{ "objects" : [ { "embark_ID" : 17374, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17374", "Disp_Access_No" : "2005.31", "_AccNumSort1" : "", "Disp_Create_DT" : "1986", "_Disp_Start_Dat" : "1986", "_Disp_End_Date" : "1986", "Disp_Title" : "Escultura em granito", "Alt_Title" : "", "Obj_Title" : "Untitled", "Series_Title" : "", "Disp_Maker_1" : "Waltercio Caldas", "Sort_Artist" : "Caldas, Waltercio", "Disp_Dimen" : "8.6 cm x 50.3 cm x 34.3 cm (3 3/8 in. x 19 13/16 in. x 13 1/2 in.)", "Disp_Height" : "8.6 cm", "Disp_Width" : "50.3 cm", "Dimen_Extent" : "HWD", "Medium" : "Black granite", "Support" : "", "Disp_Medium" : "Black granite", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase as a gift of Margaret McDermott in memory of Barbara Duncan, 2005", "Copyright_Type" : "", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Brazilian", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.31.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.31.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.31.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.31.tif", "IsPrimary" : "1", "_SurrogateID" : "2834", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13887, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13887", "Disp_Access_No" : "P1975.25.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1973", "_Disp_Start_Dat" : "1973", "_Disp_End_Date" : "1973", "Disp_Title" : "No. 415 [Núm. 415]", "Alt_Title" : "", "Obj_Title" : "No. 415 [Núm. 415]", "Series_Title" : "", "Disp_Maker_1" : "Sérgio de Camargo", "Sort_Artist" : "Camargo, Sérgio de", "Disp_Dimen" : "19.6 cm x 18.1 cm x 10.5 cm (7 11/16 in. x 7 1/8 in. x 4 1/8 in.)", "Disp_Height" : "19.6 cm", "Disp_Width" : "18.1 cm", "Dimen_Extent" : "HLW", "Medium" : "White Carrara marble", "Support" : "", "Disp_Medium" : "White Carrara marble", "Info_Page_Comm" : "Sérgio de Camargo explored the rhythmic abstract geometry favored by the proponents of Kinetic and Op art that he met while living in Paris during the 1960s and 1970s. "No. 415" is an assemblage of marble blocks of various sizes cut at different angles. By playfully alternating flat areas with triangular wedges, Camargo produced changing patterns of light and shadows. The cohesive organic quality and dynamic geometry of this sculpture lend it a monumental presence.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1975", "Copyright_Type" : "", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Brazilian", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1975.25.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1975.25.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1975.25.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1975.25.1.tif", "IsPrimary" : "1", "_SurrogateID" : "5187", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19325, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19325", "Disp_Access_No" : "2009.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1992/2006", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Corpus Delicti", "Alt_Title" : "", "Obj_Title" : "Corpus Delicti", "Series_Title" : "", "Disp_Maker_1" : "Jac Leirner", "Sort_Artist" : "Leirner, Jac", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "varies with installation", "Medium" : "Three boarding passes, two ashtrays, cutlery, and metal cord", "Support" : "", "Disp_Medium" : "Three boarding passes, two ashtrays, cutlery, and metal cord", "Info_Page_Comm" : "In the early 1990s, Jac Leirner collected objects from her many airplane trips, including napkins, cutlery, baggage tags, boarding passes, ear plugs, and ashtrays. She then ordered these objects into a series of works called "Corpus Delicti," a legal term in Latin meaning the concrete evidence of a crime. This string of connected objects functions as a travelogue of Leirner’s journeys. It also documents her struggle to quit smoking and her obsessive and sometimes illegal acquisition of materials, as in the case of the ashtrays and cutlery. For Leirner, the works “convey a history, with the idea of transgression imprinted on them.” They are removed from one circuit and are consecrated by another, changing from airplane accoutrements to works of art.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Susman Collection, 2009", "Copyright_Type" : "", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Brazilian", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.13.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.13.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.13.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2009.13.tif", "IsPrimary" : "1", "_SurrogateID" : "6068", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14341, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14341", "Disp_Access_No" : "1998.76", "_AccNumSort1" : "", "Disp_Create_DT" : "1987", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1987", "Disp_Title" : "Missão/Missões [Mission/Missions] (How to Build Cathedrals)", "Alt_Title" : "", "Obj_Title" : "Missão/Missões [Mission/Missions] (How to Build Cathedrals)", "Series_Title" : "", "Disp_Maker_1" : "Cildo Meireles", "Sort_Artist" : "Meireles, Cildo", "Disp_Dimen" : "249.94 cm x 345.95 cm x 345.95 cm (98 3/8 in. x 136 3/16 in. x 136 3/16 in.)", "Disp_Height" : "249.94 cm", "Disp_Width" : "345.95 cm", "Dimen_Extent" : "varies with installation", "Medium" : "600,000 coins, 800 communion wafers, 2000 cattle bones, 80 paving stones, and black cloth", "Support" : "", "Disp_Medium" : "600,000 coins, 800 communion wafers, 2,000 cattle bones, 80 paving stones, and black cloth", "Info_Page_Comm" : "Cildo Meireles’s installation was first commissioned for an exhibition about the history of the Jesuits in southern Brazil. The artist created a contemplative space that functions as a critique of Jesuit missions established during colonial times to contain the indigenous Tupi-Guaraní people and convert them to Catholicism. The work’s symbolic elements reveal the complicit relationship between material power (coins), spiritual power (communion wafers), and tragedy (bones), while the black shroud and overhead lighting evoke ideas of life and death. Meireles’ use of cattle bones references the importance of ranching within the region’s colonial economy. Yet the bones’ physical resemblance to the human femur also alludes to the human losses associated with forced acculturation. 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