{ "objects" : [ { "embark_ID" : 17374, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17374", "Disp_Access_No" : "2005.31", "_AccNumSort1" : "", "Disp_Create_DT" : "1986", "_Disp_Start_Dat" : "1986", "_Disp_End_Date" : "1986", "Disp_Title" : "Escultura em granito", "Alt_Title" : "", "Obj_Title" : "Untitled", "Series_Title" : "", "Disp_Maker_1" : "Waltercio Caldas", "Sort_Artist" : "Caldas, Waltercio", "Disp_Dimen" : "8.6 cm x 50.3 cm x 34.3 cm (3 3/8 in. x 19 13/16 in. x 13 1/2 in.)", "Disp_Height" : "8.6 cm", "Disp_Width" : "50.3 cm", "Dimen_Extent" : "HWD", "Medium" : "Black granite", "Support" : "", "Disp_Medium" : "Black granite", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase as a gift of Margaret McDermott in memory of Barbara Duncan, 2005", "Copyright_Type" : "", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Brazilian", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.31.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.31.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.31.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.31.tif", "IsPrimary" : "1", "_SurrogateID" : "2834", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13887, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13887", "Disp_Access_No" : "P1975.25.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1973", "_Disp_Start_Dat" : "1973", "_Disp_End_Date" : "1973", "Disp_Title" : "No. 415 [Núm. 415]", "Alt_Title" : "", "Obj_Title" : "No. 415 [Núm. 415]", "Series_Title" : "", "Disp_Maker_1" : "Sérgio de Camargo", "Sort_Artist" : "Camargo, Sérgio de", "Disp_Dimen" : "19.6 cm x 18.1 cm x 10.5 cm (7 11/16 in. x 7 1/8 in. x 4 1/8 in.)", "Disp_Height" : "19.6 cm", "Disp_Width" : "18.1 cm", "Dimen_Extent" : "HLW", "Medium" : "White Carrara marble", "Support" : "", "Disp_Medium" : "White Carrara marble", "Info_Page_Comm" : "Sérgio de Camargo explored the rhythmic abstract geometry favored by the proponents of Kinetic and Op art that he met while living in Paris during the 1960s and 1970s. "No. 415" is an assemblage of marble blocks of various sizes cut at different angles. By playfully alternating flat areas with triangular wedges, Camargo produced changing patterns of light and shadows. The cohesive organic quality and dynamic geometry of this sculpture lend it a monumental presence.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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The artist created a contemplative space that functions as a critique of Jesuit missions established during colonial times to contain the indigenous Tupi-Guaraní people and convert them to Catholicism. The work’s symbolic elements reveal the complicit relationship between material power (coins), spiritual power (communion wafers), and tragedy (bones), while the black shroud and overhead lighting evoke ideas of life and death. Meireles’ use of cattle bones references the importance of ranching within the region’s colonial economy. Yet the bones’ physical resemblance to the human femur also alludes to the human losses associated with forced acculturation. 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