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Huntington Museum Fund, 1998", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.356.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.356.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.356.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.356.tif", "IsPrimary" : "1", "_SurrogateID" : "5462", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3839, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3839", "Disp_Access_No" : "1997.155", "_AccNumSort1" : "", "Disp_Create_DT" : "1826", "_Disp_Start_Dat" : "1826", "_Disp_End_Date" : "1826", "Disp_Title" : "La Prière [Prayer]", "Alt_Title" : "", "Obj_Title" : "La Prière [Prayer]", "Series_Title" : "", "Disp_Maker_1" : "Richard Parkes Bonington", "Sort_Artist" : "Bonington, Richard Parkes", "Disp_Dimen" : "34 cm x 25.5 cm (13 3/8 in. x 10 1/16 in.)", "Disp_Height" : "34 cm", "Disp_Width" : "25.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph on chine collé", "Support" : "", "Disp_Medium" : "Lithograph on chine collé", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.155.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.155.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.155.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.155.tif", "IsPrimary" : "1", "_SurrogateID" : "5459", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17258, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17258", "Disp_Access_No" : "2004.166", "_AccNumSort1" : "", "Disp_Create_DT" : "1839", "_Disp_Start_Dat" : "1839", "_Disp_End_Date" : "1839", "Disp_Title" : "Hôtel de Cluny, Paris", "Alt_Title" : "", "Obj_Title" : "Hôtel de Cluny, Paris", "Series_Title" : "", "Disp_Maker_1" : "Thomas Shotter Boys", "Sort_Artist" : "Boys, Thomas Shotter", "Disp_Dimen" : "36.4 cm x 53.9 cm (14 5/16 in. x 21 1/4 in.)", "Disp_Height" : "36.4 cm", "Disp_Width" : "53.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Color lithograph", "Support" : "", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Color lithographs are usually made with one stone for each color. This poses a challenge for artists who have to envision a complex blending of tones, and for printers who then have to register or align the sheet perfectly on each stone. Thomas Shotter Boys and his printer, Charles Hullmandel, perfected the process, using four or five stones, which carefully superimposed and juxtaposed colors to create a full chromatic range and the delicacy of a watercolor. Their work established a completely new standard for color printing. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2004", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.166.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.166.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.166.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.166.tif", "IsPrimary" : "1", "_SurrogateID" : "3679", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3858, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3858", "Disp_Access_No" : "1996.143.8/8", "_AccNumSort1" : "", "Disp_Create_DT" : "1831", "_Disp_Start_Dat" : "1831", "_Disp_End_Date" : "1831", "Disp_Title" : "The Chamber Idyll", "Alt_Title" : "", "Obj_Title" : "The Chamber Idyll", "Series_Title" : "", "Disp_Maker_1" : "Edward Calvert", "Sort_Artist" : "Calvert, Edward", "Disp_Dimen" : "36.6 cm x 27.4 cm (14 7/16 in. x 10 13/16 in.)", "Disp_Height" : "36.6 cm", "Disp_Width" : "27.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Wood engraving", "Support" : "", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : " The Chamber Idyll was the last print Edward Calvert undertook, and it is considered his most poetic. With his friend and fellow artist Samuel Palmer, Calvert fell under the influence of William Blake’s visionary Romanticism, impressed in particular by the older artist’s wood engravings for an edition of Virgil’s Eclogues (1820). Living in Shoreham, Calvert and Palmer, along with George Richmond, styled themselves as “Ancients,” shunning all that was modern in art and society. Instead they cloaked pastoral subjects inspired by the English countryside in classical guise. Heavy wooden beams hung with farm implements set the stage for this bucolic scene of lovers preparing for bed. Although their hairstyles are distinctly contemporary, the male figure in profile derives from images of Apollo cut into ancient cameos, and the female figure is patterned on a gemstone showing Aphrodite preparing for a bath. Calvert’s naive treatment of the livestock in the background, and the print’s small scale, lend this erotic scene an air of innocence. Apart from very rare proofs, all impressions of Calvert’s wood engravings and engravings come from their reprinting in his son’s biography of 1893. The museum possesses a fine copy. 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Here, however, Corbould uses it as a pretense to present a rich landscape articulated in the relatively new medium of lithography.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1820.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1820.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1820.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1820.tif", "IsPrimary" : "1", "_SurrogateID" : "5500", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3755, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3755", "Disp_Access_No" : "1985.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1810", "_Disp_Start_Dat" : "1810", "_Disp_End_Date" : "1810", "Disp_Title" : "The Manor House, York", "Alt_Title" : "", "Obj_Title" : "The Manor House, York", "Series_Title" : "", "Disp_Maker_1" : "John Sell Cotman", "Sort_Artist" : "Cotman, John Sell", "Disp_Dimen" : "49.6 cm x 35.8 cm (19 1/2 in. x 14 1/8 in.)", "Disp_Height" : "49.6 cm", "Disp_Width" : "35.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.12.tif", "IsPrimary" : "1", "_SurrogateID" : "5469", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18593, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18593", "Disp_Access_No" : "2006.174", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1812-1813", "_Disp_Start_Dat" : "1812", "_Disp_End_Date" : "1813", "Disp_Title" : "Mousehold Heath, Norwich", "Alt_Title" : "", "Obj_Title" : "Mousehold Heath, Norwich", "Series_Title" : "", "Disp_Maker_1" : "John Crome", "Sort_Artist" : "Crome, John", "Disp_Dimen" : "22 cm x 29.8 cm (8 11/16 in. x 11 3/4 in.)", "Disp_Height" : "22 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Crome’s significance to landscape art lies in his sensitivity to local identity rather than to a classical or idealized view of nature. In 1803, he founded the Norwich Society of Artists in the East Anglia region of England, signaling a shift away from the major artistic centers and capitals towards the provinces. The group flourished, and by 1823 its annual exhibition featured 4,600 works by 323 different artists.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.174.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.174.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.174.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.174.tif", "IsPrimary" : "1", "_SurrogateID" : "5559", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16561, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16561", "Disp_Access_No" : "2002.2812", "_AccNumSort1" : "", "Disp_Create_DT" : "1812-1813", "_Disp_Start_Dat" : "1812", "_Disp_End_Date" : "1813", "Disp_Title" : "At Woodrising", "Alt_Title" : "", "Obj_Title" : "At Woodrising", "Series_Title" : "", "Disp_Maker_1" : "John Crome", "Sort_Artist" : "Crome, John", "Disp_Dimen" : "11.2 cm x 26 cm (4 7/16 in. x 10 1/4 in.)", "Disp_Height" : "11.2 cm", "Disp_Width" : "26 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Crome’s significance to landscape art lies in his sensitivity to local identity rather than to a classical or idealized view of nature. In 1803, he founded the Norwich Society of Artists in the East Anglia region of England, signaling a shift away from the major artistic centers and capitals towards the provinces. The group flourished, and by 1823 its annual exhibition featured 4,600 works by 323 different artists. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2812.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2812.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2812.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2812.tif", "IsPrimary" : "1", "_SurrogateID" : "5484", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3790, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3790", "Disp_Access_No" : "G1971.4.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1813", "_Disp_Start_Dat" : "1813", "_Disp_End_Date" : "1813", "Disp_Title" : "Front of the New Mills, Norwich", "Alt_Title" : "", "Obj_Title" : "Front of the New Mills, Norwich", "Series_Title" : "", "Disp_Maker_1" : "John Crome", "Sort_Artist" : "Crome, John", "Disp_Dimen" : "33.95 cm x 44.45 cm (13 3/8 in. x 17 1/2 in.)", "Disp_Height" : "33.95 cm", "Disp_Width" : "44.45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and chine collé", "Support" : "", "Disp_Medium" : "Etching and chine collé", "Info_Page_Comm" : "Crome’s significance to landscape art lies in his sensitivity to local identity rather than to a classical or idealized view of nature. In 1803, he founded the Norwich Society of Artists in the East Anglia region of England, signaling a shift away from the major artistic centers and capitals towards the provinces. The group flourished, and by 1823 its annual exhibition featured 4,600 works by 323 different artists.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Charles and Dorothy Clark, 1971", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1971.4.8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1971.4.8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1971.4.8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1971.4.8.tif", "IsPrimary" : "1", "_SurrogateID" : "5485", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19558, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19558", "Disp_Access_No" : "2010.57", "_AccNumSort1" : "", "Disp_Create_DT" : "1827", "_Disp_Start_Dat" : "1827", "_Disp_End_Date" : "1827", "Disp_Title" : "Monstrosities of 1827", "Alt_Title" : "", "Obj_Title" : "Monstrosities of 1827", "Series_Title" : "", "Disp_Maker_1" : "George Cruikshank", "Sort_Artist" : "Cruikshank, George", "Disp_Dimen" : "27.9 cm x 42.4 cm (11 in. x 16 11/16 in.)", "Disp_Height" : "27.9 cm", "Disp_Width" : "42.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with handcoloring", "Support" : "", "Disp_Medium" : "Etching with handcoloring", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, by exchange, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.57.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.57.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.57.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.57.tif", "IsPrimary" : "1", "_SurrogateID" : "8221", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19557, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19557", "Disp_Access_No" : "2010.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1816", "_Disp_Start_Dat" : "1816", "_Disp_End_Date" : "1816", "Disp_Title" : "Monstrosities of 1816", "Alt_Title" : "", "Obj_Title" : "Monstrosities of 1816", "Series_Title" : "", "Disp_Maker_1" : "George Cruikshank", "Sort_Artist" : "Cruikshank, George", "Disp_Dimen" : "28.8 cm x 40.4 cm (11 5/16 in. x 15 7/8 in.)", "Disp_Height" : "28.8 cm", "Disp_Width" : "40.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with handcoloring", "Support" : "", "Disp_Medium" : "Etching with handcoloring", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, by exchange, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.56.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.56.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.56.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.56.tif", "IsPrimary" : "1", "_SurrogateID" : "8220", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17678, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17678", "Disp_Access_No" : "2005.163", "_AccNumSort1" : "", "Disp_Create_DT" : "1820", "_Disp_Start_Dat" : "1820", "_Disp_End_Date" : "1820", "Disp_Title" : "Very Unpleasant Weather", "Alt_Title" : "", "Obj_Title" : "Very Unpleasant Weather", "Series_Title" : "", "Disp_Maker_1" : "George Cruikshank", "Sort_Artist" : "Cruikshank, George", "Disp_Dimen" : "24.9 cm x 39.4 cm (9 13/16 in. x 15 1/2 in.)", "Disp_Height" : "24.9 cm", "Disp_Width" : "39.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching with hand-coloring", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.163.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.163.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.163.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.163.tif", "IsPrimary" : "1", "_SurrogateID" : "8334", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3748, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3748", "Disp_Access_No" : "1991.53", "_AccNumSort1" : "", "Disp_Create_DT" : "1807", "_Disp_Start_Dat" : "1807", "_Disp_End_Date" : "1807", "Disp_Title" : "Landscape with a Cascade, no. 43 from Liber Veritatis, after Claude Lorrain", "Alt_Title" : "", "Obj_Title" : "Landscape with a Cascade, no. 43 from Liber Veritatis, after Claude Lorrain", "Series_Title" : "", "Disp_Maker_1" : "Richard Earlom", "Sort_Artist" : "Earlom, Richard", "Disp_Dimen" : "26.3 cm x 41.5 cm (10 3/8 in. x 16 5/16 in.)", "Disp_Height" : "26.3 cm", "Disp_Width" : "41.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and mezzotint", "Support" : "", "Disp_Medium" : "Etching and mezzotint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin Romansky, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.53.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.53.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.53.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.53.tif", "IsPrimary" : "1", "_SurrogateID" : "5472", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19571, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19571", "Disp_Access_No" : "2010.71", "_AccNumSort1" : "", "Disp_Create_DT" : "1806", "_Disp_Start_Dat" : "1806", "_Disp_End_Date" : "1806", "Disp_Title" : ""More pigs than teats," - or - The new litter of hungry grunters, sucking John-Bull's-old-sow to death", "Alt_Title" : "", "Obj_Title" : ""More pigs than teats," - or - The new litter of hungry grunters, sucking John-Bull's-old-sow to death", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "28.7 cm x 41.1 cm (11 5/16 in. x 16 3/16 in.)", "Disp_Height" : "28.7 cm", "Disp_Width" : "41.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching with hand-coloring", "Info_Page_Comm" : "In this print, John Bull, the British equivalent of Uncle Sam, is shocked to find numerous ‘piglets’ suckling his already exhausted sow. The greedy claimants are clamoring to reach a teat of the United Kingdom and are sure to suck it dry, making the nation vulnerable to ‘Boney’, slang for Napoleon.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Anonymous gift, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.71.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.71.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.71.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.71.tif", "IsPrimary" : "1", "_SurrogateID" : "7897", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19569, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19569", "Disp_Access_No" : "2010.69", "_AccNumSort1" : "", "Disp_Create_DT" : "1806", "_Disp_Start_Dat" : "1806", "_Disp_End_Date" : "1806", "Disp_Title" : "The Bear and His Leader", "Alt_Title" : "", "Obj_Title" : "The Bear and His Leader", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "25 cm x 35.5 cm (9 13/16 in. x 14 in.)", "Disp_Height" : "25 cm", "Disp_Width" : "35.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and soft-ground etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and soft-ground etching with hand-coloring", "Info_Page_Comm" : "Charles James Fox, Prime Minister William Pitt’s opposition, was never in the king’s good graces and remained in Pitt’s shadow for most of his political career. Political big wigs Grenville and Sidmouth formed a new ministry after Pitt’s death and named Fox Foreign Secretary and Leader of the House of Commons. Sympathetic to the French, he holds a Phrygian cap, a symbol of the French Revolution. Gillray portrays Fox as a muzzled bear lead by Lord Grenville, dancing to the music played by Lord Sidmouth, suggesting that Fox owes his political status solely to Grenville’s charity. Notice Pro Bono Publico (“for the public good”) printed on the flyer tacked to the wall in the upper left corner of the composition.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Anonymous gift, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.69.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.69.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.69.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.69.tif", "IsPrimary" : "1", "_SurrogateID" : "7895", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19574, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19574", "Disp_Access_No" : "2010.74", "_AccNumSort1" : "", "Disp_Create_DT" : "1801", "_Disp_Start_Dat" : "1801", "_Disp_End_Date" : "1801", "Disp_Title" : "The Union Club", "Alt_Title" : "", "Obj_Title" : "The Union Club", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "41.5 cm x 53.3 cm (16 5/16 in. x 21 in.)", "Disp_Height" : "41.5 cm", "Disp_Width" : "53.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching with hand-coloring", "Info_Page_Comm" : "The Union Club in London, a fashionable spot for jovial debauchery, was established after the formation of the United Kingdom of Great Britain and Ireland on 1 January 1801. In the foreground members of the ministry raise glasses, shake hands and celebrate the successful union while a heated fight takes places in the background.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Anonymous gift, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.74.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.74.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.74.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.74.tif", "IsPrimary" : "1", "_SurrogateID" : "8225", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19572, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19572", "Disp_Access_No" : "2010.72", "_AccNumSort1" : "", "Disp_Create_DT" : "1809", "_Disp_Start_Dat" : "1809", "_Disp_End_Date" : "1809", "Disp_Title" : "Pandora Opening Her Box", "Alt_Title" : "", "Obj_Title" : "Pandora Opening Her Box", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "48.3 cm x 35 cm (19 in. x 13 3/4 in.)", "Disp_Height" : "48.3 cm", "Disp_Width" : "35 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand-coloring", "Info_Page_Comm" : "Illustrating a scandal that absorbed the public for months, Mary Anne Clarke is pictured before the bar of the House of Commons. She and her lover, the Duke of York, were accused of selling army commissions at bargain prices. The Duke resigned shortly after being acquitted; Clarke, however, was convicted of libel and imprisoned.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Anonymous gift, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.72.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.72.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.72.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.72.tif", "IsPrimary" : "1", "_SurrogateID" : "7898", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16780, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16780", "Disp_Access_No" : "2003.26", "_AccNumSort1" : "", "Disp_Create_DT" : "1801", "_Disp_Start_Dat" : "1801", "_Disp_End_Date" : "1801", "Disp_Title" : "The Union Club", "Alt_Title" : "", "Obj_Title" : "The Union Club", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "30.8 cm x 45.2 cm (12 1/8 in. x 17 13/16 in.)", "Disp_Height" : "30.8 cm", "Disp_Width" : "45.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching with hand-coloring", "Info_Page_Comm" : "The Union Club in London, a fashionable spot for jovial debauchery, was established after the formation of the United Kingdom of Great Britain and Ireland on 1 January 1801. In the foreground members of the ministry raise glasses, shake hands and celebrate the successful union while a heated fight takes places in the background.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.26.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.26.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.26.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.26.tif", "IsPrimary" : "1", "_SurrogateID" : "8333", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16560, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16560", "Disp_Access_No" : "2002.2811", "_AccNumSort1" : "", "Disp_Create_DT" : "1801", "_Disp_Start_Dat" : "1801", "_Disp_End_Date" : "1801", "Disp_Title" : "Metallic–Tractors", "Alt_Title" : "", "Obj_Title" : "Metallic–Tractors", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "34.2 cm x 39 cm (13 7/16 in. x 15 3/8 in.)", "Disp_Height" : "34.2 cm", "Disp_Width" : "39 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint with hand coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand coloring", "Info_Page_Comm" : "Quack doctors and their desperate patients were especially vulnerable targets for satirists of the early nineteenth century. In this print, Dr. Elisha Perkins demonstrates his latest cure-all, a pair of brass and iron rods forged by the doctor in his own furnace that, when stroked over an unhealthy area, draws out affliction. Headlines from the newspaper on the table include the secret of the philosopher’s stone and how to turn all metals into gold, followed by Gillray’s mantra: pro bono publico (“for the public good”). ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2811.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2811.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2811.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2811.tif", "IsPrimary" : "1", "_SurrogateID" : "4144", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16779, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16779", "Disp_Access_No" : "2003.30", "_AccNumSort1" : "", "Disp_Create_DT" : "1800", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1800", "Disp_Title" : "Taking Physick", "Alt_Title" : "", "Obj_Title" : "Taking Physick", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "28.5 cm x 22 cm (11 1/4 in. x 8 11/16 in.)", "Disp_Height" : "28.5 cm", "Disp_Width" : "22 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand-coloring", "Info_Page_Comm" : "This is possibly the first in a series of five prints demonstrating the stages of illness and, more importantly, how the cure is often more agonizing than the sickness. The series includes: Taking Physick, Gentle Emetic, Brisk–Cathartic, Breathing the Vein, and Charming-well Again. Dr. Philip Syng Physick (1768-1837), the conceivable inspiration behind the print, was an American physician who studied under John Hunter in London in the 1790s. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2003", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.30.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.30.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.30.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.30.tif", "IsPrimary" : "1", "_SurrogateID" : "4806", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3750, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3750", "Disp_Access_No" : "1990.153", "_AccNumSort1" : "", "Disp_Create_DT" : "1808", "_Disp_Start_Dat" : "1808", "_Disp_End_Date" : "1808", "Disp_Title" : "Phaeton alarm’d!", "Alt_Title" : "", "Obj_Title" : "Phaeton alarm’d!", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "34.6 cm x 37.7 cm (13 5/8 in. x 14 13/16 in.)", "Disp_Height" : "34.6 cm", "Disp_Width" : "37.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and aquatint with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand-coloring", "Info_Page_Comm" : "According to Greek mythology, Phaeton convinced his father Apollo to allow him to drive the chariot of the sun across the heavens. When Phaeton could not control the horses, they galloped too close to the earth and scorched its surface. In one of Gillray’s finest political allegories, Foreign Secretary George Canning, a passionate follower of former Prime Minster William Pitt, plays the role of Phaeton. His chariot drives the sun of Anti-Jacobinism through hostile constellations personified by members of the political opposition. Napoleon, straddling the Russian Bear, heads towards Western Europe while the ghosts of Pitt and Charles James Fox cower in the lower corners, watching the flames spread across the globe", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1990", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.153.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.153.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.153.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.153.tif", "IsPrimary" : "1", "_SurrogateID" : "5015", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18800, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18800", "Disp_Access_No" : "2007.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1865", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1865", "Disp_Title" : "The Assignation", "Alt_Title" : "", "Obj_Title" : "The Assignation", "Series_Title" : "", "Disp_Maker_1" : "Francis Seymour Haden", "Sort_Artist" : "Haden, Francis Seymour", "Disp_Dimen" : "25 cm x 16.1 cm (9 13/16 in. x 6 5/16 in.)", "Disp_Height" : "25 cm", "Disp_Width" : "16.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and drypoint printed in red ink", "Support" : "", "Disp_Medium" : "Etching and drypoint printed in red ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. 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Blanton Curatorial Endowment Fund, 2007", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.6.tif", "IsPrimary" : "1", "_SurrogateID" : "4257", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18799, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18799", "Disp_Access_No" : "2007.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1864", "_Disp_Start_Dat" : "1864", "_Disp_End_Date" : "1864", "Disp_Title" : "A River in Ireland", "Alt_Title" : "", "Obj_Title" : "A River in Ireland", "Series_Title" : "", "Disp_Maker_1" : "Francis Seymour Haden", "Sort_Artist" : "Haden, Francis Seymour", "Disp_Dimen" : "26.9 cm x 37.1 cm (10 9/16 in. x 14 5/8 in.)", "Disp_Height" : "26.9 cm", "Disp_Width" : "37.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2007", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.4.tif", "IsPrimary" : "1", "_SurrogateID" : "4255", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18797, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18797", "Disp_Access_No" : "2007.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1860", "_Disp_Start_Dat" : "1860", "_Disp_End_Date" : "1860", "Disp_Title" : "A By-Road in Tipperary", "Alt_Title" : "", "Obj_Title" : "A By-Road in Tipperary", "Series_Title" : "", "Disp_Maker_1" : "Francis Seymour Haden", "Sort_Artist" : "Haden, Francis Seymour", "Disp_Dimen" : "24.3 cm x 38.2 cm (9 9/16 in. x 15 1/16 in.)", "Disp_Height" : "24.3 cm", "Disp_Width" : "38.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2007", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.2.tif", "IsPrimary" : "1", "_SurrogateID" : "4254", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13148, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13148", "Disp_Access_No" : "2002.1810", "_AccNumSort1" : "", "Disp_Create_DT" : "1897", "_Disp_Start_Dat" : "1897", "_Disp_End_Date" : "1897", "Disp_Title" : "An Early Riser", "Alt_Title" : "", "Obj_Title" : "An Early Riser", "Series_Title" : "", "Disp_Maker_1" : "Francis Seymour Haden", "Sort_Artist" : "Haden, Francis Seymour", "Disp_Dimen" : "22.3 cm x 29.7 cm (8 3/4 in. x 11 11/16 in.)", "Disp_Height" : "22.3 cm", "Disp_Width" : "29.7 cm", "Dimen_Extent" : "plate", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1810.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1810.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1810.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1810.tif", "IsPrimary" : "1", "_SurrogateID" : "1854", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18798, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18798", "Disp_Access_No" : "2007.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1862", "_Disp_Start_Dat" : "1862", "_Disp_End_Date" : "1862", "Disp_Title" : "Portrait of Francis Seymour Haden, No. II (While Etching)", "Alt_Title" : "", "Obj_Title" : "Portrait of Francis Seymour Haden, No. II (While Etching)", "Series_Title" : "", "Disp_Maker_1" : "Francis Seymour Haden", "Sort_Artist" : "Haden, Francis Seymour", "Disp_Dimen" : "22.3 cm x 29.2 cm (8 3/4 in. x 11 1/2 in.)", "Disp_Height" : "22.3 cm", "Disp_Width" : "29.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "Haden's self-portrait, in a pose normally associated with men of letters, is telling in its emphasis on the artist as intellectual. With the etching needle poised above the plate like a pen above paper, he shows himself in the act of creation. He merely suggests the chemical reaction of biting the plate with a beaker of acid at his elbow. Haden faulted artists who relied too heavily on elaborately bitten plates for their images, believing they crossed the line between fine art and mere craft.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2007", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.3.tif", "IsPrimary" : "1", "_SurrogateID" : "4753", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19564, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19564", "Disp_Access_No" : "2010.66", "_AccNumSort1" : "", "Disp_Create_DT" : "1827", "_Disp_Start_Dat" : "1827", "_Disp_End_Date" : "1827", "Disp_Title" : "The Struggle, or a Long Pull, a Strong Pull, and a Pull All'togather [sic]", "Alt_Title" : "", "Obj_Title" : "The Struggle, or a Long Pull, a Strong Pull, and a Pull All'togather [sic]", "Series_Title" : "", "Disp_Maker_1" : "Henry Heath", "Sort_Artist" : "Heath, Henry", "Disp_Dimen" : "25 cm x 36.4 cm (9 13/16 in. x 14 5/16 in.)", "Disp_Height" : "25 cm", "Disp_Width" : "36.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and hand coloring", "Support" : "", "Disp_Medium" : "Etching and hand coloring", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, by exchange, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.66.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.66.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.66.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.66.tif", "IsPrimary" : "1", "_SurrogateID" : "8169", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3749, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3749", "Disp_Access_No" : "1998.409", "_AccNumSort1" : "", "Disp_Create_DT" : "1807", "_Disp_Start_Dat" : "1807", "_Disp_End_Date" : "1807", "Disp_Title" : "Old Cottage", "Alt_Title" : "", "Obj_Title" : "Old Cottage", "Series_Title" : "", "Disp_Maker_1" : "Henry Bellenden Ker", "Sort_Artist" : "Ker, Henry Bellenden", "Disp_Dimen" : "22.7 cm x 31 cm (8 15/16 in. x 12 3/16 in.)", "Disp_Height" : "22.7 cm", "Disp_Width" : "31 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen lithograph", "Support" : "", "Disp_Medium" : "Pen lithograph", "Info_Page_Comm" : "Some of the earliest artistic lithographs and most of those produced in England, were rendered with a conventional pen and dilute ink. These closely resemble drawings, but reveal no variation in density or luster of their blacks. Ker’s Cottage is an especially articulate and well printed example. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.409.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.409.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.409.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.409.tif", "IsPrimary" : "1", "_SurrogateID" : "3667", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8776, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8776", "Disp_Access_No" : "1998.111", "_AccNumSort1" : "", "Disp_Create_DT" : "1835-1836", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1836", "Disp_Title" : "Dedham Vale, after John Constable", "Alt_Title" : "", "Obj_Title" : "Dedham Vale, after John Constable", "Series_Title" : "", "Disp_Maker_1" : "David Lucas", "Sort_Artist" : "Lucas, David", "Disp_Dimen" : "80 cm x 66.3 cm (31 1/2 in. x 26 1/8 in.)", "Disp_Height" : "80 cm", "Disp_Width" : "66.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "The collaboration between the painter John Constable and the mezzotinter David Lucas was one of the most involved and consequential, as well as thoroughly recorded, in the history of reproductive printmaking. Anxious to disseminate his compositions and hoping to realize a financial return, Constable involved Lucas in the translation of his paintings into a series of small-scale mezzotints entitled English Landscape Scenery. Shortly before Constable’s death in 1837, they undertook six separate plates on a much larger scale and, in the painter’s words, “made as perfect as possible.” Although a commercial failure, and therefore known in terribly few lifetime impressions, these plates represent the last great achievement in the British mezzotint tradition. Dedham Vale interprets Constable’s earliest painting (1802) of this part of his native Suffolk (today in the Victoria and Albert Museum). This impression is the earliest and finest ever identified, printed before a borderline was added, the plate reduced in size, or its surface at all worn. As a result, it is incomparably varied in tone and pictorial in effect, bearing eloquent testimony to the nature and ambition of Constable and Lucas’s collaboration", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1998", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.111.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.111.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.111.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.111.tif", "IsPrimary" : "1", "_SurrogateID" : "5303", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8723, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8723", "Disp_Access_No" : "1996.261", "_AccNumSort1" : "", "Disp_Create_DT" : "1824-1825", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1825", "Disp_Title" : "The Conflict between Satan and Death, from John Milton's Paradise Lost, Book 2, line 727", "Alt_Title" : "", "Obj_Title" : "The Conflict between Satan and Death, from John Milton's Paradise Lost, Book 2, line 727", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "27.7 cm x 37.3 cm (10 7/8 in. x 14 11/16 in.)", "Disp_Height" : "27.7 cm", "Disp_Width" : "37.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint and drypoint", "Support" : "", "Disp_Medium" : "Mezzotint and drypoint", "Info_Page_Comm" : "From the gates of hell Sin leaps up to stop these two demons—Satan and Death—from annihilating each other. Satan, with his bat-like wings, stands poised to thrust his spear, while a toad-like Death emerges shrouded in black fog. Martin hints at Death’s form, burnishing out only the whites of its eyes, unable or unwilling to define it for us.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.261.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.261.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.261.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.261.tif", "IsPrimary" : "1", "_SurrogateID" : "5476", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8721, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8721", "Disp_Access_No" : "1996.256", "_AccNumSort1" : "", "Disp_Create_DT" : "1824-1825", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1825", "Disp_Title" : "The Fall of the Rebel Angels, from John Milton's Paradise Lost, Book 1, line 44", "Alt_Title" : "", "Obj_Title" : "The Fall of the Rebel Angels, from John Milton's Paradise Lost, Book 1, line 44", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "35.3 cm x 25.3 cm (13 7/8 in. x 9 15/16 in.)", "Disp_Height" : "35.3 cm", "Disp_Width" : "25.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint and etching with rocker", "Support" : "", "Disp_Medium" : "Mezzotint and etching with rocker", "Info_Page_Comm" : "After the great battle of angels, God hurls Satan and his followers into the depths of hell—bottomless, black, and terrifying. In the text Milton tells how the angels will endure “adamantine chains and penal fire,” but here we see an abyss made of shadow—a hell we can invent for ourselves.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.256.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.256.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.256.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.256.tif", "IsPrimary" : "1", "_SurrogateID" : "5474", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8725, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8725", "Disp_Access_No" : "1996.263", "_AccNumSort1" : "", "Disp_Create_DT" : "1824-1825", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1825", "Disp_Title" : "Satan viewing the ascent to Heaven, from John Milton, Paradise Lost, Book 3, line 501", "Alt_Title" : "", "Obj_Title" : "Satan viewing the ascent to Heaven, from John Milton, Paradise Lost, Book 3, line 501", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "37.4 cm x 27.6 cm (14 3/4 in. x 10 7/8 in.)", "Disp_Height" : "37.4 cm", "Disp_Width" : "27.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint and drypoint with rocker", "Support" : "", "Disp_Medium" : "Mezzotint and drypoint with rocker", "Info_Page_Comm" : "From afar, Satan scowls at the sight of angels ascending the stairs of heaven, enveloped in extraordinary formations of clouds. Milton writes that they “ascend by degrees, magnificent” with a “frontispiece of diamond and gold embellished.” Heaven and its entry are “inimitable on earth by model, or by shading pencil, drawn.” Martin takes on the challenge and succeeds in rendering what Milton proclaims impossible: the sublime transition from earth to heaven.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.263.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.263.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.263.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.263.tif", "IsPrimary" : "1", "_SurrogateID" : "3988", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3818, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3818", "Disp_Access_No" : "1996.258", "_AccNumSort1" : "", "Disp_Create_DT" : "1824", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1824", "Disp_Title" : "Satan arousing the Fallen Angels, from John Milton's Paradise Lost, Book 1, line 314", "Alt_Title" : "", "Obj_Title" : "Satan arousing the Fallen Angels, from John Milton's Paradise Lost, Book 1, line 314", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "37.3 cm x 27.5 cm (14 11/16 in. x 10 13/16 in.)", "Disp_Height" : "37.3 cm", "Disp_Width" : "27.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint and drypoint", "Support" : "", "Disp_Medium" : "Mezzotint and drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.258.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.258.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.258.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.258.tif", "IsPrimary" : "1", "_SurrogateID" : "5475", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11404, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11404", "Disp_Access_No" : "G1966.2.81", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1880-1881", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1881", "Disp_Title" : "Portrait of Whistler in White Ducks", "Alt_Title" : "", "Obj_Title" : "Portrait of Whistler in White Ducks", "Series_Title" : "", "Disp_Maker_1" : "Mortimer Menpes", "Sort_Artist" : "Menpes, Mortimer", "Disp_Dimen" : "33.95 cm x 25.55 cm (13 3/8 in. x 10 1/16 in.)", "Disp_Height" : "33.95 cm", "Disp_Width" : "25.55 cm", "Dimen_Extent" : "Sheet", "Medium" : "Drypoint and chine collé", "Support" : "", "Disp_Medium" : "Drypoint and chine collé", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.81.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.81.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.81.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.81.tif", "IsPrimary" : "1", "_SurrogateID" : "6315", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.81 audioEng.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.81 audioEng.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.81 audioEng.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.81 audioEng.mp3", "IsPrimary" : "0", "_SurrogateID" : "8200", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.81 audioSpan.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.81 audioSpan.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.81 audioSpan.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.81 audioSpan.mp3", "IsPrimary" : "0", "_SurrogateID" : "8201", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19294, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19294", "Disp_Access_No" : "2008.145", "_AccNumSort1" : "", "Disp_Create_DT" : "1813", "_Disp_Start_Dat" : "1813", "_Disp_End_Date" : "1813", "Disp_Title" : "The Bronze Lamp given by the Prince Regent to the Royal Academy, designed and made by Vuillamy & Sons", "Alt_Title" : "", "Obj_Title" : "The Bronze Lamp given by the Prince Regent to the Royal Academy, designed and made by Vuillamy & Sons", "Series_Title" : "", "Disp_Maker_1" : "Henry Moses and F.C. Lewis", "Sort_Artist" : "Moses and F.C. Lewis, Henry", "Disp_Dimen" : "73.5 cm x 58.6 cm (28 15/16 in. x 23 1/16 in.)", "Disp_Height" : "73.5 cm", "Disp_Width" : "58.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching (by Moses) and aquatint (by Lewis), printed in sepia", "Support" : "", "Disp_Medium" : "Etching (by Moses) and aquatint (by Lewis), printed in sepia", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2008", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.145.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.145.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.145.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.145.tif", "IsPrimary" : "1", "_SurrogateID" : "4930", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12806, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12806", "Disp_Access_No" : "2002.1296", "_AccNumSort1" : "", "Disp_Create_DT" : "1858-1865", "_Disp_Start_Dat" : "1858", "_Disp_End_Date" : "1865", "Disp_Title" : "The Weary Ploughman, or The Herdsman", "Alt_Title" : "", "Obj_Title" : "The Weary Ploughman, or The Herdsman", "Series_Title" : "", "Disp_Maker_1" : "Samuel Palmer", "Sort_Artist" : "Palmer, Samuel", "Disp_Dimen" : "29.7 cm x 43.5 cm (11 11/16 in. x 17 1/8 in.)", "Disp_Height" : "29.7 cm", "Disp_Width" : "43.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Other than learning to draw from one William Wate, Samuel Palmer had no formal training as an artist. Despite this, he was already exhibiting at the Royal Academy by the age of fourteen. He met William Blake in 1824 and was much influenced by the older artist’s visionary approach to art. Not long afterward he moved to Shoreham in Kent. Calling themselves the “Ancients,” Palmer and his friends rejected the materialism that was taking hold in an increasingly industrialized England. Palmer’s romantic landscapes of this period verge on the fantastical, but two years in Italy in the late 1830s led to a more restrained and classical treatment of his subjects. Palmer did not attempt etching until 1850, when he became a member of the Etching Club. In The Weary Ploughman, Palmer laid bare his Romantic tendencies with a moonlit scene. His command of the tonal range possible with etching shows his debt especially to the seventeenth-century Dutch but also to French contemporaries. Critics were ambivalent at best, and proponents of the etching revival in England, namely Francis Seymour Haden and James McNeill Whistler, dismissed the efforts of the Etching Club as amateurish despite the shared concerns of the two groups of artists. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1296.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1296.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1296.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1296.tif", "IsPrimary" : "1", "_SurrogateID" : "1772", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3959, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3959", "Disp_Access_No" : "2002.1294", "_AccNumSort1" : "", "Disp_Create_DT" : "1850", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1850", "Disp_Title" : "Christmas, or Folding the Last Sheep", "Alt_Title" : "", "Obj_Title" : "Christmas, or Folding the Last Sheep", "Series_Title" : "", "Disp_Maker_1" : "Samuel Palmer", "Sort_Artist" : "Palmer, Samuel", "Disp_Dimen" : "36.6 cm x 27.8 cm (14 7/16 in. x 10 15/16 in.)", "Disp_Height" : "36.6 cm", "Disp_Width" : "27.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Wood engraving", "Support" : "", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1294.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1294.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1294.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1294.tif", "IsPrimary" : "1", "_SurrogateID" : "5465", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8887, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8887", "Disp_Access_No" : "2002.1297", "_AccNumSort1" : "", "Disp_Create_DT" : "1860-1861", "_Disp_Start_Dat" : "1860", "_Disp_End_Date" : "1861", "Disp_Title" : "The Morning of Life", "Alt_Title" : "", "Obj_Title" : "The Morning of Life", "Series_Title" : "", "Disp_Maker_1" : "Samuel Palmer", "Sort_Artist" : "Palmer, Samuel", "Disp_Dimen" : "30.5 cm x 41.5 cm (12 in. x 16 5/16 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "41.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "A late disciple of Blake, Palmer carried the visionary tradition into the late 19th century. His work combines the Romantic fervor and self-conscious poetry of his mentor with the regular composition and epic flavor of classical landscape. Starting in 1850 he was active principally as an etcher of carefully drawn, repeatedly bitten, and mysteriously radiant plates. The Morning of Life is one of the finest of these transcendental pastorals. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1297.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1297.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1297.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1297.tif", "IsPrimary" : "1", "_SurrogateID" : "1773", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4201, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4201", "Disp_Access_No" : "1985.11", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1880-1883", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1883", "Disp_Title" : "The Homeward Star, from An English Version of the Eclogues of Virgil", "Alt_Title" : "", "Obj_Title" : "The Homeward Star, from An English Version of the Eclogues of Virgil", "Series_Title" : "", "Disp_Maker_1" : "Samuel Palmer", "Sort_Artist" : "Palmer, Samuel", "Disp_Dimen" : "20.7 cm x 31.6 cm (8 1/8 in. x 12 7/16 in.)", "Disp_Height" : "20.7 cm", "Disp_Width" : "31.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.11.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.11.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.11.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.11.tif", "IsPrimary" : "1", "_SurrogateID" : "5458", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11412, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11412", "Disp_Access_No" : "1991.131", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1883", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1888", "Disp_Title" : "Crabtree Observing the Transit of Venus, after Ford Madox Brown", "Alt_Title" : "", "Obj_Title" : "Crabtree Observing the Transit of Venus, after Ford Madox Brown", "Series_Title" : "", "Disp_Maker_1" : "George Woolliscroft Rhead", "Sort_Artist" : "Rhead, George Woolliscroft", "Disp_Dimen" : "27.6 cm x 36 cm (10 7/8 in. x 14 3/16 in.)", "Disp_Height" : "27.6 cm", "Disp_Width" : "36 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "Rhead was a student of the Victorian artist Ford Madox Brown, who produced a series of twelve murals (1879-1893) for Manchester’s town hall. 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