{ "objects" : [ { "embark_ID" : 17117, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17117", "Disp_Access_No" : "2002.2934", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Last Judgment, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "The Last Judgment, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Anonymous (English 19th century)", "Sort_Artist" : "Anonymous (English 19th century)", "Disp_Dimen" : "28.3 cm x 21.7 cm (11 1/8 in. x 8 9/16 in.)", "Disp_Height" : "28.3 cm", "Disp_Width" : "21.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Wood engraving", "Support" : "", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2934.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2934.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2934.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2934.tif", "IsPrimary" : "1", "_SurrogateID" : "4960", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17220, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17220", "Disp_Access_No" : "2004.143", "_AccNumSort1" : "", "Disp_Create_DT" : "1779", "_Disp_Start_Dat" : "1779", "_Disp_End_Date" : "1779", "Disp_Title" : "A Baite for the Devil", "Alt_Title" : "", "Obj_Title" : "A Baite for the Devil", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "33 cm x 22.7 cm (13 in. x 8 15/16 in.)", "Disp_Height" : "33 cm", "Disp_Width" : "22.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "The three figures represent the three aspects of Sir Henry Bate Dudley: the central figure, his role as parson; the one facing left, that of barrister; the one facing right, dressed as an advertiser for the Morning Post, that of newspaper editor. Tied together by a rope, standing upon a bible and a letter box, the group satirizes Dudley’s falseness, as well as his taste for costume. At the same time, the composition refers to traditional emblems, and its drawing is quite fine. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2004", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.143.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.143.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.143.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.143.tif", "IsPrimary" : "1", "_SurrogateID" : "2783", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3672, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3672", "Disp_Access_No" : "2002.1218", "_AccNumSort1" : "", "Disp_Create_DT" : "1783", "_Disp_Start_Dat" : "1783", "_Disp_End_Date" : "1783", "Disp_Title" : "The Golden-Pippin Boys on the Branches of State", "Alt_Title" : "", "Obj_Title" : "The Golden-Pippin Boys on the Branches of State", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "35 cm x 21.1 cm (13 3/4 in. x 8 5/16 in.)", "Disp_Height" : "35 cm", "Disp_Width" : "21.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with hand coloring", "Support" : "", "Disp_Medium" : "Etching with hand coloring", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1218.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1218.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1218.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1218.tif", "IsPrimary" : "1", "_SurrogateID" : "4215", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19553, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19553", "Disp_Access_No" : "2010.53", "_AccNumSort1" : "", "Disp_Create_DT" : "1763", "_Disp_Start_Dat" : "1763", "_Disp_End_Date" : "1763", "Disp_Title" : "William Hog-garth Esquire, Drawn from the Life", "Alt_Title" : "", "Obj_Title" : "William Hog-garth Esquire, Drawn from the Life", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "26.2 cm x 17 cm (10 5/16 in. x 6 11/16 in.)", "Disp_Height" : "26.2 cm", "Disp_Width" : "17 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase as a gift of JoAnne and George Christian, by exchange, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.53.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.53.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.53.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.53.tif", "IsPrimary" : "1", "_SurrogateID" : "7894", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17676, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17676", "Disp_Access_No" : "2005.161", "_AccNumSort1" : "", "Disp_Create_DT" : "1798", "_Disp_Start_Dat" : "1798", "_Disp_End_Date" : "1798", "Disp_Title" : "The Castle Spectre and Her Ernest Admirer!", "Alt_Title" : "", "Obj_Title" : "The Castle Spectre and Her Ernest Admirer!", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "43.4 cm x 55.9 cm (17 1/16 in. x 22 in.)", "Disp_Height" : "43.4 cm", "Disp_Width" : "55.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand-coloring", "Info_Page_Comm" : "Print published by William Holland.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.161.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.161.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.161.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.161.tif", "IsPrimary" : "1", "_SurrogateID" : "6499", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3593, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3593", "Disp_Access_No" : "2000.52", "_AccNumSort1" : "", "Disp_Create_DT" : "1773", "_Disp_Start_Dat" : "1773", "_Disp_End_Date" : "1773", "Disp_Title" : "The Anatomist Overtaken by the Watch in Carrying off Miss W__ts in a Hamper", "Alt_Title" : "", "Obj_Title" : "The Anatomist Overtaken by the Watch in Carrying off Miss W__ts in a Hamper", "Series_Title" : "", "Disp_Maker_1" : "William Austin", "Sort_Artist" : "Austin, William", "Disp_Dimen" : "27.2 cm x 39.3 cm (10 11/16 in. x 15 1/2 in.)", "Disp_Height" : "27.2 cm", "Disp_Width" : "39.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2000", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.52.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.52.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.52.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.52.tif", "IsPrimary" : "1", "_SurrogateID" : "4070", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8548, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8548", "Disp_Access_No" : "1997.60", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Three Trees, after Rembrandt van Rijn", "Alt_Title" : "", "Obj_Title" : "The Three Trees, after Rembrandt van Rijn", "Series_Title" : "", "Disp_Maker_1" : "William Baillie", "Sort_Artist" : "Baillie, William", "Disp_Dimen" : "21.9 cm x 28.8 cm (8 5/8 in. x 11 5/16 in.)", "Disp_Height" : "21.9 cm", "Disp_Width" : "28.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching with burin and mezzotint", "Support" : "", "Disp_Medium" : "Etching with burin and mezzotint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.60.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.60.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.60.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.60.tif", "IsPrimary" : "1", "_SurrogateID" : "3950", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8547, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8547", "Disp_Access_No" : "1997.59", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Three Trees, after Rembrandt van Rijn", "Alt_Title" : "", "Obj_Title" : "The Three Trees, after Rembrandt van Rijn", "Series_Title" : "", "Disp_Maker_1" : "William Baillie", "Sort_Artist" : "Baillie, William", "Disp_Dimen" : "22.5 cm x 29.3 cm (8 7/8 in. x 11 9/16 in.)", "Disp_Height" : "22.5 cm", "Disp_Width" : "29.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.59.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.59.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.59.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.59.tif", "IsPrimary" : "1", "_SurrogateID" : "3949", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3719, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3719", "Disp_Access_No" : "2000.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1794", "_Disp_Start_Dat" : "1794", "_Disp_End_Date" : "1794", "Disp_Title" : "Reclining Male Cadaver from Anatomy of the Bones, Muscles and Joints by John Bell", "Alt_Title" : "", "Obj_Title" : "Reclining Male Cadaver from Anatomy of the Bones, Muscles and Joints by John Bell", "Series_Title" : "", "Disp_Maker_1" : "John Bell", "Sort_Artist" : "Bell, John", "Disp_Dimen" : "21 x 26.1 cm (8 1/4 x 10 1/4 in.)", "Disp_Height" : "21 cm", "Disp_Width" : "26.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving and etching", "Support" : "", "Disp_Medium" : "Engraving and etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2000", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.4.tif", "IsPrimary" : "1", "_SurrogateID" : "4615", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3720, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3720", "Disp_Access_No" : "2000.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1794", "_Disp_Start_Dat" : "1794", "_Disp_End_Date" : "1794", "Disp_Title" : "Two Écorché Trunks after John Bell from Anatomy of the Bones, Joints and Muscles by John Bell", "Alt_Title" : "", "Obj_Title" : "Two Écorché Trunks after John Bell from Anatomy of the Bones, Joints and Muscles by John Bell", "Series_Title" : "", "Disp_Maker_1" : "John Beugo", "Sort_Artist" : "Beugo, John", "Disp_Dimen" : "26 x 21.3 cm (10 1/4 x 8 3/8 in.)", "Disp_Height" : "26 cm", "Disp_Width" : "21.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching with engraving", "Support" : "", "Disp_Medium" : "Etching with engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2000", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Scottish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.5.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.5.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.5.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.5.tif", "IsPrimary" : "1", "_SurrogateID" : "4616", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 63, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/63", "Disp_Access_No" : "1991.95", "_AccNumSort1" : "", "Disp_Create_DT" : "1750", "_Disp_Start_Dat" : "1750", "_Disp_End_Date" : "1750", "Disp_Title" : "Cruelty in Perfection, after William Hogarth", "Alt_Title" : "", "Obj_Title" : "Cruelty in Perfection, after William Hogarth", "Series_Title" : "", "Disp_Maker_1" : "John Bell", "Sort_Artist" : "Bell, John", "Disp_Dimen" : "58.1 cm x 45 cm (22 7/8 in. x 17 11/16 in.)", "Disp_Height" : "58.1 cm", "Disp_Width" : "45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "William Hogarth’s reputation as a brilliant satirist and moralist is much in evidence in Cruelty in Perfection, the third vignette from his series The Four Stages of Cruelty. The first two stages show the main character abusing animals. In the third stage, shown here, the protagonist—who has murdered his mistress with whom he had plotted a burglary—is forced to confront his crime. The final stage features doctors dissecting his corpse, the noose of his execution still hanging around his neck. Hogarth directed the message of cruelty’s retribution squarely at members of the working class, whom he hoped to scare into more civil behavior. To reduce the cost and heighten the appeal for his target audience (who were familiar with the woodcut aesthetic), he employed John Bell to reproduce the series in woodcut. But Bell cut only two of the scenes before the project became too costly for Hogarth to continue. He economized by etching the series himself, printing it on two qualities of paper, one more affordable than the other. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.95.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.95.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.95.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.95.tif", "IsPrimary" : "1", "_SurrogateID" : "1598", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11343, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11343", "Disp_Access_No" : "1991.129", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1797", "_Disp_Start_Dat" : "1792", "_Disp_End_Date" : "1802", "Disp_Title" : "Peacocks, from The History of British Birds (1797)", "Alt_Title" : "", "Obj_Title" : "Peacocks, from The History of British Birds (1797)", "Series_Title" : "", "Disp_Maker_1" : "Thomas Bewick", "Sort_Artist" : "Bewick, Thomas", "Disp_Dimen" : "23.4 cm x 15.3 cm (9 3/16 in. x 6 in.)", "Disp_Height" : "23.4 cm", "Disp_Width" : "15.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Wood engraving", "Support" : "", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.129.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.129.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.129.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.129.tif", "IsPrimary" : "1", "_SurrogateID" : "4783", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8720, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8720", "Disp_Access_No" : "G1966.2.154", "_AccNumSort1" : "", "Disp_Create_DT" : "1823-1825", "_Disp_Start_Dat" : "1823", "_Disp_End_Date" : "1825", "Disp_Title" : ""And He Smote Job with sore Boils...," plate 6 from the Illustrations of the Book of Job", "Alt_Title" : "", "Obj_Title" : ""And He Smote Job with sore Boils...," plate 6 from the Illustrations of the Book of Job", "Series_Title" : "", "Disp_Maker_1" : "William Blake", "Sort_Artist" : "Blake, William", "Disp_Dimen" : "40.9 cm x 27.6 cm (16 1/8 in. x 10 7/8 in.)", "Disp_Height" : "40.9 cm", "Disp_Width" : "27.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.154.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.154.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.154.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.154.tif", "IsPrimary" : "1", "_SurrogateID" : "4515", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.154-Crop.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.154-Crop.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.154-Crop.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.154-Crop.tif", "IsPrimary" : "0", "_SurrogateID" : "19968", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.154-Sheet.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.154-Sheet.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.154-Sheet.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.154-Sheet.tif", "IsPrimary" : "0", "_SurrogateID" : "19969", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8719, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8719", "Disp_Access_No" : "G1966.2.153", "_AccNumSort1" : "", "Disp_Create_DT" : "1823-1825", "_Disp_Start_Dat" : "1823", "_Disp_End_Date" : "1825", "Disp_Title" : ""I have heard thee with the hearing of the Ear but now my Eye seeth thee," plate 17 from the Illustrations of The Book of Job", "Alt_Title" : "", "Obj_Title" : ""I have heard thee with the hearing of the Ear but now my Eye seeth thee," plate 17 from the Illustrations of The Book of Job", "Series_Title" : "", "Disp_Maker_1" : "William Blake", "Sort_Artist" : "Blake, William", "Disp_Dimen" : "41.1 cm x 27.6 cm (16 3/16 in. x 10 7/8 in.)", "Disp_Height" : "41.1 cm", "Disp_Width" : "27.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.153.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.153.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.153.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.153.tif", "IsPrimary" : "1", "_SurrogateID" : "4799", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.153-Crop.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.153-Crop.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.153-Crop.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.153-Crop.tif", "IsPrimary" : "0", "_SurrogateID" : "19966", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.153-Sheet.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.153-Sheet.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.153-Sheet.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.153-Sheet.tif", "IsPrimary" : "0", "_SurrogateID" : "19967", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3695, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3695", "Disp_Access_No" : "2002.1222", "_AccNumSort1" : "", "Disp_Create_DT" : "1787", "_Disp_Start_Dat" : "1787", "_Disp_End_Date" : "1787", "Disp_Title" : "Johann Kaspar Lavater", "Alt_Title" : "", "Obj_Title" : "Johann Kaspar Lavater", "Series_Title" : "", "Disp_Maker_1" : "William Blake", "Sort_Artist" : "Blake, William", "Disp_Dimen" : "38.2 cm x 31.3 cm (15 1/16 in. x 12 5/16 in.)", "Disp_Height" : "38.2 cm", "Disp_Width" : "31.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Blake trained and was first active as a conventional reproductive engraver. This print is of special interest because of the sitter’s identity and the impression’s quality. Lavater was a Swiss theologian better known for his writings on physiognomy – the interpretation of personality from facial characteristics. Blake records his traits in a fashionable Neoclassical profile, made distinctive by its large scale and severe modeling. Vivid, the impression is an apparently unique proof before letters. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1222.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1222.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1222.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1222.tif", "IsPrimary" : "1", "_SurrogateID" : "1768", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12800, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12800", "Disp_Access_No" : "2002.1278", "_AccNumSort1" : "", "Disp_Create_DT" : "1826", "_Disp_Start_Dat" : "1826", "_Disp_End_Date" : "1826", "Disp_Title" : "Lac de Killin, from from Vues pittoresques de l'Ecosse [Picturesque Views of Scotland]", "Alt_Title" : "", "Obj_Title" : "Lac de Killin, from from Vues pittoresques de l'Ecosse [Picturesque Views of Scotland]", "Series_Title" : "", "Disp_Maker_1" : "Richard Parkes Bonington", "Sort_Artist" : "Bonington, Richard Parkes", "Disp_Dimen" : "26.4 cm x 35.3 cm (10 3/8 in. x 13 7/8 in.)", "Disp_Height" : "26.4 cm", "Disp_Width" : "35.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1278.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1278.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1278.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1278.tif", "IsPrimary" : "1", "_SurrogateID" : "5464", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3837, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3837", "Disp_Access_No" : "1998.356", "_AccNumSort1" : "", "Disp_Create_DT" : "1826", "_Disp_Start_Dat" : "1826", "_Disp_End_Date" : "1826", "Disp_Title" : "Bothwell Castle, after F.A. Pernot, from Vues pittoresques de l'Ecosse [Picturesque Views of Scotland]", "Alt_Title" : "", "Obj_Title" : "Bothwell Castle, after F.A. Pernot, from Vues pittoresques de l'Ecosse [Picturesque Views of Scotland]", "Series_Title" : "", "Disp_Maker_1" : "Richard Parkes Bonington", "Sort_Artist" : "Bonington, Richard Parkes", "Disp_Dimen" : "29 cm x 41.8 cm (11 7/16 in. x 16 7/16 in.)", "Disp_Height" : "29 cm", "Disp_Width" : "41.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Toned lithograph", "Support" : "", "Disp_Medium" : "Toned lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.356.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.356.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.356.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.356.tif", "IsPrimary" : "1", "_SurrogateID" : "5462", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3839, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3839", "Disp_Access_No" : "1997.155", "_AccNumSort1" : "", "Disp_Create_DT" : "1826", "_Disp_Start_Dat" : "1826", "_Disp_End_Date" : "1826", "Disp_Title" : "La Prière [Prayer]", "Alt_Title" : "", "Obj_Title" : "La Prière [Prayer]", "Series_Title" : "", "Disp_Maker_1" : "Richard Parkes Bonington", "Sort_Artist" : "Bonington, Richard Parkes", "Disp_Dimen" : "34 cm x 25.5 cm (13 3/8 in. x 10 1/16 in.)", "Disp_Height" : "34 cm", "Disp_Width" : "25.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph on chine collé", "Support" : "", "Disp_Medium" : "Lithograph on chine collé", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.155.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.155.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.155.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.155.tif", "IsPrimary" : "1", "_SurrogateID" : "5459", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17258, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17258", "Disp_Access_No" : "2004.166", "_AccNumSort1" : "", "Disp_Create_DT" : "1839", "_Disp_Start_Dat" : "1839", "_Disp_End_Date" : "1839", "Disp_Title" : "Hôtel de Cluny, Paris", "Alt_Title" : "", "Obj_Title" : "Hôtel de Cluny, Paris", "Series_Title" : "", "Disp_Maker_1" : "Thomas Shotter Boys", "Sort_Artist" : "Boys, Thomas Shotter", "Disp_Dimen" : "36.4 cm x 53.9 cm (14 5/16 in. x 21 1/4 in.)", "Disp_Height" : "36.4 cm", "Disp_Width" : "53.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Color lithograph", "Support" : "", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Color lithographs are usually made with one stone for each color. This poses a challenge for artists who have to envision a complex blending of tones, and for printers who then have to register or align the sheet perfectly on each stone. Thomas Shotter Boys and his printer, Charles Hullmandel, perfected the process, using four or five stones, which carefully superimposed and juxtaposed colors to create a full chromatic range and the delicacy of a watercolor. Their work established a completely new standard for color printing. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2004", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.166.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.166.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.166.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.166.tif", "IsPrimary" : "1", "_SurrogateID" : "3679", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9547, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9547", "Disp_Access_No" : "G1969.6.307", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Handmaidens", "Alt_Title" : "", "Obj_Title" : "Handmaidens", "Series_Title" : "", "Disp_Maker_1" : "Charles William Cain", "Sort_Artist" : "Cain, Charles William", "Disp_Dimen" : "51 cm x 33.3 cm (20 1/16 in. x 13 1/8 in.)", "Disp_Height" : "51 cm", "Disp_Width" : "33.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Drypoint", "Support" : "", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Transfer from the Humanities Research Center, The University of Texas at Austin, 1969", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1969.6.307.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1969.6.307.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1969.6.307.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1969.6.307.tif", "IsPrimary" : "1", "_SurrogateID" : "7263", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12245, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12245", "Disp_Access_No" : "2002.506", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "La Promenade sur l’eau [The Walkway on the Water], from Paysages Gravés pour Jean de Médicis [Landscapes Engraved for Giovanni de Medici]", "Alt_Title" : "", "Obj_Title" : "La Promenade sur l’eau [The Walkway on the Water], from Paysages Gravés pour Jean de Médicis [Landscapes Engraved for Giovanni de Medici]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "11.4 cm x 24.4 cm (4 1/2 in. x 9 5/8 in.)", "Disp_Height" : "11.4 cm", "Disp_Width" : "24.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The Italian Landscapes consist of ten views of the Tuscan coast and countryside. It was traditionally thought that Giovanni de’Medici commissioned the series based on a letter Callot wrote to him in 1618 to present a series of landscape etchings (“the first of the kind I have made”). The actual circumstance of their creation, however, remains unclear. When the series was first published, in 1633, Callot’s French follower Collignon supplied a title page. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.506.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.506.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.506.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.506.tif", "IsPrimary" : "1", "_SurrogateID" : "6058", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3858, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3858", "Disp_Access_No" : "1996.143.8/8", "_AccNumSort1" : "", "Disp_Create_DT" : "1831", "_Disp_Start_Dat" : "1831", "_Disp_End_Date" : "1831", "Disp_Title" : "The Chamber Idyll", "Alt_Title" : "", "Obj_Title" : "The Chamber Idyll", "Series_Title" : "", "Disp_Maker_1" : "Edward Calvert", "Sort_Artist" : "Calvert, Edward", "Disp_Dimen" : "36.6 cm x 27.4 cm (14 7/16 in. x 10 13/16 in.)", "Disp_Height" : "36.6 cm", "Disp_Width" : "27.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Wood engraving", "Support" : "", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : " The Chamber Idyll was the last print Edward Calvert undertook, and it is considered his most poetic. With his friend and fellow artist Samuel Palmer, Calvert fell under the influence of William Blake’s visionary Romanticism, impressed in particular by the older artist’s wood engravings for an edition of Virgil’s Eclogues (1820). Living in Shoreham, Calvert and Palmer, along with George Richmond, styled themselves as “Ancients,” shunning all that was modern in art and society. Instead they cloaked pastoral subjects inspired by the English countryside in classical guise. Heavy wooden beams hung with farm implements set the stage for this bucolic scene of lovers preparing for bed. Although their hairstyles are distinctly contemporary, the male figure in profile derives from images of Apollo cut into ancient cameos, and the female figure is patterned on a gemstone showing Aphrodite preparing for a bath. Calvert’s naive treatment of the livestock in the background, and the print’s small scale, lend this erotic scene an air of innocence. Apart from very rare proofs, all impressions of Calvert’s wood engravings and engravings come from their reprinting in his son’s biography of 1893. The museum possesses a fine copy. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.143.8-8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.143.8-8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.143.8-8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.143.8-8.tif", "IsPrimary" : "1", "_SurrogateID" : "1665", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19556, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19556", "Disp_Access_No" : "2010.63", "_AccNumSort1" : "", "Disp_Create_DT" : "1778", "_Disp_Start_Dat" : "1778", "_Disp_End_Date" : "1778", "Disp_Title" : "Part of the Colonnade and Piazza Leading to St. Peter's Church in Rome", "Alt_Title" : "", "Obj_Title" : "Part of the Colonnade and Piazza Leading to St. Peter's Church in Rome", "Series_Title" : "", "Disp_Maker_1" : "Richard Cooper, Jr.", "Sort_Artist" : "Cooper, Jr., Richard", "Disp_Dimen" : "52.8 cm x 58.3 cm (20 13/16 in. x 22 15/16 in.)", "Disp_Height" : "52.8 cm", "Disp_Width" : "58.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint", "Support" : "", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, by exchange, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.63.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.63.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.63.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.63.tif", "IsPrimary" : "1", "_SurrogateID" : "8222", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3786, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3786", "Disp_Access_No" : "2002.1820", "_AccNumSort1" : "", "Disp_Create_DT" : "1811", "_Disp_Start_Dat" : "1811", "_Disp_End_Date" : "1811", "Disp_Title" : "Hagar and Ishmael", "Alt_Title" : "", "Obj_Title" : "Hagar and Ishmael", "Series_Title" : "", "Disp_Maker_1" : "Richard Corbould", "Sort_Artist" : "Corbould, Richard", "Disp_Dimen" : "31.4 cm x 21.3 cm (12 3/8 in. x 8 3/8 in.)", "Disp_Height" : "31.4 cm", "Disp_Width" : "21.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "The biblical subject of Hagar and Ishmael was a standard motif of history painting and therefore readily acceptable to the art establishment. Here, however, Corbould uses it as a pretense to present a rich landscape articulated in the relatively new medium of lithography.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1820.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1820.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1820.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1820.tif", "IsPrimary" : "1", "_SurrogateID" : "5500", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3755, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3755", "Disp_Access_No" : "1985.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1810", "_Disp_Start_Dat" : "1810", "_Disp_End_Date" : "1810", "Disp_Title" : "The Manor House, York", "Alt_Title" : "", "Obj_Title" : "The Manor House, York", "Series_Title" : "", "Disp_Maker_1" : "John Sell Cotman", "Sort_Artist" : "Cotman, John Sell", "Disp_Dimen" : "49.6 cm x 35.8 cm (19 1/2 in. x 14 1/8 in.)", "Disp_Height" : "49.6 cm", "Disp_Width" : "35.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.12.tif", "IsPrimary" : "1", "_SurrogateID" : "5469", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18593, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18593", "Disp_Access_No" : "2006.174", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1812-1813", "_Disp_Start_Dat" : "1812", "_Disp_End_Date" : "1813", "Disp_Title" : "Mousehold Heath, Norwich", "Alt_Title" : "", "Obj_Title" : "Mousehold Heath, Norwich", "Series_Title" : "", "Disp_Maker_1" : "John Crome", "Sort_Artist" : "Crome, John", "Disp_Dimen" : "22 cm x 29.8 cm (8 11/16 in. x 11 3/4 in.)", "Disp_Height" : "22 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Crome’s significance to landscape art lies in his sensitivity to local identity rather than to a classical or idealized view of nature. In 1803, he founded the Norwich Society of Artists in the East Anglia region of England, signaling a shift away from the major artistic centers and capitals towards the provinces. The group flourished, and by 1823 its annual exhibition featured 4,600 works by 323 different artists.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.174.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.174.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.174.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.174.tif", "IsPrimary" : "1", "_SurrogateID" : "5559", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16561, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16561", "Disp_Access_No" : "2002.2812", "_AccNumSort1" : "", "Disp_Create_DT" : "1812-1813", "_Disp_Start_Dat" : "1812", "_Disp_End_Date" : "1813", "Disp_Title" : "At Woodrising", "Alt_Title" : "", "Obj_Title" : "At Woodrising", "Series_Title" : "", "Disp_Maker_1" : "John Crome", "Sort_Artist" : "Crome, John", "Disp_Dimen" : "11.2 cm x 26 cm (4 7/16 in. x 10 1/4 in.)", "Disp_Height" : "11.2 cm", "Disp_Width" : "26 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Crome’s significance to landscape art lies in his sensitivity to local identity rather than to a classical or idealized view of nature. In 1803, he founded the Norwich Society of Artists in the East Anglia region of England, signaling a shift away from the major artistic centers and capitals towards the provinces. The group flourished, and by 1823 its annual exhibition featured 4,600 works by 323 different artists. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2812.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2812.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2812.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2812.tif", "IsPrimary" : "1", "_SurrogateID" : "5484", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3790, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3790", "Disp_Access_No" : "G1971.4.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1813", "_Disp_Start_Dat" : "1813", "_Disp_End_Date" : "1813", "Disp_Title" : "Front of the New Mills, Norwich", "Alt_Title" : "", "Obj_Title" : "Front of the New Mills, Norwich", "Series_Title" : "", "Disp_Maker_1" : "John Crome", "Sort_Artist" : "Crome, John", "Disp_Dimen" : "33.95 cm x 44.45 cm (13 3/8 in. x 17 1/2 in.)", "Disp_Height" : "33.95 cm", "Disp_Width" : "44.45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and chine collé", "Support" : "", "Disp_Medium" : "Etching and chine collé", "Info_Page_Comm" : "Crome’s significance to landscape art lies in his sensitivity to local identity rather than to a classical or idealized view of nature. In 1803, he founded the Norwich Society of Artists in the East Anglia region of England, signaling a shift away from the major artistic centers and capitals towards the provinces. The group flourished, and by 1823 its annual exhibition featured 4,600 works by 323 different artists.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Charles and Dorothy Clark, 1971", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1971.4.8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1971.4.8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1971.4.8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1971.4.8.tif", "IsPrimary" : "1", "_SurrogateID" : "5485", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19558, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19558", "Disp_Access_No" : "2010.57", "_AccNumSort1" : "", "Disp_Create_DT" : "1827", "_Disp_Start_Dat" : "1827", "_Disp_End_Date" : "1827", "Disp_Title" : "Monstrosities of 1827", "Alt_Title" : "", "Obj_Title" : "Monstrosities of 1827", "Series_Title" : "", "Disp_Maker_1" : "George Cruikshank", "Sort_Artist" : "Cruikshank, George", "Disp_Dimen" : "27.9 cm x 42.4 cm (11 in. x 16 11/16 in.)", "Disp_Height" : "27.9 cm", "Disp_Width" : "42.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with handcoloring", "Support" : "", "Disp_Medium" : "Etching with handcoloring", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, by exchange, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.57.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.57.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.57.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.57.tif", "IsPrimary" : "1", "_SurrogateID" : "8221", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19557, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19557", "Disp_Access_No" : "2010.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1816", "_Disp_Start_Dat" : "1816", "_Disp_End_Date" : "1816", "Disp_Title" : "Monstrosities of 1816", "Alt_Title" : "", "Obj_Title" : "Monstrosities of 1816", "Series_Title" : "", "Disp_Maker_1" : "George Cruikshank", "Sort_Artist" : "Cruikshank, George", "Disp_Dimen" : "28.8 cm x 40.4 cm (11 5/16 in. x 15 7/8 in.)", "Disp_Height" : "28.8 cm", "Disp_Width" : "40.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with handcoloring", "Support" : "", "Disp_Medium" : "Etching with handcoloring", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, by exchange, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.56.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.56.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.56.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.56.tif", "IsPrimary" : "1", "_SurrogateID" : "8220", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17678, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17678", "Disp_Access_No" : "2005.163", "_AccNumSort1" : "", "Disp_Create_DT" : "1820", "_Disp_Start_Dat" : "1820", "_Disp_End_Date" : "1820", "Disp_Title" : "Very Unpleasant Weather", "Alt_Title" : "", "Obj_Title" : "Very Unpleasant Weather", "Series_Title" : "", "Disp_Maker_1" : "George Cruikshank", "Sort_Artist" : "Cruikshank, George", "Disp_Dimen" : "24.9 cm x 39.4 cm (9 13/16 in. x 15 1/2 in.)", "Disp_Height" : "24.9 cm", "Disp_Width" : "39.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching with hand-coloring", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.163.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.163.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.163.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.163.tif", "IsPrimary" : "1", "_SurrogateID" : "8334", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3721, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3721", "Disp_Access_No" : "2000.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1794", "_Disp_Start_Dat" : "1794", "_Disp_End_Date" : "1794", "Disp_Title" : "Resurrection Men Disturbed...", "Alt_Title" : "", "Obj_Title" : "Resurrection Men Disturbed...", "Series_Title" : "", "Disp_Maker_1" : "Isaac Cruikshank", "Sort_Artist" : "Cruikshank, Isaac", "Disp_Dimen" : "24.3 cm x 40.6 cm (9 9/16 in. x 16 in.)", "Disp_Height" : "24.3 cm", "Disp_Width" : "40.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2000", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.56.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.56.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.56.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.56.tif", "IsPrimary" : "1", "_SurrogateID" : "6213", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17383, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17383", "Disp_Access_No" : "2004.188", "_AccNumSort1" : "", "Disp_Create_DT" : "1773", "_Disp_Start_Dat" : "1773", "_Disp_End_Date" : "1773", "Disp_Title" : "An Iron Forge, after Joseph Wright of Derby", "Alt_Title" : "", "Obj_Title" : "An Iron Forge, after Joseph Wright of Derby", "Series_Title" : "", "Disp_Maker_1" : "Richard Earlom", "Sort_Artist" : "Earlom, Richard", "Disp_Dimen" : "48.9 cm x 60.2 cm (19 1/4 in. x 23 11/16 in.)", "Disp_Height" : "48.9 cm", "Disp_Width" : "60.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "Developed in late seventeenth-century Holland, but perfected in eighteenth-century Britain, mezzo tint was better than engraving and etching at simulating the tonal qualities of the paintings it reproduced. In mezzotint the artist painstakingly roughens the entire surface of the plate, creating a uniform black texture were the plate to be printed at this point. He then uses scrapers to remove and polish the roughened areas to be illuminated. Varying the degree of polishing, he works from dark to light and achieves a wide range of mid tones, or mezzotinto in the original Italian. Richard Earlom, whose work is well represented at the museum, used mezzotint to its greatest advantage in reproducing paintings such as Joseph Wright of Derby’s Iron Forge, in which dramatic light is central to its meaning. Fascinated with advances in science and industry, Wright romanticized the early years of the Industrial Revolution. The artist’s use of light here was compared to the illumination that emanates from the Christ Child in medieval and Renaissance nativities. By analogy, the forge and other new technologies were posited as Britain’s salvation in the modern world. Early and with its surface immaculate, this impression reveals the technique’s tremendous subtlety and inherent beauty. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, by exchange, and purchase through the Archer M. Huntington Museum Fund, 2004", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.188.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.188.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.188.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.188.tif", "IsPrimary" : "1", "_SurrogateID" : "3059", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17061, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17061", "Disp_Access_No" : "2003.152", "_AccNumSort1" : "", "Disp_Create_DT" : "1778-1781", "_Disp_Start_Dat" : "1778", "_Disp_End_Date" : "1781", "Disp_Title" : "A Fruit Piece, after Jan van Huysum", "Alt_Title" : "", "Obj_Title" : "A Fruit Piece, after Jan van Huysum", "Series_Title" : "", "Disp_Maker_1" : "Richard Earlom", "Sort_Artist" : "Earlom, Richard", "Disp_Dimen" : "71.9 cm x 53.2 cm (28 5/16 in. x 20 15/16 in.)", "Disp_Height" : "71.9 cm", "Disp_Width" : "53.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of David Armstrong, 2003", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.152.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.152.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.152.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.152.tif", "IsPrimary" : "1", "_SurrogateID" : "2125", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11322, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11322", "Disp_Access_No" : "2002.1831", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1773", "_Disp_Start_Dat" : "1768", "_Disp_End_Date" : "1778", "Disp_Title" : "James Stuart, Duke of Lennox and Richmond, after Anthony van Dyck", "Alt_Title" : "", "Obj_Title" : "James Stuart, Duke of Lennox and Richmond, after Anthony van Dyck", "Series_Title" : "", "Disp_Maker_1" : "Richard Earlom", "Sort_Artist" : "Earlom, Richard", "Disp_Dimen" : "64.2 cm x 47.7 cm (25 1/4 in. x 18 3/4 in.)", "Disp_Height" : "64.2 cm", "Disp_Width" : "47.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1831.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1831.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1831.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1831.tif", "IsPrimary" : "1", "_SurrogateID" : "1857", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3617, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3617", "Disp_Access_No" : "1985.29", "_AccNumSort1" : "", "Disp_Create_DT" : "1775", "_Disp_Start_Dat" : "1775", "_Disp_End_Date" : "1775", "Disp_Title" : "Landscape with Rape of Europa, no. 111 from Liber Veritatis, after Claude Lorrain", "Alt_Title" : "", "Obj_Title" : "Landscape with Rape of Europa, no. 111 from Liber Veritatis, after Claude Lorrain", "Series_Title" : "", "Disp_Maker_1" : "Richard Earlom", "Sort_Artist" : "Earlom, Richard", "Disp_Dimen" : "28.5 cm x 43.2 cm (11 1/4 in. x 17 in.)", "Disp_Height" : "28.5 cm", "Disp_Width" : "43.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "The Liber Veritatis [Book of Truth] is an album of drawings Claude Lorrain (1604-1682) created to document his own paintings and combat the already prevalent forgeries of his work. In England in the 1770s, printmaker Earlom reproduced the Liber Veritatis as a series of mezzotints, approximating the quality of light and variegated tones and textures of the master’s drawings. The publication and distribution of the French artist’s designs proved seminal to the British landscape school.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.29.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.29.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.29.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.29.tif", "IsPrimary" : "1", "_SurrogateID" : "5470", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3748, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3748", "Disp_Access_No" : "1991.53", "_AccNumSort1" : "", "Disp_Create_DT" : "1807", "_Disp_Start_Dat" : "1807", "_Disp_End_Date" : "1807", "Disp_Title" : "Landscape with a Cascade, no. 43 from Liber Veritatis, after Claude Lorrain", "Alt_Title" : "", "Obj_Title" : "Landscape with a Cascade, no. 43 from Liber Veritatis, after Claude Lorrain", "Series_Title" : "", "Disp_Maker_1" : "Richard Earlom", "Sort_Artist" : "Earlom, Richard", "Disp_Dimen" : "26.3 cm x 41.5 cm (10 3/8 in. x 16 5/16 in.)", "Disp_Height" : "26.3 cm", "Disp_Width" : "41.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and mezzotint", "Support" : "", "Disp_Medium" : "Etching and mezzotint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin Romansky, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.53.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.53.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.53.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.53.tif", "IsPrimary" : "1", "_SurrogateID" : "5472", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16576, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16576", "Disp_Access_No" : "2002.2827", "_AccNumSort1" : "", "Disp_Create_DT" : "1774", "_Disp_Start_Dat" : "1774", "_Disp_End_Date" : "1774", "Disp_Title" : "Classical Landscape, no. 67 from Liber Veritatis, after Claude Lorrain", "Alt_Title" : "", "Obj_Title" : "Classical Landscape, no. 67 from Liber Veritatis, after Claude Lorrain", "Series_Title" : "", "Disp_Maker_1" : "Richard Earlom", "Sort_Artist" : "Earlom, Richard", "Disp_Dimen" : "29.3 cm x 43.9 cm (11 9/16 in. x 17 5/16 in.)", "Disp_Height" : "29.3 cm", "Disp_Width" : "43.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "The Liber Veritatis [Book of Truth] is an album of drawings Claude Lorrain (1604-1682) created to document his own paintings and combat the already prevalent forgeries of his work. In England in the 1770s, printmaker Earlom reproduced the Liber Veritatis as a series of mezzotints, approximating the quality of light and variegated tones and textures of the master’s drawings. The publication and distribution of the French artist’s designs proved seminal to the British landscape school.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Agnes and William J. Crowley, Jr., 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2827.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2827.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2827.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2827.tif", "IsPrimary" : "1", "_SurrogateID" : "4542", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2827.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2827.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2827.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2827.tif", "IsPrimary" : "0", "_SurrogateID" : "4562", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3601, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3601", "Disp_Access_No" : "1985.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1774", "_Disp_Start_Dat" : "1774", "_Disp_End_Date" : "1774", "Disp_Title" : "The Porter and the Hare, after Johann Joseph Zoffany", "Alt_Title" : "", "Obj_Title" : "The Porter and the Hare, after Johann Joseph Zoffany", "Series_Title" : "", "Disp_Maker_1" : "Richard Earlom", "Sort_Artist" : "Earlom, Richard", "Disp_Dimen" : "63.2 cm x 46 cm (24 7/8 in. x 18 1/8 in.)", "Disp_Height" : "63.2 cm", "Disp_Width" : "46 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.7.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.7.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.7.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.7.tif", "IsPrimary" : "1", "_SurrogateID" : "3388", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3629, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3629", "Disp_Access_No" : "1985.30", "_AccNumSort1" : "", "Disp_Create_DT" : "1776", "_Disp_Start_Dat" : "1776", "_Disp_End_Date" : "1776", "Disp_Title" : "Landscape with Mercury and Apollo, no. 170 from Liber Veritatis, after Claude Lorrain", "Alt_Title" : "", "Obj_Title" : "Landscape with Mercury and Apollo, no. 170 from Liber Veritatis, after Claude Lorrain", "Series_Title" : "", "Disp_Maker_1" : "Richard Earlom", "Sort_Artist" : "Earlom, Richard", "Disp_Dimen" : "27.7 cm x 43.2 cm (10 7/8 in. x 17 in.)", "Disp_Height" : "27.7 cm", "Disp_Width" : "43.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.30.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.30.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.30.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.30.tif", "IsPrimary" : "1", "_SurrogateID" : "4533", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.30.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.30.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.30.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.30.tif", "IsPrimary" : "0", "_SurrogateID" : "4553", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12760, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12760", "Disp_Access_No" : "2002.1211", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Self-Portrait, after William Dobson", "Alt_Title" : "", "Obj_Title" : "Self-Portrait, after William Dobson", "Series_Title" : "", "Disp_Maker_1" : "Josias English", "Sort_Artist" : "English, Josias", "Disp_Dimen" : "32.4 cm x 22.5 cm (12 3/4 in. x 8 7/8 in.)", "Disp_Height" : "32.4 cm", "Disp_Width" : "22.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1211.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1211.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1211.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1211.tif", "IsPrimary" : "1", "_SurrogateID" : "1765", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13417, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13417", "Disp_Access_No" : "2002.2214.5/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1587", "_Disp_Start_Dat" : "1587", "_Disp_End_Date" : "1587", "Disp_Title" : "Soldier, Armed with Broadsword and Shield, plate 5 from Officers and Soldiers, after Hendrick Goltzius", "Alt_Title" : "", "Obj_Title" : "Soldier, Armed with Broadsword and Shield, plate 5 from Officers and Soldiers, after Hendrick Goltzius", "Series_Title" : "", "Disp_Maker_1" : "Jacques de Gheyn II", "Sort_Artist" : "Gheyn II, Jacques de", "Disp_Dimen" : "21.5 cm x 15.9 cm (8 7/16 in. x 6 1/4 in.)", "Disp_Height" : "21.5 cm", "Disp_Width" : "15.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2214.5-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2214.5-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2214.5-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2214.5-12.tif", "IsPrimary" : "1", "_SurrogateID" : "5001", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19570, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19570", "Disp_Access_No" : "2010.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1799", "_Disp_Start_Dat" : "1799", "_Disp_End_Date" : "1799", "Disp_Title" : "Effusions of a Pot of Porter, - or - Ministerial Conjurations for Supporting the War", "Alt_Title" : "", "Obj_Title" : "Effusions of a Pot of Porter, - or - Ministerial Conjurations for Supporting the War", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "37.8 cm x 29.2 cm (14 7/8 in. x 11 1/2 in.)", "Disp_Height" : "37.8 cm", "Disp_Width" : "29.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand-coloring", "Info_Page_Comm" : "The year 1799 was marked by particularly bad weather, causing prices to increase on many domestic products. In this print, Prime Minister William Pitt commands the elements to destroy crops, specifically beer-brewing crops such as malt and hops, causing shortages and higher prices. Pitt’s enemies claimed he drove the prices up in order to fund the war against the French Republic.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Anonymous gift, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.70.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.70.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.70.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.70.tif", "IsPrimary" : "1", "_SurrogateID" : "7896", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16778, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16778", "Disp_Access_No" : "2003.25", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1786", "_Disp_Start_Dat" : "1781", "_Disp_End_Date" : "1791", "Disp_Title" : "The Injured Count,,S-", "Alt_Title" : "", "Obj_Title" : "The Injured Count,,S-", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "28.2 cm x 42.5 cm (11 1/8 in. x 16 3/4 in.)", "Disp_Height" : "28.2 cm", "Disp_Width" : "42.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and softground etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and softground etching with hand-coloring", "Info_Page_Comm" : "Because of their subject matter, several of Gillray’s prints, including this one, were not in circulation; these “suppressed plates” were published in a separate volume circa 1850. Mary Eleanor Bowes is pictured drinking with her servants, suckling her precious cats and neglecting her crying children while her footman beacons her to bed. Her cruel and adulterous husband, Andrew Stoney-Bowes, on the far left of the image, examines a map of his wife’s estates. His behavior drove his wife to petition for divorce, something that was rarely granted to woman at this time. In order to hinder her success, he launched a smear campaign against her; her husband probably funded the production of this particularly slanderous print for this purpose. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2003", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.25.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.25.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.25.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.25.tif", "IsPrimary" : "1", "_SurrogateID" : "2128", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19571, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19571", "Disp_Access_No" : "2010.71", "_AccNumSort1" : "", "Disp_Create_DT" : "1806", "_Disp_Start_Dat" : "1806", "_Disp_End_Date" : "1806", "Disp_Title" : ""More pigs than teats," - or - The new litter of hungry grunters, sucking John-Bull's-old-sow to death", "Alt_Title" : "", "Obj_Title" : ""More pigs than teats," - or - The new litter of hungry grunters, sucking John-Bull's-old-sow to death", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "28.7 cm x 41.1 cm (11 5/16 in. x 16 3/16 in.)", "Disp_Height" : "28.7 cm", "Disp_Width" : "41.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching with hand-coloring", "Info_Page_Comm" : "In this print, John Bull, the British equivalent of Uncle Sam, is shocked to find numerous ‘piglets’ suckling his already exhausted sow. The greedy claimants are clamoring to reach a teat of the United Kingdom and are sure to suck it dry, making the nation vulnerable to ‘Boney’, slang for Napoleon.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Anonymous gift, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.71.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.71.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.71.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.71.tif", "IsPrimary" : "1", "_SurrogateID" : "7897", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16564, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16564", "Disp_Access_No" : "2002.2820", "_AccNumSort1" : "", "Disp_Create_DT" : "1793", "_Disp_Start_Dat" : "1793", "_Disp_End_Date" : "1793", "Disp_Title" : "A vestal of –93, trying on the cestus of Venus", "Alt_Title" : "", "Obj_Title" : "A vestal of –93, trying on the cestus of Venus", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "33.8 cm x 40.1 cm (13 5/16 in. x 15 13/16 in.)", "Disp_Height" : "33.8 cm", "Disp_Width" : "40.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint", "Support" : "", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "Vestal Virgins were female priestesses in ancient Rome who were responsible for maintaining the sacred fire in the temple of Vesta. In this print, an inattentive priestess and her three clumsy putti have knocked over her altar while trying to tie on the cestus of Venus, a band meant to awaken love. A parody on this peculiar fashion trend in 1793, this love-starved woman remains unappealing even with the aid of the cestus.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2820.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2820.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2820.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2820.tif", "IsPrimary" : "1", "_SurrogateID" : "4146", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19569, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19569", "Disp_Access_No" : "2010.69", "_AccNumSort1" : "", "Disp_Create_DT" : "1806", "_Disp_Start_Dat" : "1806", "_Disp_End_Date" : "1806", "Disp_Title" : "The Bear and His Leader", "Alt_Title" : "", "Obj_Title" : "The Bear and His Leader", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "25 cm x 35.5 cm (9 13/16 in. x 14 in.)", "Disp_Height" : "25 cm", "Disp_Width" : "35.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and soft-ground etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and soft-ground etching with hand-coloring", "Info_Page_Comm" : "Charles James Fox, Prime Minister William Pitt’s opposition, was never in the king’s good graces and remained in Pitt’s shadow for most of his political career. Political big wigs Grenville and Sidmouth formed a new ministry after Pitt’s death and named Fox Foreign Secretary and Leader of the House of Commons. Sympathetic to the French, he holds a Phrygian cap, a symbol of the French Revolution. Gillray portrays Fox as a muzzled bear lead by Lord Grenville, dancing to the music played by Lord Sidmouth, suggesting that Fox owes his political status solely to Grenville’s charity. Notice Pro Bono Publico (“for the public good”) printed on the flyer tacked to the wall in the upper left corner of the composition.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Anonymous gift, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.69.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.69.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.69.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.69.tif", "IsPrimary" : "1", "_SurrogateID" : "7895", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19574, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19574", "Disp_Access_No" : "2010.74", "_AccNumSort1" : "", "Disp_Create_DT" : "1801", "_Disp_Start_Dat" : "1801", "_Disp_End_Date" : "1801", "Disp_Title" : "The Union Club", "Alt_Title" : "", "Obj_Title" : "The Union Club", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "41.5 cm x 53.3 cm (16 5/16 in. x 21 in.)", "Disp_Height" : "41.5 cm", "Disp_Width" : "53.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching with hand-coloring", "Info_Page_Comm" : "The Union Club in London, a fashionable spot for jovial debauchery, was established after the formation of the United Kingdom of Great Britain and Ireland on 1 January 1801. In the foreground members of the ministry raise glasses, shake hands and celebrate the successful union while a heated fight takes places in the background.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Anonymous gift, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.74.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.74.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.74.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.74.tif", "IsPrimary" : "1", "_SurrogateID" : "8225", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19572, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19572", "Disp_Access_No" : "2010.72", "_AccNumSort1" : "", "Disp_Create_DT" : "1809", "_Disp_Start_Dat" : "1809", "_Disp_End_Date" : "1809", "Disp_Title" : "Pandora Opening Her Box", "Alt_Title" : "", "Obj_Title" : "Pandora Opening Her Box", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "48.3 cm x 35 cm (19 in. x 13 3/4 in.)", "Disp_Height" : "48.3 cm", "Disp_Width" : "35 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand-coloring", "Info_Page_Comm" : "Illustrating a scandal that absorbed the public for months, Mary Anne Clarke is pictured before the bar of the House of Commons. She and her lover, the Duke of York, were accused of selling army commissions at bargain prices. The Duke resigned shortly after being acquitted; Clarke, however, was convicted of libel and imprisoned.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Anonymous gift, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.72.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.72.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.72.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.72.tif", "IsPrimary" : "1", "_SurrogateID" : "7898", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12757, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12757", "Disp_Access_No" : "2002.1208", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Young Girl with Basket", "Alt_Title" : "", "Obj_Title" : "Young Girl with Basket", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "31.1 cm x 21.5 cm (12 1/4 in. x 8 7/16 in.)", "Disp_Height" : "31.1 cm", "Disp_Width" : "21.5 cm", "Dimen_Extent" : "sheet", "Medium" : "wood engraving", "Support" : "", "Disp_Medium" : "wood engraving", "Info_Page_Comm" : "In all English satire, Gillray’s imagery is the most original and outrageous. His hand and technique are consonantly uninhibited, unsanitized, and powerful. The Steinberg Collection adds one typical subject to the Blanton’s previous holdings of eight fine, early printings of Gillray’s satires. This print is an anomaly. The subject and above all the technique –– positive drawing upon the copper plate with acid resist, so that biting subtracts the negative areas of the composition –– indicate an experiment by the artist. Only a handful of impressions are known. Inherent interest aside, the experiment paralleled the development of wood engraving and predicted Blake’s pursuit of relief etching. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1208.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1208.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1208.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1208.tif", "IsPrimary" : "1", "_SurrogateID" : "1764", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16780, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16780", "Disp_Access_No" : "2003.26", "_AccNumSort1" : "", "Disp_Create_DT" : "1801", "_Disp_Start_Dat" : "1801", "_Disp_End_Date" : "1801", "Disp_Title" : "The Union Club", "Alt_Title" : "", "Obj_Title" : "The Union Club", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "30.8 cm x 45.2 cm (12 1/8 in. x 17 13/16 in.)", "Disp_Height" : "30.8 cm", "Disp_Width" : "45.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching with hand-coloring", "Info_Page_Comm" : "The Union Club in London, a fashionable spot for jovial debauchery, was established after the formation of the United Kingdom of Great Britain and Ireland on 1 January 1801. In the foreground members of the ministry raise glasses, shake hands and celebrate the successful union while a heated fight takes places in the background.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.26.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.26.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.26.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.26.tif", "IsPrimary" : "1", "_SurrogateID" : "8333", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16560, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16560", "Disp_Access_No" : "2002.2811", "_AccNumSort1" : "", "Disp_Create_DT" : "1801", "_Disp_Start_Dat" : "1801", "_Disp_End_Date" : "1801", "Disp_Title" : "Metallic–Tractors", "Alt_Title" : "", "Obj_Title" : "Metallic–Tractors", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "34.2 cm x 39 cm (13 7/16 in. x 15 3/8 in.)", "Disp_Height" : "34.2 cm", "Disp_Width" : "39 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint with hand coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand coloring", "Info_Page_Comm" : "Quack doctors and their desperate patients were especially vulnerable targets for satirists of the early nineteenth century. In this print, Dr. Elisha Perkins demonstrates his latest cure-all, a pair of brass and iron rods forged by the doctor in his own furnace that, when stroked over an unhealthy area, draws out affliction. Headlines from the newspaper on the table include the secret of the philosopher’s stone and how to turn all metals into gold, followed by Gillray’s mantra: pro bono publico (“for the public good”). ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2811.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2811.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2811.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2811.tif", "IsPrimary" : "1", "_SurrogateID" : "4144", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3724, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3724", "Disp_Access_No" : "2002.1819", "_AccNumSort1" : "", "Disp_Create_DT" : "1796", "_Disp_Start_Dat" : "1796", "_Disp_End_Date" : "1796", "Disp_Title" : "A Peep at Christie’s; -or- Tally – ho, & his Nimeney–pimmeney taking the Morning Lounge", "Alt_Title" : "", "Obj_Title" : "A Peep at Christie’s; -or- Tally – ho, & his Nimeney–pimmeney taking the Morning Lounge", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "37.7 cm x 28 cm (14 13/16 in. x 11 in.)", "Disp_Height" : "37.7 cm", "Disp_Width" : "28 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and aquatint with hand coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand coloring", "Info_Page_Comm" : "Lord Derby, a great hunter and horseman, is known more for his involvement in organizing horse races than his political career. He is pictured here with actress Elizabeth Farren. Famous for her role as Nimeney-pimmeney in John Burgoyne’s Heiress, she frequented Queen Charlotte’s drawing-room and was celebrated for her good conduct and appealing disposition. Gillray seems to be alone in his distaste for Farren. He portrays her as a fortune seeker browsing artwork with equally haughty company. Her focus falls on a painting of Xenocrates and Phryne. According to the ancient Greek biographer, Diogenes Laërtius, the courtesan Phryne attempted to seduce Xenocrates, a Greek philosopher and mathematician. The print is a stab at the questionable morals of Farren, who married Lord Derby eight months after its publication.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1819.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1819.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1819.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1819.tif", "IsPrimary" : "1", "_SurrogateID" : "1855", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19573, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19573", "Disp_Access_No" : "2010.73", "_AccNumSort1" : "", "Disp_Create_DT" : "1791", "_Disp_Start_Dat" : "1791", "_Disp_End_Date" : "1791", "Disp_Title" : "The Rights of Man; - or - Tommy Paine, the little American Taylor, taking the measure of the crown, for a new pair of Revolution-breeches", "Alt_Title" : "", "Obj_Title" : "The Rights of Man; - or - Tommy Paine, the little American Taylor, taking the measure of the crown, for a new pair of Revolution-breeches", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "43.6 cm x 29.1 cm (17 3/16 in. x 11 7/16 in.)", "Disp_Height" : "43.6 cm", "Disp_Width" : "29.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching with hand-coloring", "Info_Page_Comm" : "The Rights of Man, a pamphlet written by English-American Thomas Paine, criticizes European monarchies and social institutions and argues that people have a right to a revolt if their basic needs are not met under the current government. Ironically, he urged the revolutionaries to spare the life of Louis XVI and exile him to the newly formed United States, where the French king was admired and recognized for his support of the American Revolution. In the print, Paine says that the crown is too large for a tailor to measure. Gillray pokes fun at Paine’s blue-collar origins and reveals that he does not have the kind of upbringing to understand the importance of a constitutional monarchy. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Anonymous gift, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.73.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.73.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.73.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.73.tif", "IsPrimary" : "1", "_SurrogateID" : "7899", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19292, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19292", "Disp_Access_No" : "2008.143", "_AccNumSort1" : "", "Disp_Create_DT" : "1791", "_Disp_Start_Dat" : "1791", "_Disp_End_Date" : "1791", "Disp_Title" : "Wierd [sic]–Sisters; Ministers of Darkness; Minions to the Moon", "Alt_Title" : "", "Obj_Title" : "Wierd [sic]–Sisters; Ministers of Darkness; Minions to the Moon", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "25.7 cm x 35.2 cm (10 1/8 in. x 13 7/8 in.)", "Disp_Height" : "25.7 cm", "Disp_Width" : "35.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand-coloring", "Info_Page_Comm" : "After the painting Weird Sisters by Henri Fuseli (see dedication in upper margin), Gillray represents Henry Dundas, William Pitt, and Edward Thurlow, all members of the Cabinet Ministry, as the three witches from Macbeth. A parody on the sanity of King George III, the three men contemplate the moon, half enlightened with the portrait of Queen Charlotte and half eclipsed with the portrait of the king.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2008", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.143.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.143.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.143.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.143.tif", "IsPrimary" : "1", "_SurrogateID" : "4929", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19561, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19561", "Disp_Access_No" : "2010.55", "_AccNumSort1" : "", "Disp_Create_DT" : "1783", "_Disp_Start_Dat" : "1783", "_Disp_End_Date" : "1783", "Disp_Title" : "A New Administration, or the State Quacks Administring", "Alt_Title" : "", "Obj_Title" : "A New Administration, or the State Quacks Administring", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "29.8 cm x 47.3 cm (11 3/4 in. x 18 5/8 in.)", "Disp_Height" : "29.8 cm", "Disp_Width" : "47.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Unhappy with the current ministry, Lord Frederick North (left) and Charles James Fox (center), formed a notoriously short coalition that lasted less than nine months. This print, depicting the two administering an enema to Britannia, was published on the eve before they are officially appointed. After a bill to nationalize the British East India Company failed, King George III dismissed North and Fox and appointed twenty-four year old William Pitt as Prime Minister.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, by exchange, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.55.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.55.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.55.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.55.tif", "IsPrimary" : "1", "_SurrogateID" : "7244", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16779, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16779", "Disp_Access_No" : "2003.30", "_AccNumSort1" : "", "Disp_Create_DT" : "1800", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1800", "Disp_Title" : "Taking Physick", "Alt_Title" : "", "Obj_Title" : "Taking Physick", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "28.5 cm x 22 cm (11 1/4 in. x 8 11/16 in.)", "Disp_Height" : "28.5 cm", "Disp_Width" : "22 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand-coloring", "Info_Page_Comm" : "This is possibly the first in a series of five prints demonstrating the stages of illness and, more importantly, how the cure is often more agonizing than the sickness. The series includes: Taking Physick, Gentle Emetic, Brisk–Cathartic, Breathing the Vein, and Charming-well Again. Dr. Philip Syng Physick (1768-1837), the conceivable inspiration behind the print, was an American physician who studied under John Hunter in London in the 1790s. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2003", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.30.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.30.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.30.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.30.tif", "IsPrimary" : "1", "_SurrogateID" : "4806", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16777, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16777", "Disp_Access_No" : "2003.24", "_AccNumSort1" : "", "Disp_Create_DT" : "1798", "_Disp_Start_Dat" : "1798", "_Disp_End_Date" : "1798", "Disp_Title" : "The Apotheosis of Hoche", "Alt_Title" : "", "Obj_Title" : "The Apotheosis of Hoche", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "50.5 cm x 38.6 cm (19 7/8 in. x 15 3/16 in.)", "Disp_Height" : "50.5 cm", "Disp_Width" : "38.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching with hand-coloring", "Info_Page_Comm" : "This elaborate print depicts Louis Lazare Hoche, French general of the Revolutionary Army, ascending into a Jacobin heaven while plucking his guillotine-lyre. Jacobin is a general term used to address those who publically declare revolutionary opinions. Below lies France, blood-soaked and scorched, a result of campaigns headed by Hoche during the French Revolution. Hoche is greeted by droves of headless figures, monsters, and grotesque cherubs, all wearing Phrygian caps, a motif associated with the Revolution; to the left are martyrs of the revolution paying their respects. Suspended in the heavens is the Jacobin Decalogue, the antithesis of the Ten Commandments.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2003", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.24.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.24.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.24.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.24.tif", "IsPrimary" : "1", "_SurrogateID" : "5358", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19562, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19562", "Disp_Access_No" : "2010.60", "_AccNumSort1" : "", "Disp_Create_DT" : "1789", "_Disp_Start_Dat" : "1789", "_Disp_End_Date" : "1789", "Disp_Title" : "The Right Honorable William Pitt", "Alt_Title" : "", "Obj_Title" : "The Right Honorable William Pitt", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "48.9 cm x 35.9 cm (19 1/4 in. x 14 1/8 in.)", "Disp_Height" : "48.9 cm", "Disp_Width" : "35.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Trained as an engraver at the Royal Academy, Gillray wanted to build a reputation outside of satire, considered a less serious art form. Throughout his career he was continuously criticized by patrons. William Pitt, Prime Minister (1783-1801 and 1804-1806), frequently appeared in Gillray’s caricatures; in this portrait, however, he attempted a formal depiction of the politician. The print was rejected because of its awkward and unflattering features. The artist retorted, “I…am convin[ced] that my likeness is a striking one therefore, I will not alter an iota for any mans opinion upon Earth.” ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Patricia Ross, by exchange, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.60.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.60.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.60.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.60.tif", "IsPrimary" : "1", "_SurrogateID" : "7245", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3750, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3750", "Disp_Access_No" : "1990.153", "_AccNumSort1" : "", "Disp_Create_DT" : "1808", "_Disp_Start_Dat" : "1808", "_Disp_End_Date" : "1808", "Disp_Title" : "Phaeton alarm’d!", "Alt_Title" : "", "Obj_Title" : "Phaeton alarm’d!", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "34.6 cm x 37.7 cm (13 5/8 in. x 14 13/16 in.)", "Disp_Height" : "34.6 cm", "Disp_Width" : "37.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and aquatint with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand-coloring", "Info_Page_Comm" : "According to Greek mythology, Phaeton convinced his father Apollo to allow him to drive the chariot of the sun across the heavens. When Phaeton could not control the horses, they galloped too close to the earth and scorched its surface. In one of Gillray’s finest political allegories, Foreign Secretary George Canning, a passionate follower of former Prime Minster William Pitt, plays the role of Phaeton. His chariot drives the sun of Anti-Jacobinism through hostile constellations personified by members of the political opposition. Napoleon, straddling the Russian Bear, heads towards Western Europe while the ghosts of Pitt and Charles James Fox cower in the lower corners, watching the flames spread across the globe", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1990", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.153.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.153.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.153.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.153.tif", "IsPrimary" : "1", "_SurrogateID" : "5015", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3657, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3657", "Disp_Access_No" : "2002.1214", "_AccNumSort1" : "", "Disp_Create_DT" : "1781", "_Disp_Start_Dat" : "1781", "_Disp_End_Date" : "1781", "Disp_Title" : "Sketched by Humphrey – Spoil'd by Gillray", "Alt_Title" : "", "Obj_Title" : "Sketched by Humphrey – Spoil'd by Gillray", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "30.5 cm x 23.2 cm (12 in. x 9 1/8 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "23.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and stipple engraving", "Support" : "", "Disp_Medium" : "Etching and stipple engraving", "Info_Page_Comm" : "A satire on his own work as an engraver, Gillray defaced the plate Sketched by Humphrey-Spoil’d by Gillray and published it as a warning against the “bad effect of cobbling and altering.” ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1214.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1214.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1214.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1214.tif", "IsPrimary" : "1", "_SurrogateID" : "5016", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3651, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3651", "Disp_Access_No" : "2002.1661", "_AccNumSort1" : "", "Disp_Create_DT" : "1780", "_Disp_Start_Dat" : "1780", "_Disp_End_Date" : "1780", "Disp_Title" : "Sir Joshua Reynolds, after Joshua Reynolds", "Alt_Title" : "", "Obj_Title" : "Sir Joshua Reynolds, after Joshua Reynolds", "Series_Title" : "", "Disp_Maker_1" : "Valentine Green", "Sort_Artist" : "Green, Valentine", "Disp_Dimen" : "49.3 cm x 38.5 cm (19 7/16 in. x 15 3/16 in.)", "Disp_Height" : "49.3 cm", "Disp_Width" : "38.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1661.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1661.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1661.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1661.tif", "IsPrimary" : "1", "_SurrogateID" : "1822", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18800, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18800", "Disp_Access_No" : "2007.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1865", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1865", "Disp_Title" : "The Assignation", "Alt_Title" : "", "Obj_Title" : "The Assignation", "Series_Title" : "", "Disp_Maker_1" : "Francis Seymour Haden", "Sort_Artist" : "Haden, Francis Seymour", "Disp_Dimen" : "25 cm x 16.1 cm (9 13/16 in. x 6 5/16 in.)", "Disp_Height" : "25 cm", "Disp_Width" : "16.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and drypoint printed in red ink", "Support" : "", "Disp_Medium" : "Etching and drypoint printed in red ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2007", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.5.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.5.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.5.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.5.tif", "IsPrimary" : "1", "_SurrogateID" : "4256", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18802, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18802", "Disp_Access_No" : "2007.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1865", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1865", "Disp_Title" : "The Assignation", "Alt_Title" : "", "Obj_Title" : "The Assignation", "Series_Title" : "", "Disp_Maker_1" : "Francis Seymour Haden", "Sort_Artist" : "Haden, Francis Seymour", "Disp_Dimen" : "33 cm x 20.4 cm (13 in. x 8 1/16 in.)", "Disp_Height" : "33 cm", "Disp_Width" : "20.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and drypoint, printed in black ink", "Support" : "", "Disp_Medium" : "Etching and drypoint, printed in black ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2007", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.7.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.7.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.7.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.7.tif", "IsPrimary" : "1", "_SurrogateID" : "4258", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18801, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18801", "Disp_Access_No" : "2007.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1865", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1865", "Disp_Title" : "The Assignation", "Alt_Title" : "", "Obj_Title" : "The Assignation", "Series_Title" : "", "Disp_Maker_1" : "Francis Seymour Haden", "Sort_Artist" : "Haden, Francis Seymour", "Disp_Dimen" : "34.2 cm x 25.4 cm (13 7/16 in. x 10 in.)", "Disp_Height" : "34.2 cm", "Disp_Width" : "25.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and drypoint with red, brown and white chalk worked by hand", "Support" : "", "Disp_Medium" : "Etching and drypoint with red, brown and white chalk worked by hand", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2007", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.6.tif", "IsPrimary" : "1", "_SurrogateID" : "4257", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18799, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18799", "Disp_Access_No" : "2007.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1864", "_Disp_Start_Dat" : "1864", "_Disp_End_Date" : "1864", "Disp_Title" : "A River in Ireland", "Alt_Title" : "", "Obj_Title" : "A River in Ireland", "Series_Title" : "", "Disp_Maker_1" : "Francis Seymour Haden", "Sort_Artist" : "Haden, Francis Seymour", "Disp_Dimen" : "26.9 cm x 37.1 cm (10 9/16 in. x 14 5/8 in.)", "Disp_Height" : "26.9 cm", "Disp_Width" : "37.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2007", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.4.tif", "IsPrimary" : "1", "_SurrogateID" : "4255", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18797, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18797", "Disp_Access_No" : "2007.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1860", "_Disp_Start_Dat" : "1860", "_Disp_End_Date" : "1860", "Disp_Title" : "A By-Road in Tipperary", "Alt_Title" : "", "Obj_Title" : "A By-Road in Tipperary", "Series_Title" : "", "Disp_Maker_1" : "Francis Seymour Haden", "Sort_Artist" : "Haden, Francis Seymour", "Disp_Dimen" : "24.3 cm x 38.2 cm (9 9/16 in. x 15 1/16 in.)", "Disp_Height" : "24.3 cm", "Disp_Width" : "38.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2007", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.2.tif", "IsPrimary" : "1", "_SurrogateID" : "4254", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13148, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13148", "Disp_Access_No" : "2002.1810", "_AccNumSort1" : "", "Disp_Create_DT" : "1897", "_Disp_Start_Dat" : "1897", "_Disp_End_Date" : "1897", "Disp_Title" : "An Early Riser", "Alt_Title" : "", "Obj_Title" : "An Early Riser", "Series_Title" : "", "Disp_Maker_1" : "Francis Seymour Haden", "Sort_Artist" : "Haden, Francis Seymour", "Disp_Dimen" : "22.3 cm x 29.7 cm (8 3/4 in. x 11 11/16 in.)", "Disp_Height" : "22.3 cm", "Disp_Width" : "29.7 cm", "Dimen_Extent" : "plate", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1810.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1810.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1810.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1810.tif", "IsPrimary" : "1", "_SurrogateID" : "1854", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18798, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18798", "Disp_Access_No" : "2007.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1862", "_Disp_Start_Dat" : "1862", "_Disp_End_Date" : "1862", "Disp_Title" : "Portrait of Francis Seymour Haden, No. II (While Etching)", "Alt_Title" : "", "Obj_Title" : "Portrait of Francis Seymour Haden, No. II (While Etching)", "Series_Title" : "", "Disp_Maker_1" : "Francis Seymour Haden", "Sort_Artist" : "Haden, Francis Seymour", "Disp_Dimen" : "22.3 cm x 29.2 cm (8 3/4 in. x 11 1/2 in.)", "Disp_Height" : "22.3 cm", "Disp_Width" : "29.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "Haden's self-portrait, in a pose normally associated with men of letters, is telling in its emphasis on the artist as intellectual. With the etching needle poised above the plate like a pen above paper, he shows himself in the act of creation. He merely suggests the chemical reaction of biting the plate with a beaker of acid at his elbow. Haden faulted artists who relied too heavily on elaborately bitten plates for their images, believing they crossed the line between fine art and mere craft.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2007", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.3.tif", "IsPrimary" : "1", "_SurrogateID" : "4753", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19564, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19564", "Disp_Access_No" : "2010.66", "_AccNumSort1" : "", "Disp_Create_DT" : "1827", "_Disp_Start_Dat" : "1827", "_Disp_End_Date" : "1827", "Disp_Title" : "The Struggle, or a Long Pull, a Strong Pull, and a Pull All'togather [sic]", "Alt_Title" : "", "Obj_Title" : "The Struggle, or a Long Pull, a Strong Pull, and a Pull All'togather [sic]", "Series_Title" : "", "Disp_Maker_1" : "Henry Heath", "Sort_Artist" : "Heath, Henry", "Disp_Dimen" : "25 cm x 36.4 cm (9 13/16 in. x 14 5/16 in.)", "Disp_Height" : "25 cm", "Disp_Width" : "36.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and hand coloring", "Support" : "", "Disp_Medium" : "Etching and hand coloring", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, by exchange, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.66.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.66.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.66.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.66.tif", "IsPrimary" : "1", "_SurrogateID" : "8169", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17681, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17681", "Disp_Access_No" : "2005.166", "_AccNumSort1" : "", "Disp_Create_DT" : "1751", "_Disp_Start_Dat" : "1751", "_Disp_End_Date" : "1751", "Disp_Title" : "Beer Street", "Alt_Title" : "", "Obj_Title" : "Beer Street", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "55.8 cm x 43.7 cm (21 15/16 in. x 17 3/16 in.)", "Disp_Height" : "55.8 cm", "Disp_Width" : "43.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.166.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.166.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.166.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.166.tif", "IsPrimary" : "1", "_SurrogateID" : "4864", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16625, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16625", "Disp_Access_No" : "2002.2844", "_AccNumSort1" : "", "Disp_Create_DT" : "1759", "_Disp_Start_Dat" : "1759", "_Disp_End_Date" : "1759", "Disp_Title" : "The Cockpit", "Alt_Title" : "", "Obj_Title" : "The Cockpit", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "41 cm x 55.7 cm (16 1/8 in. x 21 15/16 in.)", "Disp_Height" : "41 cm", "Disp_Width" : "55.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2844.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2844.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2844.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2844.tif", "IsPrimary" : "1", "_SurrogateID" : "4152", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16624, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16624", "Disp_Access_No" : "2002.2843", "_AccNumSort1" : "", "Disp_Create_DT" : "1743", "_Disp_Start_Dat" : "1743", "_Disp_End_Date" : "1743", "Disp_Title" : "Characters and Caricaturas", "Alt_Title" : "", "Obj_Title" : "Characters and Caricaturas", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "26.3 cm x 21.7 cm (10 3/8 in. x 8 9/16 in.)", "Disp_Height" : "26.3 cm", "Disp_Width" : "21.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Lawrence Lawver, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2843.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2843.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2843.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2843.tif", "IsPrimary" : "1", "_SurrogateID" : "4151", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3380, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3380", "Disp_Access_No" : "1982.216", "_AccNumSort1" : "", "Disp_Create_DT" : "1751", "_Disp_Start_Dat" : "1751", "_Disp_End_Date" : "1751", "Disp_Title" : "Beer Street", "Alt_Title" : "", "Obj_Title" : "Beer Street", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "64.2 cm x 48.3 cm (25 1/4 in. x 19 in.)", "Disp_Height" : "64.2 cm", "Disp_Width" : "48.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Charles and Dorothy Clark, 1982", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.216.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.216.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.216.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.216.tif", "IsPrimary" : "1", "_SurrogateID" : "4824", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.216.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.216.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.216.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.216.tif", "IsPrimary" : "0", "_SurrogateID" : "4832", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3390, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3390", "Disp_Access_No" : "1989.134", "_AccNumSort1" : "", "Disp_Create_DT" : "1753", "_Disp_Start_Dat" : "1753", "_Disp_End_Date" : "1753", "Disp_Title" : "Analysis of Beauty, plate 1", "Alt_Title" : "", "Obj_Title" : "Analysis of Beauty, plate 1", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "50.5 cm x 67.3 cm (19 7/8 in. x 26 1/2 in.)", "Disp_Height" : "50.5 cm", "Disp_Width" : "67.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.134.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.134.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.134.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.134.tif", "IsPrimary" : "1", "_SurrogateID" : "4535", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.134.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.134.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.134.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.134.tif", "IsPrimary" : "0", "_SurrogateID" : "4555", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11302, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11302", "Disp_Access_No" : "1997.45.5/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1745", "_Disp_Start_Dat" : "1745", "_Disp_End_Date" : "1745", "Disp_Title" : "The Bagnio, plate V from Marriage à la mode, after William Hogarth", "Alt_Title" : "", "Obj_Title" : "The Bagnio, plate V from Marriage à la mode, after William Hogarth", "Series_Title" : "", "Disp_Maker_1" : "Simon Francois Ravenet, the elder", "Sort_Artist" : "Ravenet, the elder, Simon Francois", "Disp_Dimen" : "44.4 cm x 57 cm (17 1/2 in. x 22 7/16 in.)", "Disp_Height" : "44.4 cm", "Disp_Width" : "57 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "This print is from a series of six engravings that is based on a progress of six paintings completed by Hogarth around 1743. As with most of Hogarth’s prints, the plates were actually carried out by French engravers. Hogarth employed them for their skill in the tradition of finely differentiated line engraving. The series was aimed at the upper middle class and aristocracy. With mocking theatricality, the six plates depict stages in the lives of an unhappily betrothed couple, starting with the negotiations of the marriage agreement by their fathers. The narrative moves through the couple's increasingly catastrophic marriage, to the wife's suicide, a bottle of laudanum at her feet. Consistent with Hogarth's other satirical and didactic works, the series criticizes the abuse of rank and status, the arrangement and casual treatment of marriage, irresponsible parenthood, and other social ills of the day. R.F. Ravenet is incorrect; the engraver was S.F. (Simon François) Ravenet", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.45.5-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.45.5-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.45.5-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.45.5-6.tif", "IsPrimary" : "1", "_SurrogateID" : "3319", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11303, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11303", "Disp_Access_No" : "1997.45.6/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1745", "_Disp_Start_Dat" : "1745", "_Disp_End_Date" : "1745", "Disp_Title" : "The Lady's Death, plate VI from Marriage à la mode, after William Hogarth", "Alt_Title" : "", "Obj_Title" : "The Lady's Death, plate VI from Marriage à la mode, after William Hogarth", "Series_Title" : "", "Disp_Maker_1" : "Gérard Jean-Baptiste Scotin II", "Sort_Artist" : "Scotin II, Gérard Jean-Baptiste", "Disp_Dimen" : "44.4 cm x 57 cm (17 1/2 in. x 22 7/16 in.)", "Disp_Height" : "44.4 cm", "Disp_Width" : "57 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "This print is from a series of six engravings that is based on a progress of six paintings completed by Hogarth around 1743. As with most of Hogarth’s prints, the plates were actually carried out by French engravers. Hogarth employed them for their skill in the tradition of finely differentiated line engraving. The series was aimed at the upper middle class and aristocracy. With mocking theatricality, the six plates depict stages in the lives of an unhappily betrothed couple, starting with the negotiations of the marriage agreement by their fathers. The narrative moves through the couple's increasingly catastrophic marriage, to the wife's suicide, a bottle of laudanum at her feet. Consistent with Hogarth's other satirical and didactic works, the series criticizes the abuse of rank and status, the arrangement and casual treatment of marriage, irresponsible parenthood, and other social ills of the day. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.45.6-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.45.6-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.45.6-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.45.6-6.tif", "IsPrimary" : "1", "_SurrogateID" : "3320", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16781, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16781", "Disp_Access_No" : "2003.27", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1750", "_Disp_Start_Dat" : "1745", "_Disp_End_Date" : "1755", "Disp_Title" : "View of Ranby's House", "Alt_Title" : "", "Obj_Title" : "View of Ranby's House", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "16.1 cm x 23.1 cm (6 5/16 in. x 9 1/8 in.)", "Disp_Height" : "16.1 cm", "Disp_Width" : "23.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2003", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.27.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.27.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.27.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.27.tif", "IsPrimary" : "1", "_SurrogateID" : "4545", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.27.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.27.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.27.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.27.tif", "IsPrimary" : "0", "_SurrogateID" : "4565", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11300, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11300", "Disp_Access_No" : "1997.45.3/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1745", "_Disp_Start_Dat" : "1745", "_Disp_End_Date" : "1745", "Disp_Title" : "The Inspection, plate III from Marriage à la mode, after William Hogarth", "Alt_Title" : "", "Obj_Title" : "The Inspection, plate III from Marriage à la mode, after William Hogarth", "Series_Title" : "", "Disp_Maker_1" : "Bernard Baron", "Sort_Artist" : "Baron, Bernard", "Disp_Dimen" : "44.4 cm x 57 cm (17 1/2 in. x 22 7/16 in.)", "Disp_Height" : "44.4 cm", "Disp_Width" : "57 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving (by B. Baron)", "Support" : "", "Disp_Medium" : "Etching and engraving (by B. Baron)", "Info_Page_Comm" : "This print is from a series of six engravings that is based on a progress of six paintings completed by Hogarth around 1743. As with most of Hogarth’s prints, the plates were actually carried out by French engravers. Hogarth employed them for their skill in the tradition of finely differentiated line engraving. The series was aimed at the upper middle class and aristocracy. With mocking theatricality, the six plates depict stages in the lives of an unhappily betrothed couple, starting with the negotiations of the marriage agreement by their fathers. The narrative moves through the couple's increasingly catastrophic marriage, to the wife's suicide, a bottle of laudanum at her feet. Consistent with Hogarth's other satirical and didactic works, the series criticizes the abuse of rank and status, the arrangement and casual treatment of marriage, irresponsible parenthood, and other social ills of the day. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.45.3-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.45.3-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.45.3-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.45.3-6.tif", "IsPrimary" : "1", "_SurrogateID" : "3317", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11299, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11299", "Disp_Access_No" : "1997.45.2/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1745", "_Disp_Start_Dat" : "1745", "_Disp_End_Date" : "1745", "Disp_Title" : "The Tête à Tête, plate II from Marriage à la mode, after William Hogarth", "Alt_Title" : "", "Obj_Title" : "The Tête à Tête, plate II from Marriage à la mode, after William Hogarth", "Series_Title" : "", "Disp_Maker_1" : "Bernard Baron", "Sort_Artist" : "Baron, Bernard", "Disp_Dimen" : "44.3 cm x 57 cm (17 7/16 in. x 22 7/16 in.)", "Disp_Height" : "44.3 cm", "Disp_Width" : "57 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "This print is from a series of six engravings that is based on a progress of six paintings completed by Hogarth around 1743. As with most of Hogarth’s prints, the plates were actually carried out by French engravers. Hogarth employed them for their skill in the tradition of finely differentiated line engraving. The series was aimed at the upper middle class and aristocracy. With mocking theatricality, the six plates depict stages in the lives of an unhappily betrothed couple, starting with the negotiations of the marriage agreement by their fathers. The narrative moves through the couple's increasingly catastrophic marriage, to the wife's suicide, a bottle of laudanum at her feet. Consistent with Hogarth's other satirical and didactic works, the series criticizes the abuse of rank and status, the arrangement and casual treatment of marriage, irresponsible parenthood, and other social ills of the day. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.45.2-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.45.2-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.45.2-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.45.2-6.tif", "IsPrimary" : "1", "_SurrogateID" : "3316", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8555, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8555", "Disp_Access_No" : "1991.158", "_AccNumSort1" : "", "Disp_Create_DT" : "1751", "_Disp_Start_Dat" : "1751", "_Disp_End_Date" : "1751", "Disp_Title" : "The Reward of Cruelty, from The Four Stages of Cruelty", "Alt_Title" : "", "Obj_Title" : "The Reward of Cruelty, from The Four Stages of Cruelty", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "58.5 cm x 44.5 cm (23 1/16 in. x 17 1/2 in.)", "Disp_Height" : "58.5 cm", "Disp_Width" : "44.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching with engraving", "Support" : "", "Disp_Medium" : "Etching with engraving", "Info_Page_Comm" : "In Early Georgian England, surgeons and their patients had a low social status relative to physicians and their aristocratic clientele. Surgery, which treated external maladies, such as cuts, bruises, and broken bones, retained its inferior status because it was a manual trade. Making matters worse, surgical practice and sedation were inadequate. Patients endured excruciating pain and the procedures often caused gangrene. Amputation had a frighteningly high mortality rate. Dissection by surgeons for anatomy lessons was particularly loathed, primarily because of the body stealing necessary. In an era when body and soul were not conceived separate, only the most evil of souls or the unidentified were subject to the anatomist’s knife. The Reward of Cruelty is the last print in the series of four entitled The Four Stages of Cruelty, which depicts the life of Tom Nero, a murderer who met his death by the hangman’s noose. In this print, Nero suffers the fate of many criminals of the day who were turned over to a company of surgeons for dissection. Ironically, Nero has befallen the same forms of mutilation and dismemberment, including the gouging of one of his eyes, that he inflicted upon others during his killing spree. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1991", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.158.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.158.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.158.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.158.tif", "IsPrimary" : "1", "_SurrogateID" : "3471", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.158.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.158.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.158.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.158.tif", "IsPrimary" : "0", "_SurrogateID" : "3474", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11298, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11298", "Disp_Access_No" : "1997.45.1/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1745", "_Disp_Start_Dat" : "1745", "_Disp_End_Date" : "1745", "Disp_Title" : "The Marriage Settlement, plate I from Marriage à la mode, after William Hogarth", "Alt_Title" : "", "Obj_Title" : "The Marriage Settlement, plate I from Marriage à la mode, after William Hogarth", "Series_Title" : "", "Disp_Maker_1" : "Gérard Jean-Baptiste Scotin II", "Sort_Artist" : "Scotin II, Gérard Jean-Baptiste", "Disp_Dimen" : "44.3 cm x 57 cm (17 7/16 in. x 22 7/16 in.)", "Disp_Height" : "44.3 cm", "Disp_Width" : "57 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "This print is from a series of six engravings that is based on a progress of six paintings completed by Hogarth around 1743. As with most of Hogarth’s prints, the plates were actually carried out by French engravers. Hogarth employed them for their skill in the tradition of finely differentiated line engraving. The series was aimed at the upper middle class and aristocracy. With mocking theatricality, the six plates depict stages in the lives of an unhappily betrothed couple, starting with the negotiations of the marriage agreement by their fathers. The narrative moves through the couple's increasingly catastrophic marriage, to the wife's suicide, a bottle of laudanum at her feet. Consistent with Hogarth's other satirical and didactic works, the series criticizes the abuse of rank and status, the arrangement and casual treatment of marriage, irresponsible parenthood, and other social ills of the day. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.45.1-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.45.1-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.45.1-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.45.1-6.tif", "IsPrimary" : "1", "_SurrogateID" : "3315", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3381, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3381", "Disp_Access_No" : "1991.155", "_AccNumSort1" : "", "Disp_Create_DT" : "1751", "_Disp_Start_Dat" : "1751", "_Disp_End_Date" : "1751", "Disp_Title" : "Cruelty in Perfection, from The Four Stages of Cruelty", "Alt_Title" : "", "Obj_Title" : "Cruelty in Perfection, from The Four Stages of Cruelty", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "58.5 cm x 44.8 cm (23 1/16 in. x 17 5/8 in.)", "Disp_Height" : "58.5 cm", "Disp_Width" : "44.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching with engraving", "Support" : "", "Disp_Medium" : "Etching with engraving", "Info_Page_Comm" : "William Hogarth’s reputation as a brilliant satirist and moralist is much in evidence in Cruelty in Perfection, the third vignette from his series The Four Stages of Cruelty. The first two stages show the main character abusing animals. In the third stage, shown here, the protagonist—who has murdered his mistress with whom he had plotted a burglary—is forced to confront his crime. The final stage features doctors dissecting his corpse, the noose of his execution still hanging around his neck. Hogarth directed the message of cruelty’s retribution squarely at members of the working class, whom he hoped to scare into more civil behavior. To reduce the cost and heighten the appeal for his target audience (who were familiar with the woodcut aesthetic), he employed John Bell to reproduce the series in woodcut. But Bell cut only two of the scenes before the project became too costly for Hogarth to continue. He economized by etching the series himself, printing it on two qualities of paper, one more affordable than the other. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.155.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.155.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.155.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.155.tif", "IsPrimary" : "1", "_SurrogateID" : "1505", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11301, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11301", "Disp_Access_No" : "1997.45.4/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1745", "_Disp_Start_Dat" : "1745", "_Disp_End_Date" : "1745", "Disp_Title" : "The Toilette, plate IV from Marriage à la mode, after William Hogarth", "Alt_Title" : "", "Obj_Title" : "The Toilette, plate IV from Marriage à la mode, after William Hogarth", "Series_Title" : "", "Disp_Maker_1" : "Simon Francois Ravenet, the elder", "Sort_Artist" : "Ravenet, the elder, Simon Francois", "Disp_Dimen" : "44.4 cm x 57 cm (17 1/2 in. x 22 7/16 in.)", "Disp_Height" : "44.4 cm", "Disp_Width" : "57 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "This print is from a series of six engravings that is based on a progress of six paintings completed by Hogarth around 1743. As with most of Hogarth’s prints, the plates were actually carried out by French engravers. Hogarth employed them for their skill in the tradition of finely differentiated line engraving. The series was aimed at the upper middle class and aristocracy. With mocking theatricality, the six plates depict stages in the lives of an unhappily betrothed couple, starting with the negotiations of the marriage agreement by their fathers. The narrative moves through the couple's increasingly catastrophic marriage, to the wife's suicide, a bottle of laudanum at her feet. Consistent with Hogarth's other satirical and didactic works, the series criticizes the abuse of rank and status, the arrangement and casual treatment of marriage, irresponsible parenthood, and other social ills of the day. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.45.4-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.45.4-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.45.4-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.45.4-6.tif", "IsPrimary" : "1", "_SurrogateID" : "3318", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17688, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17688", "Disp_Access_No" : "2005.168.6/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1732", "_Disp_Start_Dat" : "1732", "_Disp_End_Date" : "1732", "Disp_Title" : "Plate VI, from A Harlot's Progress", "Alt_Title" : "", "Obj_Title" : "Plate VI, from A Harlot's Progress", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "44 cm x 55.7 cm (17 5/16 in. x 21 15/16 in.)", "Disp_Height" : "44 cm", "Disp_Width" : "55.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.168.6-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.168.6-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.168.6-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.168.6-6.tif", "IsPrimary" : "1", "_SurrogateID" : "8270", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17687, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17687", "Disp_Access_No" : "2005.168.5/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1732", "_Disp_Start_Dat" : "1732", "_Disp_End_Date" : "1732", "Disp_Title" : "Plate V, from A Harlot's Progress", "Alt_Title" : "", "Obj_Title" : "Plate V, from A Harlot's Progress", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "44 cm x 55.7 cm (17 5/16 in. x 21 15/16 in.)", "Disp_Height" : "44 cm", "Disp_Width" : "55.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.168.5-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.168.5-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.168.5-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.168.5-6.tif", "IsPrimary" : "1", "_SurrogateID" : "8269", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16627, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16627", "Disp_Access_No" : "2002.2846", "_AccNumSort1" : "", "Disp_Create_DT" : "1758", "_Disp_Start_Dat" : "1758", "_Disp_End_Date" : "1758", "Disp_Title" : "William Hogarth Painting the Comic Muse", "Alt_Title" : "", "Obj_Title" : "William Hogarth Painting the Comic Muse", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "57.4 cm x 45.6 cm (22 5/8 in. x 17 15/16 in.)", "Disp_Height" : "57.4 cm", "Disp_Width" : "45.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2846.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2846.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2846.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2846.tif", "IsPrimary" : "1", "_SurrogateID" : "8241", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17231, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17231", "Disp_Access_No" : "2004.147.8/8", "_AccNumSort1" : "", "Disp_Create_DT" : "1735", "_Disp_Start_Dat" : "1735", "_Disp_End_Date" : "1735", "Disp_Title" : "The Madhouse, plate VIII from A Rake's Progress", "Alt_Title" : "", "Obj_Title" : "The Madhouse, plate VIII from A Rake's Progress", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "45.6 cm x 57.6 cm (17 15/16 in. x 22 11/16 in.)", "Disp_Height" : "45.6 cm", "Disp_Width" : "57.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "ii/ii (1758, before final revisions)". Revised by CZ Sept. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.147.8-8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.147.8-8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.147.8-8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.147.8-8.tif", "IsPrimary" : "1", "_SurrogateID" : "8252", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3395, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3395", "Disp_Access_No" : "2002.1945", "_AccNumSort1" : "", "Disp_Create_DT" : "1753", "_Disp_Start_Dat" : "1753", "_Disp_End_Date" : "1753", "Disp_Title" : "Analysis of Beauty, plate II", "Alt_Title" : "", "Obj_Title" : "Analysis of Beauty, plate II", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "38.7 cm x 50.5 cm (15 1/4 in. x 19 7/8 in.)", "Disp_Height" : "38.7 cm", "Disp_Width" : "50.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1945.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1945.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1945.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1945.tif", "IsPrimary" : "1", "_SurrogateID" : "8238", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17224, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17224", "Disp_Access_No" : "2004.147.1/8", "_AccNumSort1" : "", "Disp_Create_DT" : "1735", "_Disp_Start_Dat" : "1735", "_Disp_End_Date" : "1735", "Disp_Title" : "The Heir, plate I from A Rake's Progress", "Alt_Title" : "The Heir, plate I from A Rake's Progress", "Obj_Title" : "The Heir, plate I from A Rake's Progress", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "45.6 cm x 57.4 cm (17 15/16 in. x 22 5/8 in.)", "Disp_Height" : "45.6 cm", "Disp_Width" : "57.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "ii/iii (1758, before final revisions)". Revised by CZ Sept. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.147.1-8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.147.1-8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.147.1-8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.147.1-8.tif", "IsPrimary" : "1", "_SurrogateID" : "8245", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16626, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16626", "Disp_Access_No" : "2002.2845", "_AccNumSort1" : "", "Disp_Create_DT" : "1746", "_Disp_Start_Dat" : "1746", "_Disp_End_Date" : "1746", "Disp_Title" : "Simon Lord Lovat", "Alt_Title" : "", "Obj_Title" : "Simon Lord Lovat", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "39.9 cm x 28.5 cm (15 11/16 in. x 11 1/4 in.)", "Disp_Height" : "39.9 cm", "Disp_Width" : "28.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2845.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2845.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2845.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2845.tif", "IsPrimary" : "1", "_SurrogateID" : "8272", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16635, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16635", "Disp_Access_No" : "2002.2847.6/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1747", "_Disp_Start_Dat" : "1747", "_Disp_End_Date" : "1747", "Disp_Title" : "The Industrious 'Prentice Out of His Time and Married to His Master's Daughter, plate VI from Industry and Idleness", "Alt_Title" : "", "Obj_Title" : "The Industrious 'Prentice Out of His Time and Married to His Master's Daughter, plate VI from Industry and Idleness", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "29 cm x 43.5 cm (11 7/16 in. x 17 1/8 in.)", "Disp_Height" : "29 cm", "Disp_Width" : "43.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "final 'lifetime' state". Revised by CZ Oct. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2847.6-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2847.6-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2847.6-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2847.6-12.tif", "IsPrimary" : "1", "_SurrogateID" : "8258", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17229, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17229", "Disp_Access_No" : "2004.147.6/8", "_AccNumSort1" : "", "Disp_Create_DT" : "1735", "_Disp_Start_Dat" : "1735", "_Disp_End_Date" : "1735", "Disp_Title" : "The Gaming House, plate VI from A Rake's Progress", "Alt_Title" : "", "Obj_Title" : "The Gaming House, plate VI from A Rake's Progress", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "45.6 cm x 57.6 cm (17 15/16 in. x 22 11/16 in.)", "Disp_Height" : "45.6 cm", "Disp_Width" : "57.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "ii/ii (1758, before final revisions)". Revised by CZ Sept. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.147.6-8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.147.6-8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.147.6-8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.147.6-8.tif", "IsPrimary" : "1", "_SurrogateID" : "8250", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17686, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17686", "Disp_Access_No" : "2005.168.4/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1732", "_Disp_Start_Dat" : "1732", "_Disp_End_Date" : "1732", "Disp_Title" : "Plate IV, from A Harlot's Progress", "Alt_Title" : "", "Obj_Title" : "Plate IV, from A Harlot's Progress", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "44 cm x 55.6 cm (17 5/16 in. x 21 7/8 in.)", "Disp_Height" : "44 cm", "Disp_Width" : "55.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.168.4-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.168.4-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.168.4-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.168.4-6.tif", "IsPrimary" : "1", "_SurrogateID" : "8268", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16629, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16629", "Disp_Access_No" : "2002.2847.12/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1747", "_Disp_Start_Dat" : "1747", "_Disp_End_Date" : "1747", "Disp_Title" : "The Industrious 'Prentice Lord Mayor of London, plate XII from Industry and Idleness", "Alt_Title" : "", "Obj_Title" : "The Industrious 'Prentice Lord Mayor of London, plate XII from Industry and Idleness", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "29.1 cm x 42.8 cm (11 7/16 in. x 16 7/8 in.)", "Disp_Height" : "29.1 cm", "Disp_Width" : "42.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "final 'lifetime' state". Revised by CZ Oct. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2847.12-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2847.12-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2847.12-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2847.12-12.tif", "IsPrimary" : "1", "_SurrogateID" : "8264", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17685, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17685", "Disp_Access_No" : "2005.168.3/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1732", "_Disp_Start_Dat" : "1732", "_Disp_End_Date" : "1732", "Disp_Title" : "Plate III, from A Harlot's Progress", "Alt_Title" : "", "Obj_Title" : "Plate III, from A Harlot's Progress", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "43.9 cm x 55.7 cm (17 5/16 in. x 21 15/16 in.)", "Disp_Height" : "43.9 cm", "Disp_Width" : "55.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.168.3-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.168.3-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.168.3-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.168.3-6.tif", "IsPrimary" : "1", "_SurrogateID" : "8267", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3391, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3391", "Disp_Access_No" : "1989.135", "_AccNumSort1" : "", "Disp_Create_DT" : "1753", "_Disp_Start_Dat" : "1753", "_Disp_End_Date" : "1753", "Disp_Title" : "Analysis of Beauty, plate II", "Alt_Title" : "", "Obj_Title" : "Analysis of Beauty, plate II", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "50.5 cm x 67.3 cm (19 7/8 in. x 26 1/2 in.)", "Disp_Height" : "50.5 cm", "Disp_Width" : "67.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.135.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.135.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.135.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.135.tif", "IsPrimary" : "1", "_SurrogateID" : "8229", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17225, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17225", "Disp_Access_No" : "2004.147.2/8", "_AccNumSort1" : "", "Disp_Create_DT" : "1735", "_Disp_Start_Dat" : "1735", "_Disp_End_Date" : "1735", "Disp_Title" : "The Levée, plate II from A Rake's Progress", "Alt_Title" : "", "Obj_Title" : "The Levée, plate II from A Rake's Progress", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "45.6 cm x 57.6 cm (17 15/16 in. x 22 11/16 in.)", "Disp_Height" : "45.6 cm", "Disp_Width" : "57.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "ii/ii (1758, before final revisions)". Revised by CZ Sept. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.147.2-8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.147.2-8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.147.2-8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.147.2-8.tif", "IsPrimary" : "1", "_SurrogateID" : "8246", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17683, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17683", "Disp_Access_No" : "2005.168.1/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1732", "_Disp_Start_Dat" : "1732", "_Disp_End_Date" : "1732", "Disp_Title" : "Plate I, from A Harlot's Progress", "Alt_Title" : "", "Obj_Title" : "Plate I, from A Harlot's Progress", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "43.2 cm x 55.7 cm (17 in. x 21 15/16 in.)", "Disp_Height" : "43.2 cm", "Disp_Width" : "55.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.168.1-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.168.1-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.168.1-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.168.1-6.tif", "IsPrimary" : "1", "_SurrogateID" : "8265", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3338, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3338", "Disp_Access_No" : "1982.215", "_AccNumSort1" : "", "Disp_Create_DT" : "1738", "_Disp_Start_Dat" : "1738", "_Disp_End_Date" : "1738", "Disp_Title" : "Night", "Alt_Title" : "", "Obj_Title" : "Night", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "64.2 cm x 49.3 cm (25 1/4 in. x 19 7/16 in.)", "Disp_Height" : "64.2 cm", "Disp_Width" : "49.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Charles and Dorothy Clark, 1982", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.215.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.215.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.215.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.215.tif", "IsPrimary" : "1", "_SurrogateID" : "8227", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3334, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3334", "Disp_Access_No" : "1982.214", "_AccNumSort1" : "", "Disp_Create_DT" : "1736", "_Disp_Start_Dat" : "1736", "_Disp_End_Date" : "1736", "Disp_Title" : "The Sleeping Congregation", "Alt_Title" : "", "Obj_Title" : "The Sleeping Congregation", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "26.5 cm x 20.6 cm (10 7/16 in. x 8 1/8 in.)", "Disp_Height" : "26.5 cm", "Disp_Width" : "20.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Inside a church a clergyman reads the Gospel while his congregation sleeps and a clerk eyes a young woman. Hogarth’s keen observation of human behavior and unsparing critique of social convention inspired all later British satirists.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Charles and Dorothy Clark, 1982", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.214.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.214.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.214.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.214.tif", "IsPrimary" : "1", "_SurrogateID" : "8226", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17226, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17226", "Disp_Access_No" : "2004.147.3/8", "_AccNumSort1" : "", "Disp_Create_DT" : "1735", "_Disp_Start_Dat" : "1735", "_Disp_End_Date" : "1735", "Disp_Title" : "The Orgy, plate III from A Rake's Progress", "Alt_Title" : "", "Obj_Title" : "The Orgy, plate III from A Rake's Progress", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "45.6 cm x 57.6 cm (17 15/16 in. x 22 11/16 in.)", "Disp_Height" : "45.6 cm", "Disp_Width" : "57.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "ii/ii (1758, before final revisions)". Revised by CZ Sept. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.147.3-8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.147.3-8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.147.3-8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.147.3-8.tif", "IsPrimary" : "1", "_SurrogateID" : "8247", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17682, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17682", "Disp_Access_No" : "2005.167", "_AccNumSort1" : "", "Disp_Create_DT" : "1751", "_Disp_Start_Dat" : "1751", "_Disp_End_Date" : "1751", "Disp_Title" : "Gin Lane", "Alt_Title" : "", "Obj_Title" : "Gin Lane", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "55.7 cm x 44 cm (21 15/16 in. x 17 5/16 in.)", "Disp_Height" : "55.7 cm", "Disp_Width" : "44 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.167.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.167.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.167.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.167.tif", "IsPrimary" : "1", "_SurrogateID" : "8273", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16630, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16630", "Disp_Access_No" : "2002.2847.11/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1747", "_Disp_Start_Dat" : "1747", "_Disp_End_Date" : "1747", "Disp_Title" : "The Idle 'Prentice Executed at Tyburn, plate XI from Industry and Idleness", "Alt_Title" : "", "Obj_Title" : "The Idle 'Prentice Executed at Tyburn, plate XI from Industry and Idleness", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "28.7 cm x 43.1 cm (11 5/16 in. x 16 15/16 in.)", "Disp_Height" : "28.7 cm", "Disp_Width" : "43.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "final 'lifetime' state". Revised by CZ Oct. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2847.11-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2847.11-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2847.11-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2847.11-12.tif", "IsPrimary" : "1", "_SurrogateID" : "8263", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16633, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16633", "Disp_Access_No" : "2002.2847.10/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1747", "_Disp_Start_Dat" : "1747", "_Disp_End_Date" : "1747", "Disp_Title" : "The Industrious 'Prentice Alderman of London, the Idle One Brought Before Him & Impeached by His Accomplice, plate X from Industry and Idleness", "Alt_Title" : "", "Obj_Title" : "The Industrious 'Prentice Alderman of London, the Idle One Brought Before Him & Impeached by His Accomplice, plate X from Industry and Idleness", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "29.1 cm x 43.4 cm (11 7/16 in. x 17 1/16 in.)", "Disp_Height" : "29.1 cm", "Disp_Width" : "43.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "final 'lifetime' state". Revised by CZ Oct. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2847.10-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2847.10-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2847.10-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2847.10-12.tif", "IsPrimary" : "1", "_SurrogateID" : "8262", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3165, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3165", "Disp_Access_No" : "1999.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1728, (c. 1768)", "_Disp_Start_Dat" : "1728", "_Disp_End_Date" : "1728", "Disp_Title" : "The Political Clyster", "Alt_Title" : "", "Obj_Title" : "The Political Clyster", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "21.2 cm x 32.3 cm (8 3/8 in. x 12 11/16 in.)", "Disp_Height" : "21.2 cm", "Disp_Width" : "32.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "The subject of this print comes from Jonathan Swift’s satirical masterpiece, Gulliver’s Travels. The various societies that Gulliver encounters in this four-book series parodies the follies of humankind. This image derives from Book I, in which the shipwrecked Gulliver finds himself a prisoner of the six-inch high arrogant and self-important Lilliputians. It shows Gulliver, on the receiving end of an enema, being punished for urinating on the Royal Palace of Midland, an act he performed in order to extinguish a fire. In part, this is Hogarth’s critique of contemporary medical practices that seemed ineffectual. It is also a critique of politicians and public servants that includes a clergy man officiating from a chamber pot and a First Minister observing from his thimble carriage. Both ignore the activities of their own people, who misbehave in the landscape around them", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.15.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.15.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.15.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.15.tif", "IsPrimary" : "1", "_SurrogateID" : "8234", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16631, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16631", "Disp_Access_No" : "2002.2847.9/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1747", "_Disp_Start_Dat" : "1747", "_Disp_End_Date" : "1747", "Disp_Title" : "The Idle 'Prentice Betrayed by His Whore and Taken in a Night Cellar with His Accomplice, plate IX from Industry and Idleness", "Alt_Title" : "", "Obj_Title" : "The Idle 'Prentice Betrayed by His Whore and Taken in a Night Cellar with His Accomplice, plate IX from Industry and Idleness", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "28.6 cm x 43 cm (11 1/4 in. x 16 15/16 in.)", "Disp_Height" : "28.6 cm", "Disp_Width" : "43 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "final 'lifetime' state". Revised by CZ Oct. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2847.9-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2847.9-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2847.9-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2847.9-12.tif", "IsPrimary" : "1", "_SurrogateID" : "8261", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16632, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16632", "Disp_Access_No" : "2002.2847.8/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1747", "_Disp_Start_Dat" : "1747", "_Disp_End_Date" : "1747", "Disp_Title" : "The Industrious 'Prentice Grown Rich and Sheriff of London, plate VIII from Industry and Idleness", "Alt_Title" : "", "Obj_Title" : "The Industrious 'Prentice Grown Rich and Sheriff of London, plate VIII from Industry and Idleness", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "28.7 cm x 42.9 cm (11 5/16 in. x 16 7/8 in.)", "Disp_Height" : "28.7 cm", "Disp_Width" : "42.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "final 'lifetime' state". Revised by CZ Oct. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2847.8-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2847.8-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2847.8-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2847.8-12.tif", "IsPrimary" : "1", "_SurrogateID" : "8260", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16638, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16638", "Disp_Access_No" : "2002.2847.3/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1747", "_Disp_Start_Dat" : "1747", "_Disp_End_Date" : "1747", "Disp_Title" : "The Idle 'Prentice at Play in the Church Yard, plate III from Industry and Idleness", "Alt_Title" : "", "Obj_Title" : "The Idle 'Prentice at Play in the Church Yard, plate III from Industry and Idleness", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "28.1 cm x 43.1 cm (11 1/16 in. x 16 15/16 in.)", "Disp_Height" : "28.1 cm", "Disp_Width" : "43.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "final 'lifetime' state". Revised by CZ Oct. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2847.3-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2847.3-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2847.3-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2847.3-12.tif", "IsPrimary" : "1", "_SurrogateID" : "8255", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16565, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16565", "Disp_Access_No" : "2002.2815", "_AccNumSort1" : "", "Disp_Create_DT" : "1725-1768", "_Disp_Start_Dat" : "1725", "_Disp_End_Date" : "1768", "Disp_Title" : "Hudibras beats Sidrophel and his man Whacum, plate VIII from Illustrations for Samuel Butler's Hudibras, February 1725/6", "Alt_Title" : "", "Obj_Title" : "Hudibras beats Sidrophel and his man Whacum, plate VIII from Illustrations for Samuel Butler's Hudibras, February 1725/6", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "29.1 cm x 47.2 cm (11 7/16 in. x 18 9/16 in.)", "Disp_Height" : "29.1 cm", "Disp_Width" : "47.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2815.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2815.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2815.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2815.tif", "IsPrimary" : "1", "_SurrogateID" : "8271", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3388, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3388", "Disp_Access_No" : "2002.1946", "_AccNumSort1" : "", "Disp_Create_DT" : "1752", "_Disp_Start_Dat" : "1752", "_Disp_End_Date" : "1752", "Disp_Title" : "Moses Brought to Pharaoh's Daughter", "Alt_Title" : "", "Obj_Title" : "Moses Brought to Pharaoh's Daughter", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "45.4 cm x 59 cm (17 7/8 in. x 23 1/4 in.)", "Disp_Height" : "45.4 cm", "Disp_Width" : "59 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1946.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1946.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1946.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1946.tif", "IsPrimary" : "1", "_SurrogateID" : "8239", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16636, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16636", "Disp_Access_No" : "2002.2847.5/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1747", "_Disp_Start_Dat" : "1747", "_Disp_End_Date" : "1747", "Disp_Title" : "The Idle 'Prentice Turned Away and Sent to Sea, plate V from Industry and Idleness", "Alt_Title" : "", "Obj_Title" : "The Idle 'Prentice Turned Away and Sent to Sea, plate V from Industry and Idleness", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "28.8 cm x 43.2 cm (11 5/16 in. x 17 in.)", "Disp_Height" : "28.8 cm", "Disp_Width" : "43.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "final 'lifetime' state". Revised by CZ Oct. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2847.5-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2847.5-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2847.5-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2847.5-12.tif", "IsPrimary" : "1", "_SurrogateID" : "8257", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16637, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16637", "Disp_Access_No" : "2002.2847.4/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1747", "_Disp_Start_Dat" : "1747", "_Disp_End_Date" : "1747", "Disp_Title" : "The Industrious 'Prentice a Favourite and Entrusted by his Master, plate IV from Industry and Idleness", "Alt_Title" : "", "Obj_Title" : "The Industrious 'Prentice a Favourite and Entrusted by his Master, plate IV from Industry and Idleness", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "28.3 cm x 43.7 cm (11 1/8 in. x 17 3/16 in.)", "Disp_Height" : "28.3 cm", "Disp_Width" : "43.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "final 'lifetime' state". Revised by CZ Oct. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2847.4-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2847.4-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2847.4-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2847.4-12.tif", "IsPrimary" : "1", "_SurrogateID" : "8256", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17228, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17228", "Disp_Access_No" : "2004.147.5/8", "_AccNumSort1" : "", "Disp_Create_DT" : "1735", "_Disp_Start_Dat" : "1735", "_Disp_End_Date" : "1735", "Disp_Title" : "The Marriage, plate V from A Rake's Progress", "Alt_Title" : "", "Obj_Title" : "The Marriage, plate V from A Rake's Progress", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "45.6 cm x 57.6 cm (17 15/16 in. x 22 11/16 in.)", "Disp_Height" : "45.6 cm", "Disp_Width" : "57.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "ii/ii (1758, before final revisions)". Revised by CZ Sept. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.147.5-8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.147.5-8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.147.5-8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.147.5-8.tif", "IsPrimary" : "1", "_SurrogateID" : "8249", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16639, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16639", "Disp_Access_No" : "2002.2847.2/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1747", "_Disp_Start_Dat" : "1747", "_Disp_End_Date" : "1747", "Disp_Title" : "The Industrious 'Prentice Performing the Duty of a Christian, plate II from Industry and Idleness", "Alt_Title" : "", "Obj_Title" : "The Industrious 'Prentice Performing the Duty of a Christian, plate II from Industry and Idleness", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "28.6 cm x 41.7 cm (11 1/4 in. x 16 7/16 in.)", "Disp_Height" : "28.6 cm", "Disp_Width" : "41.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "final 'lifetime' state". Revised by CZ Oct. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2847.2-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2847.2-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2847.2-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2847.2-12.tif", "IsPrimary" : "1", "_SurrogateID" : "8254", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17230, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17230", "Disp_Access_No" : "2004.147.7/8", "_AccNumSort1" : "", "Disp_Create_DT" : "1735", "_Disp_Start_Dat" : "1735", "_Disp_End_Date" : "1735", "Disp_Title" : "The Prison, plate VII from A Rake's Progress", "Alt_Title" : "", "Obj_Title" : "The Prison, plate VII from A Rake's Progress", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "45.6 cm x 57.6 cm (17 15/16 in. x 22 11/16 in.)", "Disp_Height" : "45.6 cm", "Disp_Width" : "57.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "ii/ii (1758, before final revisions)". Revised by CZ Sept. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.147.7-8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.147.7-8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.147.7-8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.147.7-8.tif", "IsPrimary" : "1", "_SurrogateID" : "8251", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13841, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13841", "Disp_Access_No" : "2002.2755", "_AccNumSort1" : "", "Disp_Create_DT" : "1751", "_Disp_Start_Dat" : "1751", "_Disp_End_Date" : "1751", "Disp_Title" : "Boys Peeping at Nature", "Alt_Title" : "", "Obj_Title" : "Boys Peeping at Nature", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "16.4 cm x 15.7 cm (6 7/16 in. x 6 3/16 in.)", "Disp_Height" : "16.4 cm", "Disp_Width" : "15.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2755.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2755.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2755.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2755.tif", "IsPrimary" : "1", "_SurrogateID" : "8240", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16628, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16628", "Disp_Access_No" : "2002.2847.1/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1747", "_Disp_Start_Dat" : "1747", "_Disp_End_Date" : "1747", "Disp_Title" : "The Fellow 'Prentices at their Looms, plate I from Industry and Idleness", "Alt_Title" : "", "Obj_Title" : "The Fellow 'Prentices at their Looms, plate I from Industry and Idleness", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "28.3 cm x 43.3 cm (11 1/8 in. x 17 1/16 in.)", "Disp_Height" : "28.3 cm", "Disp_Width" : "43.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "final 'lifetime' state". Revised by CZ Oct. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2847.1-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2847.1-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2847.1-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2847.1-12.tif", "IsPrimary" : "1", "_SurrogateID" : "8253", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13228, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13228", "Disp_Access_No" : "2002.1944", "_AccNumSort1" : "", "Disp_Create_DT" : "1741", "_Disp_Start_Dat" : "1741", "_Disp_End_Date" : "1741", "Disp_Title" : "The Enraged Musician", "Alt_Title" : "", "Obj_Title" : "The Enraged Musician", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "34.6 cm x 40 cm (13 5/8 in. x 15 3/4 in.)", "Disp_Height" : "34.6 cm", "Disp_Width" : "40 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1944.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1944.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1944.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1944.tif", "IsPrimary" : "1", "_SurrogateID" : "8237", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17232, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17232", "Disp_Access_No" : "2004.148", "_AccNumSort1" : "", "Disp_Create_DT" : "1735", "_Disp_Start_Dat" : "1735", "_Disp_End_Date" : "1735", "Disp_Title" : "The Arrest, plate IV from A Rake's Progress", "Alt_Title" : "", "Obj_Title" : "The Arrest, plate IV from A Rake's Progress", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "48.4 cm x 52.7 cm (19 1/16 in. x 20 3/4 in.)", "Disp_Height" : "48.4 cm", "Disp_Width" : "52.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "i/ii (subscriber's copy)". Revised by CZ Sept. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.148.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.148.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.148.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.148.tif", "IsPrimary" : "1", "_SurrogateID" : "8244", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8507, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8507", "Disp_Access_No" : "2002.1943", "_AccNumSort1" : "", "Disp_Create_DT" : "1723-1724", "_Disp_Start_Dat" : "1723", "_Disp_End_Date" : "1724", "Disp_Title" : "A Native Dance, from La Motraye's Travels", "Alt_Title" : "", "Obj_Title" : "A Native Dance, from La Motraye's Travels", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "25.7 cm x 35.3 cm (10 1/8 in. x 13 7/8 in.)", "Disp_Height" : "25.7 cm", "Disp_Width" : "35.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1943.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1943.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1943.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1943.tif", "IsPrimary" : "1", "_SurrogateID" : "8236", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12759, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12759", "Disp_Access_No" : "2002.1210", "_AccNumSort1" : "", "Disp_Create_DT" : "1761", "_Disp_Start_Dat" : "1761", "_Disp_End_Date" : "1761", "Disp_Title" : "Time Smoking a Picture", "Alt_Title" : "", "Obj_Title" : "Time Smoking a Picture", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "24.8 cm x 18.7 cm (9 3/4 in. x 7 3/8 in.)", "Disp_Height" : "24.8 cm", "Disp_Width" : "18.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and mezzotint", "Support" : "", "Disp_Medium" : "Etching and mezzotint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1210.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1210.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1210.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1210.tif", "IsPrimary" : "1", "_SurrogateID" : "8235", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16634, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16634", "Disp_Access_No" : "2002.2847.7/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1747", "_Disp_Start_Dat" : "1747", "_Disp_End_Date" : "1747", "Disp_Title" : "The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute, plate VII from Industry and Idleness", "Alt_Title" : "", "Obj_Title" : "The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute, plate VII from Industry and Idleness", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "28.2 cm x 43.6 cm (11 1/8 in. x 17 3/16 in.)", "Disp_Height" : "28.2 cm", "Disp_Width" : "43.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "final 'lifetime' state". Revised by CZ Oct. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2847.7-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2847.7-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2847.7-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2847.7-12.tif", "IsPrimary" : "1", "_SurrogateID" : "8259", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17227, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17227", "Disp_Access_No" : "2004.147.4/8", "_AccNumSort1" : "", "Disp_Create_DT" : "1735", "_Disp_Start_Dat" : "1735", "_Disp_End_Date" : "1735", "Disp_Title" : "The Arrest, plate IV from A Rake's Progress", "Alt_Title" : "", "Obj_Title" : "The Arrest, plate IV from A Rake's Progress", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "45.6 cm x 57.6 cm (17 15/16 in. x 22 11/16 in.)", "Disp_Height" : "45.6 cm", "Disp_Width" : "57.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "ii/ii (1758, before final revisions)". Revised by CZ Sept. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.147.4-8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.147.4-8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.147.4-8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.147.4-8.tif", "IsPrimary" : "1", "_SurrogateID" : "8248", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17223, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17223", "Disp_Access_No" : "2004.146", "_AccNumSort1" : "", "Disp_Create_DT" : "1758", "_Disp_Start_Dat" : "1758", "_Disp_End_Date" : "1758", "Disp_Title" : "The Bench", "Alt_Title" : "", "Obj_Title" : "The Bench", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "40 cm x 28.7 cm (15 3/4 in. x 11 5/16 in.)", "Disp_Height" : "40 cm", "Disp_Width" : "28.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.146.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.146.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.146.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.146.tif", "IsPrimary" : "1", "_SurrogateID" : "8243", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3164, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3164", "Disp_Access_No" : "1999.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1726", "_Disp_Start_Dat" : "1726", "_Disp_End_Date" : "1726", "Disp_Title" : "Cunicularii, or The Wise Men of Godliman in Consultation", "Alt_Title" : "", "Obj_Title" : "Cunicularii, or The Wise Men of Godliman in Consultation", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "19 cm x 25.6 cm (7 1/2 in. x 10 1/16 in.)", "Disp_Height" : "19 cm", "Disp_Width" : "25.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "The Weekly Journal of 19 November 1726 read: From Guilford comes a strange but well-attested Piece of News. That a poor Woman who lives at Godalmin [sic], near that Town, was about a Month past delivered by Mr John Howard, an Eminent Surgeon and Man-Midwife, of a creature resembling a Rabbit but whose Heart and Lungs grew without its Belly, about 14 Days since she was delivered by the same Person, of a perfect Rabbit: and in a few Days after of 4 more; and on Friday, Saturday, Sunday, the 4th, 5th, and 6th instant, of one in each day: in all nine, they died all in bringing into the World. The woman hath made Oath, that two months ago, being working in a Field with other Women, they put up a Rabbit, who running from them, they pursued it, but to no Purpose: This created in her such a Longing to it, that she (being with Child) was taken ill and miscarried, and from that Time she hath not been able to avoid thinking of Rabbits. This print by Hogarth was published on 12 December 1726, a few days after Mary Toft's full confession of fraud. Strangely enough, it is not Mary Toft but rather the doctors who are chastised in this composition, a mock heroic type of a bedside drama. It is said that a group of surgeons commissioned this print in order to expose the failings of the doctors so carefully identified at the bottom. After the circulation of this print, it took some time for the physicians identified here to repair their reputation. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.14.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.14.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.14.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.14.tif", "IsPrimary" : "1", "_SurrogateID" : "8233", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17684, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17684", "Disp_Access_No" : "2005.168.2/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1732", "_Disp_Start_Dat" : "1732", "_Disp_End_Date" : "1732", "Disp_Title" : "Plate II, from A Harlot's Progress", "Alt_Title" : "", "Obj_Title" : "Plate II, from A Harlot's Progress", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "44 cm x 55.8 cm (17 5/16 in. x 21 15/16 in.)", "Disp_Height" : "44 cm", "Disp_Width" : "55.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.168.2-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.168.2-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.168.2-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.168.2-6.tif", "IsPrimary" : "1", "_SurrogateID" : "8266", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3383, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3383", "Disp_Access_No" : "1991.157", "_AccNumSort1" : "", "Disp_Create_DT" : "1751", "_Disp_Start_Dat" : "1751", "_Disp_End_Date" : "1751", "Disp_Title" : "The Second Stage of Cruelty, from The Four Stages of Cruelty", "Alt_Title" : "", "Obj_Title" : "The Second Stage of Cruelty, from The Four Stages of Cruelty", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "58.5 cm x 44.8 cm (23 1/16 in. x 17 5/8 in.)", "Disp_Height" : "58.5 cm", "Disp_Width" : "44.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching with engraving", "Support" : "", "Disp_Medium" : "Etching with engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.157.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.157.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.157.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.157.tif", "IsPrimary" : "1", "_SurrogateID" : "8232", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3339, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3339", "Disp_Access_No" : "1989.133", "_AccNumSort1" : "", "Disp_Create_DT" : "1738", "_Disp_Start_Dat" : "1738", "_Disp_End_Date" : "1738", "Disp_Title" : "Strolling Actresses Dressing in a Barn", "Alt_Title" : "", "Obj_Title" : "Strolling Actresses Dressing in a Barn", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "44.1 cm x 55.6 cm (17 3/8 in. x 21 7/8 in.)", "Disp_Height" : "44.1 cm", "Disp_Width" : "55.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.133.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.133.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.133.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.133.tif", "IsPrimary" : "1", "_SurrogateID" : "8228", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17222, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17222", "Disp_Access_No" : "2004.145", "_AccNumSort1" : "", "Disp_Create_DT" : "1758", "_Disp_Start_Dat" : "1758", "_Disp_End_Date" : "1758", "Disp_Title" : "The Bench", "Alt_Title" : "", "Obj_Title" : "The Bench", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "44.3 cm x 29.4 cm (17 7/16 in. x 11 9/16 in.)", "Disp_Height" : "44.3 cm", "Disp_Width" : "29.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.145.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.145.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.145.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.145.tif", "IsPrimary" : "1", "_SurrogateID" : "8242", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3468, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3468", "Disp_Access_No" : "1989.136", "_AccNumSort1" : "", "Disp_Create_DT" : "1762", "_Disp_Start_Dat" : "1762", "_Disp_End_Date" : "1762", "Disp_Title" : "Credulity, Superstition and Fanaticism: A Medley", "Alt_Title" : "", "Obj_Title" : "Credulity, Superstition and Fanaticism: A Medley", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "55.3 cm x 38.1 cm (21 3/4 in. x 15 in.)", "Disp_Height" : "55.3 cm", "Disp_Width" : "38.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.136.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.136.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.136.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.136.tif", "IsPrimary" : "1", "_SurrogateID" : "8230", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3382, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3382", "Disp_Access_No" : "1991.156", "_AccNumSort1" : "", "Disp_Create_DT" : "1751", "_Disp_Start_Dat" : "1751", "_Disp_End_Date" : "1751", "Disp_Title" : "The First Stage of Cruelty, from The Four Stages of Cruelty", "Alt_Title" : "", "Obj_Title" : "The First Stage of Cruelty, from The Four Stages of Cruelty", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "58.5 cm x 44.7 cm (23 1/16 in. x 17 5/8 in.)", "Disp_Height" : "58.5 cm", "Disp_Width" : "44.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching with engraving", "Support" : "", "Disp_Medium" : "Etching with engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.156.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.156.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.156.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.156.tif", "IsPrimary" : "1", "_SurrogateID" : "8231", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19192, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19192", "Disp_Access_No" : "2008.118", "_AccNumSort1" : "", "Disp_Create_DT" : "1744", "_Disp_Start_Dat" : "1744", "_Disp_End_Date" : "1744", "Disp_Title" : "Heroic Landscape with Dedication and Classical Ruins, after Marco Ricci", "Alt_Title" : "", "Obj_Title" : "Heroic Landscape with Dedication and Classical Ruins, after Marco Ricci", "Series_Title" : "", "Disp_Maker_1" : "John Baptist Jackson", "Sort_Artist" : "Jackson, John Baptist", "Disp_Dimen" : "42.5 cm x 58.7 cm (16 3/4 in. x 23 1/8 in.)", "Disp_Height" : "42.5 cm", "Disp_Width" : "58.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Chiaroscuro woodcut from seven-to-ten blocks", "Support" : "", "Disp_Medium" : "Chiaroscuro woodcut from seven-to-ten blocks", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2008", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.118.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.118.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.118.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.118.tif", "IsPrimary" : "1", "_SurrogateID" : "5426", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3340, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3340", "Disp_Access_No" : "1991.84", "_AccNumSort1" : "", "Disp_Create_DT" : "1739", "_Disp_Start_Dat" : "1739", "_Disp_End_Date" : "1739", "Disp_Title" : "Holy Family and Four Saints, after Paolo Veronese", "Alt_Title" : "", "Obj_Title" : "Holy Family and Four Saints, after Paolo Veronese", "Series_Title" : "", "Disp_Maker_1" : "John Baptist Jackson", "Sort_Artist" : "Jackson, John Baptist", "Disp_Dimen" : "55.8 cm x 34.6 cm (21 15/16 in. x 13 5/8 in.)", "Disp_Height" : "55.8 cm", "Disp_Width" : "34.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Chiaroscuro woodcut from four blocks printed in yellow,lt gray,brown and dk gray", "Support" : "", "Disp_Medium" : "Chiaroscuro woodcut from four blocks printed in yellow,lt gray,brown and dk gray", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.84.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.84.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.84.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.84.tif", "IsPrimary" : "1", "_SurrogateID" : "6563", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3749, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3749", "Disp_Access_No" : "1998.409", "_AccNumSort1" : "", "Disp_Create_DT" : "1807", "_Disp_Start_Dat" : "1807", "_Disp_End_Date" : "1807", "Disp_Title" : "Old Cottage", "Alt_Title" : "", "Obj_Title" : "Old Cottage", "Series_Title" : "", "Disp_Maker_1" : "Henry Bellenden Ker", "Sort_Artist" : "Ker, Henry Bellenden", "Disp_Dimen" : "22.7 cm x 31 cm (8 15/16 in. x 12 3/16 in.)", "Disp_Height" : "22.7 cm", "Disp_Width" : "31 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen lithograph", "Support" : "", "Disp_Medium" : "Pen lithograph", "Info_Page_Comm" : "Some of the earliest artistic lithographs and most of those produced in England, were rendered with a conventional pen and dilute ink. These closely resemble drawings, but reveal no variation in density or luster of their blacks. Ker’s Cottage is an especially articulate and well printed example. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.409.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.409.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.409.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.409.tif", "IsPrimary" : "1", "_SurrogateID" : "3667", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8776, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8776", "Disp_Access_No" : "1998.111", "_AccNumSort1" : "", "Disp_Create_DT" : "1835-1836", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1836", "Disp_Title" : "Dedham Vale, after John Constable", "Alt_Title" : "", "Obj_Title" : "Dedham Vale, after John Constable", "Series_Title" : "", "Disp_Maker_1" : "David Lucas", "Sort_Artist" : "Lucas, David", "Disp_Dimen" : "80 cm x 66.3 cm (31 1/2 in. x 26 1/8 in.)", "Disp_Height" : "80 cm", "Disp_Width" : "66.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "The collaboration between the painter John Constable and the mezzotinter David Lucas was one of the most involved and consequential, as well as thoroughly recorded, in the history of reproductive printmaking. Anxious to disseminate his compositions and hoping to realize a financial return, Constable involved Lucas in the translation of his paintings into a series of small-scale mezzotints entitled English Landscape Scenery. Shortly before Constable’s death in 1837, they undertook six separate plates on a much larger scale and, in the painter’s words, “made as perfect as possible.” Although a commercial failure, and therefore known in terribly few lifetime impressions, these plates represent the last great achievement in the British mezzotint tradition. Dedham Vale interprets Constable’s earliest painting (1802) of this part of his native Suffolk (today in the Victoria and Albert Museum). This impression is the earliest and finest ever identified, printed before a borderline was added, the plate reduced in size, or its surface at all worn. As a result, it is incomparably varied in tone and pictorial in effect, bearing eloquent testimony to the nature and ambition of Constable and Lucas’s collaboration", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1998", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.111.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.111.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.111.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.111.tif", "IsPrimary" : "1", "_SurrogateID" : "5303", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8723, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8723", "Disp_Access_No" : "1996.261", "_AccNumSort1" : "", "Disp_Create_DT" : "1824-1825", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1825", "Disp_Title" : "The Conflict between Satan and Death, from John Milton's Paradise Lost, Book 2, line 727", "Alt_Title" : "", "Obj_Title" : "The Conflict between Satan and Death, from John Milton's Paradise Lost, Book 2, line 727", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "27.7 cm x 37.3 cm (10 7/8 in. x 14 11/16 in.)", "Disp_Height" : "27.7 cm", "Disp_Width" : "37.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint and drypoint", "Support" : "", "Disp_Medium" : "Mezzotint and drypoint", "Info_Page_Comm" : "From the gates of hell Sin leaps up to stop these two demons—Satan and Death—from annihilating each other. Satan, with his bat-like wings, stands poised to thrust his spear, while a toad-like Death emerges shrouded in black fog. Martin hints at Death’s form, burnishing out only the whites of its eyes, unable or unwilling to define it for us.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.261.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.261.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.261.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.261.tif", "IsPrimary" : "1", "_SurrogateID" : "5476", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8721, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8721", "Disp_Access_No" : "1996.256", "_AccNumSort1" : "", "Disp_Create_DT" : "1824-1825", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1825", "Disp_Title" : "The Fall of the Rebel Angels, from John Milton's Paradise Lost, Book 1, line 44", "Alt_Title" : "", "Obj_Title" : "The Fall of the Rebel Angels, from John Milton's Paradise Lost, Book 1, line 44", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "35.3 cm x 25.3 cm (13 7/8 in. x 9 15/16 in.)", "Disp_Height" : "35.3 cm", "Disp_Width" : "25.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint and etching with rocker", "Support" : "", "Disp_Medium" : "Mezzotint and etching with rocker", "Info_Page_Comm" : "After the great battle of angels, God hurls Satan and his followers into the depths of hell—bottomless, black, and terrifying. In the text Milton tells how the angels will endure “adamantine chains and penal fire,” but here we see an abyss made of shadow—a hell we can invent for ourselves.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.256.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.256.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.256.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.256.tif", "IsPrimary" : "1", "_SurrogateID" : "5474", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8725, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8725", "Disp_Access_No" : "1996.263", "_AccNumSort1" : "", "Disp_Create_DT" : "1824-1825", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1825", "Disp_Title" : "Satan viewing the ascent to Heaven, from John Milton, Paradise Lost, Book 3, line 501", "Alt_Title" : "", "Obj_Title" : "Satan viewing the ascent to Heaven, from John Milton, Paradise Lost, Book 3, line 501", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "37.4 cm x 27.6 cm (14 3/4 in. x 10 7/8 in.)", "Disp_Height" : "37.4 cm", "Disp_Width" : "27.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint and drypoint with rocker", "Support" : "", "Disp_Medium" : "Mezzotint and drypoint with rocker", "Info_Page_Comm" : "From afar, Satan scowls at the sight of angels ascending the stairs of heaven, enveloped in extraordinary formations of clouds. Milton writes that they “ascend by degrees, magnificent” with a “frontispiece of diamond and gold embellished.” Heaven and its entry are “inimitable on earth by model, or by shading pencil, drawn.” Martin takes on the challenge and succeeds in rendering what Milton proclaims impossible: the sublime transition from earth to heaven.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.263.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.263.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.263.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.263.tif", "IsPrimary" : "1", "_SurrogateID" : "3988", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3818, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3818", "Disp_Access_No" : "1996.258", "_AccNumSort1" : "", "Disp_Create_DT" : "1824", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1824", "Disp_Title" : "Satan arousing the Fallen Angels, from John Milton's Paradise Lost, Book 1, line 314", "Alt_Title" : "", "Obj_Title" : "Satan arousing the Fallen Angels, from John Milton's Paradise Lost, Book 1, line 314", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "37.3 cm x 27.5 cm (14 11/16 in. x 10 13/16 in.)", "Disp_Height" : "37.3 cm", "Disp_Width" : "27.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint and drypoint", "Support" : "", "Disp_Medium" : "Mezzotint and drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.258.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.258.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.258.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.258.tif", "IsPrimary" : "1", "_SurrogateID" : "5475", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11404, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11404", "Disp_Access_No" : "G1966.2.81", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1880-1881", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1881", "Disp_Title" : "Portrait of Whistler in White Ducks", "Alt_Title" : "", "Obj_Title" : "Portrait of Whistler in White Ducks", "Series_Title" : "", "Disp_Maker_1" : "Mortimer Menpes", "Sort_Artist" : "Menpes, Mortimer", "Disp_Dimen" : "33.95 cm x 25.55 cm (13 3/8 in. x 10 1/16 in.)", "Disp_Height" : "33.95 cm", "Disp_Width" : "25.55 cm", "Dimen_Extent" : "Sheet", "Medium" : "Drypoint and chine collé", "Support" : "", "Disp_Medium" : "Drypoint and chine collé", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.81.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.81.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.81.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.81.tif", "IsPrimary" : "1", "_SurrogateID" : "6315", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.81 audioEng.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.81 audioEng.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.81 audioEng.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.81 audioEng.mp3", "IsPrimary" : "0", "_SurrogateID" : "8200", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.81 audioSpan.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.81 audioSpan.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.81 audioSpan.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.81 audioSpan.mp3", "IsPrimary" : "0", "_SurrogateID" : "8201", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3603, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3603", "Disp_Access_No" : "1996.281", "_AccNumSort1" : "", "Disp_Create_DT" : "1775", "_Disp_Start_Dat" : "1775", "_Disp_End_Date" : "1775", "Disp_Title" : "Ophelia, from the Shakespeare Characters, First Series", "Alt_Title" : "", "Obj_Title" : "Ophelia, from the Shakespeare Characters, First Series", "Series_Title" : "", "Disp_Maker_1" : "John Hamilton Mortimer", "Sort_Artist" : "Mortimer, John Hamilton", "Disp_Dimen" : "57 cm x 41.8 cm (22 7/16 in. x 16 7/16 in.)", "Disp_Height" : "57 cm", "Disp_Width" : "41.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Ophelia, the rejected lover of Hamlet in Shakespeare's tragedy, is a symbol of innocence gone mad. In the play, Ophelia's father manipulates her into spying on Hamlet. Once she is discovered, Hamlet feigns madness with her and treats her cruelly. Having lost Hamlet's affection and her father whom Hamlet killed, Ophelia goes mad and soon dies. It is uncertain whether her death by drowning was accidental or suicide. The scene of her madness (act IV, scene 5) is one of the best known in Western literature. Mortimer, one of the leading English artists of the eighteenth century, was known for bringing the Italian Baroque aesthetic sensibility in etching to England. He etched some of the most ambitious and dramatic plates of the period in the vigorous style of his pen drawings. The Shakespeare Characters was his best known series. Ophelia is one of eight from its first part. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of M.K. Hage, Jr. and the Archer M. Huntington Museum Fund, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.281.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.281.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.281.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.281.tif", "IsPrimary" : "1", "_SurrogateID" : "4858", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3604, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3604", "Disp_Access_No" : "1996.282", "_AccNumSort1" : "", "Disp_Create_DT" : "1775", "_Disp_Start_Dat" : "1775", "_Disp_End_Date" : "1775", "Disp_Title" : "Poet, from the Shakespeare Characters: First Series", "Alt_Title" : "", "Obj_Title" : "Poet, from the Shakespeare Characters: First Series", "Series_Title" : "", "Disp_Maker_1" : "John Hamilton Mortimer", "Sort_Artist" : "Mortimer, John Hamilton", "Disp_Dimen" : "57.9 cm x 43 cm (22 13/16 in. x 16 15/16 in.)", "Disp_Height" : "57.9 cm", "Disp_Width" : "43 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of M.K. Hage, Jr. and the Archer M. Huntington Museum Fund, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.282.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.282.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.282.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.282.tif", "IsPrimary" : "1", "_SurrogateID" : "5972", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19294, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19294", "Disp_Access_No" : "2008.145", "_AccNumSort1" : "", "Disp_Create_DT" : "1813", "_Disp_Start_Dat" : "1813", "_Disp_End_Date" : "1813", "Disp_Title" : "The Bronze Lamp given by the Prince Regent to the Royal Academy, designed and made by Vuillamy & Sons", "Alt_Title" : "", "Obj_Title" : "The Bronze Lamp given by the Prince Regent to the Royal Academy, designed and made by Vuillamy & Sons", "Series_Title" : "", "Disp_Maker_1" : "Henry Moses and F.C. Lewis", "Sort_Artist" : "Moses and F.C. Lewis, Henry", "Disp_Dimen" : "73.5 cm x 58.6 cm (28 15/16 in. x 23 1/16 in.)", "Disp_Height" : "73.5 cm", "Disp_Width" : "58.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching (by Moses) and aquatint (by Lewis), printed in sepia", "Support" : "", "Disp_Medium" : "Etching (by Moses) and aquatint (by Lewis), printed in sepia", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2008", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.145.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.145.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.145.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.145.tif", "IsPrimary" : "1", "_SurrogateID" : "4930", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12806, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12806", "Disp_Access_No" : "2002.1296", "_AccNumSort1" : "", "Disp_Create_DT" : "1858-1865", "_Disp_Start_Dat" : "1858", "_Disp_End_Date" : "1865", "Disp_Title" : "The Weary Ploughman, or The Herdsman", "Alt_Title" : "", "Obj_Title" : "The Weary Ploughman, or The Herdsman", "Series_Title" : "", "Disp_Maker_1" : "Samuel Palmer", "Sort_Artist" : "Palmer, Samuel", "Disp_Dimen" : "29.7 cm x 43.5 cm (11 11/16 in. x 17 1/8 in.)", "Disp_Height" : "29.7 cm", "Disp_Width" : "43.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Other than learning to draw from one William Wate, Samuel Palmer had no formal training as an artist. Despite this, he was already exhibiting at the Royal Academy by the age of fourteen. He met William Blake in 1824 and was much influenced by the older artist’s visionary approach to art. Not long afterward he moved to Shoreham in Kent. Calling themselves the “Ancients,” Palmer and his friends rejected the materialism that was taking hold in an increasingly industrialized England. Palmer’s romantic landscapes of this period verge on the fantastical, but two years in Italy in the late 1830s led to a more restrained and classical treatment of his subjects. Palmer did not attempt etching until 1850, when he became a member of the Etching Club. In The Weary Ploughman, Palmer laid bare his Romantic tendencies with a moonlit scene. His command of the tonal range possible with etching shows his debt especially to the seventeenth-century Dutch but also to French contemporaries. Critics were ambivalent at best, and proponents of the etching revival in England, namely Francis Seymour Haden and James McNeill Whistler, dismissed the efforts of the Etching Club as amateurish despite the shared concerns of the two groups of artists. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1296.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1296.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1296.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1296.tif", "IsPrimary" : "1", "_SurrogateID" : "1772", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3959, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3959", "Disp_Access_No" : "2002.1294", "_AccNumSort1" : "", "Disp_Create_DT" : "1850", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1850", "Disp_Title" : "Christmas, or Folding the Last Sheep", "Alt_Title" : "", "Obj_Title" : "Christmas, or Folding the Last Sheep", "Series_Title" : "", "Disp_Maker_1" : "Samuel Palmer", "Sort_Artist" : "Palmer, Samuel", "Disp_Dimen" : "36.6 cm x 27.8 cm (14 7/16 in. x 10 15/16 in.)", "Disp_Height" : "36.6 cm", "Disp_Width" : "27.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Wood engraving", "Support" : "", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1294.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1294.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1294.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1294.tif", "IsPrimary" : "1", "_SurrogateID" : "5465", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8887, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8887", "Disp_Access_No" : "2002.1297", "_AccNumSort1" : "", "Disp_Create_DT" : "1860-1861", "_Disp_Start_Dat" : "1860", "_Disp_End_Date" : "1861", "Disp_Title" : "The Morning of Life", "Alt_Title" : "", "Obj_Title" : "The Morning of Life", "Series_Title" : "", "Disp_Maker_1" : "Samuel Palmer", "Sort_Artist" : "Palmer, Samuel", "Disp_Dimen" : "30.5 cm x 41.5 cm (12 in. x 16 5/16 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "41.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "A late disciple of Blake, Palmer carried the visionary tradition into the late 19th century. His work combines the Romantic fervor and self-conscious poetry of his mentor with the regular composition and epic flavor of classical landscape. Starting in 1850 he was active principally as an etcher of carefully drawn, repeatedly bitten, and mysteriously radiant plates. The Morning of Life is one of the finest of these transcendental pastorals. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1297.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1297.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1297.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1297.tif", "IsPrimary" : "1", "_SurrogateID" : "1773", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4201, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4201", "Disp_Access_No" : "1985.11", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1880-1883", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1883", "Disp_Title" : "The Homeward Star, from An English Version of the Eclogues of Virgil", "Alt_Title" : "", "Obj_Title" : "The Homeward Star, from An English Version of the Eclogues of Virgil", "Series_Title" : "", "Disp_Maker_1" : "Samuel Palmer", "Sort_Artist" : "Palmer, Samuel", "Disp_Dimen" : "20.7 cm x 31.6 cm (8 1/8 in. x 12 7/16 in.)", "Disp_Height" : "20.7 cm", "Disp_Width" : "31.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.11.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.11.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.11.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.11.tif", "IsPrimary" : "1", "_SurrogateID" : "5458", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3561, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3561", "Disp_Access_No" : "2002.1662", "_AccNumSort1" : "", "Disp_Create_DT" : "1769", "_Disp_Start_Dat" : "1769", "_Disp_End_Date" : "1769", "Disp_Title" : "Drawing from the Gladiator, after Joseph Wright of Derby", "Alt_Title" : "", "Obj_Title" : "Drawing from the Gladiator, after Joseph Wright of Derby", "Series_Title" : "", "Disp_Maker_1" : "William Pether", "Sort_Artist" : "Pether, William", "Disp_Dimen" : "48.1 cm x 55.7 cm (18 15/16 in. x 21 15/16 in.)", "Disp_Height" : "48.1 cm", "Disp_Width" : "55.7 cm", "Dimen_Extent" : "", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1662.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1662.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1662.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1662.tif", "IsPrimary" : "1", "_SurrogateID" : "8172", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12761, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12761", "Disp_Access_No" : "2002.1212", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1670-1675", "_Disp_Start_Dat" : "1670", "_Disp_End_Date" : "1675", "Disp_Title" : "Seaport, plate 1 from A Series of Italian Coastal Scenes", "Alt_Title" : "", "Obj_Title" : "Seaport, plate 1 from A Series of Italian Coastal Scenes", "Series_Title" : "", "Disp_Maker_1" : "Francis Place", "Sort_Artist" : "Place, Francis", "Disp_Dimen" : "9.3 cm x 18.1 cm (3 11/16 in. x 7 1/8 in.)", "Disp_Height" : "9.3 cm", "Disp_Width" : "18.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This view comes from one of six sets of Italian views, the artist's first independent works. If the composition seems a bit contrived, the print is lively in incident, clever in certain abbreviations, and complex in atmosphere. Such fine, early impressions are very rare. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1212.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1212.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1212.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1212.tif", "IsPrimary" : "1", "_SurrogateID" : "1766", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19540, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19540", "Disp_Access_No" : "2010.48", "_AccNumSort1" : "", "Disp_Create_DT" : "1734", "_Disp_Start_Dat" : "1734", "_Disp_End_Date" : "1734", "Disp_Title" : "Landscape with Aeneas, after Claude Lorrain", "Alt_Title" : "", "Obj_Title" : "Landscape with Aeneas, after Claude Lorrain", "Series_Title" : "", "Disp_Maker_1" : "Arthur Pond", "Sort_Artist" : "Pond, Arthur", "Disp_Dimen" : "16.6 cm x 21.7 cm (6 9/16 in. x 8 9/16 in.)", "Disp_Height" : "16.6 cm", "Disp_Width" : "21.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and color woodcut from two blocks", "Support" : "", "Disp_Medium" : "Etching and color woodcut from two blocks", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.48.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.48.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.48.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.48.tif", "IsPrimary" : "1", "_SurrogateID" : "7891", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11412, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11412", "Disp_Access_No" : "1991.131", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1883", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1888", "Disp_Title" : "Crabtree Observing the Transit of Venus, after Ford Madox Brown", "Alt_Title" : "", "Obj_Title" : "Crabtree Observing the Transit of Venus, after Ford Madox Brown", "Series_Title" : "", "Disp_Maker_1" : "George Woolliscroft Rhead", "Sort_Artist" : "Rhead, George Woolliscroft", "Disp_Dimen" : "27.6 cm x 36 cm (10 7/8 in. x 14 3/16 in.)", "Disp_Height" : "27.6 cm", "Disp_Width" : "36 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "Rhead was a student of the Victorian artist Ford Madox Brown, who produced a series of twelve murals (1879-1893) for Manchester’s town hall. The paintings were meant to celebrate the city’s history, with a focus on the textile industry, commerce, and religion. In this print, Rhead reproduces Brown’s mural depicting Manchester merchant, draper, and mathematician William Crabtree (1610-1644), who correctly calculated the timing of the planet Venus’s rare passage before the sun.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.131.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.131.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.131.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.131.tif", "IsPrimary" : "1", "_SurrogateID" : "5493", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12786, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12786", "Disp_Access_No" : "2002.1261", "_AccNumSort1" : "", "Disp_Create_DT" : "1808", "_Disp_Start_Dat" : "1808", "_Disp_End_Date" : "1808", "Disp_Title" : "Covent Garden Market, from Microcosm of London", "Alt_Title" : "", "Obj_Title" : "Covent Garden Market, from Microcosm of London", "Series_Title" : "", "Disp_Maker_1" : "Thomas Rowlandson, Augustus Charles Pugin, John Bluck", "Sort_Artist" : "Rowlandson, Augustus Charles Pugin, John Bluck, Thomas", "Disp_Dimen" : "27.4 cm x 32.3 cm (10 13/16 in. x 12 11/16 in.)", "Disp_Height" : "27.4 cm", "Disp_Width" : "32.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching (Rowlandson & Pugin) with hand-coloring, aquatint (Bluck)", "Support" : "", "Disp_Medium" : "Etching (Rowlandson & Pugin) with hand-coloring, aquatint (Bluck)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1261.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1261.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1261.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1261.tif", "IsPrimary" : "1", "_SurrogateID" : "5496", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12787, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12787", "Disp_Access_No" : "2002.1262", "_AccNumSort1" : "", "Disp_Create_DT" : "1809", "_Disp_Start_Dat" : "1809", "_Disp_End_Date" : "1809", "Disp_Title" : "Society for the Encouragement of Arts, from Microcosm of London", "Alt_Title" : "", "Obj_Title" : "Society for the Encouragement of Arts, from Microcosm of London", "Series_Title" : "", "Disp_Maker_1" : "Thomas Rowlandson", "Sort_Artist" : "Rowlandson, Thomas", "Disp_Dimen" : "26.8 cm x 33.1 cm (10 9/16 in. x 13 1/16 in.)", "Disp_Height" : "26.8 cm", "Disp_Width" : "33.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching (Rowlandson & Pugin), Aquatint (Bluck)", "Support" : "", "Disp_Medium" : "Etching (Rowlandson & Pugin), Aquatint (Bluck)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1262.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1262.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1262.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1262.tif", "IsPrimary" : "1", "_SurrogateID" : "5556", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3485, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3485", "Disp_Access_No" : "2002.1816.1/2", "_AccNumSort1" : "", "Disp_Create_DT" : "1764", "_Disp_Start_Dat" : "1764", "_Disp_End_Date" : "1764", "Disp_Title" : "Angel Bearing a Cross, from the Ponte Sant'Angelo, after Gian Lorenzo Bernini", "Alt_Title" : "", "Obj_Title" : "Angel Bearing a Cross, from the Ponte Sant'Angelo, after Gian Lorenzo Bernini", "Series_Title" : "", "Disp_Maker_1" : "William Wynne Ryland", "Sort_Artist" : "Ryland, William Wynne", "Disp_Dimen" : "41.6 cm x 31.6 cm (16 3/8 in. x 12 7/16 in.)", "Disp_Height" : "41.6 cm", "Disp_Width" : "31.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint with roulette", "Support" : "", "Disp_Medium" : "Etching and aquatint with roulette", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1816.1-2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1816.1-2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1816.1-2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1816.1-2.tif", "IsPrimary" : "1", "_SurrogateID" : "5979", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3622, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3622", "Disp_Access_No" : "1995.31", "_AccNumSort1" : "", "Disp_Create_DT" : "1776", "_Disp_Start_Dat" : "1776", "_Disp_End_Date" : "1776", "Disp_Title" : "Chirk Castle etc. from Wynnstay Park, plate 3 from XII Views in North Wales", "Alt_Title" : "", "Obj_Title" : "Chirk Castle etc. from Wynnstay Park, plate 3 from XII Views in North Wales", "Series_Title" : "", "Disp_Maker_1" : "Paul Sandby", "Sort_Artist" : "Sandby, Paul", "Disp_Dimen" : "30 cm x 38.1 cm (11 13/16 in. x 15 in.)", "Disp_Height" : "30 cm", "Disp_Width" : "38.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and aquatint", "Support" : "", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.31.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.31.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.31.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.31.tif", "IsPrimary" : "1", "_SurrogateID" : "4538", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.31.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.31.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.31.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.31.tif", "IsPrimary" : "0", "_SurrogateID" : "4558", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8624, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8624", "Disp_Access_No" : "1985.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1776", "_Disp_Start_Dat" : "1776", "_Disp_End_Date" : "1776", "Disp_Title" : "Harlech Castle in Marionethshire, with Snowdon at a Distance, plate 7 from XII Views in North Wales ", "Alt_Title" : "", "Obj_Title" : "Harlech Castle in Marionethshire, with Snowdon at a Distance, plate 7 from XII Views in North Wales ", "Series_Title" : "", "Disp_Maker_1" : "Paul Sandby", "Sort_Artist" : "Sandby, Paul", "Disp_Dimen" : "30.5 cm x 48.9 cm (12 in. x 19 1/4 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "48.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and aquatint", "Support" : "", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.13.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.13.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.13.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.13.tif", "IsPrimary" : "1", "_SurrogateID" : "4532", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.13.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.13.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.13.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.13.tif", "IsPrimary" : "0", "_SurrogateID" : "4552", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17689, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17689", "Disp_Access_No" : "2005.169", "_AccNumSort1" : "", "Disp_Create_DT" : "1785", "_Disp_Start_Dat" : "1785", "_Disp_End_Date" : "1785", "Disp_Title" : "[Burke] on the Sublime and Beautiful", "Alt_Title" : "", "Obj_Title" : "[Burke] on the Sublime and Beautiful", "Series_Title" : "", "Disp_Maker_1" : "James Sayers", "Sort_Artist" : "Sayers, James", "Disp_Dimen" : "38 cm x 28.3 cm (14 15/16 in. x 11 1/8 in.)", "Disp_Height" : "38 cm", "Disp_Width" : "28.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.169.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.169.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.169.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.169.tif", "IsPrimary" : "1", "_SurrogateID" : "4550", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.169.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.169.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.169.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.169.tif", "IsPrimary" : "0", "_SurrogateID" : "4570", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19567, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19567", "Disp_Access_No" : "2010.61", "_AccNumSort1" : "", "Disp_Create_DT" : "1829", "_Disp_Start_Dat" : "1829", "_Disp_End_Date" : "1829", "Disp_Title" : "Mrs. Crowdem's Rout", "Alt_Title" : "", "Obj_Title" : "Mrs. Crowdem's Rout", "Series_Title" : "", "Disp_Maker_1" : "Robert Seymour", "Sort_Artist" : "Seymour, Robert", "Disp_Dimen" : "27.7 cm x 41.9 cm (10 7/8 in. x 16 1/2 in.)", "Disp_Height" : "27.7 cm", "Disp_Width" : "41.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph with hand coloring", "Support" : "", "Disp_Medium" : "Lithograph with hand coloring", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Patricia Ross, by exchange, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.61.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.61.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.61.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.61.tif", "IsPrimary" : "1", "_SurrogateID" : "8140", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4268, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4268", "Disp_Access_No" : "1996.145", "_AccNumSort1" : "", "Disp_Create_DT" : "1891", "_Disp_Start_Dat" : "1891", "_Disp_End_Date" : "1891", "Disp_Title" : "A Lithograph in White Line", "Alt_Title" : "", "Obj_Title" : "A Lithograph in White Line", "Series_Title" : "", "Disp_Maker_1" : "Charles Shannon", "Sort_Artist" : "Shannon, Charles", "Disp_Dimen" : "31.7 cm x 25.3 cm (12 1/2 in. x 9 15/16 in.)", "Disp_Height" : "31.7 cm", "Disp_Width" : "25.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph in pale blue grey ink", "Support" : "", "Disp_Medium" : "Lithograph in pale blue grey ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.145.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.145.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.145.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.145.tif", "IsPrimary" : "1", "_SurrogateID" : "3961", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4269, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4269", "Disp_Access_No" : "1996.144", "_AccNumSort1" : "", "Disp_Create_DT" : "1891", "_Disp_Start_Dat" : "1891", "_Disp_End_Date" : "1891", "Disp_Title" : "A Lithograph in White Line", "Alt_Title" : "", "Obj_Title" : "A Lithograph in White Line", "Series_Title" : "", "Disp_Maker_1" : "Charles Shannon", "Sort_Artist" : "Shannon, Charles", "Disp_Dimen" : "17.5 cm x 17.9 cm (6 7/8 in. x 7 1/16 in.)", "Disp_Height" : "17.5 cm", "Disp_Width" : "17.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph in olive green ink", "Support" : "", "Disp_Medium" : "Lithograph in olive green ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.144.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.144.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.144.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.144.tif", "IsPrimary" : "1", "_SurrogateID" : "3960", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4212, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4212", "Disp_Access_No" : "G1964.1.107", "_AccNumSort1" : "", "Disp_Create_DT" : "1884", "_Disp_Start_Dat" : "1884", "_Disp_End_Date" : "1884", "Disp_Title" : "The Vision of St. Helena, after Paolo Veronese", "Alt_Title" : "", "Obj_Title" : "The Vision of St. Helena, after Paolo Veronese", "Series_Title" : "", "Disp_Maker_1" : "Charles William Sherborn", "Sort_Artist" : "Sherborn, Charles William", "Disp_Dimen" : "40 cm x 28.6 cm (15 3/4 in. x 11 1/4 in.)", "Disp_Height" : "40 cm", "Disp_Width" : "28.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1964.1.107.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1964.1.107.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1964.1.107.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1964.1.107.tif", "IsPrimary" : "1", "_SurrogateID" : "6594", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4313, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4313", "Disp_Access_No" : "G1964.1.179", "_AccNumSort1" : "", "Disp_Create_DT" : "1898", "_Disp_Start_Dat" : "1898", "_Disp_End_Date" : "1898", "Disp_Title" : "Arms & Certificate of Merchant Taylors Guild", "Alt_Title" : "", "Obj_Title" : "Arms & Certificate of Merchant Taylors Guild", "Series_Title" : "", "Disp_Maker_1" : "Charles William Sherborn", "Sort_Artist" : "Sherborn, Charles William", "Disp_Dimen" : "27.45 cm x 47.45 cm (10 13/16 in. x 18 11/16 in.)", "Disp_Height" : "27.45 cm", "Disp_Width" : "47.45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. Wyllys Andrews IV, 1964", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1964.1.179.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1964.1.179.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1964.1.179.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1964.1.179.tif", "IsPrimary" : "1", "_SurrogateID" : "4900", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11413, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11413", "Disp_Access_No" : "G1964.1.106", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1884", "_Disp_Start_Dat" : "1879", "_Disp_End_Date" : "1889", "Disp_Title" : "The Vision of St. Helena, after Paolo Veronese", "Alt_Title" : "", "Obj_Title" : "The Vision of St. Helena, after Paolo Veronese", "Series_Title" : "", "Disp_Maker_1" : "Charles William Sherborn", "Sort_Artist" : "Sherborn, Charles William", "Disp_Dimen" : "42.85 cm x 32.7 cm (16 7/8 in. x 12 7/8 in.)", "Disp_Height" : "42.85 cm", "Disp_Width" : "32.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1964.1.106.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1964.1.106.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1964.1.106.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1964.1.106.tif", "IsPrimary" : "1", "_SurrogateID" : "6568", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3787, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3787", "Disp_Access_No" : "1997.126", "_AccNumSort1" : "", "Disp_Create_DT" : "1812", "_Disp_Start_Dat" : "1812", "_Disp_End_Date" : "1812", "Disp_Title" : "The Bridge and Goats, from the Liber Studiorum, Part IX", "Alt_Title" : "", "Obj_Title" : "The Bridge and Goats, from the Liber Studiorum, Part IX", "Series_Title" : "", "Disp_Maker_1" : "Joseph Mallord William Turner and F.C. Lewis", "Sort_Artist" : "Turner and F.C. Lewis, Joseph Mallord William", "Disp_Dimen" : "30.2 cm x 38.7 cm (11 7/8 in. x 15 1/4 in.)", "Disp_Height" : "30.2 cm", "Disp_Width" : "38.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching (by Turner) and mezzotint (by Lewis) in sepia", "Support" : "", "Disp_Medium" : "Etching (by Turner) and mezzotint (by Lewis) in sepia", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Dana Ravel, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.126.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.126.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.126.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.126.tif", "IsPrimary" : "1", "_SurrogateID" : "5419", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11367, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11367", "Disp_Access_No" : "1996.253", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1826", "_Disp_Start_Dat" : "1821", "_Disp_End_Date" : "1831", "Disp_Title" : "Shields Lighthouse", "Alt_Title" : "", "Obj_Title" : "Shields Lighthouse", "Series_Title" : "", "Disp_Maker_1" : "Joseph Mallord William Turner", "Sort_Artist" : "Turner, Joseph Mallord William", "Disp_Dimen" : "25.1 cm x 37.4 cm (9 7/8 in. x 14 3/4 in.)", "Disp_Height" : "25.1 cm", "Disp_Width" : "37.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint on applied India paper", "Support" : "", "Disp_Medium" : "Mezzotint on applied India paper", "Info_Page_Comm" : "There are few British landscape artists of greater renown than J. M. W. Turner. His constant experimentation with the genre in painting, watercolor, and engraving had a significant impact on the early development of modern art in the nineteenth century. The Liber Studiorum was a collection of prints after Turner’s compositions, forming an encyclopedia of landscape types. This print is one of a series of twelve that Turner produced as Sequels to the Liber Studiorum, usually referred to as the “Little Liber.” In these plates Turner used mezzotint to translate the tonality and painterly qualities of a watercolor drawing. Never published, the prints remained the artist’s best-kept secret, their existence revealed upon the discovery of the plates in his studio after his death. This is one of only four known impressions of this state. Turner may have been inspired to take up mezzotint after John Martin’s very successful illustrations on John Milton’s Paradise Lost (1825), a proof set of which the Blanton Museum also owns. Turner chose a dramatic moonlit scene for Shields Lighthouse to explore the effects of light reflecting off water. He expressed the quintessentially Romantic theme of the antithesis of man and nature by juxtaposing the pale beam from the lighthouse with the full moon, the masts of the ship appearing ghostlike in the eerie shadows.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.253.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.253.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.253.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.253.tif", "IsPrimary" : "0", "_SurrogateID" : "1671", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.253-cropped.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.253-cropped.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.253-cropped.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.253-cropped.tif", "IsPrimary" : "1", "_SurrogateID" : "9185", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3789, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3789", "Disp_Access_No" : "1985.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1812", "_Disp_Start_Dat" : "1812", "_Disp_End_Date" : "1812", "Disp_Title" : "Rivaux Abbey, Yorkshire from the Liber Studiorum, Part X", "Alt_Title" : "", "Obj_Title" : "Rivaux Abbey, Yorkshire from the Liber Studiorum, Part X", "Series_Title" : "", "Disp_Maker_1" : "Joseph Mallord William Turner", "Sort_Artist" : "Turner, Joseph Mallord William", "Disp_Dimen" : "28.8 cm x 44.5 cm (11 5/16 in. x 17 1/2 in.)", "Disp_Height" : "28.8 cm", "Disp_Width" : "44.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching (Turner) and mezzotint (H. Dawe) printed in sanguine", "Support" : "", "Disp_Medium" : "Etching (Turner) and mezzotint (H. Dawe) printed in sanguine", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.5.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.5.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.5.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.5.tif", "IsPrimary" : "1", "_SurrogateID" : "5414", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19578, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19578", "Disp_Access_No" : "2010.79", "_AccNumSort1" : "", "Disp_Create_DT" : "1780", "_Disp_Start_Dat" : "1780", "_Disp_End_Date" : "1780", "Disp_Title" : "Rubens and Family, after Jacob Jordaens", "Alt_Title" : "", "Obj_Title" : "Rubens and Family, after Jacob Jordaens", "Series_Title" : "", "Disp_Maker_1" : "James Watson", "Sort_Artist" : "Watson, James", "Disp_Dimen" : "63.4 cm x 47.8 cm (24 15/16 in. x 18 13/16 in.)", "Disp_Height" : "63.4 cm", "Disp_Width" : "47.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "In 1779 the famous collection of Old Masters formed by the great English statesman Robert Walpole was sold by his descendents to Catherine the Great of Russia. To record what was regarded as a departing national treasure, the publisher John Boydell commissioned a series of mezzotints after the collection’s most important paintings. Named for Walpole’s residence, the Houghton Gallery was one of the major print projects in late eighteenth century Britain. Noted for its subject and geniality, Jordaens’s painting remains in the Hermitage, St. Petersburg.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Lawrence Lawver, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.79.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.79.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.79.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.79.tif", "IsPrimary" : "1", "_SurrogateID" : "7259", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18533, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18533", "Disp_Access_No" : "2006.133", "_AccNumSort1" : "", "Disp_Create_DT" : "20th c. restrike", "_Disp_Start_Dat" : "20", "_Disp_End_Date" : "20", "Disp_Title" : "Mercury, Argus, and Io, after Claude Lorrain", "Alt_Title" : "", "Obj_Title" : "Mercury, Argus, and Io, after Claude Lorrain", "Series_Title" : "", "Disp_Maker_1" : "William Woollett", "Sort_Artist" : "Woollett, William", "Disp_Dimen" : "44.3 cm x 59.5 cm (17 7/16 in. x 23 7/16 in.)", "Disp_Height" : "44.3 cm", "Disp_Width" : "59.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Lee Chesney, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "18534", "Rel_Obj_Title" : "Mercury, Argus, and Io, after Claude Lorrain" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.133.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.133.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.133.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.133.tif", "IsPrimary" : "1", "_SurrogateID" : "4899", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17703, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17703", "Disp_Access_No" : "2004.202", "_AccNumSort1" : "", "Disp_Create_DT" : "1778", "_Disp_Start_Dat" : "1778", "_Disp_End_Date" : "1778", "Disp_Title" : "Cicero at his Villa, after Richard Wilson", "Alt_Title" : "", "Obj_Title" : "Cicero at his Villa, after Richard Wilson", "Series_Title" : "", "Disp_Maker_1" : "William Woollett", "Sort_Artist" : "Woollett, William", "Disp_Dimen" : "44.3 cm x 54.8 cm (17 7/16 in. x 21 9/16 in.)", "Disp_Height" : "44.3 cm", "Disp_Width" : "54.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of David C. T. Woollett, 2004", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.202.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.202.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.202.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.202.tif", "IsPrimary" : "1", "_SurrogateID" : "5396", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3467, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3467", "Disp_Access_No" : "2002.1664", "_AccNumSort1" : "", "Disp_Create_DT" : "1761", "_Disp_Start_Dat" : "1761", "_Disp_End_Date" : "1761", "Disp_Title" : "The Destruction of Niobe's Children, after Richard Wilson", "Alt_Title" : "", "Obj_Title" : "The Destruction of Niobe's Children, after Richard Wilson", "Series_Title" : "", "Disp_Maker_1" : "William Woollett", "Sort_Artist" : "Woollett, William", "Disp_Dimen" : "48.9 cm x 61 cm (19 1/4 in. x 24 in.)", "Disp_Height" : "48.9 cm", "Disp_Width" : "61 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "This print reproduces Richard Wilson’s celebrated painting The Destruction of Niobe’s Children of 1759–1760 (Yale Center for British Art, New Haven, Connecticut). It established Woollett’s reputation as the finest line engraver in eighteenth-century England, earning his publisher, John Boydell, a significant income. The museum possesses forty-four engravings by Woollett, most from a collection formed by a direct descendent, David Woollett. The scene, taken from Greek mythology, shows the Theban queen, Niobe, punished for her excessive pride by Apollo and Diana, who are in the process of slaying her seven sons and daughters. Woollett achieved the range of tones and textures that contributes to the sense of violence in this scene by first etching parts of the plate to various depths, then engraving the rest of the image. So effective was this technique in depicting the stormy setting that a contemporary of Woollett dubbed him “the first Landscape Engraver in the World.” King George III later appointed him Engraver in Ordinary, and Benjamin West gave him the commission to reproduce his own masterpiece, The Death of General Wolfe of 1770 (National Gallery, Ottawa). ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1664.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1664.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1664.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1664.tif", "IsPrimary" : "1", "_SurrogateID" : "5319", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12668, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12668", "Disp_Access_No" : "2002.1106", "_AccNumSort1" : "", "Disp_Create_DT" : "1774", "_Disp_Start_Dat" : "1774", "_Disp_End_Date" : "1774", "Disp_Title" : "Peter Paul Rubens, after William Pether, after Anthony van Dyck", "Alt_Title" : "", "Obj_Title" : "Peter Paul Rubens, after William Pether, after Anthony van Dyck", "Series_Title" : "", "Disp_Maker_1" : "William Woollett", "Sort_Artist" : "Woollett, William", "Disp_Dimen" : "24.3 cm x 18.8 cm (9 9/16 in. x 7 3/8 in.)", "Disp_Height" : "24.3 cm", "Disp_Width" : "18.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1106.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1106.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1106.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1106.tif", "IsPrimary" : "1", "_SurrogateID" : "5918", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17712, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17712", "Disp_Access_No" : "2004.211", "_AccNumSort1" : "", "Disp_Create_DT" : "1784", "_Disp_Start_Dat" : "1784", "_Disp_End_Date" : "1784", "Disp_Title" : "A Human Sacrifice, in a Morai, in Otaheite, after John Webber", "Alt_Title" : "", "Obj_Title" : "A Human Sacrifice, in a Morai, in Otaheite, after John Webber", "Series_Title" : "", "Disp_Maker_1" : "William Woollett", "Sort_Artist" : "Woollett, William", "Disp_Dimen" : "33.3 cm x 53.6 cm (13 1/8 in. x 21 1/8 in.)", "Disp_Height" : "33.3 cm", "Disp_Width" : "53.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of David C. T. Woollett, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.211.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.211.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.211.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.211.tif", "IsPrimary" : "1", "_SurrogateID" : "7264", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17705, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17705", "Disp_Access_No" : "2004.204", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Death of General Wolfe, after Benjamin West", "Alt_Title" : "", "Obj_Title" : "The Death of General Wolfe, after Benjamin West", "Series_Title" : "", "Disp_Maker_1" : "William Woollett", "Sort_Artist" : "Woollett, William", "Disp_Dimen" : "48.7 cm x 61.5 cm (19 3/16 in. x 24 3/16 in.)", "Disp_Height" : "48.7 cm", "Disp_Width" : "61.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of David C. T. Woollett, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.204.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.204.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.204.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.204.tif", "IsPrimary" : "1", "_SurrogateID" : "7761", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3466, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3466", "Disp_Access_No" : "2002.1663", "_AccNumSort1" : "", "Disp_Create_DT" : "1761", "_Disp_Start_Dat" : "1761", "_Disp_End_Date" : "1761", "Disp_Title" : "The Destruction of Niobe's Children, after Richard Wilson", "Alt_Title" : "", "Obj_Title" : "The Destruction of Niobe's Children, after Richard Wilson", "Series_Title" : "", "Disp_Maker_1" : "William Woollett", "Sort_Artist" : "Woollett, William", "Disp_Dimen" : "45 cm x 58 cm (17 11/16 in. x 22 13/16 in.)", "Disp_Height" : "45 cm", "Disp_Width" : "58 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : " This print reproduces Richard Wilson’s celebrated painting The Destruction of Niobe’s Children of 1759–1760 (Yale Center for British Art, New Haven, Connecticut). It established Woollett’s reputation as the finest line engraver in eighteenth-century England, earning his publisher, John Boydell, a significant income. The museum possesses forty-four engravings by Woollett, most from a collection formed by a direct descendent, David Woollett. The scene, taken from Greek mythology, shows the Theban queen, Niobe, punished for her excessive pride by Apollo and Diana, who are in the process of slaying her seven sons and daughters. Woollett achieved the range of tones and textures that contributes to the sense of violence in this scene by first etching parts of the plate to various depths, then engraving the rest of the image. So effective was this technique in depicting the stormy setting that a contemporary of Woollett dubbed him “the first Landscape Engraver in the World.” King George III later appointed him Engraver in Ordinary, and Benjamin West gave him the commission to reproduce his own masterpiece, The Death of General Wolfe of 1770 (National Gallery, Ottawa). ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1663.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1663.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1663.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1663.tif", "IsPrimary" : "1", "_SurrogateID" : "4195", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3564, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3564", "Disp_Access_No" : "2002.1827", "_AccNumSort1" : "", "Disp_Create_DT" : "1769", "_Disp_Start_Dat" : "1769", "_Disp_End_Date" : "1769", "Disp_Title" : "Ceyx and Alcione, after Richard Wilson", "Alt_Title" : "", "Obj_Title" : "Ceyx and Alcione, after Richard Wilson", "Series_Title" : "", "Disp_Maker_1" : "William Woollett", "Sort_Artist" : "Woollett, William", "Disp_Dimen" : "43.5 cm x 53.3 cm (17 1/8 in. x 21 in.)", "Disp_Height" : "43.5 cm", "Disp_Width" : "53.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1827.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1827.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1827.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1827.tif", "IsPrimary" : "1", "_SurrogateID" : "1856", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3592, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3592", "Disp_Access_No" : "1999.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1773", "_Disp_Start_Dat" : "1773", "_Disp_End_Date" : "1773", "Disp_Title" : "The Merits and Defects of the Dead by Their Ingenious Secretary", "Alt_Title" : "", "Obj_Title" : "The Merits and Defects of the Dead by Their Ingenious Secretary", "Series_Title" : "", "Disp_Maker_1" : "William Austin", "Sort_Artist" : "Austin, William", "Disp_Dimen" : "29.1 x 37.3 cm (11 7/16 x 14 11/16 in.)", "Disp_Height" : "29.1 cm", "Disp_Width" : "37.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching with engraving", "Support" : "", "Disp_Medium" : "Etching with engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.10.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.10.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.10.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.10.tif", "IsPrimary" : "1", "_SurrogateID" : "9049", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8482, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8482", "Disp_Access_No" : "2000.51", "_AccNumSort1" : "", "Disp_Create_DT" : "1771", "_Disp_Start_Dat" : "1771", "_Disp_End_Date" : "1771", "Disp_Title" : "The Female Consultation on the Blessed Medicine", "Alt_Title" : "", "Obj_Title" : "The Female Consultation on the Blessed Medicine", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "23 cm x 15.5 cm (9 1/16 in. x 6 1/8 in.)", "Disp_Height" : "23 cm", "Disp_Width" : "15.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint with burin", "Support" : "", "Disp_Medium" : "Mezzotint with burin", "Info_Page_Comm" : "“Blessed medicine” is a euphemism for the treatment of syphilis, putting the probity of these women into question. Practically from the origin of the medium, anonymous printmakers conveyed subjects of everyday concern using rudimentary techniques. Occasionally, such popular subjects have appeared in “artistic” works. Over the course of the eighteenth-century, and especially in England, this upward migration became more common. This print, done in the most sophisticated technique of the day––mezzotint––is a choice example.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.51.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.51.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.51.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.51.tif", "IsPrimary" : "1", "_SurrogateID" : "9054", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3594, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3594", "Disp_Access_No" : "2000.53", "_AccNumSort1" : "", "Disp_Create_DT" : "1773", "_Disp_Start_Dat" : "1773", "_Disp_End_Date" : "1773", "Disp_Title" : "Major G...n + Lady Landing at Southhampton in Cripples Walk", "Alt_Title" : "", "Obj_Title" : "Major G...n + Lady Landing at Southhampton in Cripples Walk", "Series_Title" : "", "Disp_Maker_1" : "William Austin", "Sort_Artist" : "Austin, William", "Disp_Dimen" : "39.4 cm x 28.4 cm (15 1/2 in. x 11 3/16 in.)", "Disp_Height" : "39.4 cm", "Disp_Width" : "28.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.53.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.53.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.53.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.53.tif", "IsPrimary" : "1", "_SurrogateID" : "9055", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16563, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16563", "Disp_Access_No" : "2002.2814", "_AccNumSort1" : "", "Disp_Create_DT" : "1783", "_Disp_Start_Dat" : "1783", "_Disp_End_Date" : "1783", "Disp_Title" : "The Quacks", "Alt_Title" : "", "Obj_Title" : "The Quacks", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "25 cm x 35.2 cm (9 13/16 in. x 13 7/8 in.)", "Disp_Height" : "25 cm", "Disp_Width" : "35.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2814.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2814.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2814.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2814.tif", "IsPrimary" : "1", "_SurrogateID" : "9062", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3701, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3701", "Disp_Access_No" : "2000.54", "_AccNumSort1" : "", "Disp_Create_DT" : "1789", "_Disp_Start_Dat" : "1789", "_Disp_End_Date" : "1789", "Disp_Title" : "A Coronation in Pall Mall", "Alt_Title" : "", "Obj_Title" : "A Coronation in Pall Mall", "Series_Title" : "", "Disp_Maker_1" : "Frederick George Byron", "Sort_Artist" : "Byron, Frederick George", "Disp_Dimen" : "34.7 cm x 48.5 cm (13 11/16 in. x 19 1/8 in.)", "Disp_Height" : "34.7 cm", "Disp_Width" : "48.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Color etching and engraving from four plates", "Support" : "", "Disp_Medium" : "Color etching and engraving from four plates", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.54.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.54.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.54.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.54.tif", "IsPrimary" : "1", "_SurrogateID" : "9081", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3584, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3584", "Disp_Access_No" : "2000.57", "_AccNumSort1" : "", "Disp_Create_DT" : "1771", "_Disp_Start_Dat" : "1771", "_Disp_End_Date" : "1771", "Disp_Title" : "Fuscus-Eques", "Alt_Title" : "", "Obj_Title" : "Fuscus-Eques", "Series_Title" : "", "Disp_Maker_1" : "Thomas Orde", "Sort_Artist" : "Orde, Thomas", "Disp_Dimen" : "31.7 cm x 22.5 cm (12 1/2 in. x 8 7/8 in.)", "Disp_Height" : "31.7 cm", "Disp_Width" : "22.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.57.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.57.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.57.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.57.tif", "IsPrimary" : "1", "_SurrogateID" : "9082", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3663, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3663", "Disp_Access_No" : "1994.54", "_AccNumSort1" : "", "Disp_Create_DT" : "1782", "_Disp_Start_Dat" : "1782", "_Disp_End_Date" : "1782", "Disp_Title" : "A Naked Bearded Man Seated with His Arms Bound, over Whom a Youth Pulls a Covering, after Baccio Bandinelli, from Ten Prints in Chiaroscuro", "Alt_Title" : "", "Obj_Title" : "A Naked Bearded Man Seated with His Arms Bound, over Whom a Youth Pulls a Covering, after Baccio Bandinelli, from Ten Prints in Chiaroscuro", "Series_Title" : "", "Disp_Maker_1" : "John Skippe", "Sort_Artist" : "Skippe, John", "Disp_Dimen" : "39.1 cm x 25.3 cm (15 3/8 in. x 9 15/16 in.)", "Disp_Height" : "39.1 cm", "Disp_Width" : "25.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Chiaroscuro woodcut from two blocks, tone block printed in dark olive", "Support" : "", "Disp_Medium" : "Chiaroscuro woodcut from two blocks, tone block printed in dark olive", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1994", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.54.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.54.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.54.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.54.tif", "IsPrimary" : "1", "_SurrogateID" : "9124", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1705, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1705", "Disp_Access_No" : "G1964.1.184", "_AccNumSort1" : "", "Disp_Create_DT" : "1874", "_Disp_Start_Dat" : "1874", "_Disp_End_Date" : "1874", "Disp_Title" : "Cat's Head", "Alt_Title" : "", "Obj_Title" : "Cat's Head", "Series_Title" : "", "Disp_Maker_1" : "Charles William Sherborn", "Sort_Artist" : "Sherborn, Charles William", "Disp_Dimen" : "15.55 cm x 11.4 cm (6 1/8 in. x 4 1/2 in.)", "Disp_Height" : "15.55 cm", "Disp_Width" : "11.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1964.1.184.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1964.1.184.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1964.1.184.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/G1964.1.184.TIF", "IsPrimary" : "1", "_SurrogateID" : "9380", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4190, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4190", "Disp_Access_No" : "G1964.1.216", "_AccNumSort1" : "", "Disp_Create_DT" : "1882", "_Disp_Start_Dat" : "1882", "_Disp_End_Date" : "1882", "Disp_Title" : "The Smoker", "Alt_Title" : "", "Obj_Title" : "The Smoker", "Series_Title" : "", "Disp_Maker_1" : "Charles William Sherborn", "Sort_Artist" : "Sherborn, Charles William", "Disp_Dimen" : "14 cm x 10.75 cm (5 1/2 in. x 4 1/4 in.)", "Disp_Height" : "14 cm", "Disp_Width" : "10.75 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1964.1.216.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1964.1.216.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1964.1.216.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/G1964.1.216.TIF", "IsPrimary" : "1", "_SurrogateID" : "9381", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17679, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17679", "Disp_Access_No" : "2005.164", "_AccNumSort1" : "", "Disp_Create_DT" : "1803", "_Disp_Start_Dat" : "1803", "_Disp_End_Date" : "1803", "Disp_Title" : "John Heaviside, after Johann Zoffany", "Alt_Title" : "", "Obj_Title" : "John Heaviside, after Johann Zoffany", "Series_Title" : "", "Disp_Maker_1" : "Richard Earlom", "Sort_Artist" : "Earlom, Richard", "Disp_Dimen" : "55.1 cm x 40.6 cm (21 11/16 in. x 16 in.)", "Disp_Height" : "55.1 cm", "Disp_Width" : "40.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "As noted in the inscription, Heaviside was Royal surgeon to George III. He holds a human heart, while a spine rests in the jar behind him. These refer not only to his profession but to the well-known collection of anatomy and natural history that he assembled in his London home. Established and supported by a distinguished Texas physician and board member of the Texas Medical Association, the Ware Collection contains some 120 prints of medical imagery.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 17714, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17714", "Disp_Access_No" : "2004.213", "_AccNumSort1" : "", "Disp_Create_DT" : "1770", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1770", "Disp_Title" : "Macbeth Meeting the Witches, after Francesco Zuccarelli", "Alt_Title" : "", "Obj_Title" : "Macbeth Meeting the Witches, after Francesco Zuccarelli", "Series_Title" : "", "Disp_Maker_1" : "William Woollett", "Sort_Artist" : "Woollett, William", "Disp_Dimen" : "45.1 cm x 55.7 cm (17 3/4 in. x 21 15/16 in.)", "Disp_Height" : "45.1 cm", "Disp_Width" : "55.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of David C. T. Woollett, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.213.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.213.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.213.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2004.213.TIF", "IsPrimary" : "1", "_SurrogateID" : "9860", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17721, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17721", "Disp_Access_No" : "2004.220", "_AccNumSort1" : "", "Disp_Create_DT" : "1770", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1770", "Disp_Title" : "Shooting, plate II from a Set of Four Sporting Subjects, after George Stubbs", "Alt_Title" : "", "Obj_Title" : "Shooting, plate II from a Set of Four Sporting Subjects, after George Stubbs", "Series_Title" : "", "Disp_Maker_1" : "William Woollett", "Sort_Artist" : "Woollett, William", "Disp_Dimen" : "42.4 cm x 53.7 cm (16 11/16 in. x 21 1/8 in.)", "Disp_Height" : "42.4 cm", "Disp_Width" : "53.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of David C. T. Woollett, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.220.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.220.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.220.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2004.220.TIF", "IsPrimary" : "1", "_SurrogateID" : "9862", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17706, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17706", "Disp_Access_No" : "2004.205", "_AccNumSort1" : "", "Disp_Create_DT" : "1764", "_Disp_Start_Dat" : "1764", "_Disp_End_Date" : "1764", "Disp_Title" : "Diana and Actaeon, after Filippo Lauri", "Alt_Title" : "", "Obj_Title" : "Diana and Actaeon, after Filippo Lauri", "Series_Title" : "", "Disp_Maker_1" : "William Woollett", "Sort_Artist" : "Woollett, William", "Disp_Dimen" : "48.8 cm x 64.9 cm (19 3/16 in. x 25 9/16 in.)", "Disp_Height" : "48.8 cm", "Disp_Width" : "64.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of David C. T. Woollett, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.205.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.205.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.205.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2004.205.TIF", "IsPrimary" : "1", "_SurrogateID" : "9931", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13829, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13829", "Disp_Access_No" : "2002.2741", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Diana and Acteon, after Annibale Carracci", "Alt_Title" : "", "Obj_Title" : "Diana and Acteon, after Annibale Carracci", "Series_Title" : "", "Disp_Maker_1" : "John Skippe", "Sort_Artist" : "Skippe, John", "Disp_Dimen" : "14 cm x 18.8 cm (5 1/2 in. x 7 3/8 in.)", "Disp_Height" : "14 cm", "Disp_Width" : "18.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Aquatint", "Support" : "", "Disp_Medium" : "Aquatint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2741.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2741.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2741.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2741.TIF", "IsPrimary" : "1", "_SurrogateID" : "9952", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }