{ "objects" : [ { "embark_ID" : 13906, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13906", "Disp_Access_No" : "P1973.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "Progresión 36 [Progression 36]", "Alt_Title" : "", "Obj_Title" : "Progresión 36 [Progression 36]", "Series_Title" : "", "Disp_Maker_1" : "Nedo M.F.", "Sort_Artist" : "Nedo M.F.", "Disp_Dimen" : "98 cm x 66.5 cm (38 9/16 in. x 26 3/16 in.)", "Disp_Height" : "98 cm", "Disp_Width" : "66.5 cm", "Dimen_Extent" : "HLW", "Medium" : "Painted wood and compressed cardboard assembly", "Support" : "", "Disp_Medium" : "Painted wood and compressed cardboard assembly", "Info_Page_Comm" : "Considered one of the pioneers of contemporary graphic design in Venezuela, Nedo M.F.’s visual art exhibits his deep consideration of line, form, and color. He created “Progresión 36” as part of his larger “Progresión” series, abstract works made from wood and cardboard in a white on white monochromatic color scheme that he first exhibited in Caracas in 1968. Here, Nedo creates a visual tension through the verticality of the raised rectangles and their intersection with a horizontal area of concave space. With no clear focal point, the viewer is left to contemplate the spatial interaction of the forms and light. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1973", "Copyright_Type" : "", "Disp_Obj_Type" : "construction", "Creation_Place2" : "Venezuelan", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1973.4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1973.4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1973.4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1973.4.tif", "IsPrimary" : "1", "_SurrogateID" : "2996", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14019, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14019", "Disp_Access_No" : "G1976.11.48", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Incliné bleu et noir [Tilted Blue and Black]", "Alt_Title" : "Tilted Blue and Black", "Obj_Title" : "Incliné bleu et noir [Tilted Blue and Black]", "Series_Title" : "", "Disp_Maker_1" : "Jesús Rafael Soto", "Sort_Artist" : "Soto, Jesús Rafael", "Disp_Dimen" : "43 cm x 38 cm x 5.5 cm (16 15/16 in. x 14 15/16 in. x 2 3/16 in.)", "Disp_Height" : "43 cm", "Disp_Width" : "38 cm", "Dimen_Extent" : "HLW", "Medium" : "Wood and metal construction", "Support" : "Wood", "Disp_Medium" : "Wood and metal construction on Wood", "Info_Page_Comm" : "A leading figure in the Kinetic and Op art movements, Jesús Rafael Soto investigated ways to dynamically engage the viewer. In this piece, which Soto produced while living in Paris, he suspended a blue and black rod in front of a panel of thinly painted white lines. When the visitors move in front of the work, their changing view of the rod against the striped background generates optical effects along the rod’s tilted edges that ripple with vibrations.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Charles and Dorothy Clark, 1976", "Copyright_Type" : "", "Disp_Obj_Type" : "construction", "Creation_Place2" : "Venezuelan", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.11.48.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.11.48.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.11.48.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.11.48.tif", "IsPrimary" : "1", "_SurrogateID" : "2461", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14711, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14711", "Disp_Access_No" : "1986.333", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Physichromie No. 394 [Physichromy No. 394]", "Alt_Title" : "", "Obj_Title" : "Physichromie No. 394", "Series_Title" : "", "Disp_Maker_1" : "Carlos Cruz-Diez", "Sort_Artist" : "Cruz-Diez, Carlos", "Disp_Dimen" : "121.3 cm x 62.2 cm x 6.3 cm (47 3/4 in. x 24 1/2 in. x 2 1/2 in.)", "Disp_Height" : "121.3 cm", "Disp_Width" : "62.2 cm", "Dimen_Extent" : "HLW", "Medium" : "Vinyl paint, plywood, cardboard, plastic, and metal frame ", "Support" : "", "Disp_Medium" : "Vinyl paint, plywood, cardboard, plastic, and metal frame ", "Info_Page_Comm" : "Carlos Cruz-Diez began his "Physichromie" series in 1959 and continues it today. Its title is a combination of the words “physical” and “chromatic,” a reflection of Cruz-Diez’s lifelong ambition to create situations in which viewers could experience color not only visually, but also physically. According to the artist, “color is constantly in the making . . . it happens in time.” "Physichromie No. 394" is composed of parallel columns of plastic strips, whose colors are reflected and refracted through other translucent plastic strips, thereby generating colors and forms that change depending on the perspective of the moving viewer.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Irene Shapiro, 1986", "Copyright_Type" : "edu; promo; merch; web", "Disp_Obj_Type" : "construction", "Creation_Place2" : "Venezuelan", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.333.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.333.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.333.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.333.tif", "IsPrimary" : "1", "_SurrogateID" : "1346", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 20512, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/20512", "Disp_Access_No" : "2019.119", "_AccNumSort1" : "", "Disp_Create_DT" : "1979", "_Disp_Start_Dat" : "1979", "_Disp_End_Date" : "1979", "Disp_Title" : "Paralelas vibrantes (de Série Síntesis) [Vibrant Parallels (from Synthesis Series)]", "Alt_Title" : "", "Obj_Title" : "Paralelas vibrantes (de Série Síntesis) [Vibrant Parallels (from Synthesis Series)]", "Series_Title" : "", "Disp_Maker_1" : "Jesús Rafael Soto", "Sort_Artist" : "Soto, Jesús Rafael", "Disp_Dimen" : "43.2 cm x 26.7 cm x 9.2 cm (17 in. x 10 1/2 in. x 3 5/8 in.)", "Disp_Height" : "43.2 cm", "Disp_Width" : "26.7 cm", "Dimen_Extent" : "HWD", "Medium" : "Plastic, silkscreen, and metal", "Support" : "", "Disp_Medium" : "Plastic, silkscreen, and metal", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Judy S. and Charles W. Tate, 2019", "Copyright_Type" : "", "Disp_Obj_Type" : "construction", "Creation_Place2" : "Venezuelan", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] }, ] }