{ "objects" : [ { "embark_ID" : 17374, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17374", "Disp_Access_No" : "2005.31", "_AccNumSort1" : "", "Disp_Create_DT" : "1986", "_Disp_Start_Dat" : "1986", "_Disp_End_Date" : "1986", "Disp_Title" : "Escultura em granito", "Alt_Title" : "", "Obj_Title" : "Untitled", "Series_Title" : "", "Disp_Maker_1" : "Waltercio Caldas", "Sort_Artist" : "Caldas, Waltercio", "Disp_Dimen" : "8.6 cm x 50.3 cm x 34.3 cm (3 3/8 in. x 19 13/16 in. x 13 1/2 in.)", "Disp_Height" : "8.6 cm", "Disp_Width" : "50.3 cm", "Dimen_Extent" : "HWD", "Medium" : "Black granite", "Support" : "", "Disp_Medium" : "Black granite", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase as a gift of Margaret McDermott in memory of Barbara Duncan, 2005", "Copyright_Type" : "", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Brazilian", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.31.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.31.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.31.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.31.tif", "IsPrimary" : "1", "_SurrogateID" : "2834", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13887, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13887", "Disp_Access_No" : "P1975.25.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1973", "_Disp_Start_Dat" : "1973", "_Disp_End_Date" : "1973", "Disp_Title" : "No. 415 [Núm. 415]", "Alt_Title" : "", "Obj_Title" : "No. 415 [Núm. 415]", "Series_Title" : "", "Disp_Maker_1" : "Sérgio de Camargo", "Sort_Artist" : "Camargo, Sérgio de", "Disp_Dimen" : "19.6 cm x 18.1 cm x 10.5 cm (7 11/16 in. x 7 1/8 in. x 4 1/8 in.)", "Disp_Height" : "19.6 cm", "Disp_Width" : "18.1 cm", "Dimen_Extent" : "HLW", "Medium" : "White Carrara marble", "Support" : "", "Disp_Medium" : "White Carrara marble", "Info_Page_Comm" : "Sérgio de Camargo explored the rhythmic abstract geometry favored by the proponents of Kinetic and Op art that he met while living in Paris during the 1960s and 1970s. "No. 415" is an assemblage of marble blocks of various sizes cut at different angles. By playfully alternating flat areas with triangular wedges, Camargo produced changing patterns of light and shadows. The cohesive organic quality and dynamic geometry of this sculpture lend it a monumental presence.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1975", "Copyright_Type" : "", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Brazilian", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1975.25.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1975.25.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1975.25.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1975.25.1.tif", "IsPrimary" : "1", "_SurrogateID" : "5187", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19325, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19325", "Disp_Access_No" : "2009.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1992/2006", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Corpus Delicti", "Alt_Title" : "", "Obj_Title" : "Corpus Delicti", "Series_Title" : "", "Disp_Maker_1" : "Jac Leirner", "Sort_Artist" : "Leirner, Jac", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "varies with installation", "Medium" : "Three boarding passes, two ashtrays, cutlery, and metal cord", "Support" : "", "Disp_Medium" : "Three boarding passes, two ashtrays, cutlery, and metal cord", "Info_Page_Comm" : "In the early 1990s, Jac Leirner collected objects from her many airplane trips, including napkins, cutlery, baggage tags, boarding passes, ear plugs, and ashtrays. She then ordered these objects into a series of works called "Corpus Delicti," a legal term in Latin meaning the concrete evidence of a crime. This string of connected objects functions as a travelogue of Leirner’s journeys. It also documents her struggle to quit smoking and her obsessive and sometimes illegal acquisition of materials, as in the case of the ashtrays and cutlery. For Leirner, the works “convey a history, with the idea of transgression imprinted on them.” They are removed from one circuit and are consecrated by another, changing from airplane accoutrements to works of art.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Susman Collection, 2009", "Copyright_Type" : "", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Brazilian", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.13.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.13.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.13.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2009.13.tif", "IsPrimary" : "1", "_SurrogateID" : "6068", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }