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Ware, Jr. Collection, 2000", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Scottish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.5.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.5.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.5.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.5.tif", "IsPrimary" : "1", "_SurrogateID" : "4616", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 63, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/63", "Disp_Access_No" : "1991.95", "_AccNumSort1" : "", "Disp_Create_DT" : "1750", "_Disp_Start_Dat" : "1750", "_Disp_End_Date" : "1750", "Disp_Title" : "Cruelty in Perfection, after William Hogarth", "Alt_Title" : "", "Obj_Title" : "Cruelty in Perfection, after William Hogarth", "Series_Title" : "", "Disp_Maker_1" : "John Bell", "Sort_Artist" : "Bell, John", "Disp_Dimen" : "58.1 cm x 45 cm (22 7/8 in. x 17 11/16 in.)", "Disp_Height" : "58.1 cm", "Disp_Width" : "45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "William Hogarth’s reputation as a brilliant satirist and moralist is much in evidence in Cruelty in Perfection, the third vignette from his series The Four Stages of Cruelty. The first two stages show the main character abusing animals. In the third stage, shown here, the protagonist—who has murdered his mistress with whom he had plotted a burglary—is forced to confront his crime. The final stage features doctors dissecting his corpse, the noose of his execution still hanging around his neck. Hogarth directed the message of cruelty’s retribution squarely at members of the working class, whom he hoped to scare into more civil behavior. To reduce the cost and heighten the appeal for his target audience (who were familiar with the woodcut aesthetic), he employed John Bell to reproduce the series in woodcut. But Bell cut only two of the scenes before the project became too costly for Hogarth to continue. He economized by etching the series himself, printing it on two qualities of paper, one more affordable than the other. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.95.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.95.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.95.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.95.tif", "IsPrimary" : "1", "_SurrogateID" : "1598", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19556, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19556", "Disp_Access_No" : "2010.63", "_AccNumSort1" : "", "Disp_Create_DT" : "1778", "_Disp_Start_Dat" : "1778", "_Disp_End_Date" : "1778", "Disp_Title" : "Part of the Colonnade and Piazza Leading to St. Peter's Church in Rome", "Alt_Title" : "", "Obj_Title" : "Part of the Colonnade and Piazza Leading to St. Peter's Church in Rome", "Series_Title" : "", "Disp_Maker_1" : "Richard Cooper, Jr.", "Sort_Artist" : "Cooper, Jr., Richard", "Disp_Dimen" : "52.8 cm x 58.3 cm (20 13/16 in. x 22 15/16 in.)", "Disp_Height" : "52.8 cm", "Disp_Width" : "58.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint", "Support" : "", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, by exchange, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.63.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.63.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.63.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.63.tif", "IsPrimary" : "1", "_SurrogateID" : "8222", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3721, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3721", "Disp_Access_No" : "2000.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1794", "_Disp_Start_Dat" : "1794", "_Disp_End_Date" : "1794", "Disp_Title" : "Resurrection Men Disturbed...", "Alt_Title" : "", "Obj_Title" : "Resurrection Men Disturbed...", "Series_Title" : "", "Disp_Maker_1" : "Isaac Cruikshank", "Sort_Artist" : "Cruikshank, Isaac", "Disp_Dimen" : "24.3 cm x 40.6 cm (9 9/16 in. x 16 in.)", "Disp_Height" : "24.3 cm", "Disp_Width" : "40.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2000", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.56.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.56.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.56.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.56.tif", "IsPrimary" : "1", "_SurrogateID" : "6213", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17383, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17383", "Disp_Access_No" : "2004.188", "_AccNumSort1" : "", "Disp_Create_DT" : "1773", "_Disp_Start_Dat" : "1773", "_Disp_End_Date" : "1773", "Disp_Title" : "An Iron Forge, after Joseph Wright of Derby", "Alt_Title" : "", "Obj_Title" : "An Iron Forge, after Joseph Wright of Derby", "Series_Title" : "", "Disp_Maker_1" : "Richard Earlom", "Sort_Artist" : "Earlom, Richard", "Disp_Dimen" : "48.9 cm x 60.2 cm (19 1/4 in. x 23 11/16 in.)", "Disp_Height" : "48.9 cm", "Disp_Width" : "60.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "Developed in late seventeenth-century Holland, but perfected in eighteenth-century Britain, mezzo tint was better than engraving and etching at simulating the tonal qualities of the paintings it reproduced. In mezzotint the artist painstakingly roughens the entire surface of the plate, creating a uniform black texture were the plate to be printed at this point. He then uses scrapers to remove and polish the roughened areas to be illuminated. Varying the degree of polishing, he works from dark to light and achieves a wide range of mid tones, or mezzotinto in the original Italian. Richard Earlom, whose work is well represented at the museum, used mezzotint to its greatest advantage in reproducing paintings such as Joseph Wright of Derby’s Iron Forge, in which dramatic light is central to its meaning. Fascinated with advances in science and industry, Wright romanticized the early years of the Industrial Revolution. The artist’s use of light here was compared to the illumination that emanates from the Christ Child in medieval and Renaissance nativities. By analogy, the forge and other new technologies were posited as Britain’s salvation in the modern world. Early and with its surface immaculate, this impression reveals the technique’s tremendous subtlety and inherent beauty. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, by exchange, and purchase through the Archer M. Huntington Museum Fund, 2004", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.188.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.188.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.188.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.188.tif", "IsPrimary" : "1", "_SurrogateID" : "3059", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17061, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17061", "Disp_Access_No" : "2003.152", "_AccNumSort1" : "", "Disp_Create_DT" : "1778-1781", "_Disp_Start_Dat" : "1778", "_Disp_End_Date" : "1781", "Disp_Title" : "A Fruit Piece, after Jan van Huysum", "Alt_Title" : "", "Obj_Title" : "A Fruit Piece, after Jan van Huysum", "Series_Title" : "", "Disp_Maker_1" : "Richard Earlom", "Sort_Artist" : "Earlom, Richard", "Disp_Dimen" : "71.9 cm x 53.2 cm (28 5/16 in. x 20 15/16 in.)", "Disp_Height" : "71.9 cm", "Disp_Width" : "53.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of David Armstrong, 2003", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.152.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.152.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.152.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.152.tif", "IsPrimary" : "1", "_SurrogateID" : "2125", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3617, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3617", "Disp_Access_No" : "1985.29", "_AccNumSort1" : "", "Disp_Create_DT" : "1775", "_Disp_Start_Dat" : "1775", "_Disp_End_Date" : "1775", "Disp_Title" : "Landscape with Rape of Europa, no. 111 from Liber Veritatis, after Claude Lorrain", "Alt_Title" : "", "Obj_Title" : "Landscape with Rape of Europa, no. 111 from Liber Veritatis, after Claude Lorrain", "Series_Title" : "", "Disp_Maker_1" : "Richard Earlom", "Sort_Artist" : "Earlom, Richard", "Disp_Dimen" : "28.5 cm x 43.2 cm (11 1/4 in. x 17 in.)", "Disp_Height" : "28.5 cm", "Disp_Width" : "43.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "The Liber Veritatis [Book of Truth] is an album of drawings Claude Lorrain (1604-1682) created to document his own paintings and combat the already prevalent forgeries of his work. In England in the 1770s, printmaker Earlom reproduced the Liber Veritatis as a series of mezzotints, approximating the quality of light and variegated tones and textures of the master’s drawings. The publication and distribution of the French artist’s designs proved seminal to the British landscape school.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.29.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.29.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.29.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.29.tif", "IsPrimary" : "1", "_SurrogateID" : "5470", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16576, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16576", "Disp_Access_No" : "2002.2827", "_AccNumSort1" : "", "Disp_Create_DT" : "1774", "_Disp_Start_Dat" : "1774", "_Disp_End_Date" : "1774", "Disp_Title" : "Classical Landscape, no. 67 from Liber Veritatis, after Claude Lorrain", "Alt_Title" : "", "Obj_Title" : "Classical Landscape, no. 67 from Liber Veritatis, after Claude Lorrain", "Series_Title" : "", "Disp_Maker_1" : "Richard Earlom", "Sort_Artist" : "Earlom, Richard", "Disp_Dimen" : "29.3 cm x 43.9 cm (11 9/16 in. x 17 5/16 in.)", "Disp_Height" : "29.3 cm", "Disp_Width" : "43.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "The Liber Veritatis [Book of Truth] is an album of drawings Claude Lorrain (1604-1682) created to document his own paintings and combat the already prevalent forgeries of his work. In England in the 1770s, printmaker Earlom reproduced the Liber Veritatis as a series of mezzotints, approximating the quality of light and variegated tones and textures of the master’s drawings. The publication and distribution of the French artist’s designs proved seminal to the British landscape school.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Agnes and William J. Crowley, Jr., 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2827.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2827.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2827.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2827.tif", "IsPrimary" : "1", "_SurrogateID" : "4542", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2827.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2827.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2827.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2827.tif", "IsPrimary" : "0", "_SurrogateID" : "4562", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19570, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19570", "Disp_Access_No" : "2010.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1799", "_Disp_Start_Dat" : "1799", "_Disp_End_Date" : "1799", "Disp_Title" : "Effusions of a Pot of Porter, - or - Ministerial Conjurations for Supporting the War", "Alt_Title" : "", "Obj_Title" : "Effusions of a Pot of Porter, - or - Ministerial Conjurations for Supporting the War", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "37.8 cm x 29.2 cm (14 7/8 in. x 11 1/2 in.)", "Disp_Height" : "37.8 cm", "Disp_Width" : "29.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand-coloring", "Info_Page_Comm" : "The year 1799 was marked by particularly bad weather, causing prices to increase on many domestic products. In this print, Prime Minister William Pitt commands the elements to destroy crops, specifically beer-brewing crops such as malt and hops, causing shortages and higher prices. Pitt’s enemies claimed he drove the prices up in order to fund the war against the French Republic.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Anonymous gift, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.70.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.70.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.70.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.70.tif", "IsPrimary" : "1", "_SurrogateID" : "7896", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16778, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16778", "Disp_Access_No" : "2003.25", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1786", "_Disp_Start_Dat" : "1781", "_Disp_End_Date" : "1791", "Disp_Title" : "The Injured Count,,S-", "Alt_Title" : "", "Obj_Title" : "The Injured Count,,S-", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "28.2 cm x 42.5 cm (11 1/8 in. x 16 3/4 in.)", "Disp_Height" : "28.2 cm", "Disp_Width" : "42.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and softground etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and softground etching with hand-coloring", "Info_Page_Comm" : "Because of their subject matter, several of Gillray’s prints, including this one, were not in circulation; these “suppressed plates” were published in a separate volume circa 1850. Mary Eleanor Bowes is pictured drinking with her servants, suckling her precious cats and neglecting her crying children while her footman beacons her to bed. Her cruel and adulterous husband, Andrew Stoney-Bowes, on the far left of the image, examines a map of his wife’s estates. His behavior drove his wife to petition for divorce, something that was rarely granted to woman at this time. In order to hinder her success, he launched a smear campaign against her; her husband probably funded the production of this particularly slanderous print for this purpose. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2003", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.25.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.25.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.25.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.25.tif", "IsPrimary" : "1", "_SurrogateID" : "2128", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16564, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16564", "Disp_Access_No" : "2002.2820", "_AccNumSort1" : "", "Disp_Create_DT" : "1793", "_Disp_Start_Dat" : "1793", "_Disp_End_Date" : "1793", "Disp_Title" : "A vestal of –93, trying on the cestus of Venus", "Alt_Title" : "", "Obj_Title" : "A vestal of –93, trying on the cestus of Venus", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "33.8 cm x 40.1 cm (13 5/16 in. x 15 13/16 in.)", "Disp_Height" : "33.8 cm", "Disp_Width" : "40.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint", "Support" : "", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "Vestal Virgins were female priestesses in ancient Rome who were responsible for maintaining the sacred fire in the temple of Vesta. In this print, an inattentive priestess and her three clumsy putti have knocked over her altar while trying to tie on the cestus of Venus, a band meant to awaken love. A parody on this peculiar fashion trend in 1793, this love-starved woman remains unappealing even with the aid of the cestus.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2820.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2820.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2820.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2820.tif", "IsPrimary" : "1", "_SurrogateID" : "4146", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3724, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3724", "Disp_Access_No" : "2002.1819", "_AccNumSort1" : "", "Disp_Create_DT" : "1796", "_Disp_Start_Dat" : "1796", "_Disp_End_Date" : "1796", "Disp_Title" : "A Peep at Christie’s; -or- Tally – ho, & his Nimeney–pimmeney taking the Morning Lounge", "Alt_Title" : "", "Obj_Title" : "A Peep at Christie’s; -or- Tally – ho, & his Nimeney–pimmeney taking the Morning Lounge", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "37.7 cm x 28 cm (14 13/16 in. x 11 in.)", "Disp_Height" : "37.7 cm", "Disp_Width" : "28 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and aquatint with hand coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand coloring", "Info_Page_Comm" : "Lord Derby, a great hunter and horseman, is known more for his involvement in organizing horse races than his political career. He is pictured here with actress Elizabeth Farren. Famous for her role as Nimeney-pimmeney in John Burgoyne’s Heiress, she frequented Queen Charlotte’s drawing-room and was celebrated for her good conduct and appealing disposition. Gillray seems to be alone in his distaste for Farren. He portrays her as a fortune seeker browsing artwork with equally haughty company. Her focus falls on a painting of Xenocrates and Phryne. According to the ancient Greek biographer, Diogenes Laërtius, the courtesan Phryne attempted to seduce Xenocrates, a Greek philosopher and mathematician. The print is a stab at the questionable morals of Farren, who married Lord Derby eight months after its publication.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1819.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1819.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1819.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1819.tif", "IsPrimary" : "1", "_SurrogateID" : "1855", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19573, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19573", "Disp_Access_No" : "2010.73", "_AccNumSort1" : "", "Disp_Create_DT" : "1791", "_Disp_Start_Dat" : "1791", "_Disp_End_Date" : "1791", "Disp_Title" : "The Rights of Man; - or - Tommy Paine, the little American Taylor, taking the measure of the crown, for a new pair of Revolution-breeches", "Alt_Title" : "", "Obj_Title" : "The Rights of Man; - or - Tommy Paine, the little American Taylor, taking the measure of the crown, for a new pair of Revolution-breeches", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "43.6 cm x 29.1 cm (17 3/16 in. x 11 7/16 in.)", "Disp_Height" : "43.6 cm", "Disp_Width" : "29.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching with hand-coloring", "Info_Page_Comm" : "The Rights of Man, a pamphlet written by English-American Thomas Paine, criticizes European monarchies and social institutions and argues that people have a right to a revolt if their basic needs are not met under the current government. Ironically, he urged the revolutionaries to spare the life of Louis XVI and exile him to the newly formed United States, where the French king was admired and recognized for his support of the American Revolution. In the print, Paine says that the crown is too large for a tailor to measure. Gillray pokes fun at Paine’s blue-collar origins and reveals that he does not have the kind of upbringing to understand the importance of a constitutional monarchy. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Anonymous gift, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.73.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.73.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.73.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.73.tif", "IsPrimary" : "1", "_SurrogateID" : "7899", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19292, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19292", "Disp_Access_No" : "2008.143", "_AccNumSort1" : "", "Disp_Create_DT" : "1791", "_Disp_Start_Dat" : "1791", "_Disp_End_Date" : "1791", "Disp_Title" : "Wierd [sic]–Sisters; Ministers of Darkness; Minions to the Moon", "Alt_Title" : "", "Obj_Title" : "Wierd [sic]–Sisters; Ministers of Darkness; Minions to the Moon", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "25.7 cm x 35.2 cm (10 1/8 in. x 13 7/8 in.)", "Disp_Height" : "25.7 cm", "Disp_Width" : "35.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand-coloring", "Info_Page_Comm" : "After the painting Weird Sisters by Henri Fuseli (see dedication in upper margin), Gillray represents Henry Dundas, William Pitt, and Edward Thurlow, all members of the Cabinet Ministry, as the three witches from Macbeth. A parody on the sanity of King George III, the three men contemplate the moon, half enlightened with the portrait of Queen Charlotte and half eclipsed with the portrait of the king.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2008", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.143.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.143.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.143.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.143.tif", "IsPrimary" : "1", "_SurrogateID" : "4929", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19561, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19561", "Disp_Access_No" : "2010.55", "_AccNumSort1" : "", "Disp_Create_DT" : "1783", "_Disp_Start_Dat" : "1783", "_Disp_End_Date" : "1783", "Disp_Title" : "A New Administration, or the State Quacks Administring", "Alt_Title" : "", "Obj_Title" : "A New Administration, or the State Quacks Administring", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "29.8 cm x 47.3 cm (11 3/4 in. x 18 5/8 in.)", "Disp_Height" : "29.8 cm", "Disp_Width" : "47.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Unhappy with the current ministry, Lord Frederick North (left) and Charles James Fox (center), formed a notoriously short coalition that lasted less than nine months. This print, depicting the two administering an enema to Britannia, was published on the eve before they are officially appointed. After a bill to nationalize the British East India Company failed, King George III dismissed North and Fox and appointed twenty-four year old William Pitt as Prime Minister.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, by exchange, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.55.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.55.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.55.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.55.tif", "IsPrimary" : "1", "_SurrogateID" : "7244", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16777, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16777", "Disp_Access_No" : "2003.24", "_AccNumSort1" : "", "Disp_Create_DT" : "1798", "_Disp_Start_Dat" : "1798", "_Disp_End_Date" : "1798", "Disp_Title" : "The Apotheosis of Hoche", "Alt_Title" : "", "Obj_Title" : "The Apotheosis of Hoche", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "50.5 cm x 38.6 cm (19 7/8 in. x 15 3/16 in.)", "Disp_Height" : "50.5 cm", "Disp_Width" : "38.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching with hand-coloring", "Info_Page_Comm" : "This elaborate print depicts Louis Lazare Hoche, French general of the Revolutionary Army, ascending into a Jacobin heaven while plucking his guillotine-lyre. Jacobin is a general term used to address those who publically declare revolutionary opinions. Below lies France, blood-soaked and scorched, a result of campaigns headed by Hoche during the French Revolution. Hoche is greeted by droves of headless figures, monsters, and grotesque cherubs, all wearing Phrygian caps, a motif associated with the Revolution; to the left are martyrs of the revolution paying their respects. Suspended in the heavens is the Jacobin Decalogue, the antithesis of the Ten Commandments.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2003", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.24.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.24.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.24.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.24.tif", "IsPrimary" : "1", "_SurrogateID" : "5358", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19562, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19562", "Disp_Access_No" : "2010.60", "_AccNumSort1" : "", "Disp_Create_DT" : "1789", "_Disp_Start_Dat" : "1789", "_Disp_End_Date" : "1789", "Disp_Title" : "The Right Honorable William Pitt", "Alt_Title" : "", "Obj_Title" : "The Right Honorable William Pitt", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "48.9 cm x 35.9 cm (19 1/4 in. x 14 1/8 in.)", "Disp_Height" : "48.9 cm", "Disp_Width" : "35.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Trained as an engraver at the Royal Academy, Gillray wanted to build a reputation outside of satire, considered a less serious art form. 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The artist retorted, “I…am convin[ced] that my likeness is a striking one therefore, I will not alter an iota for any mans opinion upon Earth.” ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Patricia Ross, by exchange, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.60.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.60.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.60.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.60.tif", "IsPrimary" : "1", "_SurrogateID" : "7245", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3657, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3657", "Disp_Access_No" : "2002.1214", "_AccNumSort1" : "", "Disp_Create_DT" : "1781", "_Disp_Start_Dat" : "1781", "_Disp_End_Date" : "1781", "Disp_Title" : "Sketched by Humphrey – Spoil'd by Gillray", "Alt_Title" : "", "Obj_Title" : "Sketched by Humphrey – Spoil'd by Gillray", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "30.5 cm x 23.2 cm (12 in. x 9 1/8 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "23.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and stipple engraving", "Support" : "", "Disp_Medium" : "Etching and stipple engraving", "Info_Page_Comm" : "A satire on his own work as an engraver, Gillray defaced the plate Sketched by Humphrey-Spoil’d by Gillray and published it as a warning against the “bad effect of cobbling and altering.” ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1214.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1214.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1214.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1214.tif", "IsPrimary" : "1", "_SurrogateID" : "5016", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3651, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3651", "Disp_Access_No" : "2002.1661", "_AccNumSort1" : "", "Disp_Create_DT" : "1780", "_Disp_Start_Dat" : "1780", "_Disp_End_Date" : "1780", "Disp_Title" : "Sir Joshua Reynolds, after Joshua Reynolds", "Alt_Title" : "", "Obj_Title" : "Sir Joshua Reynolds, after Joshua Reynolds", "Series_Title" : "", "Disp_Maker_1" : "Valentine Green", "Sort_Artist" : "Green, Valentine", "Disp_Dimen" : "49.3 cm x 38.5 cm (19 7/16 in. x 15 3/16 in.)", "Disp_Height" : "49.3 cm", "Disp_Width" : "38.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1661.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1661.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1661.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1661.tif", "IsPrimary" : "1", "_SurrogateID" : "1822", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17681, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17681", "Disp_Access_No" : "2005.166", "_AccNumSort1" : "", "Disp_Create_DT" : "1751", "_Disp_Start_Dat" : "1751", "_Disp_End_Date" : "1751", "Disp_Title" : "Beer Street", "Alt_Title" : "", "Obj_Title" : "Beer Street", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "55.8 cm x 43.7 cm (21 15/16 in. x 17 3/16 in.)", "Disp_Height" : "55.8 cm", "Disp_Width" : "43.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. 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"Characters and Caricaturas", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "26.3 cm x 21.7 cm (10 3/8 in. x 8 9/16 in.)", "Disp_Height" : "26.3 cm", "Disp_Width" : "21.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Lawrence Lawver, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2843.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2843.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2843.tif", "IIIF_URL": 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"View" : "" } , ] },{ "embark_ID" : 3390, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3390", "Disp_Access_No" : "1989.134", "_AccNumSort1" : "", "Disp_Create_DT" : "1753", "_Disp_Start_Dat" : "1753", "_Disp_End_Date" : "1753", "Disp_Title" : "Analysis of Beauty, plate 1", "Alt_Title" : "", "Obj_Title" : "Analysis of Beauty, plate 1", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "50.5 cm x 67.3 cm (19 7/8 in. x 26 1/2 in.)", "Disp_Height" : "50.5 cm", "Disp_Width" : "67.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.134.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.134.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.134.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.134.tif", "IsPrimary" : "1", "_SurrogateID" : "4535", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.134.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.134.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.134.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.134.tif", "IsPrimary" : "0", "_SurrogateID" : "4555", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11302, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11302", "Disp_Access_No" : "1997.45.5/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1745", "_Disp_Start_Dat" : "1745", "_Disp_End_Date" : "1745", "Disp_Title" : "The Bagnio, plate V from Marriage à la mode, after William Hogarth", "Alt_Title" : "", "Obj_Title" : "The Bagnio, plate V from Marriage à la mode, after William Hogarth", "Series_Title" : "", "Disp_Maker_1" : "Simon Francois Ravenet, the elder", "Sort_Artist" : "Ravenet, the elder, Simon Francois", "Disp_Dimen" : "44.4 cm x 57 cm (17 1/2 in. x 22 7/16 in.)", "Disp_Height" : "44.4 cm", "Disp_Width" : "57 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "This print is from a series of six engravings that is based on a progress of six paintings completed by Hogarth around 1743. As with most of Hogarth’s prints, the plates were actually carried out by French engravers. Hogarth employed them for their skill in the tradition of finely differentiated line engraving. The series was aimed at the upper middle class and aristocracy. With mocking theatricality, the six plates depict stages in the lives of an unhappily betrothed couple, starting with the negotiations of the marriage agreement by their fathers. The narrative moves through the couple's increasingly catastrophic marriage, to the wife's suicide, a bottle of laudanum at her feet. Consistent with Hogarth's other satirical and didactic works, the series criticizes the abuse of rank and status, the arrangement and casual treatment of marriage, irresponsible parenthood, and other social ills of the day. R.F. Ravenet is incorrect; the engraver was S.F. 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Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.167.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.167.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.167.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.167.tif", "IsPrimary" : "1", "_SurrogateID" : "8273", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16630, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16630", "Disp_Access_No" : "2002.2847.11/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1747", "_Disp_Start_Dat" : "1747", "_Disp_End_Date" : "1747", "Disp_Title" : "The Idle 'Prentice Executed at Tyburn, plate XI from Industry and Idleness", "Alt_Title" : "", "Obj_Title" : "The Idle 'Prentice Executed at Tyburn, plate XI from Industry and Idleness", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "28.7 cm x 43.1 cm (11 5/16 in. x 16 15/16 in.)", "Disp_Height" : "28.7 cm", "Disp_Width" : "43.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "final 'lifetime' state". 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Blanton Curatorial Endowment Fund, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.148.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.148.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.148.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.148.tif", "IsPrimary" : "1", "_SurrogateID" : "8244", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8507, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8507", "Disp_Access_No" : "2002.1943", "_AccNumSort1" : "", "Disp_Create_DT" : "1723-1724", "_Disp_Start_Dat" : "1723", "_Disp_End_Date" : "1724", "Disp_Title" : "A Native Dance, from La Motraye's Travels", "Alt_Title" : "", "Obj_Title" : "A Native Dance, from La Motraye's Travels", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "25.7 cm x 35.3 cm (10 1/8 in. x 13 7/8 in.)", "Disp_Height" : "25.7 cm", "Disp_Width" : "35.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1943.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1943.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1943.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1943.tif", "IsPrimary" : "1", "_SurrogateID" : "8236", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12759, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12759", "Disp_Access_No" : "2002.1210", "_AccNumSort1" : "", "Disp_Create_DT" : "1761", "_Disp_Start_Dat" : "1761", "_Disp_End_Date" : "1761", "Disp_Title" : "Time Smoking a Picture", "Alt_Title" : "", "Obj_Title" : "Time Smoking a Picture", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "24.8 cm x 18.7 cm (9 3/4 in. x 7 3/8 in.)", "Disp_Height" : "24.8 cm", "Disp_Width" : "18.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and mezzotint", "Support" : "", "Disp_Medium" : "Etching and mezzotint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1210.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1210.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1210.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1210.tif", "IsPrimary" : "1", "_SurrogateID" : "8235", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16634, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16634", "Disp_Access_No" : "2002.2847.7/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1747", "_Disp_Start_Dat" : "1747", "_Disp_End_Date" : "1747", "Disp_Title" : "The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute, plate VII from Industry and Idleness", "Alt_Title" : "", "Obj_Title" : "The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute, plate VII from Industry and Idleness", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "28.2 cm x 43.6 cm (11 1/8 in. x 17 3/16 in.)", "Disp_Height" : "28.2 cm", "Disp_Width" : "43.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "final 'lifetime' state". 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Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2847.7-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2847.7-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2847.7-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2847.7-12.tif", "IsPrimary" : "1", "_SurrogateID" : "8259", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17227, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17227", "Disp_Access_No" : "2004.147.4/8", "_AccNumSort1" : "", "Disp_Create_DT" : "1735", "_Disp_Start_Dat" : "1735", "_Disp_End_Date" : "1735", "Disp_Title" : "The Arrest, plate IV from A Rake's Progress", "Alt_Title" : "", "Obj_Title" : "The Arrest, plate IV from A Rake's Progress", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "45.6 cm x 57.6 cm (17 15/16 in. x 22 11/16 in.)", "Disp_Height" : "45.6 cm", "Disp_Width" : "57.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "ii/ii (1758, before final revisions)". Revised by CZ Sept. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.147.4-8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.147.4-8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.147.4-8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.147.4-8.tif", "IsPrimary" : "1", "_SurrogateID" : "8248", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17223, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17223", "Disp_Access_No" : "2004.146", "_AccNumSort1" : "", "Disp_Create_DT" : "1758", "_Disp_Start_Dat" : "1758", "_Disp_End_Date" : "1758", "Disp_Title" : "The Bench", "Alt_Title" : "", "Obj_Title" : "The Bench", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "40 cm x 28.7 cm (15 3/4 in. x 11 5/16 in.)", "Disp_Height" : "40 cm", "Disp_Width" : "28.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.146.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.146.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.146.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.146.tif", "IsPrimary" : "1", "_SurrogateID" : "8243", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3164, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3164", "Disp_Access_No" : "1999.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1726", "_Disp_Start_Dat" : "1726", "_Disp_End_Date" : "1726", "Disp_Title" : "Cunicularii, or The Wise Men of Godliman in Consultation", "Alt_Title" : "", "Obj_Title" : "Cunicularii, or The Wise Men of Godliman in Consultation", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "19 cm x 25.6 cm (7 1/2 in. x 10 1/16 in.)", "Disp_Height" : "19 cm", "Disp_Width" : "25.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "The Weekly Journal of 19 November 1726 read: From Guilford comes a strange but well-attested Piece of News. That a poor Woman who lives at Godalmin [sic], near that Town, was about a Month past delivered by Mr John Howard, an Eminent Surgeon and Man-Midwife, of a creature resembling a Rabbit but whose Heart and Lungs grew without its Belly, about 14 Days since she was delivered by the same Person, of a perfect Rabbit: and in a few Days after of 4 more; and on Friday, Saturday, Sunday, the 4th, 5th, and 6th instant, of one in each day: in all nine, they died all in bringing into the World. The woman hath made Oath, that two months ago, being working in a Field with other Women, they put up a Rabbit, who running from them, they pursued it, but to no Purpose: This created in her such a Longing to it, that she (being with Child) was taken ill and miscarried, and from that Time she hath not been able to avoid thinking of Rabbits. This print by Hogarth was published on 12 December 1726, a few days after Mary Toft's full confession of fraud. Strangely enough, it is not Mary Toft but rather the doctors who are chastised in this composition, a mock heroic type of a bedside drama. It is said that a group of surgeons commissioned this print in order to expose the failings of the doctors so carefully identified at the bottom. After the circulation of this print, it took some time for the physicians identified here to repair their reputation. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.14.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.14.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.14.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.14.tif", "IsPrimary" : "1", "_SurrogateID" : "8233", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17684, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17684", "Disp_Access_No" : "2005.168.2/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1732", "_Disp_Start_Dat" : "1732", "_Disp_End_Date" : "1732", "Disp_Title" : "Plate II, from A Harlot's Progress", "Alt_Title" : "", "Obj_Title" : "Plate II, from A Harlot's Progress", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "44 cm x 55.8 cm (17 5/16 in. x 21 15/16 in.)", "Disp_Height" : "44 cm", "Disp_Width" : "55.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. 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It established Woollett’s reputation as the finest line engraver in eighteenth-century England, earning his publisher, John Boydell, a significant income. The museum possesses forty-four engravings by Woollett, most from a collection formed by a direct descendent, David Woollett. The scene, taken from Greek mythology, shows the Theban queen, Niobe, punished for her excessive pride by Apollo and Diana, who are in the process of slaying her seven sons and daughters. Woollett achieved the range of tones and textures that contributes to the sense of violence in this scene by first etching parts of the plate to various depths, then engraving the rest of the image. So effective was this technique in depicting the stormy setting that a contemporary of Woollett dubbed him “the first Landscape Engraver in the World.” King George III later appointed him Engraver in Ordinary, and Benjamin West gave him the commission to reproduce his own masterpiece, The Death of General Wolfe of 1770 (National Gallery, Ottawa). 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Practically from the origin of the medium, anonymous printmakers conveyed subjects of everyday concern using rudimentary techniques. Occasionally, such popular subjects have appeared in “artistic” works. Over the course of the eighteenth-century, and especially in England, this upward migration became more common. This print, done in the most sophisticated technique of the day––mezzotint––is a choice example.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. 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