{ "objects" : [ { "embark_ID" : 13918, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13918", "Disp_Access_No" : "P1970.9.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Formas [Forms]", "Alt_Title" : "", "Obj_Title" : "Formas [Forms]", "Series_Title" : "", "Disp_Maker_1" : "Manuel Hernández Gómez", "Sort_Artist" : "Hernández Gómez, Manuel", "Disp_Dimen" : "139 cm x 139 cm (54 3/4 in. x 54 3/4 in.)", "Disp_Height" : "139 cm", "Disp_Width" : "139 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1970", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Colombian", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1970.9.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1970.9.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1970.9.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1970.9.1.tif", "IsPrimary" : "1", "_SurrogateID" : "2543", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14719, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14719", "Disp_Access_No" : "1986.309", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1970", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1975", "Disp_Title" : "Espacio horizontal limitado [Limited Horizontal Space]", "Alt_Title" : "Limited Horizontal Space", "Obj_Title" : "Espacio horizontal limitado [Limited Horizontal Space]", "Series_Title" : "", "Disp_Maker_1" : "Carlos Rojas", "Sort_Artist" : "Rojas, Carlos", "Disp_Dimen" : "126.3 cm x 126.2 cm (49 3/4 in. x 49 11/16 in.)", "Disp_Height" : "126.3 cm", "Disp_Width" : "126.2 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Carlos Rojas emerged in the mid-1960s and soon established himself as one of the leading contemporary abstract artists in Colombia. This painting is part of his series "Ingeniería de la visión [Engineering of Vision]." Inspired by urban architecture, Rojas undertook a rational exploration of the square with the utmost economy of means. Here his visual vocabulary is limited to narrow stripes in black and white, composed of dashed and solid lines, which run parallel and turn at right angles on a black field. With a few lines Rojas implies a complex geometric configuration.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Barbara Duncan, 1986", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Colombian", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.309.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.309.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.309.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.309.tif", "IsPrimary" : "1", "_SurrogateID" : "6428", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 20560, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/20560", "Disp_Access_No" : "2014.64", "_AccNumSort1" : "", "Disp_Create_DT" : "2010", "_Disp_Start_Dat" : "2010", "_Disp_End_Date" : "2010", "Disp_Title" : "Colombia Coca-Cola", "Alt_Title" : "", "Obj_Title" : "Colombia Coca-Cola", "Series_Title" : "", "Disp_Maker_1" : "Antonio Caro", "Sort_Artist" : "Caro, Antonio", "Disp_Dimen" : "69.8 cm x 100 cm (27 1/2 in. x 39 3/8 in.)", "Disp_Height" : "69.8 cm", "Disp_Width" : "100 cm", "Dimen_Extent" : "overall", "Medium" : "Enamel on tin", "Support" : "", "Disp_Medium" : "Enamel on tin", "Info_Page_Comm" : ""Colombia Coca-Cola," first painted in 1976 and later proliferated in different sizes and formats, presents the name of the artist’s country in the iconic Coca-Cola script. Caro’s recycling and subversion of ubiquitous logos like this one derives from his experience working for an advertising agency in the early 1970s. Here the superimposition of nation and logo points not only to a history of U.S. imperialism in the region, but also to how the line between “us” and “them”—consumers and producers—has become blurred.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Susman Collection, 2014", "Copyright_Type" : "edu; promo; merch; web", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Colombian", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2014.64.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2014.64.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2014.64.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2014.64.tif", "IsPrimary" : "1", "_SurrogateID" : "12017", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }