{ "objects" : [ { "embark_ID" : 14641, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14641", "Disp_Access_No" : "1987.77", "_AccNumSort1" : "", "Disp_Create_DT" : "1985", "_Disp_Start_Dat" : "1985", "_Disp_End_Date" : "1985", "Disp_Title" : "Los indios del Chaco [The Chaco Indians]", "Alt_Title" : "The Indians of the Chaco", "Obj_Title" : "Los indios del Chaco [The Chaco Indians]", "Series_Title" : "", "Disp_Maker_1" : "Luis Fernando Benedit", "Sort_Artist" : "Benedit, Luis Fernando", "Disp_Dimen" : "97.3 cm x 62 cm x 59.8 cm (38 5/16 in. x 24 7/16 in. x 23 9/16 in.)", "Disp_Height" : "97.3 cm", "Disp_Width" : "62 cm", "Dimen_Extent" : "HLW", "Medium" : "Sheet metal, epoxy resin, wood, oil, and enamel sculpture on a wooden base", "Support" : "", "Disp_Medium" : "Sheet metal, epoxy resin, wood, oil, and enamel sculpture on a wooden base", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. David Guss and the Archer M. Huntington Museum Fund, 1987.", "Copyright_Type" : "", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.77_right_side.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.77_right_side.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.77_right_side.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.77_right_side.tif", "IsPrimary" : "0", "_SurrogateID" : "3499", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.77_left_side.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.77_left_side.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.77_left_side.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.77_left_side.tif", "IsPrimary" : "1", "_SurrogateID" : "6415", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15018, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15018", "Disp_Access_No" : "1982.186", "_AccNumSort1" : "", "Disp_Create_DT" : "1971", "_Disp_Start_Dat" : "1971", "_Disp_End_Date" : "1971", "Disp_Title" : "Gota de agua [Drop of Water]", "Alt_Title" : "Water Drop", "Obj_Title" : "Gota de agua [Drop of Water]", "Series_Title" : "", "Disp_Maker_1" : "Luis Fernando Benedit", "Sort_Artist" : "Benedit, Luis Fernando", "Disp_Dimen" : "44.1 cm x 25.1 cm x 25.1 cm (17 3/8 in. x 9 7/8 in. x 9 7/8 in.)", "Disp_Height" : "44.1 cm", "Disp_Width" : "25.1 cm", "Dimen_Extent" : "HLW", "Medium" : "Plexiglass, plastic tubing, water, and cotton (with metal screws)", "Support" : "", "Disp_Medium" : "Plexiglass, plastic tubing, water, and cotton (with metal screws)", "Info_Page_Comm" : "Benedit’s work of the early 1970s is concerned with the creation and observation of life in scientifically controlled environments. In Gota de agua, a single drop of water, seen through a magnifying glass, reflects and distorts the room around it, including the viewer. Although the work is not overtly political, it is hard not to read a more sinister meaning into this process of observation and control, given the political reality in Latin America in that decade. Like Luis Camnitzer’s prints in this same gallery, the tight perspective and suggestion of experimentation could be read as a response to the specter of torture. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Waldo Rasmussen, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.186.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.186.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.186.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.186.tif", "IsPrimary" : "1", "_SurrogateID" : "1235", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15035, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15035", "Disp_Access_No" : "1982.1249", "_AccNumSort1" : "", "Disp_Create_DT" : "1921 - 1924", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1924", "Disp_Title" : "El guitarrista [The Guitarist]", "Alt_Title" : "The Guitarist", "Obj_Title" : "El guitarrista [The Guitarist]", "Series_Title" : "", "Disp_Maker_1" : "Pablo Curatella Manes", "Sort_Artist" : "Curatella Manes, Pablo", "Disp_Dimen" : "34.3 cm x 22.5 cm x 18.4 cm (13 1/2 in. x 8 7/8 in. x 7 1/4 in.)", "Disp_Height" : "34.3 cm", "Disp_Width" : "22.5 cm", "Dimen_Extent" : "Base", "Medium" : "Bronze with black patina", "Support" : "", "Disp_Medium" : "Bronze with black patina", "Info_Page_Comm" : "Like many Argentine artists of his generation, Pablo Curatella Manes lived in Europe and immersed himself in the avant-garde. His admiration for both Renaissance art and Cubist sculpture led him to find his own artistic voice. In "The Guitarist," one of his first Cubist works, Curatella Manes transformed musician and instrument into a series of clearly defined yet simplified geometric solids. The artist sought a modern classicism, balancing figuration and abstraction, solidity and movement. The apparent heaviness of the bronze makes the figure stable, while the distribution of volumes follows a syncopated rhythm that reinforces the musical theme.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1982", "Copyright_Type" : "edu; web", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1249.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1249.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1249.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1249.tif", "IsPrimary" : "1", "_SurrogateID" : "1221", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14962, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14962", "Disp_Access_No" : "1983.118", "_AccNumSort1" : "", "Disp_Create_DT" : "1981", "_Disp_Start_Dat" : "1981", "_Disp_End_Date" : "1981", "Disp_Title" : "Penetraciones [Penetrations]", "Alt_Title" : "[Penetraciones]", "Obj_Title" : "Penetraciones [Penetrations]", "Series_Title" : "", "Disp_Maker_1" : "Raúl Farco", "Sort_Artist" : "Farco, Raúl", "Disp_Dimen" : "93.3 cm x 88.3 cm x 18.5 cm (36 3/4 in. x 34 3/4 in. x 7 5/16 in.)", "Disp_Height" : "93.3 cm", "Disp_Width" : "88.3 cm", "Dimen_Extent" : "HLW", "Medium" : "Cherokee marble and Pennsylvania ribbon slate with pigments", "Support" : "", "Disp_Medium" : "Cherokee marble and Pennsylvania ribbon slate with pigments", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jeffrey Jurick, 1983", "Copyright_Type" : "", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1983.118_verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1983.118_verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1983.118_verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1983.118_verso.tif", "IsPrimary" : "0", "_SurrogateID" : "3312", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1983.118_recto.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1983.118_recto.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1983.118_recto.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1983.118_recto.tif", "IsPrimary" : "1", "_SurrogateID" : "6433", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18753, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18753", "Disp_Access_No" : "2006.326", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "Estación central de Rotterdam", "Alt_Title" : "", "Obj_Title" : "Estación central de Rotterdam", "Series_Title" : "", "Disp_Maker_1" : "Sebastián Gordín", "Sort_Artist" : "Gordín, Sebastián", "Disp_Dimen" : "137.9 cm x 102.8 cm x 60.3 cm (54 5/16 in. x 40 1/2 in. x 23 3/4 in.)", "Disp_Height" : "137.9 cm", "Disp_Width" : "102.8 cm", "Dimen_Extent" : "installed dimension", "Medium" : "Mixed media", "Support" : "", "Disp_Medium" : "Mixed media", "Info_Page_Comm" : "The scene presented through the peephole on this work is a recreation of the Central Station in Rotterdam, The Netherlands. The artist carefully reconstructed this image from a tourist postcard that his father sent him during a European tour in the 1950s. By looking through the small lens, we are invited into a scene that is arrested in time and strangely evocative of a melodramatic movie or novel. Gordín's work explores memory and parallel realities through small shifts in perception. Indeed, the brightly colored box of Rotterdam Central Station is not unlike a magic trick that takes us back in time or deep into someone else's personal memories.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchased with funds provided by Fundación Arte BA, Buenos Aires, and contributions from the Blanton Latin American Circle, 2006", "Copyright_Type" : "", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.326.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.326.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.326.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.326.tif", "IsPrimary" : "1", "_SurrogateID" : "4253", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.326 detail.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.326 detail.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.326 detail.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.326 detail.tif", "IsPrimary" : "0", "_SurrogateID" : "4260", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.326 interior view.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.326 interior view.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.326 interior view.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.326 interior view.tif", "IsPrimary" : "0", "_SurrogateID" : "4261", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16910, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16910", "Disp_Access_No" : "2003.107", "_AccNumSort1" : "", "Disp_Create_DT" : "1993", "_Disp_Start_Dat" : "1993", "_Disp_End_Date" : "1993", "Disp_Title" : "Esfera (Serie desequilibrios) 1-I [Sphere (Imbalance Series) 1-I]", "Alt_Title" : "", "Obj_Title" : "Esfera (Serie desequilibrios) 1-I [Sphere (Imbalance Series) 1-I]", "Series_Title" : "", "Disp_Maker_1" : "Víctor Grippo", "Sort_Artist" : "Grippo, Víctor", "Disp_Dimen" : "44.1 cm x 34.3 cm x 11.6 cm (17 3/8 in. x 13 1/2 in. x 4 9/16 in.)", "Disp_Height" : "44.1 cm", "Disp_Width" : "34.3 cm", "Dimen_Extent" : "HWD", "Medium" : "Glazed wooden box, plaster and paint ", "Support" : "", "Disp_Medium" : "Glazed wooden box, plaster and paint ", "Info_Page_Comm" : "In the 1980’s, Victor Grippo created a series of stage set-like sculptures called “Balance” that featured small scenes illustrating physical acts of cause and effect. He followed it with a complementary series called “Imbalance” that includes “Esfera.” On the left side a red ball rests on a shelf next to a shattered white crucible. An unbroken crucible rests next to the shards, painted above it is red and black circle. Grippo’s puzzling tableau contrasts real objects with their two-dimensional images and unsettles scientific rules that connect cause with its possible effects. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2003", "Copyright_Type" : "", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.107.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.107.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.107.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.107.tif", "IsPrimary" : "1", "_SurrogateID" : "2104", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14028, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14028", "Disp_Access_No" : "G1975.37.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1967", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1967", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "Untitled", "Series_Title" : "", "Disp_Maker_1" : "Gyula Kosice", "Sort_Artist" : "Kosice, Gyula", "Disp_Dimen" : "63.7 cm x 117.7 cm x 117.7 cm (25 1/16 in. x 46 5/16 in. x 46 5/16 in.)", "Disp_Height" : "63.7 cm", "Disp_Width" : "117.7 cm", "Dimen_Extent" : "Base", "Medium" : "Aluminum, plexiglass, and water", "Support" : "", "Disp_Medium" : "Aluminum, plexiglass, and water", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gunther Oppenheim, 1975", "Copyright_Type" : "All approved.", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1975.37.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1975.37.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1975.37.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1975.37.1.tif", "IsPrimary" : "1", "_SurrogateID" : "2454", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17737, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17737", "Disp_Access_No" : "2005.174", "_AccNumSort1" : "", "Disp_Create_DT" : "2005", "_Disp_Start_Dat" : "2005", "_Disp_End_Date" : "2005", "Disp_Title" : "Trabajo forzado [Forced Labor]", "Alt_Title" : "", "Obj_Title" : "Trabajo forzado [Forced Labor]", "Series_Title" : "", "Disp_Maker_1" : "Liliana Porter", "Sort_Artist" : "Porter, Liliana", "Disp_Dimen" : "5 cm x 110 cm x 26 cm (1 15/16 in. x 43 5/16 in. x 10 1/4 in.)", "Disp_Height" : "5 cm", "Disp_Width" : "110 cm", "Dimen_Extent" : "shelf", "Medium" : "Shelf, plastic figure, mulch", "Support" : "", "Disp_Medium" : "Shelf, plastic figure, mulch", "Info_Page_Comm" : "A major figure in the development of Conceptual art since the 1960s, Porter continues to produce work with a unique blend of humor and literary or philosophical references. In Trabajo forzado, a tiny figure seems to be engaged in the monumental task of moving a large amount of mulch onto the floor. Given the sizes of the figure and pile, the little man must have been hard at work for a very long time. Unlike Camnitzer, Porter avoids severity and chooses to address injustice in a playful and absurd fashion. Through the use of humor, she is able to call attention to the plight of the ordinary person, long-standing social inequalities, and the punishingly hard nature of continuous physical labor. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Judy S. and Charles W. Tate, 2005", "Copyright_Type" : "all approved.", "Disp_Obj_Type" : "installation", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.174_detail.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.174_detail.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.174_detail.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.174_detail.tif", "IsPrimary" : "0", "_SurrogateID" : "3616", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.174.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.174.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.174.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.174.tif", "IsPrimary" : "1", "_SurrogateID" : "6501", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15065, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15065", "Disp_Access_No" : "1981.103", "_AccNumSort1" : "", "Disp_Create_DT" : "1974", "_Disp_Start_Dat" : "1974", "_Disp_End_Date" : "1974", "Disp_Title" : "Caja con jabones para distintas clases sociales [Box with Bars of Soap for Different Social Classes]", "Alt_Title" : "", "Obj_Title" : "Caja con jabones para distintas clases sociales [Box with Bars of Soap for Different Social Classes]", "Series_Title" : "", "Disp_Maker_1" : "Alfredo Portillos", "Sort_Artist" : "Portillos, Alfredo", "Disp_Dimen" : "5.1 cm x 26.1 cm x 9.3 cm (2 in. x 10 1/4 in. x 3 11/16 in.)", "Disp_Height" : "5.1 cm", "Disp_Width" : "26.1 cm", "Dimen_Extent" : "HLW", "Medium" : "Artist''s wooden box with leather hinges, two bars of soap in tissue and newspaper, two photographs, and stamped print", "Support" : "", "Disp_Medium" : "Artist's wooden box with leather hinges, two bars of soap in tissue and newspaper, two photographs, and stamped print", "Info_Page_Comm" : "Along with Luis Fernando Benedit, Alfredo Portillos was affiliated with the Centro de Arte y Comunicación [Center for Art and Communication or CAYC], a group of conceptual artists based in Buenos Aires. After being tasked with organizing an exhibition of artist’s books for CAYC, Portillos became a collector of the medium and later opened his own museum. 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At once gaudy and kitschy, but also disturbing and melancholy, his lamp sculptures have come to symbolize the baroque sensibility of the “Arte Light” movement in Buenos Aires during the 1990s. The contrast between the flamboyant forms and the dim light inside is a poignant and moving commentary on morality, sexuality, joy, and sadness. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Fran Magee Fund, 2005", "Copyright_Type" : "", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.155.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.155.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.155.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.155.tif", "IsPrimary" : "1", "_SurrogateID" : "6498", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }