, such as this one, that express his grief and acceptance of his illness. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Museum purchase with funds provided by Donald R. Mullins, Jr., 2004", "Copyright_Type" : "All", "Disp_Obj_Type" : "textile", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.180.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.180.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.180.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.180.tif", "IsPrimary" : "1", "_SurrogateID" : "2716", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17279, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17279", "Disp_Access_No" : "2004.181", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Untitled (preparatory drawing for Sacrifical Lamb)", "Alt_Title" : "", "Obj_Title" : "Untitled (preparatory drawing for Sacrifical Lamb)", "Series_Title" : "", "Disp_Maker_1" : "Feliciano Centurión", "Sort_Artist" : "Centurión, Feliciano", "Disp_Dimen" : "28 cm x 22 cm (11 in. x 8 11/16 in.)", "Disp_Height" : "28 cm", "Disp_Width" : "22 cm", "Dimen_Extent" : "sheet", "Medium" : "Pencil", "Support" : "", "Disp_Medium" : "Pencil", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Museum purchase with funds provided by Donald R. Mullins, Jr., 2004", "Copyright_Type" : "All", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.181.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.181.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.181.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.181.tif", "IsPrimary" : "1", "_SurrogateID" : "4452", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17375, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17375", "Disp_Access_No" : "2005.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1992", "_Disp_Start_Dat" : "1992", "_Disp_End_Date" : "1992", "Disp_Title" : "Tres casas [Three Houses]", "Alt_Title" : "", "Obj_Title" : "Tres casas [Three Houses]", "Series_Title" : "", "Disp_Maker_1" : "Alejandro Corujeira", "Sort_Artist" : "Corujeira, Alejandro", "Disp_Dimen" : "190 cm x 190 cm (74 13/16 in. x 74 13/16 in.)", "Disp_Height" : "190 cm", "Disp_Width" : "190 cm", "Dimen_Extent" : "canvas", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "The subtle and sensitive use of paint in Corujeira’s work draws attention to the surface and to the trace of the artist’s hand. The simplicity and minimalism of the composition do not generate a hard-edged mathematical and rational experience. Instead we see each individual brushstroke and hesitation, drawing attention to the uncertainty and fragility of the human experience. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Fundación José Felix Llopis, 2005", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.32.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.32.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.32.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.32.tif", "IsPrimary" : "1", "_SurrogateID" : "2788", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19332, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19332", "Disp_Access_No" : "2009.19", "_AccNumSort1" : "", "Disp_Create_DT" : "2008", "_Disp_Start_Dat" : "2008", "_Disp_End_Date" : "2008", "Disp_Title" : "Nicola Costurera [Nicola Seamstress]", "Alt_Title" : "", "Obj_Title" : "Nicola Costurera [Nicola Seamstress]", "Series_Title" : "", "Disp_Maker_1" : "Nicola Costantino", "Sort_Artist" : "Costantino, Nicola", "Disp_Dimen" : "124.5 cm x 104.1 cm (49 in. x 41 in.)", "Disp_Height" : "124.5 cm", "Disp_Width" : "104.1 cm", "Dimen_Extent" : "", "Medium" : "Inkjet", "Support" : "", "Disp_Medium" : "Inkjet", "Info_Page_Comm" : "Constantino’s work has always placed issues related to feminism at its core. Following the subversive artistic practices of artists such as Cindy Sherman, she inserts herself into art history, playing dual roles as both the creator and the object of representation. Nicola costurera [Nicola Seamstress] is a reference to Primeros pasos [First Steps] (1937), a painting by Antonio Berni, one of Argentina’s most popular and prolific artists whose career spanned sixty years and incorporated aspects of Surrealism, social realism, and Pop art in order to address class issues. In this photograph Constantino situates herself as the protagonist of the tableau, appropriating the compositional balance and posture of the seamstress depicted by Berni and dramatizing the scene through the use of theatrical lighting. In contrast to Berni’s picture, in which a male dancer is passively observed by a seamstress, Constantino diverts the viewer’s attention to her own likeness, accentuating the seamstress role within the scene and, by extension, the female presence in the history of art.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the Pinta Museum Acquisition Program with generosity from the Arts Connection Foundation, Gail and Louis Adler, Michael Chesser, and Melissa Jones, 2009", "Copyright_Type" : "", "Disp_Obj_Type" : "photograph", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.19.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.19.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.19.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2009.19.tif", "IsPrimary" : "1", "_SurrogateID" : "6560", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.19 audioEng.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.19 audioEng.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.19 audioEng.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/2009.19 audioEng.mp3", "IsPrimary" : "0", "_SurrogateID" : "8198", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.19 audioSpan.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.19 audioSpan.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.19 audioSpan.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/2009.19 audioSpan.mp3", "IsPrimary" : "0", "_SurrogateID" : "8199", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14970, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14970", "Disp_Access_No" : "1983.110", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Paris", "Alt_Title" : "", "Obj_Title" : "Paris", "Series_Title" : "", "Disp_Maker_1" : "Delia Cugat", "Sort_Artist" : "Cugat, Delia", "Disp_Dimen" : "74.8 cm x 94.5 cm (29 7/16 in. x 37 3/16 in.)", "Disp_Height" : "74.8 cm", "Disp_Width" : "94.5 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Barbara Duncan Fund, 1983", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1983.110.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1983.110.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1983.110.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1983.110.tif", "IsPrimary" : "1", "_SurrogateID" : "3301", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7736, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7736", "Disp_Access_No" : "1985.206", "_AccNumSort1" : "", "Disp_Create_DT" : "1984", "_Disp_Start_Dat" : "1984", "_Disp_End_Date" : "1984", "Disp_Title" : "Sin título (Cabeza y mano) [Untitled (Head and Hand)]", "Alt_Title" : "", "Obj_Title" : "Sin título (Cabeza y mano) [Untitled (Head and Hand)]", "Series_Title" : "", "Disp_Maker_1" : "Delia Cugat", "Sort_Artist" : "Cugat, Delia", "Disp_Dimen" : "32.4 cm x 32.4 cm (12 3/4 in. x 12 3/4 in.)", "Disp_Height" : "32.4 cm", "Disp_Width" : "32.4 cm", "Dimen_Extent" : "Image", "Medium" : "Gouache and pencil on paper", "Support" : "", "Disp_Medium" : "Gouache and pencil on paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Anonymous gift, 1985", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.206.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.206.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.206.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.206.tif", "IsPrimary" : "1", "_SurrogateID" : "3399", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19661, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19661", "Disp_Access_No" : "2011.37", "_AccNumSort1" : "", "Disp_Create_DT" : "1993", "_Disp_Start_Dat" : "1993", "_Disp_End_Date" : "1993", "Disp_Title" : "Mordisquito [The Bite]", "Alt_Title" : "", "Obj_Title" : "Mordisquito [The Bite]", "Series_Title" : "", "Disp_Maker_1" : "Beto De Volder", "Sort_Artist" : "De Volder, Beto", "Disp_Dimen" : "200 cm x 131.1 cm (78 3/4 in. x 51 5/8 in.)", "Disp_Height" : "200 cm", "Disp_Width" : "131.1 cm", "Dimen_Extent" : "sight", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gustavo Bruzzone, 2011", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2011.37.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2011.37.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2011.37.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2011.37.tif", "IsPrimary" : "1", "_SurrogateID" : "8464", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19300, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19300", "Disp_Access_No" : "2008.151.1/3-3/3", "_AccNumSort1" : "", "Disp_Create_DT" : "2008", "_Disp_Start_Dat" : "2008", "_Disp_End_Date" : "2008", "Disp_Title" : "Espiritú guardián", "Alt_Title" : "", "Obj_Title" : "Espiritú guardián", "Series_Title" : "", "Disp_Maker_1" : "Matias Duville", "Sort_Artist" : "Duville, Matias", "Disp_Dimen" : "231.1 cm x 365.7 cm (91 in. x 144 in.)", "Disp_Height" : "231.1 cm", "Disp_Width" : "365.7 cm", "Dimen_Extent" : "overall", "Medium" : "Acrylic", "Support" : "board", "Disp_Medium" : "Acrylic on board", "Info_Page_Comm" : "At first glance, this painting seems entirely abstract. On closer examination, one notices what looks like brown tree trunks surrounded by green leaves or grass. Almost hidden is a small cabin at the upper left. Two boots and two gloves to the right, huge relative to the surrounding landscape, suggest a reclining figure that is more absent than present. The unusual support for this painting—three panels of chipboard—vies with the painted image for the viewer’s attention. Around the perimeter, flecks of acrylic mimic the board’s compressed woodchips in their size and shape. The artist further emphasized the support material by chipping away at it and then affixing the detached chunks to the panels. The attack on the surface echoes the subject of the painting: a landscape that appears to have suffered a trauma. As Duville has explained, he aims to “merge the narrative and action with the surface.” Duville’s home during his teenage years was located between the forest and the ocean, and his immersion in the natural world may have contributed to a message that permeates his apocalyptic landscapes: the forces of nature can easily overpower civilization, destroying the most monumental of human accomplishments.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Susman Collection, 2008", "Copyright_Type" : "All approved.", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.151.1-3_3-3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.151.1-3_3-3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.151.1-3_3-3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.151.1-3_3-3.tif", "IsPrimary" : "1", "_SurrogateID" : "6860", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14962, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14962", "Disp_Access_No" : "1983.118", "_AccNumSort1" : "", "Disp_Create_DT" : "1981", "_Disp_Start_Dat" : "1981", "_Disp_End_Date" : "1981", "Disp_Title" : "Penetraciones [Penetrations]", "Alt_Title" : "[Penetraciones]", "Obj_Title" : "Penetraciones [Penetrations]", "Series_Title" : "", "Disp_Maker_1" : "Raúl Farco", "Sort_Artist" : "Farco, Raúl", "Disp_Dimen" : "93.3 cm x 88.3 cm x 18.5 cm (36 3/4 in. x 34 3/4 in. x 7 5/16 in.)", "Disp_Height" : "93.3 cm", "Disp_Width" : "88.3 cm", "Dimen_Extent" : "HLW", "Medium" : "Cherokee marble and Pennsylvania ribbon slate with pigments", "Support" : "", "Disp_Medium" : "Cherokee marble and Pennsylvania ribbon slate with pigments", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jeffrey Jurick, 1983", "Copyright_Type" : "", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1983.118_verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1983.118_verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1983.118_verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1983.118_verso.tif", "IsPrimary" : "0", "_SurrogateID" : "3312", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1983.118_recto.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1983.118_recto.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1983.118_recto.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1983.118_recto.tif", "IsPrimary" : "1", "_SurrogateID" : "6433", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7667, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7667", "Disp_Access_No" : "2001.42", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Planta [Plan]", "Alt_Title" : "", "Obj_Title" : "Planta [Plan]", "Series_Title" : "", "Disp_Maker_1" : "León Ferrari", "Sort_Artist" : "Ferrari, León", "Disp_Dimen" : "95.6 cm x 93.3 cm (37 5/8 in. x 36 3/4 in.)", "Disp_Height" : "95.6 cm", "Disp_Width" : "93.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "India ink and Letraset transfer images on plastic film", "Support" : "", "Disp_Medium" : "India ink and Letraset transfer images on plastic film", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the artist, 2001", "Copyright_Type" : "all", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.42.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.42.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.42.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.42.tif", "IsPrimary" : "1", "_SurrogateID" : "1735", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7968, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7968", "Disp_Access_No" : "2001.46", "_AccNumSort1" : "", "Disp_Create_DT" : "1991", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "1991", "Disp_Title" : "Sin título, de la serie Errores, 23/3/91 [Untitled, from the Errors Series 23/3/91]", "Alt_Title" : "", "Obj_Title" : "Sin título, de la serie Errores, 23/3/91 [Untitled, from the Errors Series 23/3/91]", "Series_Title" : "", "Disp_Maker_1" : "León Ferrari", "Sort_Artist" : "Ferrari, León", "Disp_Dimen" : "111.5 cm x 76.7 cm (43 7/8 in. x 30 3/16 in.)", "Disp_Height" : "111.5 cm", "Disp_Width" : "76.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Ink on paper", "Support" : "", "Disp_Medium" : "Ink on paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2001", "Copyright_Type" : "all", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.46.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.46.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.46.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.46.tif", "IsPrimary" : "1", "_SurrogateID" : "4713", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.46.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.46.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.46.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.46.tif", "IsPrimary" : "0", "_SurrogateID" : "4714", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17369, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17369", "Disp_Access_No" : "1985.59.1/3-3/3", "_AccNumSort1" : "", "Disp_Create_DT" : "1985", "_Disp_Start_Dat" : "1985", "_Disp_End_Date" : "1985", "Disp_Title" : "Annies I, II & III", "Alt_Title" : "", "Obj_Title" : "Annies I, II & III", "Series_Title" : "", "Disp_Maker_1" : "Luis Frangella", "Sort_Artist" : "Frangella, Luis", "Disp_Dimen" : " ()", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "HLW", "Medium" : "Mixed media", "Support" : "wood", "Disp_Medium" : "Mixed media on wood", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Barbara Duncan Fund and Archer M. Huntington Museum Fund, 1985", "Copyright_Type" : "", "Disp_Obj_Type" : "construction", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.59.1-3_3-3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.59.1-3_3-3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.59.1-3_3-3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.59.1-3_3-3.tif", "IsPrimary" : "1", "_SurrogateID" : "3397", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18753, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18753", "Disp_Access_No" : "2006.326", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "Estación central de Rotterdam", "Alt_Title" : "", "Obj_Title" : "Estación central de Rotterdam", "Series_Title" : "", "Disp_Maker_1" : "Sebastián Gordín", "Sort_Artist" : "Gordín, Sebastián", "Disp_Dimen" : "137.9 cm x 102.8 cm x 60.3 cm (54 5/16 in. x 40 1/2 in. x 23 3/4 in.)", "Disp_Height" : "137.9 cm", "Disp_Width" : "102.8 cm", "Dimen_Extent" : "installed dimension", "Medium" : "Mixed media", "Support" : "", "Disp_Medium" : "Mixed media", "Info_Page_Comm" : "The scene presented through the peephole on this work is a recreation of the Central Station in Rotterdam, The Netherlands. The artist carefully reconstructed this image from a tourist postcard that his father sent him during a European tour in the 1950s. By looking through the small lens, we are invited into a scene that is arrested in time and strangely evocative of a melodramatic movie or novel. Gordín's work explores memory and parallel realities through small shifts in perception. Indeed, the brightly colored box of Rotterdam Central Station is not unlike a magic trick that takes us back in time or deep into someone else's personal memories.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchased with funds provided by Fundación Arte BA, Buenos Aires, and contributions from the Blanton Latin American Circle, 2006", "Copyright_Type" : "", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.326.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.326.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.326.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.326.tif", "IsPrimary" : "1", "_SurrogateID" : "4253", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.326 detail.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.326 detail.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.326 detail.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.326 detail.tif", "IsPrimary" : "0", "_SurrogateID" : "4260", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.326 interior view.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.326 interior view.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.326 interior view.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.326 interior view.tif", "IsPrimary" : "0", "_SurrogateID" : "4261", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16913, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16913", "Disp_Access_No" : "2003.108", "_AccNumSort1" : "", "Disp_Create_DT" : "2000", "_Disp_Start_Dat" : "2000", "_Disp_End_Date" : "2000", "Disp_Title" : "Buenos Aires (I Used to Love that Suicide World)", "Alt_Title" : "", "Obj_Title" : "Buenos Aires (I Used to Love that Suicide World)", "Series_Title" : "", "Disp_Maker_1" : "Diego Gravinese", "Sort_Artist" : "Gravinese, Diego", "Disp_Dimen" : "121.3 cm x 152.4 cm (47 3/4 in. x 60 in.)", "Disp_Height" : "121.3 cm", "Disp_Width" : "152.4 cm", "Dimen_Extent" : "sight", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "While Photorealism is usually explained as a uniquely American artistic style, it has also had important contributions in Latin America. Gravinese, a young artist from Argentina, is a leading figure within the contemporary re-birth of this style. The precise realism of this painting, based on a photograph, is contradicted by the loose, gestural marks on the surface, which remind the viewer that this is a painting, not a photograph. This work was painted while the artist was in New York, and the title refers to his nostalgia for Buenos Aires’s frantic nightlife. The photograph of a frozen suspended image, and its animated surface, recall the bitter-sweet experience of nostalgia, memory, and longing.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2003", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.108.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.108.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.108.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.108.tif", "IsPrimary" : "1", "_SurrogateID" : "2105", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16910, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16910", "Disp_Access_No" : "2003.107", "_AccNumSort1" : "", "Disp_Create_DT" : "1993", "_Disp_Start_Dat" : "1993", "_Disp_End_Date" : "1993", "Disp_Title" : "Esfera (Serie desequilibrios) 1-I [Sphere (Imbalance Series) 1-I]", "Alt_Title" : "", "Obj_Title" : "Esfera (Serie desequilibrios) 1-I [Sphere (Imbalance Series) 1-I]", "Series_Title" : "", "Disp_Maker_1" : "Víctor Grippo", "Sort_Artist" : "Grippo, Víctor", "Disp_Dimen" : "44.1 cm x 34.3 cm x 11.6 cm (17 3/8 in. x 13 1/2 in. x 4 9/16 in.)", "Disp_Height" : "44.1 cm", "Disp_Width" : "34.3 cm", "Dimen_Extent" : "HWD", "Medium" : "Glazed wooden box, plaster and paint ", "Support" : "", "Disp_Medium" : "Glazed wooden box, plaster and paint ", "Info_Page_Comm" : "In the 1980’s, Victor Grippo created a series of stage set-like sculptures called “Balance” that featured small scenes illustrating physical acts of cause and effect. He followed it with a complementary series called “Imbalance” that includes “Esfera.” On the left side a red ball rests on a shelf next to a shattered white crucible. An unbroken crucible rests next to the shards, painted above it is red and black circle. Grippo’s puzzling tableau contrasts real objects with their two-dimensional images and unsettles scientific rules that connect cause with its possible effects. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2003", "Copyright_Type" : "", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.107.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.107.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.107.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.107.tif", "IsPrimary" : "1", "_SurrogateID" : "2104", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17732, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17732", "Disp_Access_No" : "2005.173.1/2-2/2", "_AccNumSort1" : "", "Disp_Create_DT" : "2000", "_Disp_Start_Dat" : "2000", "_Disp_End_Date" : "2000", "Disp_Title" : "Untitled (diptych)", "Alt_Title" : "", "Obj_Title" : "Untitled (diptych)", "Series_Title" : "", "Disp_Maker_1" : "Jorge Gumier Maier", "Sort_Artist" : "Gumier Maier, Jorge", "Disp_Dimen" : "192 cm x 200 cm (75 9/16 in. x 78 3/4 in.)", "Disp_Height" : "192 cm", "Disp_Width" : "200 cm", "Dimen_Extent" : "outer dimension (approx.)", "Medium" : "Acrylic", "Support" : "carved wood", "Disp_Medium" : "Acrylic on carved wood", "Info_Page_Comm" : "As director of the Centro Cultural Ricardo Rojas during the 1990s, Gumier Maier was one of the key promoters of the “Arte Light” movement that replaced the angst-ridden and politically charged work of the 1980s with a new taste for the showy and irreverent. He uses curvilinear forms to produce an ironic commentary on art history, particularly the tension between the serious, so-called masculine aspirations of geometrical abstraction and the “effeminate” arabesques of the Baroque. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Blanton Latin American Circle, 2005", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.173.1-2_2-2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.173.1-2_2-2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.173.1-2_2-2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.173.1-2_2-2.tif", "IsPrimary" : "1", "_SurrogateID" : "6500", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18921, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18921", "Disp_Access_No" : "2007.84", "_AccNumSort1" : "", "Disp_Create_DT" : "1998", "_Disp_Start_Dat" : "1998", "_Disp_End_Date" : "1998", "Disp_Title" : "La intrusa [The Intruder]", "Alt_Title" : "", "Obj_Title" : "La intrusa [The Intruder]", "Series_Title" : "", "Disp_Maker_1" : "Miguel Harte", "Sort_Artist" : "Harte, Miguel", "Disp_Dimen" : "294.6 cm x 208.3 cm x 322.6 cm (116 in. x 82 in. x 127 in.)", "Disp_Height" : "294.6 cm", "Disp_Width" : "208.3 cm", "Dimen_Extent" : "installed dimension", "Medium" : "Steel, glass, epoxy, quartz geodes, putty, insects and light", "Support" : "", "Disp_Medium" : "Steel, glass, epoxy, quartz geodes, putty, insects and light", "Info_Page_Comm" : "Like his contemporary Sebastián Gordín, Harte builds elaborate miniature models. He houses desiccated bugs and human/insect hybrid figurines within transparent industrial containers filled with organic materials, such as resin and eggshells. The light and glass globes of the The Intruder recall an old-fashioned scientific specimen display. Harte upends the work’s clinical appearance by setting violent scenes populated by bizarre characters within the spheres; each one suggests a story infused with whimsy, dark humor, and satire.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Susman Collection, 2007", "Copyright_Type" : "", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.84.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.84.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.84.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.84.tif", "IsPrimary" : "1", "_SurrogateID" : "4522", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.84 detail.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.84 detail.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.84 detail.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.84 detail.tif", "IsPrimary" : "0", "_SurrogateID" : "4527", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19112, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19112", "Disp_Access_No" : "2008.59", "_AccNumSort1" : "", "Disp_Create_DT" : "1995", "_Disp_Start_Dat" : "1995", "_Disp_End_Date" : "1995", "Disp_Title" : " El Gordiplan Hártico", "Alt_Title" : "", "Obj_Title" : " El Gordiplan Hártico", "Series_Title" : "", "Disp_Maker_1" : "Miguel Harte", "Sort_Artist" : "Harte, Miguel", "Disp_Dimen" : "39.4 cm x 78.7 cm (15 1/2 in. x 31 in.)", "Disp_Height" : "39.4 cm", "Disp_Width" : "78.7 cm", "Dimen_Extent" : "HWD", "Medium" : "Acrylic sphere, textured paint, glass, liquid vaseline, silicone, insect, fan...", "Support" : "", "Disp_Medium" : "Acrylic sphere, textured paint, glass, liquid vaseline, silicone, insect, fan...", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Museum purchase with funds provided by Michael Chesser, 2008", "Copyright_Type" : "", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.59.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.59.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.59.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.59.tif", "IsPrimary" : "1", "_SurrogateID" : "6595", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.59_detail_A.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.59_detail_A.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.59_detail_A.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.59_detail_A.tif", "IsPrimary" : "0", "_SurrogateID" : "6596", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.59_detail_B.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.59_detail_B.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.59_detail_B.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.59_detail_B.tif", "IsPrimary" : "0", "_SurrogateID" : "6597", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19662, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19662", "Disp_Access_No" : "2011.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1998", "_Disp_Start_Dat" : "1998", "_Disp_End_Date" : "1998", "Disp_Title" : "Stradivarius", "Alt_Title" : "", "Obj_Title" : "Stradivarius", "Series_Title" : "", "Disp_Maker_1" : "Benito Laren", "Sort_Artist" : "Laren, Benito", "Disp_Dimen" : "60.3 cm x 26 cm x 1.9 cm (23 3/4 in. x 10 1/4 in. x 3/4 in.)", "Disp_Height" : "60.3 cm", "Disp_Width" : "26 cm", "Dimen_Extent" : "HLW", "Medium" : "Acrylic, glass, and cut panel", "Support" : "", "Disp_Medium" : "Acrylic, glass, and cut panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gustavo Bruzzone, 2011", "Copyright_Type" : "", "Disp_Obj_Type" : "construction", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2011.38whiteback.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2011.38whiteback.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2011.38whiteback.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2011.38whiteback.tif", "IsPrimary" : "1", "_SurrogateID" : "8467", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16873, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16873", "Disp_Access_No" : "2003.91", "_AccNumSort1" : "", "Disp_Create_DT" : "1992", "_Disp_Start_Dat" : "1992", "_Disp_End_Date" : "1992", "Disp_Title" : "La flecha de Zenón [Zeno's Arrow]", "Alt_Title" : "", "Obj_Title" : "La flecha de Zenón [Zeno's Arrow]", "Series_Title" : "", "Disp_Maker_1" : "Jorge Macchi and David Oubiña", "Sort_Artist" : "Macchi and David Oubiña, Jorge", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Video", "Support" : "", "Disp_Medium" : "Video", "Info_Page_Comm" : "The Greek philosopher Xeno of Elea (c. 450 B.C.) stated that an arrow flying towards a target can never logically reach it, because the distance between the moving arrow and the target is always mathematically divisible by two and hence infinite. From a strictly logical point of view, then, time and motion cannot exist. Macchi and Oubiñas have taken this ancient paradox and applied it to a modern convention of temporal movement: the countdown before the start of a film. The DVD starts with a regular countdown, showing numerals changing from 10 to 1. When we would expect the film to start, however, in the moment following the appearance of 1, we see instead 0.5, then 0.25, 0.125, 0.0625, and so on until the number is so long as to be illegible. The anticipated movie never starts as we remain stuck in this eternal, but rigorously logical, time warp. The philosophical humor, formal simplicity, and everyday reference of this work are characteristic of Macchi’s sophisticated approach to art.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2003", "Copyright_Type" : "all approved, including web", "Disp_Obj_Type" : "time based media", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.91-7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.91-7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.91-7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.91-7.jpg", "IsPrimary" : "0", "_SurrogateID" : "7597", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.91-6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.91-6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.91-6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.91-6.jpg", "IsPrimary" : "0", "_SurrogateID" : "7596", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.91-5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.91-5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.91-5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.91-5.jpg", "IsPrimary" : "0", "_SurrogateID" : "7595", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.91-4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.91-4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.91-4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.91-4.jpg", "IsPrimary" : "0", "_SurrogateID" : "7594", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.91-3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.91-3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.91-3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.91-3.jpg", "IsPrimary" : "0", "_SurrogateID" : "7593", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.91-2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.91-2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.91-2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.91-2.jpg", "IsPrimary" : "1", "_SurrogateID" : "7592", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.91-1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.91-1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.91-1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.91-1.jpg", "IsPrimary" : "0", "_SurrogateID" : "7591", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17162, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17162", "Disp_Access_No" : "2004.115", "_AccNumSort1" : "", "Disp_Create_DT" : "2003", "_Disp_Start_Dat" : "2003", "_Disp_End_Date" : "2003", "Disp_Title" : "Buenos Aires Tour", "Alt_Title" : "", "Obj_Title" : "Buenos Aires Tour", "Series_Title" : "", "Disp_Maker_1" : "Jorge Macchi", "Sort_Artist" : "Macchi, Jorge", "Disp_Dimen" : "12.5 cm x 15.1 cm x 6.3 cm (4 15/16 in. x 5 15/16 in. x 2 1/2 in.)", "Disp_Height" : "12.5 cm", "Disp_Width" : "15.1 cm", "Dimen_Extent" : "Box", "Medium" : "Mixed media (box, 2 guide books, postcards, map, CD-ROM, dictionary, missal, let", "Support" : "", "Disp_Medium" : "Mixed media (box, booklets, postcards, map, CD-ROM, stamps)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Anonymous gift, 2004", "Copyright_Type" : "all approved, including web", "Disp_Obj_Type" : "print", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.115.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.115.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.115.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.115.tif", "IsPrimary" : "1", "_SurrogateID" : "2177", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19467, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19467", "Disp_Access_No" : "2010.11.1/3-3/3", "_AccNumSort1" : "", "Disp_Create_DT" : "1996-1998", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1998", "Disp_Title" : "Accidente en Rotterdam [Accident in Rotterdam]", "Alt_Title" : "", "Obj_Title" : "Accidente en Rotterdam [Accident in Rotterdam]", "Series_Title" : "", "Disp_Maker_1" : "Jorge Macchi", "Sort_Artist" : "Macchi, Jorge", "Disp_Dimen" : "95.6 cm x 95.6 cm (37 5/8 in. x 37 5/8 in.)", "Disp_Height" : "95.6 cm", "Disp_Width" : "95.6 cm", "Dimen_Extent" : "each panel", "Medium" : "Chromogenic color print on metal panel, triptych", "Support" : "", "Disp_Medium" : "Chromogenic color print on metal panel, triptych", "Info_Page_Comm" : "Jorge Macchi often combines the use of chance and found objects to suggest a poetic or humorous narrative. In these photographs, he took advantage of the shadows cast by windows on the floor of his temporary studio in Rotterdam to stage a series of recurrent imaginary scenes featuring two toy cars. He transforms the darkened floors into an urban grid devoid of traffic or human presence. Such emptiness cannot prevent the toy cars’ fatal attraction, challenging the very notion of an accident.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Donald R. Mullins, Jr. in honor of Gabriel Pérez-Barreiro, 2010", "Copyright_Type" : "", "Disp_Obj_Type" : "photograph", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.11.3-3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.11.3-3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.11.3-3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.11.3-3.tif", "IsPrimary" : "0", "_SurrogateID" : "6726", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.11.2-3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.11.2-3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.11.2-3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.11.2-3.tif", "IsPrimary" : "0", "_SurrogateID" : "6725", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.11.1-3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.11.1-3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.11.1-3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.11.1-3.tif", "IsPrimary" : "0", "_SurrogateID" : "6724", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.11.1-3_3-3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.11.1-3_3-3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.11.1-3_3-3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.11.1-3_3-3.tif", "IsPrimary" : "1", "_SurrogateID" : "6723", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19809, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19809", "Disp_Access_No" : "2012.38", "_AccNumSort1" : "", "Disp_Create_DT" : "2003", "_Disp_Start_Dat" : "2003", "_Disp_End_Date" : "2003", "Disp_Title" : "Fuegos de artificio [Fireworks]", "Alt_Title" : "", "Obj_Title" : "Fuegos de artificio [Fireworks]", "Series_Title" : "", "Disp_Maker_1" : "Jorge Macchi", "Sort_Artist" : "Macchi, Jorge", "Disp_Dimen" : "280 cm x 160 cm (110 1/4 in. x 63 in.)", "Disp_Height" : "280 cm", "Disp_Width" : "160 cm", "Dimen_Extent" : "Installed", "Medium" : "Mud and glue wall painting", "Support" : "", "Disp_Medium" : "Mud and glue wall painting", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Diane and Bruce Halle from the Thomarie Foundation, 2012", "Copyright_Type" : "", "Disp_Obj_Type" : "installation", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2012.38.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2012.38.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2012.38.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2012.38.tif", "IsPrimary" : "1", "_SurrogateID" : "9547", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2012.38-installed.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2012.38-installed.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2012.38-installed.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2012.38-installed.tif", "IsPrimary" : "0", "_SurrogateID" : "9548", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14305, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14305", "Disp_Access_No" : "1999.89", "_AccNumSort1" : "", "Disp_Create_DT" : "1999", "_Disp_Start_Dat" : "1999", "_Disp_End_Date" : "1999", "Disp_Title" : "Total Paintant", "Alt_Title" : "", "Obj_Title" : "Total Paintant", "Series_Title" : "", "Disp_Maker_1" : "Fabian Marcaccio", "Sort_Artist" : "Marcaccio, Fabian", "Disp_Dimen" : "254 cm x 609.6 cm (100 in. x 240 in.)", "Disp_Height" : "254 cm", "Disp_Width" : "609.6 cm", "Dimen_Extent" : "Outer dimension", "Medium" : "GO inks on Tyvek, oil and acrylic paint, silicone, poli-optics on aluminum structure", "Support" : "", "Disp_Medium" : "GO inks on Tyvek, oil and acrylic paint, silicone, poli-optics on aluminum structure", "Info_Page_Comm" : "Grounded in several disciplines, Fabian Marcaccio’s hybrid work incorporates painting, printmaking and digitizing techniques, photography, architecture, science fiction, and social theory in a sophisticated and incredibly dynamic synthesis. Rococo in their physical form, his “paintants,” or mutant paintings, aim to subvert the traditional conventions of late modernist painting by representing linguistic, poetic, political, existential, formal, and spatial realities in one cacophonous expression. Tautly stretched over hidden braces that intermittently push the surface of the work out toward the viewer, these vibrant constructions suggest complex systems that could interact in unpredictable ways. Total Paintant confounds the logic of how we usually look at a painting and challenges every assumption about what we expect to find within seemingly static works of art. Macro to micro and back again, Marcaccio’s discrete clusters of imagery, like little theaters of activity, spread virus-like across the work’s panoramic expanse. By offering us this analogue to the flux, speed, and daily intensity of contemporary life, the New York–based artist stakes a claim to the relevance—indeed the urgency—of art as a necessary discourse. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1999", "Copyright_Type" : "All but merchandise. Request must be made for merchandise use.", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.89.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.89.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.89.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.89.tif", "IsPrimary" : "1", "_SurrogateID" : "1724", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18211, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18211", "Disp_Access_No" : "2005.205", "_AccNumSort1" : "", "Disp_Create_DT" : "2004/2005", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Poliscopia 91", "Alt_Title" : "", "Obj_Title" : "Poliscopia 91", "Series_Title" : "", "Disp_Maker_1" : "Alejandra Padilla", "Sort_Artist" : "Padilla, Alejandra", "Disp_Dimen" : "104 cm x 178 cm (40 15/16 in. x 70 1/16 in.)", "Disp_Height" : "104 cm", "Disp_Width" : "178 cm", "Dimen_Extent" : "canvas", "Medium" : "Collage", "Support" : "canvas", "Disp_Medium" : "Collage on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Ernest and Sarah Butler, 2005", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.205.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.205.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.205.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.205.tif", "IsPrimary" : "1", "_SurrogateID" : "3906", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15020, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15020", "Disp_Access_No" : "1982.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Trilce II", "Alt_Title" : "", "Obj_Title" : "Trilce II", "Series_Title" : "", "Disp_Maker_1" : "César Paternosto", "Sort_Artist" : "Paternosto, César", "Disp_Dimen" : "166.3 cm x 166.3 cm x 10.5 cm (65 1/2 in. x 65 1/2 in. x 4 1/8 in.)", "Disp_Height" : "166.3 cm", "Disp_Width" : "166.3 cm", "Dimen_Extent" : "HLW", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "César Paternosto began his career as a hard-edge geometric artist, but in the late 1970s he set out to research ancient American sources of geometrical abstraction. Traveling throughout the Andean region of northern Argentina, Peru, and Bolivia, he studied and acquired scholarly expertise about traditional textiles and Inca stonework, finding in them a source of artistic inspiration. This painting, titled in homage to Peruvian César Vallejo’s 1922 book of poetry "Trilce," exemplifies Paternosto’s artworks after his Andean travels. The four parallel lines, stacked symmetrically in the center, reference the symbolism of numbers within Andean culture, while the earthy monochrome evokes the texture of stone or sand.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Barbara Duncan Fund, 1982", "Copyright_Type" : "edu; promo; merch; web", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.18.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.18.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.18.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.18.tif", "IsPrimary" : "1", "_SurrogateID" : "1231", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8021, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8021", "Disp_Access_No" : "1998.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1997", "_Disp_Start_Dat" : "1997", "_Disp_End_Date" : "1997", "Disp_Title" : "Makuñ", "Alt_Title" : "", "Obj_Title" : "Makuñ", "Series_Title" : "", "Disp_Maker_1" : "Teresa Pereda", "Sort_Artist" : "Pereda, Teresa", "Disp_Dimen" : "50.2 cm x 38.1 cm (19 3/4 in. x 15 in.)", "Disp_Height" : "50.2 cm", "Disp_Width" : "38.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Watercolor", "Support" : "", "Disp_Medium" : "Watercolor", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Marcos Curi, 1998", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.21.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.21.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.21.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.21.tif", "IsPrimary" : "1", "_SurrogateID" : "6291", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19334, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19334", "Disp_Access_No" : "2009.21", "_AccNumSort1" : "", "Disp_Create_DT" : "2008", "_Disp_Start_Dat" : "2008", "_Disp_End_Date" : "2008", "Disp_Title" : "La pinacoteca de los pobres [The Gallery of the Poor]", "Alt_Title" : "", "Obj_Title" : "La pinacoteca de los pobres [The Gallery of the Poor]", "Series_Title" : "", "Disp_Maker_1" : "Marcelo Pombo", "Sort_Artist" : "Pombo, Marcelo", "Disp_Dimen" : "99 cm x 149.9 cm (39 in. x 59 in.)", "Disp_Height" : "99 cm", "Disp_Width" : "149.9 cm", "Dimen_Extent" : "panel", "Medium" : "Enamel", "Support" : "panel", "Disp_Medium" : "Enamel on panel", "Info_Page_Comm" : "Ever since Pombo launched his artistic career in the late 1980s, he has challenged the description of his work as kitsch. In his view, kitsch in art is about ironic intention, and his work is without irony. It emerges instead from the places he has lived and worked, which are places he loves. He revels, for example, in the colorful, brash popular taste that thrives in the poorer parts of Buenos Aires where he worked as a young adult. La pinacoteca de los pobres, with its extravagant ornamentation and bold color combinations, celebrates the “low brow.” The paintings within this painting, crowded together salon-style and hovering over an almost-empty surrealistic landscape, cannot contain their profuse decorations, which slip from the surfaces and fall like rain to accumulate on the ground. Pombo’s meticulous application of enamel paint dot by dot with chopsticks creates the illusion of a richly bejeweled surface. Pombo is considered the artist most emblematic of the “light” aesthetic that emerged in 1990s Buenos Aires. “Light” art reflected a cultural return to beauty, sensuality, and joy after years of military dictatorship. In contrast to conceptualism’s severity and the ponderousness of much painting in the 1980s, the style, as in this work, was airy and audacious.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Judy S. and Charles W. Tate, 2009", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.21.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.21.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.21.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2009.21.tif", "IsPrimary" : "1", "_SurrogateID" : "5251", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18927, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18927", "Disp_Access_No" : "2010.78", "_AccNumSort1" : "", "Disp_Create_DT" : "1998", "_Disp_Start_Dat" : "1998", "_Disp_End_Date" : "1998", "Disp_Title" : "Casper", "Alt_Title" : "", "Obj_Title" : "Casper", "Series_Title" : "", "Disp_Maker_1" : "Marcelo Pombo", "Sort_Artist" : "Pombo, Marcelo", "Disp_Dimen" : "110 cm x 220 cm (43 5/16 in. x 86 5/8 in.)", "Disp_Height" : "110 cm", "Disp_Width" : "220 cm", "Dimen_Extent" : "canvas", "Medium" : "Mixed media", "Support" : "canvas", "Disp_Medium" : "Mixed media on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Michael Chesser, 2010", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.78.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.78.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.78.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.78.tif", "IsPrimary" : "1", "_SurrogateID" : "7258", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15063, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15063", "Disp_Access_No" : "1981.31", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "The Unending Story [Historia sin fin]", "Alt_Title" : "[Historia sin fin]", "Obj_Title" : "Historia sin fin [The Unending Story]", "Series_Title" : "", "Disp_Maker_1" : "Liliana Porter", "Sort_Artist" : "Porter, Liliana", "Disp_Dimen" : "158 cm x 214.7 cm (62 3/16 in. x 84 1/2 in.)", "Disp_Height" : "158 cm", "Disp_Width" : "214.7 cm", "Dimen_Extent" : "Sight", "Medium" : "Acrylic, silkscreen, drawing, and collage", "Support" : "canvas", "Disp_Medium" : "Acrylic, silkscreen, drawing, and collage on canvas", "Info_Page_Comm" : "Liliana Porter’s art is traversed by a deep concern for language, which shapes works like this one in unexpected ways. Her favorite writer is her compatriot Jorge Luis Borges, known for blurring the line between reality and illusion in his stories. Porter plays with this idea by combining two-dimensional images with three-dimensional objects glued onto the canvas, the latter demanding close observation to be perceived as volumetric. She further challenges our perception of the real by visually quoting another writer, Lewis Carroll. The main character in "Alice in Wonderland" grapples with a confusing dreamlike world she found on the other side of the mirror. Such interest in language also shaped the way Porter arranged objects on the canvas, as if they were a sentence written on a page whose corner lifts slightly near the bottom edge. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Barbara Duncan Fund in memory of Rocío Duncan, 1981", "Copyright_Type" : "All", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1981.31.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1981.31.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1981.31.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1981.31.tif", "IsPrimary" : "1", "_SurrogateID" : "1192", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1981.31.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1981.31.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1981.31.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1981.31.tif", "IsPrimary" : "0", "_SurrogateID" : "4222", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7882, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7882", "Disp_Access_No" : "1993.86", "_AccNumSort1" : "", "Disp_Create_DT" : "1988", "_Disp_Start_Dat" : "1988", "_Disp_End_Date" : "1988", "Disp_Title" : "The Fallen Jar", "Alt_Title" : "", "Obj_Title" : "The Fallen Jar", "Series_Title" : "", "Disp_Maker_1" : "Liliana Porter", "Sort_Artist" : "Porter, Liliana", "Disp_Dimen" : "105 cm x 74.6 cm (41 5/16 in. x 29 3/8 in.)", "Disp_Height" : "105 cm", "Disp_Width" : "74.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Offset lithograph, two-color etching, softground etching, and screenprint; 30/35", "Support" : "", "Disp_Medium" : "Offset lithograph, two-color etching, softground etching, and screenprint; 30/35", "Info_Page_Comm" : "Though Porter has created what is essentially a still life, she challenges the conventions of that genre through the use of spontaneous, gestural drawing and the suggestion of movement. Both help to create a dynamic image that transforms a traditionally formal and static genre. Porter, however, uses a typical aspect of still life painting, the momento mori, to comment on the passage of time. The momento mori, usually a decaying flower or skull, in this case a fallen jar, suggests the transient nature of life. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the artist, 1993", "Copyright_Type" : "All", "Disp_Obj_Type" : "print", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1993.86.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1993.86.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1993.86.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1993.86.tif", "IsPrimary" : "1", "_SurrogateID" : "1630", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17737, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17737", "Disp_Access_No" : "2005.174", "_AccNumSort1" : "", "Disp_Create_DT" : "2005", "_Disp_Start_Dat" : "2005", "_Disp_End_Date" : "2005", "Disp_Title" : "Trabajo forzado [Forced Labor]", "Alt_Title" : "", "Obj_Title" : "Trabajo forzado [Forced Labor]", "Series_Title" : "", "Disp_Maker_1" : "Liliana Porter", "Sort_Artist" : "Porter, Liliana", "Disp_Dimen" : "5 cm x 110 cm x 26 cm (1 15/16 in. x 43 5/16 in. x 10 1/4 in.)", "Disp_Height" : "5 cm", "Disp_Width" : "110 cm", "Dimen_Extent" : "shelf", "Medium" : "Shelf, plastic figure, mulch", "Support" : "", "Disp_Medium" : "Shelf, plastic figure, mulch", "Info_Page_Comm" : "A major figure in the development of Conceptual art since the 1960s, Porter continues to produce work with a unique blend of humor and literary or philosophical references. In Trabajo forzado, a tiny figure seems to be engaged in the monumental task of moving a large amount of mulch onto the floor. Given the sizes of the figure and pile, the little man must have been hard at work for a very long time. Unlike Camnitzer, Porter avoids severity and chooses to address injustice in a playful and absurd fashion. Through the use of humor, she is able to call attention to the plight of the ordinary person, long-standing social inequalities, and the punishingly hard nature of continuous physical labor. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Judy S. and Charles W. Tate, 2005", "Copyright_Type" : "all approved.", "Disp_Obj_Type" : "installation", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.174_detail.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.174_detail.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.174_detail.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.174_detail.tif", "IsPrimary" : "0", "_SurrogateID" : "3616", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.174.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.174.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.174.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.174.tif", "IsPrimary" : "1", "_SurrogateID" : "6501", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7692, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7692", "Disp_Access_No" : "1985.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1981", "_Disp_Start_Dat" : "1981", "_Disp_End_Date" : "1981", "Disp_Title" : "Untitled, from the series Templos de las ventanas ciegas [Temples of the Blind Windows]", "Alt_Title" : "Untitled, from "The Temples of the Blind Windows"", "Obj_Title" : "Untitled, from the series Templos de las ventanas ciegas [Temples of the Blind Windows]", "Series_Title" : "", "Disp_Maker_1" : "Raquel Rabinovich", "Sort_Artist" : "Rabinovich, Raquel", "Disp_Dimen" : "79.3 cm x 60.7 cm (31 1/4 in. x 23 7/8 in.)", "Disp_Height" : "79.3 cm", "Disp_Width" : "60.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Ink and graphite on hand-made paper", "Support" : "", "Disp_Medium" : "Ink and graphite on hand-made paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Yvonne Tabbush, 1985", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.32.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.32.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.32.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.32.tif", "IsPrimary" : "1", "_SurrogateID" : "3386", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15017, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15017", "Disp_Access_No" : "1982.188", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Serie de llamas núm. 2, díptico [Llama Series No. 2, Diptych]", "Alt_Title" : "Llama Series No. 2, Diptych", "Obj_Title" : "Serie de llamas núm. 2, díptico [Llama Series No. 2, Diptych]", "Series_Title" : "", "Disp_Maker_1" : "Miguel Angel Ríos", "Sort_Artist" : "Ríos, Miguel Angel", "Disp_Dimen" : "245 cm x 243.8 cm x 8.9 cm (96 7/16 in. x 96 in. x 3 1/2 in.)", "Disp_Height" : "245 cm", "Disp_Width" : "243.8 cm", "Dimen_Extent" : "HLW", "Medium" : "Acrylic paint, modeling paste, and sand on burlap", "Support" : "", "Disp_Medium" : "Acrylic paint, modeling paste, and sand on burlap", "Info_Page_Comm" : "Miguel Angel Ríos’s works reference landscapes and cultural traditions of his homeland in rural Catamarca via formal motifs of late Modernism. While living in New York City, Ríos created a monochromatic grid from highly abstracted images of the llama, an animal essential to the Andean way of life. Catamarca once formed the southernmost reach of the Inca empire, and Ríos’s llamas may evoke ancient pictograms or the patterning of local textiles made from the animal’s wool. Within the Post-Minimalist grid, the llamas also suggest a negotiation of Ríos’s identity between cultures and an implicit critique of the Eurocentric biases underlying artistic Modernism. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Barbara Duncan Fund, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.188.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.188.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.188.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.188.tif", "IsPrimary" : "1", "_SurrogateID" : "13146", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7672, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7672", "Disp_Access_No" : "1994.122", "_AccNumSort1" : "", "Disp_Create_DT" : "1981", "_Disp_Start_Dat" : "1981", "_Disp_End_Date" : "1981", "Disp_Title" : "Andalhuala", "Alt_Title" : "", "Obj_Title" : "Andalhuala", "Series_Title" : "", "Disp_Maker_1" : "Miguel Angel Ríos", "Sort_Artist" : "Ríos, Miguel Angel", "Disp_Dimen" : "77.4 cm x 125.7 cm (30 1/2 in. x 49 1/2 in.)", "Disp_Height" : "77.4 cm", "Disp_Width" : "125.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Hand colored molded paper", "Support" : "", "Disp_Medium" : "Hand colored molded paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Barbara Duncan, 1994", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.122.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.122.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.122.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.122.tif", "IsPrimary" : "1", "_SurrogateID" : "1633", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14375, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14375", "Disp_Access_No" : "1994.123.1/2-2/2", "_AccNumSort1" : "", "Disp_Create_DT" : "1989", "_Disp_Start_Dat" : "1989", "_Disp_End_Date" : "1989", "Disp_Title" : "Sueño de las alturas [Dream of the Heights]", "Alt_Title" : "", "Obj_Title" : "Sueño de las alturas [Dream of the Heights]", "Series_Title" : "", "Disp_Maker_1" : "Miguel Angel Ríos", "Sort_Artist" : "Ríos, Miguel Angel", "Disp_Dimen" : "127 cm x 123.5 cm x 12.7 cm (50 in. x 48 5/8 in. x 5 in.)", "Disp_Height" : "127 cm", "Disp_Width" : "123.5 cm", "Dimen_Extent" : "Each panel", "Medium" : "Ceramic, paint and wire on canvas over wood", "Support" : "Board", "Disp_Medium" : "Ceramic, paint and wire on canvas over wood on Board", "Info_Page_Comm" : "Ríos combines geometric abstraction with pre-Colombian craft traditions and ancient symbols to reference complex issues such as the colonization and cultural conquest of Latin American territory, history and language. Sueño de las alturas [Dream of the Heights] is part of a series of works focusing on different forms of earth. The ceramic ovoid shapes attained their color by being fired with a variety of plants indigenous to Ríos’ birthplace in the Argentinean Andes Mountains. Arranged in a grid, the spheres are incised, painted and modeled with markings that evoke an indecipherable language and the rhythm of textile patterns native to the region.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Barbara Duncan, 1994", "Copyright_Type" : "", "Disp_Obj_Type" : "construction", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "15059", "Rel_Obj_Title" : "Constructif en rouge et ocre [Construction in Red and Ochre]" },{ "Rel_Obj_ID" : "9573", "Rel_Obj_Title" : "Untitled" },{ "Rel_Obj_ID" : "5092", "Rel_Obj_Title" : "Composición [Composition]" },{ "Rel_Obj_ID" : "9989", "Rel_Obj_Title" : "Untitled" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.123.1-2_2-2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.123.1-2_2-2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.123.1-2_2-2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.123.1-2_2-2.tif", "IsPrimary" : "1", "_SurrogateID" : "6359", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14355, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14355", "Disp_Access_No" : "1996.187", "_AccNumSort1" : "", "Disp_Create_DT" : "1989", "_Disp_Start_Dat" : "1989", "_Disp_End_Date" : "1989", "Disp_Title" : "Caí con mi padre por el espacio, enamorado locamente de la Tierra II [I Fell with My Father Through Space, Madly in Love with the Earth II]", "Alt_Title" : "", "Obj_Title" : "Caí con mi padre por el espacio, enamorado locamente de la Tierra II [I Fell with My Father Through Space, Madly in Love with the Earth II]", "Series_Title" : "", "Disp_Maker_1" : "Miguel Angel Ríos", "Sort_Artist" : "Ríos, Miguel Angel", "Disp_Dimen" : "426 cm x 426 cm (167 11/16 in. x 167 11/16 in.)", "Disp_Height" : "426 cm", "Disp_Width" : "426 cm", "Dimen_Extent" : "Outer dimension", "Medium" : "Mixed media", "Support" : "canvas", "Disp_Medium" : "Mixed media on canvas", "Info_Page_Comm" : "In this painting, Miguel Angel Ríos establishes a dialogue with David Shapiro, a poet and art historian. Ríos cites his poem “To the Earth,” dedicated to the well-known art historian Meyer Schapiro, and quotes the first and last lines, both in English and in Spanish. The poem begins with father and son falling through space towards our planet, and then continues with a meditation on how artists from different parts of the world create art, until it ends with the safe landing of their space module in Texas. Ríos interprets the poet’s journey by turning the canvas into Earth itself. Its enormity is circumscribed by the lines of the poem written on its edges, and its surface animated by the colors of ancient deserts. Numerous marks and pictographs seem to claim Earth for its indigenous artists, who loved it first.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the artist, 1996", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.187.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.187.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.187.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.187.tif", "IsPrimary" : "0", "_SurrogateID" : "1669", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.187-2019-install.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.187-2019-install.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.187-2019-install.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.187-2019-install.tif", "IsPrimary" : "0", "_SurrogateID" : "18851", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.187-2019.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.187-2019.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.187-2019.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.187-2019.tif", "IsPrimary" : "1", "_SurrogateID" : "18852", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.187-detail.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.187-detail.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.187-detail.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.187-detail.tif", "IsPrimary" : "0", "_SurrogateID" : "18853", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17156, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17156", "Disp_Access_No" : "2004.109", "_AccNumSort1" : "", "Disp_Create_DT" : "1994", "_Disp_Start_Dat" : "1994", "_Disp_End_Date" : "1994", "Disp_Title" : "Awakening of the Words, No. 3", "Alt_Title" : "", "Obj_Title" : "Awakening of the Words, No. 3", "Series_Title" : "", "Disp_Maker_1" : "Miguel Angel Ríos", "Sort_Artist" : "Ríos, Miguel Angel", "Disp_Dimen" : "147.3 cm x 307.3 cm (58 in. x 121 in.)", "Disp_Height" : "147.3 cm", "Disp_Width" : "307.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Charcoal and acrylic on pleated cardboard with push pins", "Support" : "", "Disp_Medium" : "Charcoal and acrylic on pleated cardboard with push pins", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2004", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.109.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.109.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.109.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.109.tif", "IsPrimary" : "1", "_SurrogateID" : "2170", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17588, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17588", "Disp_Access_No" : "2005.155", "_AccNumSort1" : "", "Disp_Create_DT" : "1993", "_Disp_Start_Dat" : "1993", "_Disp_End_Date" : "1993", "Disp_Title" : "Sin título", "Alt_Title" : "", "Obj_Title" : "Sin título", "Series_Title" : "", "Disp_Maker_1" : "Omar Schiliro", "Sort_Artist" : "Schiliro, Omar", "Disp_Dimen" : "98 cm x 38 cm x 38 cm (38 9/16 in. x 14 15/16 in. x 14 15/16 in.)", "Disp_Height" : "98 cm", "Disp_Width" : "38 cm", "Dimen_Extent" : "HWD", "Medium" : "Mixed media", "Support" : "", "Disp_Medium" : "Mixed media", "Info_Page_Comm" : "Within two weeks of hearing he had contracted HIV, Schiliro began a short but extremely important career as an artist. At once gaudy and kitschy, but also disturbing and melancholy, his lamp sculptures have come to symbolize the baroque sensibility of the “Arte Light” movement in Buenos Aires during the 1990s. The contrast between the flamboyant forms and the dim light inside is a poignant and moving commentary on morality, sexuality, joy, and sadness. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Fran Magee Fund, 2005", "Copyright_Type" : "", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.155.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.155.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.155.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.155.tif", "IsPrimary" : "1", "_SurrogateID" : "6498", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18026, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18026", "Disp_Access_No" : "2006.3", "_AccNumSort1" : "", "Disp_Create_DT" : "2000", "_Disp_Start_Dat" : "2000", "_Disp_End_Date" : "2000", "Disp_Title" : "Untitled (0010)", "Alt_Title" : "", "Obj_Title" : "Untitled (0010)", "Series_Title" : "", "Disp_Maker_1" : "Pablo Siquier", "Sort_Artist" : "Siquier, Pablo", "Disp_Dimen" : "189.9 cm x 189.9 cm (74 3/4 in. x 74 3/4 in.)", "Disp_Height" : "189.9 cm", "Disp_Width" : "189.9 cm", "Dimen_Extent" : "canvas", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "In the 1990s a number of artists in Buenos Aires were looking back to Argentina's mid-century Constructivist tradition and began to reintroduce abstract forms into the country's largely figurative contemporary art. Pablo Siquier was one of the key figures in this movement. His striking black-and-white abstract compositions suggest architectural spaces, organic structures, and even circuit boards. Unlike the earlier abstract artists, Siquier seems to encourage multiple readings and connotations in his works by skillfully exploiting the ambiguities of positive and negative space. Works like this untitled painting suggest that abstraction is meaningful in art not as pure or absolute language, but as the generator of several different, even contradictory interpretations.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2006", "Copyright_Type" : "all approved", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.3.tif", "IsPrimary" : "1", "_SurrogateID" : "3769", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14392, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14392", "Disp_Access_No" : "1992.297", "_AccNumSort1" : "", "Disp_Create_DT" : "1987", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1987", "Disp_Title" : "El rey de terracotta [The King of Terracotta]", "Alt_Title" : "[The King of Terracota]", "Obj_Title" : "El rey de terracotta [The King of Terracotta]", "Series_Title" : "", "Disp_Maker_1" : "Andrés Waissman", "Sort_Artist" : "Waissman, Andrés", "Disp_Dimen" : "196.3 cm x 147.3 cm (77 5/16 in. x 58 in.)", "Disp_Height" : "196.3 cm", "Disp_Width" : "147.3 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Dr. Julio A. Aranovich, 1992", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.297.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.297.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.297.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.297.tif", "IsPrimary" : "1", "_SurrogateID" : "2704", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }