{ "objects" : [ { "embark_ID" : 20479, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/20479", "Disp_Access_No" : "2016.108", "_AccNumSort1" : "", "Disp_Create_DT" : "1954", "_Disp_Start_Dat" : "1954", "_Disp_End_Date" : "1954", "Disp_Title" : "Sin título [Untitled]", "Alt_Title" : "", "Obj_Title" : "Sin título [Untitled]", "Series_Title" : "", "Disp_Maker_1" : "Antonio Llorens", "Sort_Artist" : "Llorens, Antonio", "Disp_Dimen" : "53.3 cm x 73 cm (21 in. x 28 3/4 in.)", "Disp_Height" : "53.3 cm", "Disp_Width" : "73 cm", "Dimen_Extent" : "sight", "Medium" : "Enamel", "Support" : "wood panel", "Disp_Medium" : "Enamel on wood panel", "Info_Page_Comm" : "Trained as an artist and designer in Uruguay, his adopted country, Antonio Llorens embraced abstraction early in his career. In Montevideo, he participated in the local Madí group, and later joined others dedicated to abstraction, such as Arte No-Figurativo [No-Figurative Art] and Grupo 8 [Group 8]. This untitled painting shows Llorens’s predilection for hard-edge geometry, bright solid colors, and bold compositional structures shaped by his interest in graphic design. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Judy S. and Charles W. Tate, 2016", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Uruguayan", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2016.108.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2016.108.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2016.108.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2016.108.tif", "IsPrimary" : "1", "_SurrogateID" : "15788", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 20480, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/20480", "Disp_Access_No" : "2016.109", "_AccNumSort1" : "", "Disp_Create_DT" : "1960", "_Disp_Start_Dat" : "1960", "_Disp_End_Date" : "1960", "Disp_Title" : "Sin título [Untitled]", "Alt_Title" : "", "Obj_Title" : "Sin título [Untitled]", "Series_Title" : "", "Disp_Maker_1" : "Antonio Llorens", "Sort_Artist" : "Llorens, Antonio", "Disp_Dimen" : "99 cm x 30.8 cm x 35.6 cm (39 in. x 12 1/8 in. x 14 in.)", "Disp_Height" : "99 cm", "Disp_Width" : "30.8 cm", "Dimen_Extent" : "HWD", "Medium" : "Enamel on iron and wood base with enamel", "Support" : "", "Disp_Medium" : "Enamel on iron and wood base with enamel", "Info_Page_Comm" : "In 1960, Antonio Llorens joined Grupo 8 [Group 8], an association of artists active in Montevideo whose objective was to pursue an individualized and experimental approach to art rather than develop a shared aesthetic. Llorens favored flat planes of solid color in his paintings and graphic work. He employed the same formal elements in this three-dimensional sculpture. The result is a graceful composition of elegant shapes that extend outward in space with restrained yet decisive energy.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Judy S. and Charles W. Tate, 2016", "Copyright_Type" : "", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Uruguayan", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] }, ] }