{ "objects" : [ { "embark_ID" : 841, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/841", "Disp_Access_No" : "1994.137.22/30", "_AccNumSort1" : "", "Disp_Create_DT" : "1988", "_Disp_Start_Dat" : "1988", "_Disp_End_Date" : "1988", "Disp_Title" : "La virgen y el cordero, from I Portfolio de arte boliviano", "Alt_Title" : "", "Obj_Title" : "La virgen y el cordero, from I Portfolio de arte boliviano", "Series_Title" : "", "Disp_Maker_1" : "Graciela Rodo Boulanger", "Sort_Artist" : "Rodo Boulanger, Graciela", "Disp_Dimen" : "86 cm x 56 cm (33 7/8 in. x 22 1/16 in.)", "Disp_Height" : "86 cm", "Disp_Width" : "56 cm", "Dimen_Extent" : "Sheet", "Medium" : "Sixteen-color screenprint laminated, die cut", "Support" : "", "Disp_Medium" : "Sixteen-color screenprint laminated, die cut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Barbara Duncan, 1994", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Bolivian", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.137.22-30.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.137.22-30.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.137.22-30.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.137.22-30.tif", "IsPrimary" : "1", "_SurrogateID" : "8767", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2029, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2029", "Disp_Access_No" : "P1961.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1504", "_Disp_Start_Dat" : "1504", "_Disp_End_Date" : "1504", "Disp_Title" : "Joachim and Anna at the Golden Gate, from The Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "Joachim and Anna at the Golden Gate, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "29.5 cm x 20.6 cm (11 5/8 in. x 8 1/8 in.)", "Disp_Height" : "29.5 cm", "Disp_Width" : "20.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.8.tif", "IsPrimary" : "1", "_SurrogateID" : "4811", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2035, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2035", "Disp_Access_No" : "1980.53", "_AccNumSort1" : "", "Disp_Create_DT" : "1511", "_Disp_Start_Dat" : "1511", "_Disp_End_Date" : "1511", "Disp_Title" : "Madonna with the Pear", "Alt_Title" : "", "Obj_Title" : "Madonna with the Pear", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "15.9 cm x 10.6 cm (6 1/4 in. x 4 3/16 in.)", "Disp_Height" : "15.9 cm", "Disp_Width" : "10.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Dürer returned to the theme of the Virgin and Child throughout his career. Executed in 1511, this engraving is one of Dürer’s most curious and disconcerting treatments of the subject. Most striking is the contradiction of the tender, maternal scene between mother and child by the artist’s formal choices. The oppressive city gate towering above the viewer’s eye level; the Virgin’s off-center, twisting pose; and the contorted pattern of lines that compose the large tree: all induce a feeling of isolation that seems to portend Christ’s future suffering. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1980", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.53.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.53.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.53.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1980.53.TIF", "IsPrimary" : "1", "_SurrogateID" : "5637", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2046, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2046", "Disp_Access_No" : "P1961.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1513", "_Disp_Start_Dat" : "1513", "_Disp_End_Date" : "1513", "Disp_Title" : "Madonna by the Tree", "Alt_Title" : "", "Obj_Title" : "Madonna by the Tree", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.4 cm x 7.3 cm (4 1/2 in. x 2 7/8 in.)", "Disp_Height" : "11.4 cm", "Disp_Width" : "7.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.3.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.3.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.3.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.3.TIF", "IsPrimary" : "1", "_SurrogateID" : "5647", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2051, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2051", "Disp_Access_No" : "1995.113", "_AccNumSort1" : "", "Disp_Create_DT" : "1514", "_Disp_Start_Dat" : "1514", "_Disp_End_Date" : "1514", "Disp_Title" : "Madonna by the Wall", "Alt_Title" : "", "Obj_Title" : "Madonna by the Wall", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "14.8 cm x 10.1 cm (5 13/16 in. x 4 in.)", "Disp_Height" : "14.8 cm", "Disp_Width" : "10.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "In this engraving, the instability that characterizes the Virgin and Child with the Pear gives way to a sense of monumentality and repose created by the group’s regular, triangular composition and centeral positioning. Whereas Dürer employed mostly long, parallel hatchings to describe the earlier Virgin and Child, in this engraving he uses a diverse combination of strokes to suggest a warm fall of light and a wide variety of textures. Most notable is the artist’s ability to render the Virgin’s luminous silk mantle resting over her knee. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of M.K. Hage, Jr., Susan Thomas, and Jo Alice Tomforde, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.113.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.113.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.113.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1995.113.TIF", "IsPrimary" : "1", "_SurrogateID" : "5639", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2057, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2057", "Disp_Access_No" : "1995.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1518", "_Disp_Start_Dat" : "1518", "_Disp_End_Date" : "1518", "Disp_Title" : "The Virgin and Child Surrounded by Angels", "Alt_Title" : "", "Obj_Title" : "The Virgin and Child Surrounded by Angels", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "30 cm x 21.2 cm (11 13/16 in. x 8 3/8 in.)", "Disp_Height" : "30 cm", "Disp_Width" : "21.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The artist’s choice of an imperial theme and emphasis on ornamental forms seems to betray the influence of time spent as a court artist between 1513 and 1519 to the Holy Roman Emperor, Maximillian I. The arrangement of figures has been conceived as an elegant surface pattern, rather than a three-dimensional space. The surrounding angels, from the top corners to the ground, curve like a drapery pulled back to reveal the regal Madonna. As in Dürer’s earlier woodcuts, the individual lines tend to gravitate toward the surface as they come to life with calligraphic beauty. The range of tones, however, has been restricted, tending toward a uniform gray. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.10.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.10.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.10.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1995.10.TIF", "IsPrimary" : "1", "_SurrogateID" : "5652", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2065, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2065", "Disp_Access_No" : "2002.2333", "_AccNumSort1" : "", "Disp_Create_DT" : "1519 - 1520", "_Disp_Start_Dat" : "1519", "_Disp_End_Date" : "1520", "Disp_Title" : "The Pilgrimage to the Beautiful Virgin at Regensburg", "Alt_Title" : "", "Obj_Title" : "The Pilgrimage to the Beautiful Virgin at Regensburg", "Series_Title" : "", "Disp_Maker_1" : "Michael Ostendorfer", "Sort_Artist" : "Ostendorfer, Michael", "Disp_Dimen" : "54.4 cm x 38.1 cm (21 7/16 in. x 15 in.)", "Disp_Height" : "54.4 cm", "Disp_Width" : "38.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The Beautiful Virgin was a statue (after an Altdorfer painting of the same subject inside the church) at a popular pilgrimage church in Regensburg in southern Germany. Ostendorfer represents the statue of the Virgin and Child being adored by a crowd of pilgrims. He accentuates the extreme practices of the pilgrims who visited this site, showing figures throwing themselves against the base of the Virgin’s statue or prostrating themselves before her. Unlike A Devotional Virgin, this print can be seen as an expression of Reformation ideology in its condemnation of the worship of saints by Catholics.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2333.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2333.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2333.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2333.tif", "IsPrimary" : "1", "_SurrogateID" : "9036", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2079, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2079", "Disp_Access_No" : "P1961.79", "_AccNumSort1" : "", "Disp_Create_DT" : "1527", "_Disp_Start_Dat" : "1527", "_Disp_End_Date" : "1527", "Disp_Title" : "The Virgin and Child at the Foot of a Tree", "Alt_Title" : "", "Obj_Title" : "The Virgin and Child at the Foot of a Tree", "Series_Title" : "", "Disp_Maker_1" : "Heinrich Aldegrever", "Sort_Artist" : "Aldegrever, Heinrich", "Disp_Dimen" : "7.5 cm x 5.3 cm (2 15/16 in. x 2 1/16 in.)", "Disp_Height" : "7.5 cm", "Disp_Width" : "5.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Throughout the 1500s, small devotional images remained relatively constant in their portrayal of the Virgin. Many major artists engraved small images of the Virgin and Child for personal, private devotion. These prints were avidly collected and they were used in a variety of ways that evolved as the Virgin’s reception transformed. Devout Christians carried around these small, pocket-sized prints with them. Some early Netherlandish paintings contain a detail of a print of the Virgin tacked to the wall of a room with sealing wax. A pious nun even sewed a print of the Virgin and Child into the bodice of her dress so that she could always have it near her. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.79.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.79.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.79.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.79.tif", "IsPrimary" : "1", "_SurrogateID" : "9038", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2141, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2141", "Disp_Access_No" : "2002.1345", "_AccNumSort1" : "", "Disp_Create_DT" : "1547", "_Disp_Start_Dat" : "1547", "_Disp_End_Date" : "1547", "Disp_Title" : "Pietà, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Pietà, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Antonio Salamanca", "Sort_Artist" : "Salamanca, Antonio", "Disp_Dimen" : "37 cm x 26.4 cm (14 9/16 in. x 10 3/8 in.)", "Disp_Height" : "37 cm", "Disp_Width" : "26.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1345.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1345.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1345.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1345.tif", "IsPrimary" : "1", "_SurrogateID" : "4985", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2258, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2258", "Disp_Access_No" : "2002.2089", "_AccNumSort1" : "", "Disp_Create_DT" : "1581", "_Disp_Start_Dat" : "1581", "_Disp_End_Date" : "1581", "Disp_Title" : "The Annunciation and the Heavenly Glory, after Cornelis Cort, after Federico Zuccaro ", "Alt_Title" : "", "Obj_Title" : "The Annunciation and the Heavenly Glory, after Cornelis Cort, after Federico Zuccaro ", "Series_Title" : "", "Disp_Maker_1" : "Egidius Horbeck", "Sort_Artist" : "Horbeck, Egidius", "Disp_Dimen" : "11.63 cm x 44.13 cm (4 9/16 in. x 17 3/8 in.)", "Disp_Height" : "11.63 cm", "Disp_Width" : "44.13 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The scene of the Annunciation is at the center of the print, which demonstrates the centrality of the scene to the Christian faithful. Old Testament Prophets surround the scene and Adam and Eve occupy the upper corners of the printed frame. The print conveys the moment when the Old Law (Judaism) gave way to the New Law (Christianity) and allowed for the sins of Adam and Eve to be forgiven.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2089.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2089.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2089.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2089.tif", "IsPrimary" : "1", "_SurrogateID" : "9035", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2324, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2324", "Disp_Access_No" : "1988.61", "_AccNumSort1" : "", "Disp_Create_DT" : "1588", "_Disp_Start_Dat" : "1588", "_Disp_End_Date" : "1588", "Disp_Title" : "The Virgin Appearing to St. Jerome, after Jacopo Tintoretto", "Alt_Title" : "", "Obj_Title" : "The Virgin Appearing to St. Jerome, after Jacopo Tintoretto", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "41.9 cm x 29.8 cm (16 1/2 in. x 11 3/4 in.)", "Disp_Height" : "41.9 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "With efforts like this Saint Jerome, its encyclopedia of mark and intensity of pictorial effect––consider its contrasts and seeming color––Agostino consolidated his place as the leading engraver in Italy. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.61.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.61.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.61.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.61.tif", "IsPrimary" : "1", "_SurrogateID" : "6561", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2340, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2340", "Disp_Access_No" : "2002.190", "_AccNumSort1" : "", "Disp_Create_DT" : "1590", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Marriage of the Virgin", "Alt_Title" : "", "Obj_Title" : "Marriage of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Ventura Salimbeni", "Sort_Artist" : "Salimbeni, Ventura", "Disp_Dimen" : "21.1 cm x 14.7 cm (8 5/16 in. x 5 13/16 in.)", "Disp_Height" : "21.1 cm", "Disp_Width" : "14.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The Marriage of the Virgin is one of seven etchings Salimbeni created between 1589 and 1594. The elongated figures and strict composition betray his mannerist tendencies, but the deep, black shadows anticipate the mysticism of the Baroque.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.190.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.190.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.190.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.190.tif", "IsPrimary" : "1", "_SurrogateID" : "2919", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2341, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2341", "Disp_Access_No" : "2002.234", "_AccNumSort1" : "", "Disp_Create_DT" : "1590", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "La destination de la Vierge [The Destiny of the Virgin]", "Alt_Title" : "", "Obj_Title" : "La destination de la Vierge", "Series_Title" : "", "Disp_Maker_1" : "Ventura Salimbeni", "Sort_Artist" : "Salimbeni, Ventura", "Disp_Dimen" : "20.2 cm x 15.1 cm (7 15/16 in. x 5 15/16 in.)", "Disp_Height" : "20.2 cm", "Disp_Width" : "15.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.234.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.234.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.234.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.234.tif", "IsPrimary" : "1", "_SurrogateID" : "7014", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2373, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2373", "Disp_Access_No" : "1980.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1596", "_Disp_Start_Dat" : "1596", "_Disp_End_Date" : "1596", "Disp_Title" : "Pietà", "Alt_Title" : "", "Obj_Title" : "Pietà", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "20.73 cm x 14.6 cm (8 3/16 in. x 5 3/4 in.)", "Disp_Height" : "20.73 cm", "Disp_Width" : "14.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The pietà was a common theme in religious art during the 1500s. In this print, the Virgin is praying while she weeps. The cross upon which Christ was crucified stands in the background as a reminder of the sacrifice that Christ made for mankind and that the Virgin made by giving up her son.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1980", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.56.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.56.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.56.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1980.56.tif", "IsPrimary" : "1", "_SurrogateID" : "7196", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2390, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2390", "Disp_Access_No" : "2002.2126", "_AccNumSort1" : "", "Disp_Create_DT" : "1600", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1600", "Disp_Title" : "The Three Maries Returning from the Tomb, after Bartholomaeus Spranger", "Alt_Title" : "", "Obj_Title" : "The Three Maries Returning from the Tomb, after Bartholomaeus Spranger", "Series_Title" : "", "Disp_Maker_1" : "Aegidius Sadeler II", "Sort_Artist" : "Sadeler II, Aegidius", "Disp_Dimen" : "49.1 cm x 36.5 cm (19 5/16 in. x 14 3/8 in.)", "Disp_Height" : "49.1 cm", "Disp_Width" : "36.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "As official engraver to Emperor Rudolf II at Prague Sadeler's collaboration with the court painter (and fellow Fleming) Spranger, produced some of the latest and most extravagant masterpieces of Mannerist printmaking. Reproducing part of a triptych for the chapel in Rudolf’s palace, The Three Maries is particularly elegant in design, brilliant in cutting, and stylized in feeling. Although this impression lacks the inscription, which would indicate the print’s state, it is evidently early and very fine. Steinberg acquired his 23 engravings by Aegidius, and dozens more by his family members, while their work was practically ignored. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2126.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2126.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2126.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2126.tif", "IsPrimary" : "1", "_SurrogateID" : "1905", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2432, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2432", "Disp_Access_No" : "1998.393", "_AccNumSort1" : "", "Disp_Create_DT" : "1611", "_Disp_Start_Dat" : "1611", "_Disp_End_Date" : "1611", "Disp_Title" : "La Ste. 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Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.393.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.393.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.393.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.393.tif", "IsPrimary" : "1", "_SurrogateID" : "6043", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2438, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2438", "Disp_Access_No" : "1998.388", "_AccNumSort1" : "", "Disp_Create_DT" : "1611", "_Disp_Start_Dat" : "1611", "_Disp_End_Date" : "1611", "Disp_Title" : "L’Adoration de la Ste. Vierge [The Adoration of the Holy Virgin], from Les Tableaux de Rome [The Paintings of Rome]", "Alt_Title" : "", "Obj_Title" : "L’Adoration de la Ste. Vierge [The Adoration of the Holy Virgin], from Les Tableaux de Rome [The Paintings of Rome] ", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "11.2 cm x 8.5 cm (4 7/16 in. x 3 3/8 in.)", "Disp_Height" : "11.2 cm", "Disp_Width" : "8.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.388.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.388.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.388.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.388.tif", "IsPrimary" : "1", "_SurrogateID" : "6039", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2439, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2439", "Disp_Access_No" : "1998.389", "_AccNumSort1" : "", "Disp_Create_DT" : "1611", "_Disp_Start_Dat" : "1611", "_Disp_End_Date" : "1611", "Disp_Title" : "L’Assomption [The Assumption], from Les Tableaux de Rome [The Paintings of Rome]", "Alt_Title" : "", "Obj_Title" : "L’Assomption [The Assumption], from Les Tableaux de Rome [The Paintings of Rome]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "12.1 cm x 8.2 cm (4 3/4 in. x 3 1/4 in.)", "Disp_Height" : "12.1 cm", "Disp_Width" : "8.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.389.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.389.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.389.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.389.tif", "IsPrimary" : "1", "_SurrogateID" : "4163", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2676, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2676", "Disp_Access_No" : "1998.358", "_AccNumSort1" : "", "Disp_Create_DT" : "1636", "_Disp_Start_Dat" : "1636", "_Disp_End_Date" : "1636", "Disp_Title" : "Frontispiece to Les Images des Saints [Images of Saints] ", "Alt_Title" : "", "Obj_Title" : "Frontispiece to Les Images des Saints [Images of Saints] ", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "21.9 cm x 12.8 cm (8 5/8 in. x 5 1/16 in.)", "Disp_Height" : "21.9 cm", "Disp_Width" : "12.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.358.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.358.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.358.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1998.358.TIF", "IsPrimary" : "1", "_SurrogateID" : "6091", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2678, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2678", "Disp_Access_No" : "2002.2225", "_AccNumSort1" : "", "Disp_Create_DT" : "1636", "_Disp_Start_Dat" : "1636", "_Disp_End_Date" : "1636", "Disp_Title" : "Virgin and Child, after Cornelis van Poelenburgh", "Alt_Title" : "", "Obj_Title" : "Virgin and Child, after Cornelis van Poelenburgh", "Series_Title" : "", "Disp_Maker_1" : "Jan Gerritsz. van Bronchorst", "Sort_Artist" : "Bronchorst, Jan Gerritsz. van", "Disp_Dimen" : "17 cm x 12.9 cm (6 11/16 in. x 5 1/16 in.)", "Disp_Height" : "17 cm", "Disp_Width" : "12.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Poelenburgh, along with Bartholomaeus Breenburgh, was the first of a number of Dutch painters who went to Italy and developed an idiom reconciling more realistic topography with the arcadian vision of Claude Lorrain. Their paintings were reproduced by various etchers in a delicately drawn, lightly bitten, therefore appropriately luminous manner. Bronchorst was the principal interpreter of Poelenburgh. Most of his forty etchings reproduce the artist’s Italianate landscapes. This very rare print brings the same exquisite touch, delicate tonality, and ideal mood to a religious subject. 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Huntington Museum Fund, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.84.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.84.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.84.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.84.tif", "IsPrimary" : "1", "_SurrogateID" : "6563", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3524, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3524", "Disp_Access_No" : "1992.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1765", "_Disp_Start_Dat" : "1765", "_Disp_End_Date" : "1765", "Disp_Title" : "The Adoration of the Magi, after Giovanni Benedetto Castiglione", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Magi, after Giovanni Benedetto Castiglione", "Series_Title" : "", "Disp_Maker_1" : "Francesco Bartolozzi", "Sort_Artist" : "Bartolozzi, Francesco", "Disp_Dimen" : "38.8 cm x 53 cm (15 1/4 in. x 20 7/8 in.)", "Disp_Height" : "38.8 cm", "Disp_Width" : "53 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching with abrasive scumbling monotype-printed in sanguine", "Support" : "", "Disp_Medium" : "Etching with abrasive scumbling monotype-printed in sanguine", "Info_Page_Comm" : "This print is an especially elaborate reproduction of both the composition and technique of a drawing by Castiglione at Windsor Castle.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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This impression was printed before the extensive additional work to the plate, like the dense hatching to convey shadow that is seen in the second impression, on the right.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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Huntington Museum Fund, 1994", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.43.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.43.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.43.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.43.tif", "IsPrimary" : "1", "_SurrogateID" : "5314", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8139, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8139", "Disp_Access_No" : "P1961.87", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1619", "_Disp_Start_Dat" : "1609", "_Disp_End_Date" : "1618", "Disp_Title" : "The Virgin Suckling the Child", "Alt_Title" : "", "Obj_Title" : "The Virgin Suckling the Child", "Series_Title" : "", "Disp_Maker_1" : "Hieronymus Wierix", "Sort_Artist" : "Wierix, Hieronymus", "Disp_Dimen" : "8.55 cm x 6.35 cm (3 3/8 in. x 2 1/2 in.)", "Disp_Height" : "8.55 cm", "Disp_Width" : "6.35 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Throughout the 1500s, small devotional images remained relatively constant in their portrayal of the Virgin. 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A pious nun even sewed a print of the Virgin and Child into the bodice of her dress so that she could always have it near her.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.87.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.87.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.87.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.87.tif", "IsPrimary" : "1", "_SurrogateID" : "9039", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8194, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8194", "Disp_Access_No" : "1990.159", "_AccNumSort1" : "", "Disp_Create_DT" : "1590's", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Saint Francis Receiving the Christ Child in the Virgin's Presence", "Alt_Title" : "", "Obj_Title" : "Saint Francis Receiving the Christ Child in the Virgin's Presence", "Series_Title" : "", "Disp_Maker_1" : "Pietro Faccini", "Sort_Artist" : "Faccini, Pietro", "Disp_Dimen" : "33.8 cm x 24.7 cm (13 5/16 in. x 9 3/4 in.)", "Disp_Height" : "33.8 cm", "Disp_Width" : "24.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Active in Bologna around the time of the Carracci’s reaction against Mannerist style, Faccini persisted in its arbitrary design and subjective feeling. Equally distinctive as a printmaker, he resuscitated the forms and technique of Parmigianino’s etchings. In this, his major plate, the image of the Virgin is practically a quotation of the earlier artist. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1990", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.159.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.159.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.159.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.159.tif", "IsPrimary" : "1", "_SurrogateID" : "4084", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8215, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8215", "Disp_Access_No" : "1998.345", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Virgin and Child Seated on a Nosebank, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Virgin and Child Seated on a Nosebank, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Aegidius Sadeler II", "Sort_Artist" : "Sadeler II, Aegidius", "Disp_Dimen" : "34.2 cm x 24.6 cm (13 7/16 in. x 9 11/16 in.)", "Disp_Height" : "34.2 cm", "Disp_Width" : "24.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1998", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.345.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.345.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.345.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.345.tif", "IsPrimary" : "1", "_SurrogateID" : "4033", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8216, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8216", "Disp_Access_No" : "G1964.1.25", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Virgin and Child with Saint Francis and Saint Anthony, after Francesco Vanni", "Alt_Title" : "", "Obj_Title" : "Virgin and Child with Saint Francis and Saint Anthony, after Francesco Vanni", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Galle I", "Sort_Artist" : "Galle I, Cornelis", "Disp_Dimen" : "28.6 cm x 21.6 cm (11 1/4 in. x 8 1/2 in.)", "Disp_Height" : "28.6 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1964.1.25.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1964.1.25.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1964.1.25.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1964.1.25.tif", "IsPrimary" : "1", "_SurrogateID" : "8284", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8294, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8294", "Disp_Access_No" : "1990.156", "_AccNumSort1" : "", "Disp_Create_DT" : "1620-1640", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1640", "Disp_Title" : "The Annunciation, after Peter Paul Rubens", "Alt_Title" : "", "Obj_Title" : "The Annunciation, after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Schelte Bolswert", "Sort_Artist" : "Bolswert, Schelte", "Disp_Dimen" : "45.6 cm x 33.9 cm (17 15/16 in. x 13 3/8 in.)", "Disp_Height" : "45.6 cm", "Disp_Width" : "33.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print is after Ruben's painting in the Kunsthistorische Museum in Vienna.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1990", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.156.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.156.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.156.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.156.tif", "IsPrimary" : "1", "_SurrogateID" : "5949", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8349, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8349", "Disp_Access_No" : "2000.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1660s", "_Disp_Start_Dat" : "1660", "_Disp_End_Date" : "1660", "Disp_Title" : "Madonna and Child in Glory with Saints", "Alt_Title" : "", "Obj_Title" : "Madonna and Child in Glory with Saints", "Series_Title" : "", "Disp_Maker_1" : "Giulio Carpioni", "Sort_Artist" : "Carpioni, Giulio", "Disp_Dimen" : "20 cm x 11.9 cm (7 7/8 in. x 4 11/16 in.)", "Disp_Height" : "20 cm", "Disp_Width" : "11.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk", "Support" : "", "Disp_Medium" : "Black chalk on cream antique laid paper", "Info_Page_Comm" : "Carpioni’s painting combines the sensual themes and vibrant color of 16th-century Venetian painting with the compositional rigor and more precise drawing of Baroque classicism and of Poussin in particular. Consistent with this conception, his drawing are unusually numerous and distinctive for a 17th-century Venetian. Most of these are pronounced in contour, regular in hatching, and executed in red chalk. When they relate to a painting, it is usually a mythological subject. This drawing was acquired with a generic attribution to the Venetian school. But its discrete composition, narrow tonal range, soft light, even morphology––delicate and elongated figures, large and flattened patterns of drapery––correspond exactly to a late series of altarpieces by Carpioni. And the touch and types are precisely those of his more familiar drawings. As a preparatory study in black chalk for a religious work, it is apparently unique. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Lawrence Lawver, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.70.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.70.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.70.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.70.tif", "IsPrimary" : "1", "_SurrogateID" : "4073", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8513, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8513", "Disp_Access_No" : "2000.21", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1730", "_Disp_Start_Dat" : "1725", "_Disp_End_Date" : "1735", "Disp_Title" : "Le Baptême [The Baptism]", "Alt_Title" : "", "Obj_Title" : "Le Baptême [The Baptism]", "Series_Title" : "", "Disp_Maker_1" : "Pierre-Charles Trémolières", "Sort_Artist" : "Trémolières, Pierre-Charles", "Disp_Dimen" : "29.9 cm x 43.9 cm (11 3/4 in. x 17 5/16 in.)", "Disp_Height" : "29.9 cm", "Disp_Width" : "43.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2000", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.21.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.21.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.21.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.21.tif", "IsPrimary" : "1", "_SurrogateID" : "8321", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8600, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8600", "Disp_Access_No" : "2000.27", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Adoration of the Shepherds, after Guercino", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Shepherds, after Guercino", "Series_Title" : "", "Disp_Maker_1" : "Charles Paul Jean-Baptiste de Bourgevin Vialart de Saint-Morys", "Sort_Artist" : "Saint-Morys, Charles Paul Jean-Baptiste de Bourgevin Vialart de", "Disp_Dimen" : "21.5 cm x 27.1 cm (8 7/16 in. x 10 11/16 in.)", "Disp_Height" : "21.5 cm", "Disp_Width" : "27.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and lavis", "Support" : "", "Disp_Medium" : "Etching and lavis", "Info_Page_Comm" : "This is one of the reproductive etchings that the artist made after drawings in his own collection. There are no more than a few impressions of each.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Lawrence Lawver, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.27.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.27.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.27.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.27.tif", "IsPrimary" : "1", "_SurrogateID" : "4861", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9156, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9156", "Disp_Access_No" : "G1966.2.25", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Madonna in a Crescent Moon", "Alt_Title" : "", "Obj_Title" : "Madonna in a Crescent Moon", "Series_Title" : "", "Disp_Maker_1" : "Copy after Albrecht Dürer", "Sort_Artist" : "Dürer, Copy after Albrecht", "Disp_Dimen" : "27.6 cm x 21.55 cm (10 7/8 in. x 8 1/2 in.)", "Disp_Height" : "27.6 cm", "Disp_Width" : "21.55 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.25.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.25.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.25.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.25.TIF", "IsPrimary" : "1", "_SurrogateID" : "5645", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10922, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10922", "Disp_Access_No" : "1990.190", "_AccNumSort1" : "", "Disp_Create_DT" : "1540s", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1540", "Disp_Title" : "Mater Dolorosa [The Virgin of Sorrows], after Marcantonio Raimondi, after Raphael", "Alt_Title" : "", "Obj_Title" : "Mater Dolorosa [The Virgin of Sorrows], after Marcantonio Raimondi, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "48.2 cm x 34 cm (19 in. x 13 3/8 in.)", "Disp_Height" : "48.2 cm", "Disp_Width" : "34 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving and etching", "Support" : "", "Disp_Medium" : "Engraving and etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1990", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.190.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.190.tif", 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[Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Crozat)", "Series_Title" : "", "Disp_Maker_1" : "Jacques-Philippe Le Bas", "Sort_Artist" : "Le Bas, Jacques-Philippe", "Disp_Dimen" : "55 cm x 40.3 cm (21 5/8 in. x 15 7/8 in.)", "Disp_Height" : "55 cm", "Disp_Width" : "40.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1963", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1963.4.165-178.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1963.4.165-178.tif", "PreviewPath" : 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France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Crozat)", "Series_Title" : "", "Disp_Maker_1" : "Nicolas-Gabriel Dupuis", "Sort_Artist" : "Dupuis, Nicolas-Gabriel", "Disp_Dimen" : "55 cm x 40.3 cm (21 5/8 in. x 15 7/8 in.)", "Disp_Height" : "55 cm", "Disp_Width" : "40.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1963", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1963.4.169-178.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1963.4.169-178.tif", "PreviewPath" : 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qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Crozat)", "Series_Title" : "", "Disp_Maker_1" : "Frédéric Hortemels", "Sort_Artist" : "Hortemels, Frédéric", "Disp_Dimen" : "55 cm x 40.3 cm (21 5/8 in. x 15 7/8 in.)", "Disp_Height" : "55 cm", "Disp_Width" : "40.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1963", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1963.4.170-178.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1963.4.170-178.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1963.4.170-178.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1963.4.170-178.tif", "IsPrimary" : "1", "_SurrogateID" : "6590", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11001, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11001", "Disp_Access_No" : "1996.171", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1485", "_Disp_Start_Dat" : "1475", "_Disp_End_Date" : "1484", "Disp_Title" : "Christ on the Cross between the Virgin and Saint John (Canon Crucifixion)", "Alt_Title" : "", "Obj_Title" : "Christ on the Cross between the Virgin and Saint John (Canon Crucifixion)", "Series_Title" : "", "Disp_Maker_1" : "Anonymous German (Bamberg and Regensburg)", "Sort_Artist" : "Anonymous German (Bamberg and Regensburg)", "Disp_Dimen" : "37.2 cm x 23.4 cm (14 5/8 in. x 9 3/16 in.)", "Disp_Height" : "37.2 cm", "Disp_Width" : "23.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut with hand coloring, gilding, and silvering on vellum", "Support" : "", "Disp_Medium" : "Woodcut with hand coloring, gilding, and silvering on vellum", "Info_Page_Comm" : "This, the central image of the Christian faith, commonly appeared before the Canon of the Mass in medieval manuscript missals, the books containing all that is said or sung at mass during the entire year. As these were replaced by printed volumes in the second half of the fifteenth century, the Kanonbild, or Canon Crucifixion, was translated into woodcut, printed separately, then pasted into the volumes or sold as an independent devotional image. This particular version appears in missals published by Johann Sensenschmidt with various partners in Bamberg and Regensburg between 1485 and 1492. The museum’s impression was printed on vellum, colored by hand, and gilded and silvered in the halos in order to imitate the appearance of a manuscript leaf. There are three other such deluxe impressions in the United States. Deeply conservative in function and materials, they are excellent examples of the relationship between the manuscript tradition and early prints, especially in northern Europe. At the same time, amid the explosion of book illustration in the late fifteenth century, Kanonbilder were much larger in size, more articulate in cutting, and more expressive—note the body of Christ—than the typical product of the day. Within a decade, Albrecht Dürer would introduce virtuoso artistic woodcuts. The Kanonbilder point in their direction and help explain their origin.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation and the Archer M. Huntington Museum Fund, by exchange, 1996", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.171.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.171.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.171.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.171.tif", "IsPrimary" : "1", "_SurrogateID" : "2934", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11028, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11028", "Disp_Access_No" : "G1966.2.149", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1500", "_Disp_Start_Dat" : "1495", "_Disp_End_Date" : "1505", "Disp_Title" : "The Virgin and Child with Saint Anne", "Alt_Title" : "", "Obj_Title" : "The Virgin and Child with Saint Anne", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.4 cm x 7.3 cm (4 1/2 in. x 2 7/8 in.)", "Disp_Height" : "11.4 cm", "Disp_Width" : "7.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.149.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.149.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.149.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.149.TIF", "IsPrimary" : "1", "_SurrogateID" : "5643", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11030, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11030", "Disp_Access_No" : "P1961.5", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1502", "_Disp_Start_Dat" : "1497", "_Disp_End_Date" : "1507", "Disp_Title" : "Glorification of the Virgin, from The Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "Glorification of the Virgin, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "29.55 cm x 20.95 cm (11 5/8 in. x 8 1/4 in.)", "Disp_Height" : "29.55 cm", "Disp_Width" : "20.95 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.5.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.5.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.5.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.5.TIF", "IsPrimary" : "1", "_SurrogateID" : "5661", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11031, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11031", "Disp_Access_No" : "P1961.100", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1503", "_Disp_Start_Dat" : "1498", "_Disp_End_Date" : "1508", "Disp_Title" : "The Adoration of the Shepherds, from The Life of the Virgin", "Alt_Title" : "The Nativity ", "Obj_Title" : "The Adoration of the Shepherds, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "29.55 cm x 20.75 cm (11 5/8 in. x 8 3/16 in.)", "Disp_Height" : "29.55 cm", "Disp_Width" : "20.75 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.100.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.100.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.100.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.100.tif", "IsPrimary" : "1", "_SurrogateID" : "4516", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11032, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11032", "Disp_Access_No" : "P1965.4", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1503", "_Disp_Start_Dat" : "1498", "_Disp_End_Date" : "1508", "Disp_Title" : "The Visitation, from The Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Visitation, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "30.15 cm x 20.75 cm (11 7/8 in. x 8 3/16 in.)", "Disp_Height" : "30.15 cm", "Disp_Width" : "20.75 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1965", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1965.4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1965.4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1965.4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1965.4.tif", "IsPrimary" : "1", "_SurrogateID" : "4812", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11033, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11033", "Disp_Access_No" : "G1966.2.95", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1505", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1510", "Disp_Title" : "The Circumcision of Christ, from The Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Circumcision of Christ, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "29.5 cm x 20.9 cm (11 5/8 in. x 8 1/4 in.)", "Disp_Height" : "29.5 cm", "Disp_Width" : "20.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.95.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.95.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.95.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.95.TIF", "IsPrimary" : "1", "_SurrogateID" : "5660", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11035, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11035", "Disp_Access_No" : "1989.143", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "Adoration of the Magi, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "Adoration of the Magi, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "29.7 cm x 21.6 cm (11 11/16 in. x 8 1/2 in.)", "Disp_Height" : "29.7 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Raimondi attempted to capture the subtleties of Dürer’s woodcut style by using the more precise medium of engraving. In contrast to Dürer’s variegated tones and animated, angular lines, Raimondi’s burin strokes produce uniform parallel strokes, creating a homogeneous grey tone that contrasts sharply with the areas left white. The copy also loses most of the specificity of detail and texture found in Dürer’s original. Note, for example, Riamondi’s mechanical rendering of the hole in the wall just above the Virgin’s head. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.143.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.143.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.143.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.143.tif", "IsPrimary" : "1", "_SurrogateID" : "6003", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11036, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11036", "Disp_Access_No" : "1989.144", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Annunciation, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Annunciation, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "29.2 cm x 21.6 cm (11 1/2 in. x 8 1/2 in.)", "Disp_Height" : "29.2 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The Annunciation illustrates the moment when the Angel Gabriel tells the Virgin that she will bear Christ. Images of the Annunciation allude not just to the promise of salvation through Christ’s incarnation, but also to the Virgin’s humility and power to intercede. Just as it was through her that God was made flesh on earth, so too could a devout person get closer to God. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.144.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.144.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.144.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.144.tif", "IsPrimary" : "1", "_SurrogateID" : "6004", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11038, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11038", "Disp_Access_No" : "1989.146", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Flight into Egypt, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Flight into Egypt, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "29.6 cm x 21.7 cm (11 5/8 in. x 8 9/16 in.)", "Disp_Height" : "29.6 cm", "Disp_Width" : "21.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "According to the sixteenth-century biographer Giorgio Vasari, Raimondi’s copies were so successful that they were sold as authentic Dürers. Vasari relates that Dürer became so enraged that he traveled Venice to make an appeal to the city council. The ruling, however, stated that Raimondi could continue to publish his copies provided that he remove Dürer’s monogram. Although Vasari’s account is probably heavily embellished, Dürer was in fact an early pioneer for the notion of intellectual property, and similar legal contests between Dürer and his copyists are documented in other cities. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.146.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.146.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.146.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.146.tif", "IsPrimary" : "1", "_SurrogateID" : "5947", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11039", "Disp_Access_No" : "1989.147", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "Glorification of the Virgin, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "Glorification of the Virgin, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "30.1 cm x 21.9 cm (11 7/8 in. x 8 5/8 in.)", "Disp_Height" : "30.1 cm", "Disp_Width" : "21.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.147.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.147.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.147.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.147.tif", "IsPrimary" : "1", "_SurrogateID" : "5948", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11040, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11040", "Disp_Access_No" : "1989.149", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Nativity, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Nativity, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "29.1 cm x 21.2 cm (11 7/16 in. x 8 3/8 in.)", "Disp_Height" : "29.1 cm", "Disp_Width" : "21.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Active primarily in Rome, Raimondi made over 300 engraving over the course of his career, most of which reproduced designs by Raphael as well as recently excavated antique sculptures. His engraved copies of the Life of the Virgin woodcuts were created almost immediately after the publication of Dürer’s originals. Raimondi’s inclusion of Dürer’s monogram was not uncommon for the period. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.149.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.149.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.149.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.149.tif", "IsPrimary" : "1", "_SurrogateID" : "6005", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11041, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11041", "Disp_Access_No" : "1989.150", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Visitation, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Visitation, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "30 cm x 21.6 cm (11 13/16 in. x 8 1/2 in.)", "Disp_Height" : "30 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.150.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.150.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.150.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.150.tif", "IsPrimary" : "1", "_SurrogateID" : "6006", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11058, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11058", "Disp_Access_No" : "1986.337", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1520-1525", "_Disp_Start_Dat" : "1520", "_Disp_End_Date" : "1525", "Disp_Title" : "Holy Family with the Young Saint John the Baptist, called Virgin with the Long Thigh, after Raphael", "Alt_Title" : "", "Obj_Title" : "Holy Family with the Young Saint John the Baptist, called Virgin with the Long Thigh, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "40.2 cm x 26.8 cm (15 13/16 in. x 10 9/16 in.)", "Disp_Height" : "40.2 cm", "Disp_Width" : "26.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of William and Sally Parsons, 1986", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.337.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.337.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.337.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.337.tif", "IsPrimary" : "1", "_SurrogateID" : "5944", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11064, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11064", "Disp_Access_No" : "1994.8", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1527-1530", "_Disp_Start_Dat" : "1527", "_Disp_End_Date" : "1530", "Disp_Title" : "Madonna and Child with Saint Catherine, a Bishop Saint, and a Donor", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with Saint Catherine, a Bishop Saint, and a Donor", "Series_Title" : "", "Disp_Maker_1" : "Camillo Boccaccino", "Sort_Artist" : "Boccaccino, Camillo", "Disp_Dimen" : "18.5 cm x 16.1 cm (7 5/16 in. x 6 5/16 in.)", "Disp_Height" : "18.5 cm", "Disp_Width" : "16.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown and gray washes over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown and gray washes over black chalk", "Info_Page_Comm" : "Boccaccino was the leading figure of a progressive school of painting at Cremona. An early work, this drawing was a preparatory study for an altarpiece that has not been identified. Its synthetic style incorporates the elegant rhythms and calligraphic line of Parmigianino’s pen drawings.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1994", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.8.tif", "IsPrimary" : "1", "_SurrogateID" : "3682", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.8.tif", "IsPrimary" : "0", "_SurrogateID" : "3685", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11079, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11079", "Disp_Access_No" : "1987.48", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540-1545", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1545", "Disp_Title" : "Tomb of a Bishop, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Tomb of a Bishop, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Battista Angolo del Moro", "Sort_Artist" : "Moro, Battista Angolo del", "Disp_Dimen" : "35.5 cm x 25.2 cm (14 in. x 9 15/16 in.)", "Disp_Height" : "35.5 cm", "Disp_Width" : "25.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Parmigianino’s proposition of etching as an extension of drawing took root in contemporary Verona. Angolo del Moro was the first and finest of the city’s distinctive school of etchers. This early work was inspired not just by Parmigianino’s approach to technique, but by one of his compositions, a drawing that is today in the Louvre.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1987", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.48.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.48.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.48.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.48.tif", "IsPrimary" : "1", "_SurrogateID" : "5262", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11094, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11094", "Disp_Access_No" : "1997.94", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1547", "_Disp_Start_Dat" : "1542", "_Disp_End_Date" : "1552", "Disp_Title" : "The Holy Family with Saints, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "The Holy Family with Saints, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Léon Davent", "Sort_Artist" : "Davent, Léon", "Disp_Dimen" : "23.9 cm x 18.3 cm (9 7/16 in. x 7 3/16 in.)", "Disp_Height" : "23.9 cm", "Disp_Width" : "18.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.94.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.94.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.94.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.94.tif", "IsPrimary" : "1", "_SurrogateID" : "4791", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11114, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11114", "Disp_Access_No" : "1989.107", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1575", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1580", "Disp_Title" : "Holy House of Loreto", "Alt_Title" : "", "Obj_Title" : "Holy House of Loreto", "Series_Title" : "", "Disp_Maker_1" : "Copy after Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Copy after Marcantonio", "Disp_Dimen" : "16.8 cm x 11.5 cm (6 5/8 in. x 4 1/2 in.)", "Disp_Height" : "16.8 cm", "Disp_Width" : "11.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The Holy House of Loreto was another popular pilgrimage site in the Middle Ages. It was commonly believed that the Holy House was where the Virgin Mary lived and raised Jesus. Originally situated in Nazareth, it is purported that angels moved the house multiple times to safer ground when it was threatened by war or theft.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.107.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.107.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.107.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.107.tif", "IsPrimary" : "1", "_SurrogateID" : "5945", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11116, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11116", "Disp_Access_No" : "2002.23", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1580", "_Disp_Start_Dat" : "1575", "_Disp_End_Date" : "1585", "Disp_Title" : "Title page with the Madonna and Child and Saints Cosmos and Damianus, with the Medici Coat of Arms", "Alt_Title" : "", "Obj_Title" : "Title page with the Madonna and Child and Saints Cosmos and Damianus, with the Medici Coat of Arms", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "31.6 cm x 22.4 cm (12 7/16 in. x 8 13/16 in.)", "Disp_Height" : "31.6 cm", "Disp_Width" : "22.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.23.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.23.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.23.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.23.tif", "IsPrimary" : "1", "_SurrogateID" : "6034", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11117, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11117", "Disp_Access_No" : "2002.1752", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1585-1590", "_Disp_Start_Dat" : "1585", "_Disp_End_Date" : "1590", "Disp_Title" : "The Virgin and Child with Saint Joseph", "Alt_Title" : "", "Obj_Title" : "The Virgin and Child with Saint Joseph", "Series_Title" : "", "Disp_Maker_1" : "Ludovico Carracci", "Sort_Artist" : "Carracci, Ludovico", "Disp_Dimen" : "26.5 cm x 32.7 cm (10 7/16 in. x 12 7/8 in.)", "Disp_Height" : "26.5 cm", "Disp_Width" : "32.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This is a superb impression of Lodovico Carracci’s first and most elaborate print. His paintings, relative to those of his cousins Agostino and Annibale, essay less rational and classically conditioned approaches to visually convincing and sentimentally affecting representation. This engraving strains the conventions of its technique with lyrical forms and an eccentric syntax –- the arbitrary shape and luminous facets of the Virgin’s drapery –- that achieve a similarly personal expressiveness.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1752.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1752.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1752.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1752.tif", "IsPrimary" : "1", "_SurrogateID" : "1843", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11171, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11171", "Disp_Access_No" : "1996.154", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1630", "_Disp_Start_Dat" : "1625", "_Disp_End_Date" : "1635", "Disp_Title" : "Madonna and Child with the Young Saint John the Baptist", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with the Young Saint John the Baptist", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Strozzi", "Sort_Artist" : "Strozzi, Bernardo", "Disp_Dimen" : "35.5 cm x 26.5 cm (14 in. x 10 7/16 in.)", "Disp_Height" : "35.5 cm", "Disp_Width" : "26.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University purchase by exchange, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.154.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.154.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.154.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.154.tif", "IsPrimary" : "1", "_SurrogateID" : "3962", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11238, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11238", "Disp_Access_No" : "1997.139", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1649", "_Disp_Start_Dat" : "1644", "_Disp_End_Date" : "1654", "Disp_Title" : "The Virgin and Child with Saint Elizabeth and Saint John", "Alt_Title" : "", "Obj_Title" : "The Virgin and Child with Saint Elizabeth and Saint John", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "16.6 cm x 15.3 cm (6 9/16 in. x 6 in.)", "Disp_Height" : "16.6 cm", "Disp_Width" : "15.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.139.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.139.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.139.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.139.tif", "IsPrimary" : "1", "_SurrogateID" : "7267", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11320, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11320", "Disp_Access_No" : "1999.77", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1770's", "_Disp_Start_Dat" : "1765", "_Disp_End_Date" : "1775", "Disp_Title" : "The Holy Family, after Ubaldo Gandolfi", "Alt_Title" : "", "Obj_Title" : "The Holy Family, after Ubaldo Gandolfi", "Series_Title" : "", "Disp_Maker_1" : "Gaetano Zaoli", "Sort_Artist" : "Zaoli, Gaetano", "Disp_Dimen" : "22.2 cm x 14.8 cm (8 3/4 in. x 5 13/16 in.)", "Disp_Height" : "22.2 cm", "Disp_Width" : "14.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and aquatint", "Support" : "", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Susan Thomas, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Printed recto and verso ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.77.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.77.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.77.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.77.tif", "IsPrimary" : "1", "_SurrogateID" : "5975", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11402, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11402", "Disp_Access_No" : "1985.10", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1875", "_Disp_Start_Dat" : "1870", "_Disp_End_Date" : "1880", "Disp_Title" : "Study for the Head of the Virgin", "Alt_Title" : "", "Obj_Title" : "Study for the Head of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Edward Coley Burne-Jones", "Sort_Artist" : "Burne-Jones, Edward Coley", "Disp_Dimen" : "27.3 cm x 16.8 cm (10 3/4 in. x 6 5/8 in.)", "Disp_Height" : "27.3 cm", "Disp_Width" : "16.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Graphite on white wove paper", "Support" : "", "Disp_Medium" : "Graphite on white wove paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1985", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.10.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.10.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.10.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.10.tif", "IsPrimary" : "1", "_SurrogateID" : "4235", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11811, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11811", "Disp_Access_No" : "1997.135", "_AccNumSort1" : "", "Disp_Create_DT" : "late 18 century", "_Disp_Start_Dat" : "1767", "_Disp_End_Date" : "1799", "Disp_Title" : "Nôtre Dame des Sept Douleurs [The Virgin of Sorrows]", "Alt_Title" : "", "Obj_Title" : "Nôtre Dame des Sept Douleurs [The Virgin of Sorrows]", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Guillaume Allabre", "Sort_Artist" : "Allabre, Attributed to Guillaume", "Disp_Dimen" : "50.3 cm x 40.8 cm (19 13/16 in. x 16 1/16 in.)", "Disp_Height" : "50.3 cm", "Disp_Width" : "40.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut with hand-coloring", "Support" : "", "Disp_Medium" : "Woodcut with hand-coloring", "Info_Page_Comm" : "The oldest and most enduring kind of printmaking was associated with pilgrimage sites and offered visitors inexpensive devotional images as souvenirs. Distinctive to Chartres, one of the major destinations in France, in the late 18th century was a school of woodcut that combined the simple design and bold cutting of popular prints with the large scale and elaborate flourish of loftier genres. In this combination, and the generation of new aesthetic meaning out of formal and sociological transgression, these prints also prefigure an important pursuit of the Romantics and the later avant garde. They are, however, very rare and largely unrecognized. This is an especially fine and well preserved example. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.135.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.135.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.135.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.135.tif", "IsPrimary" : "1", "_SurrogateID" : "4788", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11818, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11818", "Disp_Access_No" : "1994.67", "_AccNumSort1" : "", "Disp_Create_DT" : "mid 1500s", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1500", "Disp_Title" : "The Three Marys Lamenting the Dead Christ, after Marcantonio Raimondi, after Raphael", "Alt_Title" : "", "Obj_Title" : "The Three Marys Lamenting the Dead Christ, after Marcantonio Raimondi, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Copy after Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Copy after Marcantonio", "Disp_Dimen" : "22 cm x 16.9 cm (8 11/16 in. x 6 5/8 in.)", "Disp_Height" : "22 cm", "Disp_Width" : "16.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober in memory of M. Roy Fisher, 1994", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.67.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.67.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.67.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.67.tif", "IsPrimary" : "1", "_SurrogateID" : "6018", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11855, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11855", "Disp_Access_No" : "2002.18", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Virgin and Child on the Clouds, after Raphael", "Alt_Title" : "", "Obj_Title" : "The Virgin and Child on the Clouds, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "18.6 cm x 14.9 cm (7 5/16 in. x 5 7/8 in.)", "Disp_Height" : "18.6 cm", "Disp_Width" : "14.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Catholics believe that when the Virgin Mary’s body was assumed into Heaven, she was venerated there as queen because of her participation in the redemption of mankind – by allowing her body to be a vessel for God. The title Queen of Heaven appeared in devotional prayers and translated into art in the form of regal images of the Virgin. The coronation of the Virgin, in which a crown is placed on Mary’s head, is usually set in a royal court or among the clouds with throngs of saints and angels looking on in admiration. The audience for these particular images was probably a wealthier one, more likely to venerate a regal Virgin than a peasant mother of God.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.18.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.18.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.18.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.18.tif", "IsPrimary" : "1", "_SurrogateID" : "6030", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11871, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11871", "Disp_Access_No" : "2002.36", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Madonna and Child with the Young Saint John the Baptist, after Paolo Farinati", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with the Young Saint John the Baptist, after Paolo Farinati", "Series_Title" : "", "Disp_Maker_1" : "Orazio Farinati", "Sort_Artist" : "Farinati, Orazio", "Disp_Dimen" : "25.6 cm x 23.2 cm (10 1/16 in. x 9 1/8 in.)", "Disp_Height" : "25.6 cm", "Disp_Width" : "23.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Farinati is most distinctive and best known of the group of early painter-etchers in Verona. Inspired by the activity of Giulio Romano in nearby Mantua, his ponderous forms and emphatic contour were readily translated into etchings by the artist himself and those in a virtually identical style by his son, Orazio. 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Blanton Curatorial Endowment Fund, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.3.tif", "IsPrimary" : "1", "_SurrogateID" : "2129", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16727, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16727", "Disp_Access_No" : "2002.2920", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1589", "_Disp_Start_Dat" : "1584", "_Disp_End_Date" : "1594", "Disp_Title" : "The Holy Family with Saint John", "Alt_Title" : "", "Obj_Title" : "The Holy Family with Saint John", "Series_Title" : "", "Disp_Maker_1" : "After Hendrick Goltzius", "Sort_Artist" : "Goltzius, After Hendrick", "Disp_Dimen" : "28.5 cm x 19.5 cm (11 1/4 in. x 7 11/16 in.)", "Disp_Height" : "28.5 cm", "Disp_Width" : "19.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, gift of Leo Steinberg, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2920.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2920.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2920.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2920.tif", "IsPrimary" : "1", "_SurrogateID" : "7241", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15873, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15873", "Disp_Access_No" : "2017.902", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1480s", "_Disp_Start_Dat" : "1475", "_Disp_End_Date" : "1485", "Disp_Title" : "Head of the Madonna", "Alt_Title" : "", "Obj_Title" : "Head of the Madonna", "Series_Title" : "", "Disp_Maker_1" : "Circle of Giovanni Bellini", "Sort_Artist" : "Bellini, Circle of Giovanni", "Disp_Dimen" : "4.5 cm x 3.1 cm (1 3/4 in. x 1 1/4 in.)", "Disp_Height" : "4.5 cm", "Disp_Width" : "3.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash on cream antique laid paper, laid down on cream antique laid paper (18th century [?]), laid down again on modern antique laid card", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash on cream antique laid paper, laid down on cream antique laid paper (18th century [?]), laid down again on modern antique laid card", "Info_Page_Comm" : "While it has received no scholarly attention, this is a drawing of considerable quality and interest. Especially on such a diminutive scale, the regularity, monumentality, and dignity of its motif are striking. In basic shape, particular features, even personality, the head corresponds to a type employed by Gio-vani Bellini from the 1480s. On the other hand, while the drawing’s materials and technique are of the era, its description seems a bit facile and its contour in-sufficiently felt. If not by the hand of the greatest Venetian master of the early Renaissance, the drawing must be the work of a close follower. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.902.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.902.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.902.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.902.tif", "IsPrimary" : "1", "_SurrogateID" : "5695", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15892, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15892", "Disp_Access_No" : "2017.1331", "_AccNumSort1" : "", "Disp_Create_DT" : "1508-09", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "The Holy Family", "Alt_Title" : "", "Obj_Title" : "The Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Raffaello Sanzio, called Raphael", "Sort_Artist" : "Raphael, Raffaello Sanzio, called", "Disp_Dimen" : "11.7 cm x 10.2 cm (4 5/8 in. x 4 in.)", "Disp_Height" : "11.7 cm", "Disp_Width" : "10.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with graphite (later addition) on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with graphite (later addition) on cream antique laid paper", "Info_Page_Comm" : "First attributed to Raphael by Konrad Oberhuber, this is a characteristic and fine drawing of the artist’s early maturity. The subject is one explored with repertory insistence in a famous series of paintings and a parallel series of very swift, occasionally preliminary studies in pen-and-ink during his Florentine and early Ro-man periods. Perfectly consistent with this virtual research and the development of High Renaissance style are the solid spatial construction and powerful centripetal movement of this composition. And absolutely cognate with the other pen studies are the large gestures about the perimeter of the motif, changes in the position of the Child’s arm and Joseph’s head, and shorthand notations for the extremities, the Virgin’s profile, and the Child’s features. The only defects are the trimming of the sheet to a round-headed format, an obtrusive collector’s mark, and the modern scribble in graphite at the Virgin’s shoulder. In conception and handling, this is a drawing of the highest intelligence, confidence, and spontaneity.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1331.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1331.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1331.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1331.tif", "IsPrimary" : "1", "_SurrogateID" : "5327", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15902, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15902", "Disp_Access_No" : "2017.1088", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Madonna and Child", "Alt_Title" : "", "Obj_Title" : "A Madonna and Child", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "13.97 cm x 12.07 cm (5 1/2 in. x 4 3/4 in.)", "Disp_Height" : "13.97 cm", "Disp_Width" : "12.07 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, gray wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1088.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1088.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1088.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1088.tif", "IsPrimary" : "1", "_SurrogateID" : "5752", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15909, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15909", "Disp_Access_No" : "2017.989", "_AccNumSort1" : "", "Disp_Create_DT" : "1510s", "_Disp_Start_Dat" : "1510", "_Disp_End_Date" : "1510", "Disp_Title" : "Madonna and Child with Saints Anthony of Padua, Prosdocimo, Daniele, and Giustina", "Alt_Title" : "The Madonna and Child with Four Saints", "Obj_Title" : "Madonna and Child with Saints Anthony of Padua, Prosdocimo, Daniele, and Giustina", "Series_Title" : "", "Disp_Maker_1" : "Domenico Campagnola", "Sort_Artist" : "Campagnola, Domenico", "Disp_Dimen" : "14.6 cm x 27.8 cm (5 3/4 in. x 10 15/16 in.)", "Disp_Height" : "14.6 cm", "Disp_Width" : "27.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink on cream antique laid paper, discolored to beige, backed", "Support" : "", "Disp_Medium" : "Pen and brown ink on cream antique laid paper, discolored to beige, backed", "Info_Page_Comm" : "Trained by his adoptive father, profoundly influenced by Giorgione and the early works of Titian, Campagnola was briefly the leading graphic artist in Ven-ice before taking up permanent residence in Padua (1523) and becoming its prin-cipal painter. His drawings depend closely upon Titian’s and are regularly con-fused with them and those of numerous followers and imitators. This drawing owes to Titian’s types, dynamism, and pen work of the early 1510s. Distinctive, and immature, are the adherence to a conservative Venetian format for the sacra conversazione, the odd spatial relationships, and the overcharacterization of types. It must be one of the precocious efforts that helped establish Campagnola’s fame.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.989.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.989.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.989.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.989.tif", "IsPrimary" : "1", "_SurrogateID" : "5684", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15920, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15920", "Disp_Access_No" : "2017.928", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Baptism with the Virgin and Child Crowned between Saint Peter and Saint Paul", "Alt_Title" : "", "Obj_Title" : "A Baptism with the Virgin and Child Crowned between Saint Peter and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Andrea Boscoli", "Sort_Artist" : "Boscoli, Andrea", "Disp_Dimen" : "15.8 cm x 9.8 cm (6 1/4 in. x 3 7/8 in.)", "Disp_Height" : "15.8 cm", "Disp_Width" : "9.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Recto: Pen and brown ink with brush and brown wash over red chalk on cream antique laid paper; Verso: bottom right corner, fragment of a study of two figures, pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Recto: Pen and brown ink with brush and brown wash over red chalk on cream antique laid paper; Verso: bottom right corner, fragment of a study of two figures, pen and brown ink with brush and brown wash", "Info_Page_Comm" : "An idiosyncratic late Mannerist, Boscoli was probably trained by the progressive Florentines of Venetian inspiration, but himself returned as an almost reactionary formalist, and repressed romantic, to the school’s first generation of Man-nerists, Pontormo and Rosso. His paintings and especially his drawings distill the styles of those artists to the threshold of geometric abstraction, but also compen-sate with an unusually coherent light and caricatural sentiment. This small study, characteristic in its visual strength and representational ambiguity, surely pre-pared the composition of an altarpiece.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.928.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.928.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.928.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.928.tif", "IsPrimary" : "1", "_SurrogateID" : "5697", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15925, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15925", "Disp_Access_No" : "2017.1116", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Holy Family", "Alt_Title" : "", "Obj_Title" : "Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Domenico Fiasella", "Sort_Artist" : "Fiasella, Domenico", "Disp_Dimen" : "16 cm x 20.8 cm (6 5/16 in. x 8 3/16 in.)", "Disp_Height" : "16 cm", "Disp_Width" : "20.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and dark brown ink on cream antique laid paper laid down on blue green-prepared antique laid paper", "Support" : "", "Disp_Medium" : "Pen and dark brown ink on cream antique laid paper laid down on blue green-prepared antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1116.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1116.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1116.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1116.tif", "IsPrimary" : "1", "_SurrogateID" : "5761", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15949, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15949", "Disp_Access_No" : "2017.844", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "17.78 cm x 23.5 cm (7 in. x 9 1/4 in.)", "Disp_Height" : "17.78 cm", "Disp_Width" : "23.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and black ink, gray wash, lightly squared in black chalk", "Support" : "", "Disp_Medium" : "Black chalk, pen and black ink, gray wash, lightly squared in black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.844.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.844.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.844.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.844.tif", "IsPrimary" : "1", "_SurrogateID" : "5668", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15950, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15950", "Disp_Access_No" : "2017.842", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Madonna and Child", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "17.7 cm x 14.3 cm (6 15/16 in. x 5 5/8 in.)", "Disp_Height" : "17.7 cm", "Disp_Width" : "14.3 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "German", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.842.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.842.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.842.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.842.tif", "IsPrimary" : "1", "_SurrogateID" : "6989", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15952, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15952", "Disp_Access_No" : "2017.1012", "_AccNumSort1" : "", "Disp_Create_DT" : "1580s", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1580", "Disp_Title" : "The Madonna and Child with Saint John and Another Saint", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child with Saint John and Another Saint", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Castello", "Sort_Artist" : "Castello, Bernardo", "Disp_Dimen" : "17.78 cm x 13.97 cm (7 in. x 5 1/2 in.)", "Disp_Height" : "17.78 cm", "Disp_Width" : "13.97 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash", "Info_Page_Comm" : "Castello was trained by one of Luca Cambiaso's few competitors, Andrea Semino, but then influenced by Cambiaso during the first part of his career. The spare description and sweeping strokes identify this as an early drawing. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1012.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1012.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1012.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1012.tif", "IsPrimary" : "1", "_SurrogateID" : "5827", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15978, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15978", "Disp_Access_No" : "2017.1136", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Madonna and Child with the Young Saint John the Baptist", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with the Young Saint John the Baptist", "Series_Title" : "", "Disp_Maker_1" : "Ubaldo Gandolfi", "Sort_Artist" : "Gandolfi, Ubaldo", "Disp_Dimen" : "19.7 cm x 14.5 cm (7 3/4 in. x 5 11/16 in.)", "Disp_Height" : "19.7 cm", "Disp_Width" : "14.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and iron gall ink with brush and brown wash over red chalk, on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and iron gall ink with brush and brown wash over red chalk, on cream antique laid paper", "Info_Page_Comm" : "The pen drawings of Ubaldo Gandolfi combine the dramatic and animated light of contemporary Venetian drawings, like those of Tiepolo, with a more stylized description of forms and a more ornamental line that affirm the Bolognese tradition descending from Parmigianino. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1136.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1136.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1136.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1136.tif", "IsPrimary" : "1", "_SurrogateID" : "5789", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15981, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15981", "Disp_Access_No" : "2017.977", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1569", "_Disp_Start_Dat" : "1564", "_Disp_End_Date" : "1574", "Disp_Title" : "Annunciation", "Alt_Title" : "", "Obj_Title" : "Annunciation", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Workshop of Luca", "Disp_Dimen" : "19.69 cm x 18.42 cm (7 3/4 in. x 7 1/4 in.)", "Disp_Height" : "19.69 cm", "Disp_Width" : "18.42 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.977.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.977.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.977.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.977.tif", "IsPrimary" : "1", "_SurrogateID" : "2898", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15990, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15990", "Disp_Access_No" : "2017.1243", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1618-1620", "_Disp_Start_Dat" : "1618", "_Disp_End_Date" : "1620", "Disp_Title" : "Madonna and Child with the Young Saint John the Baptist", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with the Young Saint John the Baptist", "Series_Title" : "", "Disp_Maker_1" : "Pier Francesco Mazzuchelli, called Morazzone", "Sort_Artist" : "Morazzone, Pier Francesco Mazzuchelli, called", "Disp_Dimen" : "19.8 cm x 18.7 cm (7 13/16 in. x 7 3/8 in.)", "Disp_Height" : "19.8 cm", "Disp_Width" : "18.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush and brown wash with white heightening on gray green antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Brush and brown wash with white heightening on gray green antique laid paper, laid down", "Info_Page_Comm" : "The angular pattern of composition and the arbitrary alignment of form are Milanese habits going back at least to Bramantino, made conventional in the school of Gaudenzio Ferrari, and anchored here by the elegant formulae of late-century Rome. The description of form through extensive wash and articulate heightening on colored paper, with no use of pen, is equally characteristic of the same tradition. In both regards Morazzone is completely assured and distinctive within seventeenth-century Milanese art. But his is not just self-conscious reference or nativism. Coherent, intense, and above all optical, the illumination derives from contemporary Rome. Disengaged from naturalistic description, this Caravaggesque contrast between light and shadow becomes abstract and, if recognizable, suggests the action of moonlight. The real expression of this drawing comes not from subject matter nor even from rendered emotion, which is generic and reticent. It arises from the tension between compelling sensation and unfamiliar reality. Supernatural and expressionistic, this style also evokes, and to some extent responded to, the charged spirituality of Federico Borromeo’s Milan—a spirituality insisting upon authority to the point of repressiveness, while exalting individual sensibility to the point of mysticism. Resolute in form and poetic in expression, this drawing is a quintessential example of Morazzone’s art.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1243.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1243.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1243.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1243.tif", "IsPrimary" : "1", "_SurrogateID" : "3361", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16007, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16007", "Disp_Access_No" : "2017.1323", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1605", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1610", "Disp_Title" : "Coronation of the Virgin", "Alt_Title" : "", "Obj_Title" : "Coronation of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Cristoforo Roncalli, called Pomarancio", "Sort_Artist" : "Pomarancio, Cristoforo Roncalli, called", "Disp_Dimen" : "20.6 cm x 37.3 cm (8 1/8 in. x 14 11/16 in.)", "Disp_Height" : "20.6 cm", "Disp_Width" : "37.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush with black, white, and gray oil paint over traces of red chalk on cream an", "Support" : "", "Disp_Medium" : "Brush with black, white, and gray oil paint over traces of red chalk ", "Info_Page_Comm" : "Pomarancio led one of the busiest workshops in Rome. His vigorous and imposing style caught the eye of Clement VIII, and beginning in 1597 Pomarancio joined D’Arpino in the decoration of St. Peter’s and San Giovanni in Laterano. In 1599 Clement initiated a project for a grand sacristy at the sanctuary of Loreto, one of the most important pilgrimage sites in Christendom. This drawing prepared the composition for the ceiling’s central compartment. The effective illusionism and its figures’ plasticity, as well as oil technique, are typical of Pomarancio’s style. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1323.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1323.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1323.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1323.tif", "IsPrimary" : "1", "_SurrogateID" : "2758", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16010, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16010", "Disp_Access_No" : "2017.1100", "_AccNumSort1" : "", "Disp_Create_DT" : "circa late 1650s-early 1660s", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1660", "Disp_Title" : "The Annunciation", "Alt_Title" : "", "Obj_Title" : "The Annunciation", "Series_Title" : "", "Disp_Maker_1" : "Michel Dorigny", "Sort_Artist" : "Dorigny, Michel", "Disp_Dimen" : "20.6 cm x 18 cm (8 1/8 in. x 7 1/16 in.)", "Disp_Height" : "20.6 cm", "Disp_Width" : "18 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, squared in black chalk on cream paper, laid down ", "Support" : "", "Disp_Medium" : "Pen and brown ink, squared in black chalk on cream paper, laid down ", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1100.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1100.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1100.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1100.tif", "IsPrimary" : "1", "_SurrogateID" : "4270", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16014, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16014", "Disp_Access_No" : "2017.1007", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Three Studies of the Madonna and Child (recto), The Triumph of Saint Michael (verso)", "Alt_Title" : "", "Obj_Title" : "Three Studies of the Madonna and Child (recto), The Triumph of Saint Michael (verso)", "Series_Title" : "", "Disp_Maker_1" : "Alessandro Casolani", "Sort_Artist" : "Casolani, Alessandro", "Disp_Dimen" : "20.96 cm x 13.34 cm (8 1/4 in. x 5 1/4 in.)", "Disp_Height" : "20.96 cm", "Disp_Width" : "13.34 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1007.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1007.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1007.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1007.tif", "IsPrimary" : "1", "_SurrogateID" : "5685", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16026, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16026", "Disp_Access_No" : "2017.874", "_AccNumSort1" : "", "Disp_Create_DT" : "17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "The Annunciation", "Alt_Title" : "", "Obj_Title" : "The Annunciation", "Series_Title" : "", "Disp_Maker_1" : "Anonymous, Venetian", "Sort_Artist" : "Anonymous, Venetian", "Disp_Dimen" : "22.23 cm x 15.88 cm (8 3/4 in. x 6 1/4 in.)", "Disp_Height" : "22.23 cm", "Disp_Width" : "15.88 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on panel, convex", "Support" : "", "Disp_Medium" : "Oil on panel, convex", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation: needs to be cleaned. 2 but potentially 2+ with conservation. Hang higher up (FC:jb 4/27/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.874.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.874.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.874.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.874.TIF", "IsPrimary" : "1", "_SurrogateID" : "10544", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16030, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16030", "Disp_Access_No" : "2017.1418", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Head of the Virgin", "Alt_Title" : "", "Obj_Title" : "Head of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Paolo Veronese", "Sort_Artist" : "Veronese, Workshop of Paolo", "Disp_Dimen" : "22.23 cm x 16.83 cm (8 3/4 in. x 6 5/8 in.)", "Disp_Height" : "22.23 cm", "Disp_Width" : "16.83 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and white chalks with touches of red on blue paper", "Support" : "", "Disp_Medium" : "Black and white chalks with touches of red on blue paper", "Info_Page_Comm" : "Drawing played a conspicuous role in Veronese’s production. Detailed studies not only prepared his paintings but recorded their compositions and motifs for re-use in his workshop. This sheet is characteristic of the master in its pictorial use of chalk and the type of the Virgin. The cautious handling and superficial expression, however, betray its derivation from another work and the hand of an assistant. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1418.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1418.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1418.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1418.tif", "IsPrimary" : "1", "_SurrogateID" : "5710", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16035, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16035", "Disp_Access_No" : "2017.947", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1582-1600", "_Disp_Start_Dat" : "1582", "_Disp_End_Date" : "1600", "Disp_Title" : "The Holy Family with Saint Anne by a Fireplace", "Alt_Title" : "", "Obj_Title" : "The Holy Family with Saint Anne by a Fireplace", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Orazio Cambiaso", "Sort_Artist" : "Cambiaso, Attributed to Orazio", "Disp_Dimen" : "22.6 cm x 29.8 cm (8 7/8 in. x 11 3/4 in.)", "Disp_Height" : "22.6 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "This is an apocryphal scene from the infancy of Christ. Such charming, anecdotal variations were inspired by the popularity of Netherlandish genre paintings and conditioned by the Counter- Reformation’s imperative that religious imagery engage the viewer. In his late devotional paintings, Luca Cambiaso often used nocturnal settings to increase the sense of intimacy and mystery, and his late drawings include many versions of this subject. The combination of these elements in the present painting has led some to attribute the work to Cambiaso himself. Yet, the uncertain relation between the figures and the heavy touch indicate that it is instead the work of a close follower, possibly his son, Orazio", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.947.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.947.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.947.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.947.tif", "IsPrimary" : "1", "_SurrogateID" : "5988", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16045, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16045", "Disp_Access_No" : "2017.1266", "_AccNumSort1" : "", "Disp_Create_DT" : "1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "The Adoration of the Shepherds", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Shepherds", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Paggi", "Sort_Artist" : "Paggi, Giovanni Battista", "Disp_Dimen" : "23.3 cm x 20 cm (9 3/16 in. x 7 7/8 in.)", "Disp_Height" : "23.3 cm", "Disp_Width" : "20 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on beige paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on beige paper", "Info_Page_Comm" : "Paggi’s style was determined by Cambiaso, his first teacher, but given a more academic orientation and regular appearance during a twenty-year sojourn in Florence. Returning to Genoa in 1599, he was briefly the city’s most important painter and a leading teacher of the next generation. Long thought Cambiaso’s, this drawing has recently been recognized by Mary Newcome as an early work of Paggi.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1266.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1266.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1266.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1266.tif", "IsPrimary" : "1", "_SurrogateID" : "6453", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16057, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16057", "Disp_Access_No" : "2017.1426", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1630", "_Disp_Start_Dat" : "1625", "_Disp_End_Date" : "1635", "Disp_Title" : "Madonna and Child with Saints Cecilia, Valerian, and Tibertius", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with Saints Cecilia, Valerian, and Tibertius", "Series_Title" : "", "Disp_Maker_1" : "Claude Vignon", "Sort_Artist" : "Vignon, Claude", "Disp_Dimen" : "23.5 cm x 30.16 cm (9 1/4 in. x 11 7/8 in.)", "Disp_Height" : "23.5 cm", "Disp_Width" : "30.16 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "copper", "Disp_Medium" : "Oil on copper", "Info_Page_Comm" : "As the patron saint of music, Cecilia is typically depicted with an instrument; here a small pipe organ. To indicate her purity and devotion, Claude Vignon placed Cecilia at the feet of Mary, who appears as royalty, illuminating the scene with a golden crown. Saints Valerian and Tiburtius hold palms of martyrdom as Cecilia gazes upon baby Jesus. A devout Christian from youth, Cecilia took a vow of chastity before being betrothed to Valerian, a Roman nobleman. She lamented the match, invoking the saints to protect her virginity. Before consummation, she informed Valerian of her vow, claiming that she was protected by an angel whom he could see only if baptized. Valerian was baptized and returned to see the angel crowning Cecilia with a chaplet of rose and lily. Cecilia, Valerian, and his brother Tiburtius were all martyred by order of the Roman governor Almachius.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Copper, display case. Condition issues, conservation: needs to be cleaned. (FC:jb 4/15/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1426.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1426.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1426.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1426.tif", "IsPrimary" : "1", "_SurrogateID" : "2671", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16061, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16061", "Disp_Access_No" : "2017.888", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1704", "_Disp_Start_Dat" : "1699", "_Disp_End_Date" : "1709", "Disp_Title" : "Adoration of the Shepherds", "Alt_Title" : "", "Obj_Title" : "Adoration of the Shepherds", "Series_Title" : "", "Disp_Maker_1" : "Antonio Balestra", "Sort_Artist" : "Balestra, Antonio", "Disp_Dimen" : "24 cm x 30.7 cm (9 7/16 in. x 12 1/16 in.)", "Disp_Height" : "24 cm", "Disp_Width" : "30.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown and gray washes and white heightening over traces of black chalk on beige antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown and gray washes and white heightening over traces of black chalk on beige antique laid paper, laid down", "Info_Page_Comm" : "Balestra was formed in the academic Baroque tradition of Carlo Maratta, but infused this drier, more formulaic style with the richer color, mobile light, and fluid handling of his own native Venetian tradition. In its sound organization but loose elaboration, this drawing suggests his synthesis. In subject, the central motif, and the artist’s development, it is closely related to a painting executed in 1704 for the church of San Zaccaria, Venice. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.888.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.888.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.888.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.888.tif", "IsPrimary" : "1", "_SurrogateID" : "5729", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16095, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16095", "Disp_Access_No" : "2017.1316", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1690-1694", "_Disp_Start_Dat" : "1690", "_Disp_End_Date" : "1694", "Disp_Title" : "The Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Paolo Gerolamo Piola", "Sort_Artist" : "Piola, Paolo Gerolamo", "Disp_Dimen" : "26.2 cm x 38.7 cm (10 5/16 in. x 15 1/4 in.)", "Disp_Height" : "26.2 cm", "Disp_Width" : "38.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush and brown ink with brown and gray washes and white heightening (partly oxidized) over black chalk on gray-green antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Brush and brown ink with brown and gray washes and white heightening (partly oxidized) over black chalk on gray-green antique laid paper, laid down", "Info_Page_Comm" : "This drawing represents a culmination of numerous currents in Genoese draftsmanship. Of extremely high finish and inherent attractiveness, it is manifestly an autonomous work in the tradition that began with Luca Cambiaso. In its painterly conception and handling, such a drawing descends more specifically from Giovanni Benedetto Castiglione’s exploration of the boundary between the media. Formally, the composition is an especially fine example of the translation of the habits of monumental decoration—broad distribution of motif, balanced structure of values, steady pulse of rhythm—into the intimate scale and materials of drawing. Although this is one of the best-known Genoese drawings in the Suida-Manning Collection, its attribution has alternated. Most often, because of its repertory relationship to works by Domenico Piola and no doubt its sheer quality, it has been assigned to the elder Piola. The more agitated surface of draperies, the more eccentric drawing in profiles, and the sharper modulation of tone reflect the formative influence of Gregorio de Ferrari. That these tendencies have been disciplined according to academic principle reflects the younger Piola’s long study with Carlo Maratta in Rome and then his collaboration with various sculptors. Purely Genoese, entirely within the seicento, the style of Domenico is different in both appearance and essence. The Blanton contains over 30 works of art by several members of the prolific studio known as Casa Piola. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1316.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1316.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1316.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1316.tif", "IsPrimary" : "1", "_SurrogateID" : "3334", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16097, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16097", "Disp_Access_No" : "2017.1302", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1690-94", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "The Madonna and Child", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Anton Maria Piola", "Sort_Artist" : "Piola, Attributed to Anton Maria", "Disp_Dimen" : "26.2 cm x 38.7 cm (10 5/16 in. x 15 1/4 in.)", "Disp_Height" : "26.2 cm", "Disp_Width" : "38.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush and brown ink with brown and gray washes and white heightening over black", "Support" : "", "Disp_Medium" : "Brush and brown ink with brown and gray washes and white heightening over black", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1302.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1302.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1302.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1302.tif", "IsPrimary" : "1", "_SurrogateID" : "5762", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16098, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16098", "Disp_Access_No" : "2017.1356", "_AccNumSort1" : "", "Disp_Create_DT" : "1640s", "_Disp_Start_Dat" : "1640", "_Disp_End_Date" : "1640", "Disp_Title" : "Madonna and Child Enthroned with Five Saints", "Alt_Title" : "", "Obj_Title" : "Madonna and Child Enthroned with Five Saints", "Series_Title" : "", "Disp_Maker_1" : "Francesco Ruschi", "Sort_Artist" : "Ruschi, Francesco", "Disp_Dimen" : "26.2 cm x 14.1 cm (10 5/16 in. x 5 9/16 in.)", "Disp_Height" : "26.2 cm", "Disp_Width" : "14.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and gray wash over black chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and gray wash over black chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "The idiosyncratic Ruschi remained faithful to Veronese’s schemes and palette while emphasizing their underlying geometry and imposing a sharp, naturalistic illumination. Strangely static and solemn, this style is seen to advantage in a se-ries of altarpieces of the Madonna and Child enthroned with saints for a number of churches in Venice. Although no corresponding painting has been identified, this compositional study pertains to that series in its format, figural disposition, figural type, and architectural prop. It is a foundation for understanding Ruschi’s draftsmanship and a dimension of the revival of interest in Veronese in later 17th-century Venice. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1356.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1356.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1356.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1356.tif", "IsPrimary" : "1", "_SurrogateID" : "4716", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16102, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16102", "Disp_Access_No" : "2017.866", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Madonna and Child", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child", "Series_Title" : "", "Disp_Maker_1" : "Anonymous, Florentine or Lombard", "Sort_Artist" : "Anonymous, Florentine or Lombard", "Disp_Dimen" : "26.7 cm x 22.4 cm (10 1/2 in. x 8 13/16 in.)", "Disp_Height" : "26.7 cm", "Disp_Width" : "22.4 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Conservation, condition issues: needs to be restored. With conservation could be a nice addition (among top things that need to be conserved). (FC:jb 4/17/15) ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.866.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.866.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.866.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.866.tif", "IsPrimary" : "1", "_SurrogateID" : "2743", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16124, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16124", "Disp_Access_No" : "2017.845", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "27.94 cm x 24.45 cm (11 in. x 9 5/8 in.)", "Disp_Height" : "27.94 cm", "Disp_Width" : "24.45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brown wash heightened with white over black chalk on blue-grey paper", "Support" : "", "Disp_Medium" : "Brown wash heightened with white over black chalk on blue-grey paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.845.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.845.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.845.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.845.tif", "IsPrimary" : "1", "_SurrogateID" : "5733", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16127, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16127", "Disp_Access_No" : "2017.1264", "_AccNumSort1" : "", "Disp_Create_DT" : "1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Madonna and Child with Saints Sebastian and Roch", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with Saints Sebastian and Roch", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Paggi", "Sort_Artist" : "Paggi, Giovanni Battista", "Disp_Dimen" : "27.94 cm x 20.32 cm (11 in. x 8 in.)", "Disp_Height" : "27.94 cm", "Disp_Width" : "20.32 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash on brown washed paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash on brown washed paper", "Info_Page_Comm" : "This is a very early example of Paggi's draftsmanship. The graphic habits depend completely upon Luca Cambiaso's, but the abbreviations–the circular, blank eyes and the large, amorphous hands–are already distinctive.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1264.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1264.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1264.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1264.tif", "IsPrimary" : "1", "_SurrogateID" : "2896", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16132, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16132", "Disp_Access_No" : "2017.1232", "_AccNumSort1" : "", "Disp_Create_DT" : "1770", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1770", "Disp_Title" : "The Education of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Education of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Franz Anton Maulbertsch", "Sort_Artist" : "Maulbertsch, Franz Anton", "Disp_Dimen" : "28 cm x 17 cm (11 in. x 6 11/16 in.)", "Disp_Height" : "28 cm", "Disp_Width" : "17 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and gray wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and gray wash over black chalk", "Info_Page_Comm" : "This is a compositional study for an altarpiece in the church of Saint Nicholas, now the cathedral, in Böhmisch Budweis, Germany. The altarpiece, executed in 1770-71, differs considerably in the secondary figures and detail. While the drawing retains the amplitude and the luminosity that are characteristic of Maulbertsch’s mature activity, the calmer order of the composition and the relatively simplified poses of the figures suggest an incipient classicism. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Austrian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1232.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1232.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1232.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1232.tif", "IsPrimary" : "1", "_SurrogateID" : "5671", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16140, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16140", "Disp_Access_No" : "2017.1268", "_AccNumSort1" : "", "Disp_Create_DT" : "1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Virgin Carrying the Christ Child", "Alt_Title" : "", "Obj_Title" : "Virgin Carrying the Christ Child", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Paggi", "Sort_Artist" : "Paggi, Giovanni Battista", "Disp_Dimen" : "28.58 cm x 17.78 cm (11 1/4 in. x 7 in.)", "Disp_Height" : "28.58 cm", "Disp_Width" : "17.78 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "The iconography and composition of this drawing are obviously related to those of Luca Cambiaso. The artist, however, has little of Cambiaso's sense of structure, rather a preference for decorative flourish. These tendencies and the telltale abbreviation of the figures' eyes indicate that it is a very early drawing by Paggi. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1268.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1268.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1268.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1268.tif", "IsPrimary" : "1", "_SurrogateID" : "2903", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16141, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16141", "Disp_Access_No" : "2017.1102", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Adoration of the Magi, after Peter Paul Rubens", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Magi, after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Circle of Anthony van Dyck", "Sort_Artist" : "Dyck, Circle of Anthony van", "Disp_Dimen" : "28.58 cm x 19.05 cm (11 1/4 in. x 7 1/2 in.)", "Disp_Height" : "28.58 cm", "Disp_Width" : "19.05 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1102.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1102.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1102.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1102.tif", "IsPrimary" : "1", "_SurrogateID" : "5666", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16143, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16143", "Disp_Access_No" : "2017.1241", "_AccNumSort1" : "", "Disp_Create_DT" : "late 1630s", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1630", "Disp_Title" : "Holy Family in the Carpenter's Shop", "Alt_Title" : "", "Obj_Title" : "Holy Family in the Carpenter's Shop", "Series_Title" : "", "Disp_Maker_1" : "Antonio Mondino", "Sort_Artist" : "Mondino, Antonio", "Disp_Dimen" : "31.6 cm x 22.23 cm (12 7/16 in. x 8 3/4 in.)", "Disp_Height" : "31.6 cm", "Disp_Width" : "22.23 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "copper", "Disp_Medium" : "Oil on copper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Conservation, condition issues: needs cleaning. 2+ if cleaned. On copper, could go in display case. Research needed. (FC:jb 4/15/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1241.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1241.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1241.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1241.tif", "IsPrimary" : "1", "_SurrogateID" : "2751", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16150, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16150", "Disp_Access_No" : "2017.1265", "_AccNumSort1" : "", "Disp_Create_DT" : "1590s", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Saint Dominic Distributing Rosaries", "Alt_Title" : "", "Obj_Title" : "Saint Dominic Distributing Rosaries", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Paggi", "Sort_Artist" : "Paggi, Giovanni Battista", "Disp_Dimen" : "29 cm x 20.3 cm (11 7/16 in. x 8 in.)", "Disp_Height" : "29 cm", "Disp_Width" : "20.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique la", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk", "Info_Page_Comm" : "This is a fine study of Paggi’s maturity, quite automatic but less extravagant in line, with more carefully applied and gradated washes, relative to the style of Cambiaso. 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", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.968.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.968.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.968.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.968.tif", "IsPrimary" : "1", "_SurrogateID" : "2765", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16162, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16162", "Disp_Access_No" : "2017.1086", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Madonna and Saint Christopher", "Alt_Title" : "", "Obj_Title" : "The Madonna and Saint Christopher", "Series_Title" : "", "Disp_Maker_1" : "Lorenzo De Ferrari", "Sort_Artist" : "De Ferrari, Lorenzo", "Disp_Dimen" : "29.53 cm x 20.96 cm (11 5/8 in. x 8 1/4 in.)", "Disp_Height" : "29.53 cm", "Disp_Width" : "20.96 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk", "Support" : "", "Disp_Medium" : "Black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1086.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1086.tif", "PreviewPath" : 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"", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1226.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1226.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1226.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1226.tif", "IsPrimary" : "1", "_SurrogateID" : "5791", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16171, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16171", "Disp_Access_No" : "2017.893", "_AccNumSort1" : "", "Disp_Create_DT" : "16th century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "Christ Appearing to the Virgin and the Magdalen", "Alt_Title" : "", "Obj_Title" : "Christ Appearing to the Virgin and the Magdalen", "Series_Title" : "", "Disp_Maker_1" : "Copy after Federico Barocci", "Sort_Artist" : "Barocci, Copy after Federico", "Disp_Dimen" : "30.48 cm x 22.86 cm (12 in. x 9 in.)", "Disp_Height" : "30.48 cm", "Disp_Width" : "22.86 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash, heightened with white on brown paper", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash, heightened with white on brown paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : 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gold ground panel", "Support" : "", "Disp_Medium" : "Oil on gold ground panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.865.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.865.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.865.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.865.tif", "IsPrimary" : "1", "_SurrogateID" : "2742", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16185, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16185", "Disp_Access_No" : "2017.886", "_AccNumSort1" : "", "Disp_Create_DT" : "1620s", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1620", "Disp_Title" : "The Madonna and Child in Glory", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child in Glory", "Series_Title" : "", "Disp_Maker_1" : "Giuseppe Badaracco", "Sort_Artist" : "Badaracco, Giuseppe", "Disp_Dimen" : "31.75 cm x 36.83 cm (12 1/2 in. x 14 1/2 in.)", "Disp_Height" : "31.75 cm", "Disp_Width" : "36.83 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : 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: "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation: needs to be cleaned. 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: "https://webkiosk.gallerysystems.com/Objects-1/info/16199", "Disp_Access_No" : "2017.991", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Holy Family with Adoring Angels", "Alt_Title" : "", "Obj_Title" : "The Holy Family with Adoring Angels", "Series_Title" : "", "Disp_Maker_1" : "Simone Cantarini", "Sort_Artist" : "Cantarini, Simone", "Disp_Dimen" : "33 cm x 43.2 cm (13 in. x 17 in.)", "Disp_Height" : "33 cm", "Disp_Width" : "43.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on canvas, oval, unframed", "Support" : "", "Disp_Medium" : "Oil on canvas, oval, unframed", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": 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cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink over red chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink over red chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.984.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.984.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.984.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.984.tif", "IsPrimary" : "1", "_SurrogateID" : "2879", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16208, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16208", "Disp_Access_No" : "2017.1121", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Assumption of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Assumption of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Francesco Fontebasso", "Sort_Artist" : "Fontebasso, Francesco", "Disp_Dimen" : "34.29 cm x 24.45 cm (13 1/2 in. x 9 5/8 in.)", "Disp_Height" : "34.29 cm", "Disp_Width" : "24.45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" 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: "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "The certainty and velocity of the strokes in this drawing indicate Cambiaso's own hand. The Virgin's drapery, however, is renderedd as a busy surface with little volume, and the hatching in the background fills the area without suggesting depth. The drawing is probably a replica of another. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.971.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.971.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.971.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.971.tif", "IsPrimary" : "1", "_SurrogateID" : "2886", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16214, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16214", "Disp_Access_No" : "2017.1020", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1655-60", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Adoration of the Magi", "Alt_Title" : "", "Obj_Title" : "Adoration of the Magi", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "34.8 cm x 24.5 cm (13 11/16 in. x 9 5/8 in.)", "Disp_Height" : "34.8 cm", "Disp_Width" : "24.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush with reddish-brown and pale blue oil paint on cream antique laid paper par", "Support" : "", "Disp_Medium" : "Brush with reddish-brown and pale blue oil paint on cream antique laid paper par", "Info_Page_Comm" : "Numerous artists from the late 16th century onward, and especially those of Venetian experience, occasionally employed oil on paper for preparatory studies of a pronounced pictorial character. Castiglione not only experimented incessantly with the technique, but in his later career adopted it as his preferred means of drawing. Monochrome -- usually the reddish-brown seen here -- and very open brushwork maintained the linear personality of these studies, while the oil selectively impregnated into the paper allowed variation in their resolution, saturation of color, and to an extent even hue. This is an excellent example of this distinctive and often arresting hybrid. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1020.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1020.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1020.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1020.tif", "IsPrimary" : "1", "_SurrogateID" : "2733", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16215, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16215", "Disp_Access_No" : "2017.942", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1790", "_Disp_Start_Dat" : "1785", "_Disp_End_Date" : "1795", "Disp_Title" : "Madonna and Child", "Alt_Title" : "", "Obj_Title" : "Madonna and Child", "Series_Title" : "", "Disp_Maker_1" : "Giuseppe Cades", "Sort_Artist" : "Cades, Giuseppe", "Disp_Dimen" : "34.8 cm x 26 cm (13 11/16 in. x 10 1/4 in.)", "Disp_Height" : "34.8 cm", "Disp_Width" : "26 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.942.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.942.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.942.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.942.tif", "IsPrimary" : "1", "_SurrogateID" : "2680", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16224, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16224", "Disp_Access_No" : "2017.1149", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Barbara Interceding with the Madonna and Child", "Alt_Title" : "", "Obj_Title" : "Saint Barbara Interceding with the Madonna and Child", "Series_Title" : "", "Disp_Maker_1" : "Circle of Corrado Giaquinto", "Sort_Artist" : "Giaquinto, Circle of Corrado", "Disp_Dimen" : "35.88 cm x 25.08 cm (14 1/8 in. x 9 7/8 in.)", "Disp_Height" : "35.88 cm", "Disp_Width" : "25.08 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, gray wash, heightened with white, on gray paper", "Support" : "", "Disp_Medium" : "Pen and brown ink, gray wash, heightened with white, on gray paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1149.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1149.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1149.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1149.tif", "IsPrimary" : "1", "_SurrogateID" : "5901", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16227, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16227", "Disp_Access_No" : "2017.1111", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Circle of Ciro Ferri", "Sort_Artist" : "Ferri, Circle of Ciro", "Disp_Dimen" : "36.2 cm x 24.77 cm (14 1/4 in. x 9 3/4 in.)", "Disp_Height" : "36.2 cm", "Disp_Width" : "24.77 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and brown ink, brown wash, on brown paper", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink, brown wash, on brown paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1111.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1111.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1111.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1111.tif", "IsPrimary" : "1", "_SurrogateID" : "5863", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16228, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16228", "Disp_Access_No" : "2017.1439", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1780s-1790s", "_Disp_Start_Dat" : "1780", "_Disp_End_Date" : "1790", "Disp_Title" : "Madonna and Child in Glory above a City", "Alt_Title" : "", "Obj_Title" : "Madonna and Child in Glory above a City", "Series_Title" : "", "Disp_Maker_1" : "Rafael Ximeno y Planes", "Sort_Artist" : "Ximeno y Planes, Rafael", "Disp_Dimen" : "14.31 cm x 8.31 cm (5 5/8 in. x 3 1/4 in.)", "Disp_Height" : "14.31 cm", "Disp_Width" : "8.31 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and white heightening on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white heightening on cream antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Spanish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1439.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1439.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1439.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1439.tif", "IsPrimary" : "1", "_SurrogateID" : "5881", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16230, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16230", "Disp_Access_No" : "2017.990", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "San Benedetto in Glory", "Alt_Title" : "Assumption of a Bishop Saint ", "Obj_Title" : "San Benedetto in Glory", "Series_Title" : "", "Disp_Maker_1" : "Francesco Campora", "Sort_Artist" : "Campora, Francesco", "Disp_Dimen" : "36.9 cm x 27.7 cm (14 1/2 in. x 10 7/8 in.)", "Disp_Height" : "36.9 cm", "Disp_Width" : "27.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Recto: Pen and brown ink over black chalk on cream antique laid paper; Verso: A Sketch of a Cornice in Profile, in black chalk", "Support" : "", "Disp_Medium" : "Recto: Pen and brown ink over black chalk on cream antique laid paper; Verso: A Sketch of a Cornice in Profile, in black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.990.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.990.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.990.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.990.tif", "IsPrimary" : "1", "_SurrogateID" : "5879", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16233, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16233", "Disp_Access_No" : "2017.1129", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Education of the Virgin with two Saints", "Alt_Title" : "", "Obj_Title" : "The Education of the Virgin with two Saints", "Series_Title" : "", "Disp_Maker_1" : "Sebastiano Galeotti", "Sort_Artist" : "Galeotti, Sebastiano", "Disp_Dimen" : "36.83 cm x 24.45 cm (14 1/2 in. x 9 5/8 in.)", "Disp_Height" : "36.83 cm", "Disp_Width" : "24.45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, gray wash, shaped as an altarpiece", "Support" : "", "Disp_Medium" : "Pen and brown ink, gray wash, shaped as an altarpiece", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1129.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1129.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1129.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1129.tif", "IsPrimary" : "1", "_SurrogateID" : "5781", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16237, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16237", "Disp_Access_No" : "2017.939", "_AccNumSort1" : "", "Disp_Create_DT" : "1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Madonna and Child in Glory with Four Female Saints Interceding and Five Male Saints Below", "Alt_Title" : "", "Obj_Title" : "Madonna and Child in Glory with Four Female Saints Interceding and Five Male Saints Below ", "Series_Title" : "", "Disp_Maker_1" : "Felice Brusasorci", "Sort_Artist" : "Brusasorci, Felice", "Disp_Dimen" : "37.5 cm x 18 cm (14 3/4 in. x 7 1/16 in.)", "Disp_Height" : "37.5 cm", "Disp_Width" : "18 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown and gray washes and white heightening", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown and gray washes and white heightening", "Info_Page_Comm" : "Brusasorci was the most progressive painter in late-century Verona. His style compounds the lustrous bulk that the school had long drawn from Giulio Romano, the linear sophistication that he gathered from training with Vasari in Florence, and contemporary Venetian elements, especially from Veronese. An advanced study for an altarpiece, this drawing shares basic subject, two-tiered division, and overcast light, as well as physiognomic types, with a series of paintings for some of the major churches of Verona.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.939.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.939.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.939.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.939.tif", "IsPrimary" : "1", "_SurrogateID" : "5858", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16242, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16242", "Disp_Access_No" : "2017.1028", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Marriage of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Marriage of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Sigismondo Caula", "Sort_Artist" : "Caula, Sigismondo", "Disp_Dimen" : "38.1 cm x 27.94 cm (15 in. x 11 in.)", "Disp_Height" : "38.1 cm", "Disp_Width" : "27.94 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and white heightening", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white heightening", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1028.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1028.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1028.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1028.tif", "IsPrimary" : "1", "_SurrogateID" : "5876", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16249, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16249", "Disp_Access_No" : "2017.1112", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1620-1621", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1621", "Disp_Title" : "Christ Appearing to the Virgin", "Alt_Title" : "Christ Appearing to his Mother", "Obj_Title" : "Christ Appearing to the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Domenico Fetti", "Sort_Artist" : "Fetti, Domenico", "Disp_Dimen" : "38.6 cm x 32.1 cm (15 3/16 in. x 12 5/8 in.)", "Disp_Height" : "38.6 cm", "Disp_Width" : "32.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk on cream antique laid paper mounted on paper", "Support" : "", "Disp_Medium" : "Red chalk on cream antique laid paper mounted on paper", "Info_Page_Comm" : "Barely discernible through a web of lines, Mary, in a pose typical of the Annunciation, kneels in the lower left corner and turns toward a vision of her rising son. At right Adam bears the true cross while onlookers from the Old Testament—including David with his harp and a horned Moses—crowd the sides of the drawing. Ideal for studies, red chalk allows artists to draw quickly. In this devotional drawing, Domenico Fetti deftly knits figures from the Old and New Testament together with rippling lines and scribbles.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1112.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1112.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1112.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1112.tif", "IsPrimary" : "1", "_SurrogateID" : "3330", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16252, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16252", "Disp_Access_No" : "2017.1031", "_AccNumSort1" : "", "Disp_Create_DT" : "1657", "_Disp_Start_Dat" : "1657", "_Disp_End_Date" : "1657", "Disp_Title" : "Madonna and Child in Glory with Saints Bartholomew and Anthony Abbot", "Alt_Title" : "", "Obj_Title" : "Madonna and Child in Glory with Saints Bartholomew and Anthony Abbot", "Series_Title" : "", "Disp_Maker_1" : "Giacomo Cavedone", "Sort_Artist" : "Cavedone, Giacomo", "Disp_Dimen" : "39.2 cm x 26.2 cm (15 7/16 in. x 10 5/16 in.)", "Disp_Height" : "39.2 cm", "Disp_Width" : "26.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and white oil pigment on brown prepa", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white oil pigment on brown prepa", "Info_Page_Comm" : "This oil sketch has been newly recognized as a study for the altarpiece of 1657 at Bondanello di Castelmaggiore (Bologna), itself first published in 1990. Trained by Lodovico Carracci and then drawn toward Venetian art, Cavedone was a leading painter in Bologna through the 1620s. Following personal misfortunes that began with the plague of 1630, his work slowed and, tradition has it, the interest of his work declined precipitously. The Bondanello altarpiece and now this drawing reveal a style by then out of fashion but all the more admirable in its vigor and dignity.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Preparatory study for the figure at the lower right of the fresco of the Purification, over the entrance door in the church of San Luca, Genoa (Jonathan Bober, 6/22/04). ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1031.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1031.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1031.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1031.tif", "IsPrimary" : "1", "_SurrogateID" : "5210", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16256, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16256", "Disp_Access_No" : "2017.875", "_AccNumSort1" : "", "Disp_Create_DT" : "late 16th century", "_Disp_Start_Dat" : "1567", "_Disp_End_Date" : "1599", "Disp_Title" : "The Madonna and Child", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child", "Series_Title" : "", "Disp_Maker_1" : "Anonymous, Venetian", "Sort_Artist" : "Anonymous, Venetian", "Disp_Dimen" : "39.3 cm x 33.1 cm (15 1/2 in. x 13 1/16 in.)", "Disp_Height" : "39.3 cm", "Disp_Width" : "33.1 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation. Terrible craquelure. (FC:jb 4/21/15) ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.875.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.875.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.875.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.875.TIF", "IsPrimary" : "1", "_SurrogateID" : "10786", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16260, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16260", "Disp_Access_No" : "2017.1404", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Antonio Travi", "Sort_Artist" : "Travi, Antonio", "Disp_Dimen" : "39.37 cm x 49.53 cm (15 1/2 in. x 19 1/2 in.)", "Disp_Height" : "39.37 cm", "Disp_Width" : "49.53 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "In terrible condition (FC:jb 4/9/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1404.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1404.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1404.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1404.tif", "IsPrimary" : "1", "_SurrogateID" : "2664", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16261, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16261", "Disp_Access_No" : "2017.1428", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Virgin Crowned by Christ (recto); Christ Crowning the Virgin", "Alt_Title" : "", "Obj_Title" : "The Virgin Crowned by Christ (recto); Christ Crowning the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Baldassare Franceschini, called Volterrano", "Sort_Artist" : "Volterrano, Baldassare Franceschini, called", "Disp_Dimen" : "39.37 cm x 27.94 cm (15 1/2 in. x 11 in.)", "Disp_Height" : "39.37 cm", "Disp_Width" : "27.94 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, on gray paper", "Support" : "", "Disp_Medium" : "Black chalk, on gray paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1428.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1428.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1428.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1428.tif", "IsPrimary" : "1", "_SurrogateID" : "5874", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16262, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16262", "Disp_Access_No" : "2017.1431", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1600", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1605", "Disp_Title" : "The Nativity", "Alt_Title" : "", "Obj_Title" : "The Nativity", "Series_Title" : "", "Disp_Maker_1" : "Maarten de Vos", "Sort_Artist" : "Vos, Maarten de", "Disp_Dimen" : "39.4 cm x 31.7 cm (15 1/2 in. x 12 1/2 in.)", "Disp_Height" : "39.4 cm", "Disp_Width" : "31.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black...", "Info_Page_Comm" : "Vos was the leading history painter in Antwerp in the late 16th century. In his work the increasingly dry conventions of the school’s Mannerist painters were transformed by the dynamic compositions and saturated color that he had gathered from his early training in Italy, and especially from the Venetians. With their clear narration and incipient naturalism, his altarpieces dominated artistic production for the Counter-Reformation in the South Netherlands. This draw-ing is closely related to a late altarpiece in Antwerp’s Koninklijk Museum, although its variations in the background, cautious finish, and monogram suggest less a preparatory study than a model for an alternative project or possibly an engraving.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1431.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1431.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1431.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1431.tif", "IsPrimary" : "1", "_SurrogateID" : "5846", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16265, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16265", "Disp_Access_No" : "2017.1255", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1624-30", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Presentation in the Temple", "Alt_Title" : "", "Obj_Title" : "Presentation in the Temple", "Series_Title" : "", "Disp_Maker_1" : "Pietro Novelli, called Monrealese", "Sort_Artist" : "Novelli, called Monrealese, Pietro", "Disp_Dimen" : "39.6 cm x 28 cm (15 9/16 in. x 11 in.)", "Disp_Height" : "39.6 cm", "Disp_Width" : "28 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over graphite on cream antique laid", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over graphite on cream antique laid", "Info_Page_Comm" : "Once believed an early and rare pen study by Bernardo Strozzi, this drawing has since been recognized as the work of Monrealese, the most distinguished native artist in early 17th-century Sicily. Characteristic of his few drawings are the compression of space into curvilinear pattern, dissolve of form into shimmering atmosphere, and the constant embroidery of contour. The shapes of the principal figures and the variegation of light across them assume the example of Van Dyck, whose Madonna of the Rosary arrived in Palermo in 1624, while there is no hint of the greater naturalism that would follow trips to Naples and Rome in 1630-33. The iconography too must be correctly identified: always thought curi-ous and described generically as a Vision of the Trinity, it in fact a strict rendering of the Presentation (Luke 2:25) -- the Child standing upon the altar, the priest Simeon (not Joseph) inspired by the Holy Spirit to recognize His divinity -- but according to the archaic Byzantine conventions that still swayed the Sicilian imagination. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1255.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1255.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1255.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1255.tif", "IsPrimary" : "1", "_SurrogateID" : "4881", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16267, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16267", "Disp_Access_No" : "2017.1359", "_AccNumSort1" : "", "Disp_Create_DT" : "1766", "_Disp_Start_Dat" : "1766", "_Disp_End_Date" : "1766", "Disp_Title" : "The Assumption of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Assumption of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Caspar Franz Sambach", "Sort_Artist" : "Sambach, Caspar Franz", "Disp_Dimen" : "39.6 cm x 22.5 cm (15 9/16 in. x 8 7/8 in.)", "Disp_Height" : "39.6 cm", "Disp_Width" : "22.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black ink with brush and gray wash on cream paper", "Support" : "", "Disp_Medium" : "Pen and black ink with brush and gray wash on cream antique laid paper", "Info_Page_Comm" : "Pupil of Troger and later director of the Vienna academy, Sambach worked throughout Austria, Hungary and Moravia. In 1757 he received payment for an altarpiece of the Assumption of the Virgin for the Church of the Virgin in Buda, Hungary. Given its fully developed composition and careful finish, this drawing may have been a model submitted to a patron or, considering its autograph date, a record for the artist. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Austrian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1359.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1359.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1359.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1359.tif", "IsPrimary" : "1", "_SurrogateID" : "5853", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16289, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16289", "Disp_Access_No" : "2017.843", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Madonna and Child Surrounded by the Trinity and Angels", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child Surrounded by the Trinity and Angels", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "42.55 cm x 30.48 cm (16 3/4 in. x 12 in.)", "Disp_Height" : "42.55 cm", "Disp_Width" : "30.48 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Austrian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "In bad condition (FC:jb 5/22/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.843.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.843.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.843.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.843.TIF", "IsPrimary" : "1", "_SurrogateID" : "10536", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16290, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16290", "Disp_Access_No" : "2017.839", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Birth of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Birth of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "42.55 cm x 23.18 cm (16 3/4 in. x 9 1/8 in.)", "Disp_Height" : "42.55 cm", "Disp_Width" : "23.18 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, on brown paper", "Support" : "", "Disp_Medium" : "Pen and brown ink, on brown paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.839.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.839.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.839.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.839.tif", "IsPrimary" : "1", "_SurrogateID" : "5869", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16294, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16294", "Disp_Access_No" : "2017.1211", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Holy Family", "Alt_Title" : "", "Obj_Title" : "The Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Jacopo Ligozzi", "Sort_Artist" : "Ligozzi, Attributed to Jacopo", "Disp_Dimen" : "42.55 cm x 29.85 cm (16 3/4 in. x 11 3/4 in.)", "Disp_Height" : "42.55 cm", "Disp_Width" : "29.85 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash, heightened with white", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash, heightened with white", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1211.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1211.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1211.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1211.tif", "IsPrimary" : "1", "_SurrogateID" : "5850", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16297, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16297", "Disp_Access_No" : "2017.934", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1500", "_Disp_Start_Dat" : "1495", "_Disp_End_Date" : "1505", "Disp_Title" : "Madonna and Child", "Alt_Title" : "", "Obj_Title" : "Madonna and Child", "Series_Title" : "", "Disp_Maker_1" : "Follower of Bramantino (Bartolomeo Suardi)", "Sort_Artist" : "Bramantino (Bartolomeo Suardi), Follower of", "Disp_Dimen" : "43 cm x 35.5 cm (16 15/16 in. x 14 in.)", "Disp_Height" : "43 cm", "Disp_Width" : "35.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "wood panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "This panel is a fine example of late 15th-century Milanese painting. While grounded in the ornamental style that had dominated the school before the arrival of Leonardo, and conditioned by early Netherlandish painting, it incorporates the geometric order that the most ambitious local painters were deducing from his art. In a major study, William Suida described it as an early work by Bramantino, the most cerebral and rigorous exponent of this kind of synthesis. It is much more likely by a master who also absorbed the charming, anecdotal style of another local, Ambrogio Bergognone, and anticipated the greatest native painter of the next generation, Bernardino Luini.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Possible condition issues (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.934.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.934.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.934.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.934.tif", "IsPrimary" : "1", "_SurrogateID" : "2679", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16298, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16298", "Disp_Access_No" : "2017.921", "_AccNumSort1" : "", "Disp_Create_DT" : "1580s", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1580", "Disp_Title" : "Madonna and Child under a Tree", "Alt_Title" : "", "Obj_Title" : "Madonna and Child under a Tree", "Series_Title" : "", "Disp_Maker_1" : "Circle of Abraham Bloemaert", "Sort_Artist" : "Bloemaert, Circle of Abraham", "Disp_Dimen" : "43.18 cm x 34.93 cm (17 in. x 13 3/4 in.)", "Disp_Height" : "43.18 cm", "Disp_Width" : "34.93 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Dutch", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.921.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.921.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.921.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.921.tif", "IsPrimary" : "1", "_SurrogateID" : "8887", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16311, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16311", "Disp_Access_No" : "2017.1186", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1730", "_Disp_Start_Dat" : "1725", "_Disp_End_Date" : "1735", "Disp_Title" : "The Adoration of the Magi", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Magi", "Series_Title" : "", "Disp_Maker_1" : "Anton Kern", "Sort_Artist" : "Kern, Anton", "Disp_Dimen" : "45 cm x 73.2 cm (17 11/16 in. x 28 13/16 in.)", "Disp_Height" : "45 cm", "Disp_Width" : "73.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Anton Kern was the leading painter of the mid-eighteenth century in Prague and Dresden. Determined by training and a long collaboration with Giovanni Battista Pittoni in Venice, his style combines the fluid composition and extreme grace of the Central European Baroque with the vibrant palette of Sebastiano Ricci and his followers. Called to Dresden in 1738, he would spend the rest of his short career at the court of Augustus III. While capable of grand decoration and an occasional altarpiece, his specialty was cabinet pictures with the loose handling of oil sketches. This delightful picture is an important example of Kern’s earliest style. Its color and handling are so purely Venetian, the slightly angular construction and pointing types so indebted to Pittoni, that it could be confused with his work. The drawing, however, is slacker, the impasto gratuitous, and the sentiment a bit saccharine. An early biographer of Bohemian painters, Johann Quirin Jahn, mentions at least six paintings by Kern in the residences of the Counts Czernin at Prague. Apparently forming a series, four represent scenes from the youth of Christ. The Suida-Manning picture has been recently identified as one of those pictures and dated 1730, the date that appears on another picture from the series in a private collection in Bologna. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Bohemian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Well conceived throughout picture, not badly painted, a little stiff Very rare in US (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1186.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1186.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1186.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1186.tif", "IsPrimary" : "1", "_SurrogateID" : "2622", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16314, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16314", "Disp_Access_No" : "2017.1342", "_AccNumSort1" : "", "Disp_Create_DT" : "1720s", "_Disp_Start_Dat" : "1720", "_Disp_End_Date" : "1720", "Disp_Title" : "The Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Sebastiano Ricci", "Sort_Artist" : "Ricci, Sebastiano", "Disp_Dimen" : "46.3 cm x 34 cm (18 1/4 in. x 13 3/8 in.)", "Disp_Height" : "46.3 cm", "Disp_Width" : "34 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "These rather monumental figures, the daylight palette, and the happy temper are all characteristic of Sebastiano Ricci’s mature style. To judge from its small size and brusque handling, this was a preparatory study for a larger work. Ricci almost invariably prepared such studies, and often more than one, for his major projects. While this project has not been identified, the lozenge shape and surrounding blank areas of canvas —both original—suggest that the final work would have been inserted in a wall and probably surrounded by stucco work.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Not in play Condition issues, doesn''t have right frame and craquelure is very apparent (FC:jb 4/6/15) Ranking adjusted from B/B- to B (FC:jp 7/10/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1342.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1342.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1342.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1342.tif", "IsPrimary" : "1", "_SurrogateID" : "3433", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16316, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16316", "Disp_Access_No" : "2017.901", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1680", "_Disp_Start_Dat" : "1675", "_Disp_End_Date" : "1685", "Disp_Title" : "The Annunciation", "Alt_Title" : "", "Obj_Title" : "The Annunciation", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Beinaschi", "Sort_Artist" : "Beinaschi, Giovanni Battista", "Disp_Dimen" : "46.6 cm x 35.6 cm (18 3/8 in. x 14 in.)", "Disp_Height" : "46.6 cm", "Disp_Width" : "35.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Conservation, condition issues: needs to be cleaned 2+ if cleaned. (FC:jb 4/14/15) ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.901.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.901.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.901.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.901.tif", "IsPrimary" : "1", "_SurrogateID" : "3430", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16318, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16318", "Disp_Access_No" : "2017.1204", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Madonna and Child with Two Saints", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child with Two Saints", "Series_Title" : "", "Disp_Maker_1" : "Filippo Lauri", "Sort_Artist" : "Lauri, Filippo", "Disp_Dimen" : "46.99 cm x 35.56 cm (18 1/2 in. x 14 in.)", "Disp_Height" : "46.99 cm", "Disp_Width" : "35.56 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "2+ if cleaned. Condition issues, conservation: needs to be cleaned. Could be used as a backup for rotation once cleaned. (FC:jb 5/22/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1204.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1204.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1204.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1204.TIF", "IsPrimary" : "1", "_SurrogateID" : "10657", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16321, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16321", "Disp_Access_No" : "2017.1046", "_AccNumSort1" : "", "Disp_Create_DT" : "1607", "_Disp_Start_Dat" : "1607", "_Disp_End_Date" : "1607", "Disp_Title" : "Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Cigoli (Ludovico Cardi)", "Sort_Artist" : "Cigoli (Ludovico Cardi)", "Disp_Dimen" : "47.1 cm x 36 cm (18 9/16 in. x 14 3/16 in.)", "Disp_Height" : "47.1 cm", "Disp_Width" : "36 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and blue and brown washes with touches of white heightening over black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and blue and brown washes with touches of white heightening over black chalk on cream antique laid paper", "Info_Page_Comm" : "Cigoli was the most progressive of a group of Florentine artists who rejected the cool formula of Mannerism in favor of greater naturalism, dynamism and expressive immediacy. Active in Rome after 1604, he participated in several of the most important commissions of the period. This drawing was an advanced preparatory study for a painting commissioned by Margaret of Austria in 1607. An incessant and resourceful draftsman, Cigoli offered two possible placements for the figure of Saint Joseph amid swirling pen work and deft accents in blue wash. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1046.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1046.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1046.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1046.tif", "IsPrimary" : "1", "_SurrogateID" : "4202", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16324, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16324", "Disp_Access_No" : "2017.838", "_AccNumSort1" : "", "Disp_Create_DT" : "18th century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "The Assumption of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Assumption of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "47.5 cm x 40.2 cm (18 11/16 in. x 15 13/16 in.)", "Disp_Height" : "47.5 cm", "Disp_Width" : "40.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Spanish", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation. Needs work. 2 for condition, 2+ composition. Would be nice in oil sketch room. Also requires more research. (FC:jb 4/24/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.838.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.838.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.838.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.838.TIF", "IsPrimary" : "1", "_SurrogateID" : "10638", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16332, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16332", "Disp_Access_No" : "2017.1393", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1732", "_Disp_Start_Dat" : "1727", "_Disp_End_Date" : "1737", "Disp_Title" : "Madonna and Child", "Alt_Title" : "", "Obj_Title" : "Madonna and Child", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Tiepolo", "Sort_Artist" : "Tiepolo, Giovanni Battista", "Disp_Dimen" : "48.3 cm x 40.5 cm (19 in. x 15 15/16 in.)", "Disp_Height" : "48.3 cm", "Disp_Width" : "40.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Revealed by conservation treatment in 1999, this is a very fine and particularly moving work of Tiepolo’s early maturity. Its strong chiaroscuro, pronounced plasticity, palette dominated by an fiery red, as well as an earnest psychology, still echo his earliest style and the formative influence of Piazzetta (compare the picture to the right). These characteristics are, however, tempered, with the contrasts no longer stark, the plasticity no longer caricatural, the palette more balanced, and the expression transformed from the histrionic toward a lofty ethos and in this case subdued pathos. Most significantly, the density and busyness of earlier compositions has given way to simpler organization and subtler rhythms. Even on this small scale the development is evident in an interweaving of shapes and interpenetration of volumes. Especially striking and appropriately expressive is the combination of the Child rendered from low viewpoint, therefore practically convex and heroic, and the Virgin oppositely, therefore concave and sorrowful. In this tempering of Tiepolo’s first manner and growing sophistication, this picture is properly related to the grand series of canvases of Roman history for the Ca’ Dolfin in Venice (circa 1726-28).", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Requires more research and strong argument to keep Condition issues, pigment may have shifted, creating color imbalance; possibly cut from larger canvas; could this be saved by a conservator? (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1393.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1393.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1393.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1393.tif", "IsPrimary" : "1", "_SurrogateID" : "2660", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16337, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16337", "Disp_Access_No" : "2017.1150", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1750-52", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Madonna and Child with Dominican Saints", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with Dominican Saints", "Series_Title" : "", "Disp_Maker_1" : "Follower of Corrado Giaquinto", "Sort_Artist" : "Giaquinto, Follower of Corrado", "Disp_Dimen" : "49.53 cm x 38.1 cm (19 1/2 in. x 15 in.)", "Disp_Height" : "49.53 cm", "Disp_Width" : "38.1 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Looks like 20th C. copy (FC:jb 4/9/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1150.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1150.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1150.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1150.tif", "IsPrimary" : "1", "_SurrogateID" : "2745", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16338, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16338", "Disp_Access_No" : "2017.1154", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1693-94", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Presentation in the Temple", "Alt_Title" : "", "Obj_Title" : "Presentation in the Temple", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Giordano", "Sort_Artist" : "Giordano, Workshop of Luca", "Disp_Dimen" : "99 cm x 74.9 cm (39 in. x 29 1/2 in.)", "Disp_Height" : "99 cm", "Disp_Width" : "74.9 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1154.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1154.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1154.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1154.tif", "IsPrimary" : "1", "_SurrogateID" : "4847", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16340, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16340", "Disp_Access_No" : "2017.910", "_AccNumSort1" : "", "Disp_Create_DT" : "1720s", "_Disp_Start_Dat" : "1720", "_Disp_End_Date" : "1720", "Disp_Title" : "The Madonna and Child Appearing to a Female Saint Offering a Model of a Church", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child Appearing to a Female Saint Offering a Model of a Church", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Johann Georg Bergmüller", "Sort_Artist" : "Bergmüller, Attributed to Johann Georg", "Disp_Dimen" : "50.17 cm x 31.12 cm (19 3/4 in. x 12 1/4 in.)", "Disp_Height" : "50.17 cm", "Disp_Width" : "31.12 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over black chalk. Squared in black chalk.", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over black chalk. Squared in black chalk.", "Info_Page_Comm" : "Originally ascribed to an anonymous Venetian draftsman, this impressive drawing was recently recognized as the work of Bergmüller, the leading painter at Augsburg and long-time director of that city’s academy. While its destination has not yet been discovered, this composition was obviously intended for an altarpiece. Given the drawing’s size and elaboration, it may well have served as model for the patron. The principal figure has been identified as a female saint, but, presenting a model of a church, wearing noble attire, and lacking an attribute, she is more likely the patron.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.910.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.910.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.910.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.910.tif", "IsPrimary" : "1", "_SurrogateID" : "3825", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16345, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16345", "Disp_Access_No" : "2017.988", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1563-64", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Visitation", "Alt_Title" : "", "Obj_Title" : "Visitation", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Workshop of Luca", "Disp_Dimen" : "50.9 cm x 35.6 cm (20 1/16 in. x 14 in.)", "Disp_Height" : "50.9 cm", "Disp_Width" : "35.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and iron gall and bistre inks, on cream antique laid paper, tipped to modern cardboard", "Support" : "", "Disp_Medium" : "Pen and iron gall and bistre inks, on cream antique laid paper, tipped to modern cardboard", "Info_Page_Comm" : "This is another spectacular and well known example of draftsmanship from Cambiaso’s early maturity. Probably the result of Bergamasco’s influence, he has devised a very personal interpretation of the subject, complicated the spatial arrangement, and thorough interwoven the figures to create a single, seamless fabric. At the same time, his line has become more predictable in its ellipses and regular in its distribution without sacrificing any of its energy. Jonathan Bober changed to Workshop of Luca Cambiaso 5/13/11.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.988.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.988.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.988.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.988.tif", "IsPrimary" : "1", "_SurrogateID" : "2890", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16352, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16352", "Disp_Access_No" : "2017.1409", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1730s", "_Disp_Start_Dat" : "1730", "_Disp_End_Date" : "1730", "Disp_Title" : "The Annunciation", "Alt_Title" : "", "Obj_Title" : "The Annunciation", "Series_Title" : "", "Disp_Maker_1" : "Domenico Antonio Vaccaro", "Sort_Artist" : "Vaccaro, Domenico Antonio", "Disp_Dimen" : "52.1 cm x 41.5 cm (20 1/2 in. x 16 5/16 in.)", "Disp_Height" : "52.1 cm", "Disp_Width" : "41.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The current date of the painting (after circa 1720) is credited to Nicola Spinosa, director of the Museo Nazionale di Capodimonte in Naples, through correspondence with Jonathan Bober 2 April 2009. Should be in play at the lower level. Falling out of its frame, not a good fit. Conservation issues, condition issues: needs to be cleaned, especially the putti and cloud (FC:jb 4/9/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1409.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1409.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1409.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1409.tif", "IsPrimary" : "1", "_SurrogateID" : "2665", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16353, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16353", "Disp_Access_No" : "2017.1224", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Madonna and Child with Saints", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child with Saints", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Jacopo di Paolo Marieschi", "Sort_Artist" : "Marieschi, Attributed to Jacopo di Paolo", "Disp_Dimen" : "52.3 cm x 33 cm (20 9/16 in. x 13 in.)", "Disp_Height" : "52.3 cm", "Disp_Width" : "33 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on canvas, shaped top, unframed", "Support" : "", "Disp_Medium" : "Oil on canvas, shaped top, unframed", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues: needs to be cleaned (FC:jb 4/21/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1224.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1224.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1224.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1224.TIF", "IsPrimary" : "1", "_SurrogateID" : "10661", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16354, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16354", "Disp_Access_No" : "2017.1192", "_AccNumSort1" : "", "Disp_Create_DT" : "1773", "_Disp_Start_Dat" : "1773", "_Disp_End_Date" : "1773", "Disp_Title" : "The Assumption of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Assumption of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Martin Johann Schmidt, called Kremser-Schmidt", "Sort_Artist" : "Kremser-Schmidt, Martin Johann Schmidt, called", "Disp_Dimen" : "52.3 cm x 31.8 cm (20 9/16 in. x 12 1/2 in.)", "Disp_Height" : "52.3 cm", "Disp_Width" : "31.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This is an oil sketch for a major commission, the high altarpiece in the Mehlkerhof Chapel in Vienna", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "German", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Could be a sketch for an altarpiece in Vienna. Could go in a Northern gallery (FC:jb 5/22/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1192.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1192.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1192.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1192.tif", "IsPrimary" : "1", "_SurrogateID" : "2747", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16355, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16355", "Disp_Access_No" : "2017.1022", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1654-1655", "_Disp_Start_Dat" : "1654", "_Disp_End_Date" : "1655", "Disp_Title" : "Madonna and Child in Glory with an Angel", "Alt_Title" : "", "Obj_Title" : "Madonna and Child in Glory with an Angel", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "53.5 cm x 39.2 cm (21 1/16 in. x 15 7/16 in.)", "Disp_Height" : "53.5 cm", "Disp_Width" : "39.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Oil on antique laid paper mounted", "Support" : "canvas", "Disp_Medium" : "Oil on antique laid paper mounted on canvas", "Info_Page_Comm" : "Monumental in conception and pictorial in development, this work dramatizes the interrelation of media and character of research in Giovanni Benedetto Castiglione’s art. Brush with oil paint on paper was his preferred graphic technique after around 1650. Although the motif recalls several altarpieces, and its loaded pigment and close brushwork resemble those of a preparatory bozzetto, this study was apparently conceived as an autonomous work. Such studies were the most focused and sustained of Castiglione’s innumerable variations upon motifs established in his paintings. This sketch is also an outstanding example of the complex sources of Castiglione’s mature style. The inspiration of Rubens and Anthony van Dyck is still palpable in the technique, rhythmic articulation, and modulated light. The lyrical touch recalls another early influence, the Genoese works of Giulio Cesare Procaccini. These accommodate, however, later Roman examples: the luminous color of Giovanni Lanfranco and the extravagant form of Gianlorenzo Bernini. Specifically, the haughty Virgin and convulsed angel paraphrase the composition and invert the relationship in the sculptor’s famous Saint Theresa in Ecstasy. Not only was Castiglione in contact with Bernini during his second Roman sojourn, but the Cornaro Chapel was the sculptor’s principal project at the time. The Suida-Manning Collection includes ten works on paper by the artist. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1022.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1022.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1022.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1022.tif", "IsPrimary" : "0", "_SurrogateID" : "2587", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16357, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16357", "Disp_Access_No" : "2017.1229", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Coronation of the Virgin with Carmelite Saints", "Alt_Title" : "", "Obj_Title" : "Coronation of the Virgin with Carmelite Saints", "Series_Title" : "", "Disp_Maker_1" : "Paolo de Matteis", "Sort_Artist" : "Matteis, Paolo de", "Disp_Dimen" : "53.34 cm x 36.2 cm (21 in. x 14 1/4 in.)", "Disp_Height" : "53.34 cm", "Disp_Width" : "36.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1229.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1229.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1229.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1229.tif", "IsPrimary" : "1", "_SurrogateID" : "4840", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16363, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16363", "Disp_Access_No" : "2017.1321", "_AccNumSort1" : "", "Disp_Create_DT" : "18th century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "The Immaculate Conception", "Alt_Title" : "", "Obj_Title" : "The Immaculate Conception", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Francesco Polazzo", "Sort_Artist" : "Polazzo, Attributed to Francesco", "Disp_Dimen" : "56.52 cm x 34.29 cm (22 1/4 in. x 13 1/2 in.)", "Disp_Height" : "56.52 cm", "Disp_Width" : "34.29 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation issues: needs cleaning. 2+ when cleaned (FC:jb 5/13/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1321.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1321.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1321.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1321.tif", "IsPrimary" : "1", "_SurrogateID" : "10570", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16367, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16367", "Disp_Access_No" : "2017.1293", "_AccNumSort1" : "", "Disp_Create_DT" : "1739-1744", "_Disp_Start_Dat" : "1739", "_Disp_End_Date" : "1744", "Disp_Title" : "Madonna and Child in Glory with Saints Joseph, John the Evangelist, and Andrew", "Alt_Title" : "", "Obj_Title" : "Madonna and Child in Glory with Saints Joseph, John the Evangelist, and Andrew ", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piazzetta", "Sort_Artist" : "Piazzetta, Giovanni Battista", "Disp_Dimen" : "57.15 cm x 41.91 cm (22 1/2 in. x 16 1/2 in.)", "Disp_Height" : "57.15 cm", "Disp_Width" : "41.91 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Like the art of Ricci, Piazzetta’s represents a fundamental alternative to the dilemmas of the Late Baroque and a source of 18th-century Venetian painting. It is, however, opposite in temper and direction. Trained in Bologna under Crespi, Piazzetta brought back to Venice a naturalism based upon systematic drawing, featuring an intense chiaroscuro, and concerned with dramatic expression. Translating this conception into the mobile light and personalized brushwork of the indigenous tradition, while largely rejecting its bright color and decorative values, Piazzetta brought new life and power to the formulae that had grown so tired. He would never engage in the monumental decorative projects that were the staple of the age, and unlike his compatriots who mastered that genre, he never worked outside of Venice. But his religious works possess an optical intensity and a visionary power that are equal to the greatest works of the early Baroque. This is Piazzetta’s preparatory study for an altarpiece for the church of Sant’Andrea in Cortona, which was commissioned in 1739, and delivered in 1744 (and later moved to the church of San Filippo). Characteristic are the strong dynamic of its diagonal structure with a low viewpoint and the striking plasticity of its day lit brushwork against a dark ground. Even on this scale, one can gather the strength and solemnity of the work to come. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Conservation: major condition issues. Can''t put it upstairs in current condition. Could go in gallery with oil sketches. (FC:jb 5/23/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1293.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1293.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1293.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1293.tif", "IsPrimary" : "1", "_SurrogateID" : "2636", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16371, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16371", "Disp_Access_No" : "2017.1041", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Presentation of the Virgin", "Alt_Title" : "", "Obj_Title" : "Presentation of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Chapron", "Sort_Artist" : "Chapron, Nicolas", "Disp_Dimen" : "59.9 cm x 38.1 cm (23 9/16 in. x 15 in.)", "Disp_Height" : "59.9 cm", "Disp_Width" : "38.1 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation: needs major conservation. Could be 2+ with conservation. (FC:jb 4/24/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1041.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1041.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1041.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1041.tif", "IsPrimary" : "1", "_SurrogateID" : "4504", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16372, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16372", "Disp_Access_No" : "2017.1381", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Madonna and Child", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child", "Series_Title" : "", "Disp_Maker_1" : "Style of Bernardo Strozzi", "Sort_Artist" : "Strozzi, Style of Bernardo", "Disp_Dimen" : "59.69 cm x 43.18 cm (23 1/2 in. x 17 in.)", "Disp_Height" : "59.69 cm", "Disp_Width" : "43.18 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1381.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1381.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1381.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1381.tif", "IsPrimary" : "1", "_SurrogateID" : "2655", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16393, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16393", "Disp_Access_No" : "2017.1304", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1650-1655", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1655", "Disp_Title" : "Adoration of the Shepherds", "Alt_Title" : "", "Obj_Title" : "Adoration of the Shepherds", "Series_Title" : "", "Disp_Maker_1" : "Domenico Piola", "Sort_Artist" : "Piola, Domenico", "Disp_Dimen" : "69.7 cm x 90.7 cm (27 7/16 in. x 35 11/16 in.)", "Disp_Height" : "69.7 cm", "Disp_Width" : "90.7 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Piola was, with his pupil Gregorio de’ Ferrari, the leading painter in Genoa during the second half of the 17th century. With the catalyst of Pietro da Cortona’s High Baroque cycles, in a manner so fluent as to seem automatic, Piola generalized the lessons of Rubens and Van Dyck’s dynamic naturalism and translated them into the grand scale decoration of the native Genoese tradition. Few palaces in Genoa and scarcely a church in Liguria lack a work with the undulating rhythms, variegated modelling, and softly modulated light that are his trademarks. Piola’s works may not be sound in structure or deep in characterization, but they do convey a ease, even a joy, that are estimable and historically relevant. Although reduced to a small, horizontal format, this picture depends strictly on Giovanni Benedetto Castiglione’s great altarpiece of 1645 for San Luca in Genoa. The setting with a broken column symbolic of the Synagogue, the delightful incorporation of the bacchanalian shepherd and still-life motifs, and the fluid rhythm leading toward the radiant Child are virtual quotations. Soprani, the 17th-century biographer of the Genoese painters, writes that the young Piola was so taken with Castiglione that he learned to imitate his style. One of these imitations, “a very beautiful small panel of the Nativity,” was so successful that even experts equivocated about its authorship. Except for the material of its support, Soprani could have been referring to the present picture. Principally it is the slacker drawing, difficulty with space, as in the interval between the boys and the Virgin, and impatient execution in the background that identify it as a very early work by Piola. The picture is a landmark of the artist’s development and of Genoese painting on the threshold of its greatest achievments. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1304.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1304.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1304.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1304.tif", "IsPrimary" : "1", "_SurrogateID" : "2637", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16395, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16395", "Disp_Access_No" : "2017.1220", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1740-45", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Holy Family with the Young Saint John the Baptist", "Alt_Title" : "", "Obj_Title" : "Holy Family with the Young Saint John the Baptist", "Series_Title" : "", "Disp_Maker_1" : "Domenico Maggiotto", "Sort_Artist" : "Maggiotto, Domenico", "Disp_Dimen" : "71.12 cm x 92.08 cm (28 in. x 36 1/4 in.)", "Disp_Height" : "71.12 cm", "Disp_Width" : "92.08 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on canvas", "Support" : "", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Higher up. Possible medallion hang. Conservation, condition issues: Have conservator look at? (FC:jb 4/23/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1220.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1220.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1220.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1220.tif", "IsPrimary" : "1", "_SurrogateID" : "3424", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16406, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16406", "Disp_Access_No" : "2017.1177", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1680-1685", "_Disp_Start_Dat" : "1680", "_Disp_End_Date" : "1685", "Disp_Title" : "Holy Family with the Young Saint John the Baptist", "Alt_Title" : "", "Obj_Title" : "Holy Family with the Young Saint John the Baptist", "Series_Title" : "", "Disp_Maker_1" : "Bartolomeo Guidobono", "Sort_Artist" : "Guidobono, Bartolomeo", "Disp_Dimen" : "72.3 cm x 58.2 cm (28 7/16 in. x 22 15/16 in.)", "Disp_Height" : "72.3 cm", "Disp_Width" : "58.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Lovely in description, sweet in disposition, and careful in craft, Bartolomeo Guidobono’s work is a distinctive variation upon the grand manner of late seventeenth-century Genoese painting. His style arose from his first training and lifelong collaboration in the family business of fine porcelain painting. Its larger context is the Genoese taste for Netherlandish painting that goes back to the fifteenth century. After a series of trips to Emilia, Guidobono shifted this already delicate style toward the soft contour, luminous color, and gentleness of Correggio. Later he would reconcile it with the large rhythms and efficient manufacture of Domenico Piola. This "Holy Family" is a beautiful compendium of Guidobono’s early style. Its matrix is surely Genoese, with the figural group suggested by Piola and the pure hues reminiscent of Baciccio. Instead, the grain of light, amplitude of the figures, and tenderness reveal the recent debt to Correggio. Most impressive, however, are the refined drawing and meticulous finish, practically those of a miniature painting. In few other works of Guidobono is the craft more sustained or the reflection of his first activity more apparent. This unorthodox petite manière also anticipates the prettiness of the Rococo and the developing relation of the Genoese school to the French. In fact, the painting was at one time attributed to the eighteenth-century French painter Jean-Baptiste Le Prince.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1177.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1177.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1177.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1177.tif", "IsPrimary" : "1", "_SurrogateID" : "2620", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16412, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16412", "Disp_Access_No" : "2017.1326", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1653", "_Disp_Start_Dat" : "1648", "_Disp_End_Date" : "1658", "Disp_Title" : "Holy Family", "Alt_Title" : "", "Obj_Title" : "Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Mattia Preti", "Sort_Artist" : "Preti, Mattia", "Disp_Dimen" : "74.3 cm x 63.5 cm (29 1/4 in. x 25 in.)", "Disp_Height" : "74.3 cm", "Disp_Width" : "63.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "With a close-up view of the three figures against an austere background, the painting focuses on the intimate moment shared by Mary, Joseph, and the infant Jesus. Light comes from the top left, illuminating Mary’s graceful young face and elegant hands. At the same time it accentuates the weathered and wrinkled features of Joseph. This contrast between the two figures reflects the tradition that emphasizes Mary’s virginity by stressing Joseph’s advanced age and improbability of fathering a child. The foreshortening of Jesus’ body and the cropping of the Mary and Joseph figures imply the extension of the pictorial space beyond the canvas, which has the effect of including the viewer in the scene as a participant. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1326.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1326.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1326.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1326.tif", "IsPrimary" : "1", "_SurrogateID" : "2643", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16426, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16426", "Disp_Access_No" : "2017.1435", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Madonna and Child", "Alt_Title" : "", "Obj_Title" : "Madonna and Child", "Series_Title" : "", "Disp_Maker_1" : "Studio of Simon Vouet", "Sort_Artist" : "Vouet, Studio of Simon", "Disp_Dimen" : "81.3 cm x 64.9 cm (32 in. x 25 9/16 in.)", "Disp_Height" : "81.3 cm", "Disp_Width" : "64.9 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1435.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1435.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1435.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1435.tif", "IsPrimary" : "1", "_SurrogateID" : "3830", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16434, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16434", "Disp_Access_No" : "2017.1036", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1541", "_Disp_Start_Dat" : "1536", "_Disp_End_Date" : "1546", "Disp_Title" : "The Coronation of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Coronation of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista della Cerva", "Sort_Artist" : "Cerva, Giovanni Battista della", "Disp_Dimen" : "87 cm x 71.5 cm (34 1/4 in. x 28 1/8 in.)", "Disp_Height" : "87 cm", "Disp_Width" : "71.5 cm", "Dimen_Extent" : "panel", "Medium" : "Oil on wood panel", "Support" : "", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Jesus crowns her mother Mary as God the Father gazes down from above and the Holy Spirit descends in the form of a dove. Playful cherubim in the wreath of cloud add to the jubilant mood. This theme represents the final episode in the life of Mary, when, according to the tradition of the Catholic Church, she was brought to heaven after death and crowned as Queen of Heaven. In order to set the scene for the celestial event, Giovanni Battista della Cerva creates an abstract space relying on colors associated with heaven (blue) and eternity (gold). ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Lost in corner, needs more of a relationship with objects around it (FC:jb 4/2/15) Ranking adjusted (FC:jp 5/26/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1036.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1036.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1036.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1036.tif", "IsPrimary" : "1", "_SurrogateID" : "2740", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16436, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16436", "Disp_Access_No" : "2017.856", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1400", "_Disp_Start_Dat" : "1395", "_Disp_End_Date" : "1405", "Disp_Title" : "The Madonna and Child", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child", "Series_Title" : "", "Disp_Maker_1" : "Anonymous Venetian", "Sort_Artist" : "Anonymous Venetian", "Disp_Dimen" : "92.71 cm x 39.37 cm (36 1/2 in. x 15 1/2 in.)", "Disp_Height" : "92.71 cm", "Disp_Width" : "39.37 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on panel, shaped top", "Support" : "", "Disp_Medium" : "Oil on panel, shaped top", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "In terrible shape (FC:jb 4/21/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.856.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.856.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.856.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.856.TIF", "IsPrimary" : "1", "_SurrogateID" : "10642", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16439, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16439", "Disp_Access_No" : "2017.1289", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1750", "_Disp_Start_Dat" : "1745", "_Disp_End_Date" : "1755", "Disp_Title" : "A Vision of the Virgin", "Alt_Title" : "", "Obj_Title" : "A Vision of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Giuseppe Antonio Petrini", "Sort_Artist" : "Petrini, Giuseppe Antonio", "Disp_Dimen" : "94.2 cm x 72.3 cm (37 1/16 in. x 28 7/16 in.)", "Disp_Height" : "94.2 cm", "Disp_Width" : "72.3 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on canvas", "Support" : "", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Swiss", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Good painting; bizarre; figure has a nice size to her. Could go upstairs, especially because of its rarity. Higher up (FC:jb 4/9/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1289.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1289.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1289.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1289.tif", "IsPrimary" : "1", "_SurrogateID" : "2756", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16440, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16440", "Disp_Access_No" : "2017.887", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Adoration of the Shepherds", "Alt_Title" : "", "Obj_Title" : "Adoration of the Shepherds", "Series_Title" : "", "Disp_Maker_1" : "Antonio Balestra", "Sort_Artist" : "Balestra, Antonio", "Disp_Dimen" : "94.5 cm x 74.7 cm (37 3/16 in. x 29 7/16 in.)", "Disp_Height" : "94.5 cm", "Disp_Width" : "74.7 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.887.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.887.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.887.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.887.TIF", "IsPrimary" : "1", "_SurrogateID" : "10636", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16449, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16449", "Disp_Access_No" : "2017.1419", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1585", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1590", "Disp_Title" : "The Annunciation", "Alt_Title" : "", "Obj_Title" : "The Annunciation", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Paolo Veronese", "Sort_Artist" : "Veronese, Workshop of Paolo", "Disp_Dimen" : "104.5 cm x 82.9 cm (41 1/8 in. x 32 5/8 in.)", "Disp_Height" : "104.5 cm", "Disp_Width" : "82.9 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Of the great Venetian painters of the sixteenth century, Paolo Veronese was the most systematic and subtle in exploring the action, formal implications, and even expressive meanings of light upon color. Early in his development, the forms had been quite arbitrary and the result stylish but implausible. Steadily, his design was regularized according to classical models, his palette reached an unprecedented optical range, and his light became naturalistically descriptive. A small altarpiece probably for private devotion, this picture sets the Virgin and the archangel Gabriel in a handsome loggia, like that of an actual villa by Palladio, with whom the artist often collaborated. It is one of numerous late versions of the subject, with no sign of the workshop participation that had become frequent by then. The highlights have lost little of their energy, coursing across the surfaces and infusing the work with a metaphoric vitality. The figures, however, have been simplified in shape, their cadence slowed and their gesture subdued. And the palette is relatively restricted and uniform in value. In such paintings, the heroic splendor of the artist’s mature style yields to something less calculated and more reflective. The Suida-Manning Collection includes two other paintings from the same period, each a fragment from a larger composition. The composition depends upon a painting by Tintoretto. Infrared examination by Stephen Gritt (Feb. 2010) revealed no variation between underdrawing and execution. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Higher up (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1419.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1419.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1419.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1419.tif", "IsPrimary" : "1", "_SurrogateID" : "2668", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16452, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16452", "Disp_Access_No" : "2017.890", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1703-1704", "_Disp_Start_Dat" : "1703", "_Disp_End_Date" : "1704", "Disp_Title" : "Madonna and Child with Saint Anne Appearing to Pope Paul V", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with Saint Anne Appearing to Pope Paul V", "Series_Title" : "", "Disp_Maker_1" : "Antonio Balestra", "Sort_Artist" : "Balestra, Antonio", "Disp_Dimen" : "109.22 cm x 102.24 cm (43 in. x 40 1/4 in.)", "Disp_Height" : "109.22 cm", "Disp_Width" : "102.24 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting is a capital example of Balestra’s style in its first moments of full synthesis. The diagonal armature and regular construction of its compositions are clichés of late-century Roman altarpieces, and passages like the figure of Pope Paul are so controlled that they suggest an actually Roman hand. But the complication of certain tones and the personality of other passages, like the figure of Saint Zeno, betray Venetian authorship. Featuring Zeno, the patron saint of Verona, and Paul V, the early 17th-century pope who asserted eccelesiastical authority against a defiant Venice, this picture along with its pair was surely conceived as a pendant for an orthodox setting, perhaps a cleric’s private residence, in Balestra’s native city.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation issues: needs to be cleaned. Pair with 25.1999. Medallion hang or on either side of a door. (FC:jb 4/14/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.890.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.890.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.890.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.890.tif", "IsPrimary" : "1", "_SurrogateID" : "2604", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16460, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16460", "Disp_Access_No" : "2017.1248", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Virgin Standing Full Length", "Alt_Title" : "", "Obj_Title" : "The Virgin Standing Full Length", "Series_Title" : "", "Disp_Maker_1" : "Andrea da Murano", "Sort_Artist" : "Murano, Andrea da", "Disp_Dimen" : "117.48 cm x 41.91 cm (46 1/4 in. x 16 1/2 in.)", "Disp_Height" : "117.48 cm", "Disp_Width" : "41.91 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation. Needs to be cleaned. (FC:jb 4/21/15) Higher up. Pair with 391.1999 (FC:jb 5/22/15) Louis Waldman gives it a 1. Could be in a medallion hang with two fathers of the church (Bevilacqua) (FC:jb 5/23/15) ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1248.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1248.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1248.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1248.tif", "IsPrimary" : "1", "_SurrogateID" : "2629", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16469, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16469", "Disp_Access_No" : "2017.967", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Madonna and Child with Saint Catherine and an Angel", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with Saint Catherine and an Angel", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "140.9 cm x 102.6 cm (55 1/2 in. x 40 3/8 in.)", "Disp_Height" : "140.9 cm", "Disp_Width" : "102.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Concluding just years before the execution of this painting, the Council of Trent proposed the systematic reform of the Catholic Church, largely in response to the Protestant Reformation. The Council and its subsequent interpreters insisted that religious painting should be scripturally accurate, clearly legible, and stirring of devout feeling in the viewer. After a long collaboration with the brilliant architect Bergamasco and an increasing manufacture during the 1560s, Luca Cambiaso had already developed a more calculated, spare, and efficacious style. For the later religious works, consonant with, if not explicitly serving, the new ideals, he perfected a mode that is diagrammatic in subject and radically pared of obvious material appeal. To relieve the abstractness, to cue a sentimental response, and certainly also to satisfy his own instincts as a painter, Cambiaso equipped this mode with passages of stunning natural observation and tender human interaction. The most original and striking of these paintings are the nocturnes, concentrated in the early 1570s. This picture is the grandest of three examples in the Suida-Manning Collection. While the general conception and function of these nocturnes point toward Cambiaso’s last activity, as official painter to the Spanish king Philip II at the monastery of the Escorial, their coherent light and authentic feeling anticipate the tenebrism of the early Baroque, from Caravaggio to Georges de La Tour and Gerrit van Honthorst.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Wonderful, lovely, should be upstairs (FC:jb 5/13/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.967.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.967.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.967.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.967.tif", "IsPrimary" : "1", "_SurrogateID" : "2581", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16474, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16474", "Disp_Access_No" : "2017.1038", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Madonna and Child", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child", "Series_Title" : "", "Disp_Maker_1" : "Copy after Philippe de Champaigne", "Sort_Artist" : "Champaigne, Copy after Philippe de", "Disp_Dimen" : "32 cm x 24.8 cm (12 5/8 in. x 9 3/4 in.)", "Disp_Height" : "32 cm", "Disp_Width" : "24.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1038.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1038.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1038.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1038.TIF", "IsPrimary" : "1", "_SurrogateID" : "10646", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16475, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16475", "Disp_Access_No" : "2017.1372", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1390-1395", "_Disp_Start_Dat" : "1390", "_Disp_End_Date" : "1395", "Disp_Title" : "Triptych", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with Christ in the Sepulchre (center panel); Saint Peter and the Archangel Gabriel (left panel); Saint Paul and the Virgin Annunciate (right panel)", "Series_Title" : "", "Disp_Maker_1" : "Simone dei Crocifissi (Simone da Bologna)", "Sort_Artist" : "Simone dei Crocifissi (Simone da Bologna)", "Disp_Dimen" : "60.2 cm x 47.3 cm (23 11/16 in. x 18 5/8 in.)", "Disp_Height" : "60.2 cm", "Disp_Width" : "47.3 cm", "Dimen_Extent" : "overall", "Medium" : "Tempera with gold leaf", "Support" : "wood panel", "Disp_Medium" : "Tempera with gold leaf on wood panel", "Info_Page_Comm" : "Normalizing the style of his brilliant teacher, Vitale da Bologna, Simone became the leading painter in Bologna in the second half of the 14th century. His appellation owes to his execution of several monumental depictions of the Crucifixion for major churches in that city. By the 1360s, having built his reputation, he added small-scale polyptychs for private devotion as another specialty. This painting offers a particularly efficient synopsis of the principal mysteries and foundation of the Christian church. The dark underpainting, which heightens contrasts and modeling in the flesh tones, the delicate drawing, and the relatively loose application of paint are characteristic of the Bolognese school of the period. And the prosaic charm and accessibility of the personalities is typical of Simone’s style. Exceptional, however, is the condition of this work, with the paint surface practically undisturbed, the gold leaf revealing its original patterns of application, and even the complex finials of the frame unrestored. 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"_Disp_Start_Dat" : "1695", "_Disp_End_Date" : "1705", "Disp_Title" : "Figure of the Young Virgin", "Alt_Title" : "", "Obj_Title" : "Figure of the Young Virgin", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "47 cm (18 1/2 in.)", "Disp_Height" : "47 cm", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "gilt and painted wood", "Support" : "", "Disp_Medium" : "gilt and painted wood", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Austrian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.820-back.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.820-back.tif", "PreviewPath" : 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Moon", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "69.8 cm (27 1/2 in.)", "Disp_Height" : "69.8 cm", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "", "Support" : "", "Disp_Medium" : "", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, needs intense conservation. (FC:jb 5/8/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.826-back.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.826-back.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.826-back.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.826-back.tif", "IsPrimary" : "0", "_SurrogateID" : "11096", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.826-lft_qtr.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.826-lft_qtr.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.826-lft_qtr.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.826-lft_qtr.tif", "IsPrimary" : "0", "_SurrogateID" : "11098", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.826-rt_qtr.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.826-rt_qtr.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.826-rt_qtr.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.826-rt_qtr.tif", "IsPrimary" : "0", "_SurrogateID" : "11099", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.826.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.826.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.826.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.826.tif", "IsPrimary" : "1", "_SurrogateID" : "11100", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16516, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16516", "Disp_Access_No" : "2017.864", "_AccNumSort1" : "", "Disp_Create_DT" : "Late 15th century", "_Disp_Start_Dat" : "1467", "_Disp_End_Date" : "1499", "Disp_Title" : "The Virgin and Child", "Alt_Title" : "", "Obj_Title" : "The Virgin and Child", "Series_Title" : "", "Disp_Maker_1" : "Anonymous, Florentine", "Sort_Artist" : "Anonymous, Florentine", "Disp_Dimen" : "73.7 cm x 40.6 cm (29 in. x 16 in.)", "Disp_Height" : "73.7 cm", "Disp_Width" : "40.6 cm", "Dimen_Extent" : "", "Medium" : "Painted terracotta relief", "Support" : "", "Disp_Medium" : "Painted terracotta relief", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.864.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.864.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.864.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.864.tif", "IsPrimary" : "1", "_SurrogateID" : "11119", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16519, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16519", "Disp_Access_No" : "2017.913", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1428-29", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Madonna and Child", "Alt_Title" : "", "Obj_Title" : "Madonna and Child", "Series_Title" : "", "Disp_Maker_1" : "Circle of Michelino da Besozzo", "Sort_Artist" : "Besozzo, Circle of Michelino da", "Disp_Dimen" : "56.4 cm x 38.4 cm (22 3/16 in. x 15 1/8 in.)", "Disp_Height" : "56.4 cm", "Disp_Width" : "38.4 cm", "Dimen_Extent" : "panel", "Medium" : "Tempera with tooled gold leaf on wood panel", "Support" : "", "Disp_Medium" : "Tempera with tooled gold leaf on wood panel", "Info_Page_Comm" : "Fashionable at the established courts of Europe around 1400, closely associated with miniature painting, the International Gothic style was at once traditional in its decorative elegance and more progressive in its emergent naturalism. In Milan, the leading figure of this style was Michelino da Besozzo, whose work is distinguished by an almost arbitrarily lyrical line and poignant characterization. The subject of the present picture is a favorite International Gothic type, the Madonna of Humility, in which a Virgin of appealing human aspect sits upon a cushion or the ground itself. This subject is interpreted with something of the suave rhythms and affecting expression of Michelino’s works. At the same time, the figures are more regular in construction, insistent in modeling, and literal in address than his. This same combination of characteristics, and probably the identical hand, are apparent in an important processional standard in Milan’s Museo del Duomo that can be dated 1429. Either the two pictures correspond to a later stage of Michelino’s development or, more likely, the style of a follower. Certainly they bridge the International Gothic at its purest and the earliest works of the school’s next great master, Vincenzo Foppa. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.913.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.913.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.913.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.913.tif", "IsPrimary" : "1", "_SurrogateID" : "2600", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16525, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16525", "Disp_Access_No" : "2017.1346", "_AccNumSort1" : "", "Disp_Create_DT" : "1689-1706", "_Disp_Start_Dat" : "1689", "_Disp_End_Date" : "1706", "Disp_Title" : "Education of the Virgin", "Alt_Title" : "", "Obj_Title" : "Education of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Luisa Roldán", "Sort_Artist" : "Roldán, Luisa", "Disp_Dimen" : "43 x 45 x 36 cm (16 15/16 x 17 11/16 x 14 3/16 in.)", "Disp_Height" : "43 cm", "Disp_Width" : "45 cm", "Dimen_Extent" : "", "Medium" : "Polychrome terracotta", "Support" : "", "Disp_Medium" : "Polychrome terracotta", "Info_Page_Comm" : "The earliest documented female sculptor in Spain, Luisa Roldán (1652-1706) created sculptures for the king and queen among many other important Spanish patrons. In The Education of the Virgin, she captured a tender, everyday moment between the young Virgin Mary (future mother of Jesus Christ) and her parents, saints Anne and Joachim. Standing at Anne’s feet, Mary peers over her mother’s lap as they practice reading a religious text together. Joachim leans on the arm of Anne’s chair, observing and encouraging the lesson. By including both Mary’s mother and father in the miniature figural group, Roldán emphasized the important role that parents play in the spiritual and moral education their children. Although The Education of the Virgin serves as an earthly reminder that our parents are our first teachers, the many angels who wait on Mary and her family also confirm the religious significance of the subject and the exceptionality of the Virgin Mary within the Catholic tradition. In fact, painted on the cushion of the chair behind Anne’s back is an image of Anne and Joachim’s embrace at the Golden Gate, a moment that, according to non-Biblical Christian religious texts such as Jacopo da Voragine’s Golden Legend, occurred after the angel Gabriel announced to Joachim that Anne, his elderly wife, had immaculately conceived a child. Mary’s miraculous conception was an important Catholic theological point because, her soul having not been conceived through sexual intercourse, she was born without original sin (the innate tendency of all human beings to disobey God) and was therefore able to bear Christ, the Christian incarnation of God on earth. Roldán also referenced Mary’s birth at the bottom right corner of the sculpture, where a small, chubby angel presents a roll of fabric for swaddling Mary as a newborn, a birthing cushion for her mother Anne’s use during labor, and a woven basket filled with cloth that served as Mary’s bassinette--indeed, these elements also foreshadow Mary’s future role as mother of Christ. In this way, Roldán refers to three phases from the life of the young Virgin at once: her Immaculate conception, her angelically attended birth, and her upbringing by two devout people. The sculpture thus not only imagines a tender scene between parents and daughter but also affirms Mary’s extraordinary position within the Catholic tradition and her worthiness to become the mother of God. In the 1600s, this kind of small, painted terracotta (baked clay) sculpture would have been used in private devotion, usually placed on a table inside of the home, reminding its viewers both of the importance of obedience to one’s elders and to God as well as the need for parents to provide religious and moral education to their children, including girls. This is especially interesting given that, at this time, women were becoming increasingly literate and exercising greater (although still extremely limited) cultural and political authority than they had in earlier periods of Spain’s history. Also significant is that, until the modern era, women were not allowed access to professional artistic training and the few women who became artists almost always learned their craft from their fathers. The Education of the Virgin, which is an image of instruction between parent and child, may thus have had personal significance for Roldán, who was taught how to sculpt by her father, Pedro (1624-1699), an artist from Seville. Due to the fragile nature of terracotta, few of Roldán’s sculptures survive today. The Blanton’s example was conserved in 2019, which revealed that the top of each woman’s head has a small hole where a medal crown would have been inserted. Additionally, at Joachim’s feet are the four paws of a now-lost cat, which may have been competing with the book on Anne’s lap for Mary’s attention. Furthermore, Roldán may have roughened the patch of clay at the center-front of the composition to attach a small dog, which is included in a similar sculpture of the same subject that is now in a private collection in Spain. Even without these elements, Roldán’s Education of the Virgin is an important example of her late work, of which only about twenty examples still exist in the world. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "JhP to do more research. 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cm", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Mary glides into the scene as the sunlight before dusk enriches the palette with a golden vibrancy. With Jesus in her womb, she will spend the next three months with her cousin, Elizabeth, who is six months pregnant. At the sound of Mary’s voice, Elizabeth is filled with the Holy Spirit as the child in her womb leaps for joy. While Mary’s husband Joseph is not present in the scripture, he appears to the right of the Virgin as a narrative device to evidence Zacharias’s muteness. Because Zacharias doubted his wife’s ability to conceive, the angel Gabriel punished his lack of faith by rendering him mute until the birth of his son, John the Baptist. Here, Zacharias gestures his salutations to Joseph, whose furrowed gaze is troubled by his lack of speech. The Visitation is a popular scene from the life of the Virgin, having been depicted by Camillo Procaccini numerous times. A preparatory drawing for the present piece is kept at the Biblioteca Ambrosiana in Milan. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Suzan and Julius Glickman, M.K. Hage, Jr., Derek Johns, Lawrence Lawver, Susan Thomas, Julia Wilkinson, and Jimmy and Jessica Younger, 2005", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.33.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.33.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.33.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.33.tif", "IsPrimary" : "1", "_SurrogateID" : "2952", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17580, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17580", "Disp_Access_No" : "2005.151", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1550s", "_Disp_Start_Dat" : "1550", "_Disp_End_Date" : "1550", "Disp_Title" : "Madonna and Child with the Young Saint John the Baptist", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with the Young Saint John the Baptist", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "92 cm x 80.5 cm (36 1/4 in. x 31 11/16 in.)", "Disp_Height" : "92 cm", "Disp_Width" : "80.5 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "wood panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "This is an early work by Luca Cambiaso, the first great master of sixteenth-century Genoa and the virtual founder of its distinctive school of painting. The monumentality of the Virgin, the thrust of the Child, and the bold plasticity of every form suggest study with the followers of Michelangelo in mid-century Rome. At the same time, this powerful description has been circumscribed by Cambiaso’s exaggerated regularity of shapes, as in the figures’ heads, and embellished with the unnatural grace of their extremities, which recalls the works that Raphael’s follower Perino del Vaga had created for Genoa. Throughout, from the luscious frosting of the Virgin’s white sleeve to the exquisite filaments about the eyes, there is evident delight in the sheer matter of paint and possibilities of the brush. This virtuosity is conspicuous because of the work’s execution on panel and the excellent preservation of most of its surface. The painting demonstrates the young artist’s startling ambition, explains his first synthesis of influences, and predicts his place among the major figures of Mannerism. The Suida-Manning Collection includes six paintings and at least two dozen autograph drawings by Cambiaso. These represent the most significant holdings of his work outside Genoa. Preceding the earliest Suida-Manning picture by some fifteen years, and the only example on panel, this painting is the cornerstone of the entire group.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase as a gift of the Cain Foundation in honor of Charmaine Hooper Denius, 2005", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Important moment in early Cambiaso (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.151.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.151.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.151.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.151.tif", "IsPrimary" : "1", "_SurrogateID" : "3061", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.151_frame.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.151_frame.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.151_frame.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.151_frame.tif", "IsPrimary" : "0", "_SurrogateID" : "3063", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17388, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17388", "Disp_Access_No" : "2005.36", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1534", "_Disp_Start_Dat" : "1529", "_Disp_End_Date" : "1539", "Disp_Title" : "Adoration of the Shepherds, after Raphael or Giulio Romano", "Alt_Title" : "", "Obj_Title" : "Adoration of the Shepherds, after Raphael or Giulio Romano", "Series_Title" : "", "Disp_Maker_1" : "Follower of Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Follower of Marcantonio", "Disp_Dimen" : "28.8 cm x 20.4 cm (11 5/16 in. x 8 1/16 in.)", "Disp_Height" : "28.8 cm", "Disp_Width" : "20.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.36.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.36.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.36.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.36.tif", "IsPrimary" : "1", "_SurrogateID" : "5962", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17425, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17425", "Disp_Access_No" : "2005.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1493", "_Disp_Start_Dat" : "1493", "_Disp_End_Date" : "1493", "Disp_Title" : "Saint Luke Painting the Virgin and Child, from the Weltchronik, or Liber Chronicarum [The Nuremberg Chronicle]", "Alt_Title" : "", "Obj_Title" : "Saint Luke Painting the Virgin and Child, from the Weltchronik, or Liber Chronicarum [The Nuremberg Chronicle]", "Series_Title" : "", "Disp_Maker_1" : "Michael Wolgemut", "Sort_Artist" : "Wolgemut, Michael", "Disp_Dimen" : "11.2 cm x 8.3 cm (4 7/16 in. x 3 1/4 in.)", "Disp_Height" : "11.2 cm", "Disp_Width" : "8.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut with hand coloring", "Support" : "", "Disp_Medium" : "Woodcut with hand coloring", "Info_Page_Comm" : "A common scene in the Middle Ages and the beginning of the Early Modern period (early 1500s) was Saint Luke painting the Virgin. According to legend, Saint Luke painted a portrait of the Virgin; thus, he became the patron saint of artists. This intimate picture shows Saint Luke at his easel accompanied by his attribute, the bull, labeling him as one of the four evangelists. The viewer of this scene is meant to meditate on the symbolic significance of the act of painting. The canvas acts a metaphor for the soul. Luke records the face of the Virgin on the canvas just as the viewer is meant to imprint the Virgin onto his heart.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Tobey C. Moss, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.64.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.64.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.64.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.64.tif", "IsPrimary" : "1", "_SurrogateID" : "9037", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17664, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17664", "Disp_Access_No" : "2005.157", "_AccNumSort1" : "", "Disp_Create_DT" : "1895", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1895", "Disp_Title" : "La Passion", "Alt_Title" : "", "Obj_Title" : "La Passion", "Series_Title" : "", "Disp_Maker_1" : "Emile Bernard", "Sort_Artist" : "Bernard, Emile", "Disp_Dimen" : "43.3 cm x 50.1 cm (17 1/16 in. x 19 3/4 in.)", "Disp_Height" : "43.3 cm", "Disp_Width" : "50.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Pen lithograph with hand coloring", "Support" : "", "Disp_Medium" : "Pen lithograph with hand coloring", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.157.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.157.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.157.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.157.tif", "IsPrimary" : "1", "_SurrogateID" : "4240", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17665, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17665", "Disp_Access_No" : "2005.158", "_AccNumSort1" : "", "Disp_Create_DT" : "1895", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1895", "Disp_Title" : "La Passion", "Alt_Title" : "", "Obj_Title" : "La Passion", "Series_Title" : "", "Disp_Maker_1" : "Emile Bernard", "Sort_Artist" : "Bernard, Emile", "Disp_Dimen" : "43.4 cm x 55 cm (17 1/16 in. x 21 5/8 in.)", "Disp_Height" : "43.4 cm", "Disp_Width" : "55 cm", "Dimen_Extent" : "sheet", "Medium" : "Pen lithograph with hand coloring", "Support" : "", "Disp_Medium" : "Pen lithograph with hand coloring", "Info_Page_Comm" : "While some artists and intellectuals rejected organized religion in general, and Catholicism in particular, others looked to the early Church as a period of genuine spirituality. Bernard was one of these neo-Catholics and his print returns to the linear, flat, static, iconic style characteristic of medieval art and evokes the tradition of hand-colored woodcut prints made for popular devotion in the fifteenth century. The artist attempts to recapture the innocence of an earlier time in the deliberately crude depiction of the Crucifixion.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.158.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.158.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.158.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.158.tif", "IsPrimary" : "1", "_SurrogateID" : "4241", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19506, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19506", "Disp_Access_No" : "2010.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1852", "_Disp_Start_Dat" : "1852", "_Disp_End_Date" : "1852", "Disp_Title" : "Title Page for Imitation de Jesus-Christ", "Alt_Title" : "", "Obj_Title" : "Title Page for Imitation de Jesus-Christ", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "19.8 cm x 14.2 cm (7 13/16 in. x 5 9/16 in.)", "Disp_Height" : "19.8 cm", "Disp_Width" : "14.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Chromolithograph", "Support" : "", "Disp_Medium" : "Chromolithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.13.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.13.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.13.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.13.tif", "IsPrimary" : "1", "_SurrogateID" : "8812", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18543, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18543", "Disp_Access_No" : "2006.137.2/15", "_AccNumSort1" : "", "Disp_Create_DT" : "1642", "_Disp_Start_Dat" : "1642", "_Disp_End_Date" : "1642", "Disp_Title" : "Assumption of the Virgin, from the Assumption of the Virgin in the Dome of the Cathedral at Parma, after Antonio Allegri, called Correggio", "Alt_Title" : "", "Obj_Title" : "Assumption of the Virgin, from the Assumption of the Virgin in the Dome of the Cathedral at Parma, after Antonio Allegri, called Correggio", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Vanni", "Sort_Artist" : "Vanni, Giovanni Battista", "Disp_Dimen" : "50 cm x 72.3 cm (19 11/16 in. x 28 7/16 in.)", "Disp_Height" : "50 cm", "Disp_Width" : "72.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Lawrence Lawver, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.137.2-15.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.137.2-15.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.137.2-15.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.137.2-15.tif", "IsPrimary" : "1", "_SurrogateID" : "4465", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18691, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18691", "Disp_Access_No" : "2006.267", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Madonna and Child with Saints Francis and Jerome", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with Saints Francis and Jerome", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Negretti, called Palma Giovane", "Sort_Artist" : "Palma Giovane, Jacopo Negretti, called", "Disp_Dimen" : "12.9 cm x 18.8 cm (5 1/16 in. x 7 3/8 in.)", "Disp_Height" : "12.9 cm", "Disp_Width" : "18.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Palma was also a frequent etcher in the same swift, animated style of his pen studies. His most sustained and influential project was an instruction manual of drawing based upon his etched plates. Carrying the technique beyond the careful description of Battista Franco––though well short of the eccentricity and expressiveness of Schiavone––such efforts helped establish the principles and determine the language of conventional Italian etching through the next century.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.267.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.267.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.267.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.267.tif", "IsPrimary" : "1", "_SurrogateID" : "5449", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18854, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18854", "Disp_Access_No" : "2007.39", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1503", "_Disp_Start_Dat" : "1498", "_Disp_End_Date" : "1508", "Disp_Title" : "Christ Among the Doctors, from the Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "Christ Among the Doctors, from the Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "30.5 cm x 21.9 cm (12 in. x 8 5/8 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "21.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The adolescent Christ is shown at a lectern in the right background, disputing the Pharisees within the great hall of a stylized temple. The seventeen prints in Dürer’s Life of the Virgin brought the perspective construction, refined forms, and complex expression of Renaissance painting to woodcut, a technique previously associated with simple, generally popular imagery. Disseminated across Europe, this series’ compositions and figural motifs were probably the most frequently quoted images of the sixteenth century. This impression, printed before the usual addition of text to the verso, is notable for its exceptional clarity and perfect condition. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Julia and Stephen Wilkinson in honor of Jonathan Bober's twentieth anniversary as Curator of Prints and Drawings, 2007", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.39.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.39.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.39.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.39.tif", "IsPrimary" : "1", "_SurrogateID" : "4807", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19590, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19590", "Disp_Access_No" : "1988.164", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Virgin and Child Adored by Frederic the Wise of Saxony, after Lucas Cranach, the elder", "Alt_Title" : "", "Obj_Title" : "Virgin and Child Adored by Frederic the Wise of Saxony, after Lucas Cranach, the elder", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "36.7 cm x 35 cm (14 7/16 in. x 13 3/4 in.)", "Disp_Height" : "36.7 cm", "Disp_Width" : "35 cm", "Dimen_Extent" : "glass", "Medium" : "Stained glass panel", "Support" : "", "Disp_Medium" : "Stained glass panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of J. I. Staley, 1988", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "decorative", "Creation_Place2" : "", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Looks German with a reference to Durer. Could be placed near the windows of the corner gallery, could face the Kelly Going to have to date this (FC:jb 4/28/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.164.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.164.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.164.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.164.tif", "IsPrimary" : "1", "_SurrogateID" : "8329", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19589, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19589", "Disp_Access_No" : "1988.163", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Virgin and Child on a Grassy Bank with Joseph and Anna and Two Caressing Children, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "Virgin and Child on a Grassy Bank with Joseph and Anna and Two Caressing Children, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "36.5 cm x 31.5 cm (14 3/8 in. x 12 3/8 in.)", "Disp_Height" : "36.5 cm", "Disp_Width" : "31.5 cm", "Dimen_Extent" : "glass", "Medium" : "Stained glass panel", "Support" : "", "Disp_Medium" : "Stained glass panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of J. I. Staley, 1988", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "decorative", "Creation_Place2" : "", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Would be nice to have with the other stained glass, but needs to be conserved and authenticated. Condition issues, conservation. Can''t go up unless it''s restored. (FC:jb 4/28/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.163.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.163.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.163.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.163.tif", "IsPrimary" : "1", "_SurrogateID" : "8328", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19366, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19366", "Disp_Access_No" : "2017.21", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1637-1641", "_Disp_Start_Dat" : "1637", "_Disp_End_Date" : "1641", "Disp_Title" : "The Nativity with God-the-Father", "Alt_Title" : "", "Obj_Title" : "The Nativity with God-the-Father", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "21 x 40.8 cm (8 1/4 x 16 1/16 in.)", "Disp_Height" : "21 cm", "Disp_Width" : "40.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julia and Stephen Wilkinson in honor of Francesca Consagra, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.21.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.21.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.21.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.21.tif", "IsPrimary" : "1", "_SurrogateID" : "6966", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19378, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19378", "Disp_Access_No" : "2016.75.a-b", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Virgin in Glory (recto); Studies of Heads (verso)", "Alt_Title" : "", "Obj_Title" : "Virgin in Glory (recto); Studies of Heads (verso)", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Attributed to Giovanni Benedetto", "Disp_Dimen" : "19.6 x 12.5 cm (7 11/16 x 4 15/16 in.)", "Disp_Height" : "19.6 cm", "Disp_Width" : "12.5 cm", "Dimen_Extent" : "", "Medium" : "Brown ink, wash", "Support" : "", "Disp_Medium" : "Brown ink, wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Kurt and Alessandra Manning-Dolnier in honor of Francesca Consagra, 2016", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2016.75.a-recto.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2016.75.a-recto.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2016.75.a-recto.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2016.75.a-recto.tif", "IsPrimary" : "1", "_SurrogateID" : "6672", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2016.75.b-verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2016.75.b-verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2016.75.b-verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2016.75.b-verso.tif", "IsPrimary" : "0", "_SurrogateID" : "6673", "Image_Type" : "Digital image", 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"Screenprint", "Info_Page_Comm" : "A complex religious figure, "la Virgen" is a traditional female role model that embodies both purity and motherhood. 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She is simultaneously revered and reimagined by artists to fit contemporary notions of gender. In "Mi Amor", Paul Martínez presents a young pregnant woman as Mary. Instead of her cape-like mantle, this Virgin is covered with a Mickey Mouse printed sheet in a scene with vibrant colors and photographic imagery of cherubs and roses.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.481-crop.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.481-crop.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.481-crop.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.481-crop.tif", "IsPrimary" : "1", "_SurrogateID" : "19162", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23446, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23446", "Disp_Access_No" : "2017.527", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "Mother of Sorrow", "Alt_Title" : "", "Obj_Title" : "Mother of Sorrow", "Series_Title" : "", "Disp_Maker_1" : "Ada Pullini Brown", "Sort_Artist" : "Pullini Brown, Ada", "Disp_Dimen" : "73.7 x 106.6 cm (29 x 41 15/16 in.)", "Disp_Height" : "73.7 cm", "Disp_Width" : "106.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 23475, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23475", "Disp_Access_No" : "2017.546", "_AccNumSort1" : "", "Disp_Create_DT" : "1993", "_Disp_Start_Dat" : "1993", "_Disp_End_Date" : "1993", "Disp_Title" : "The Virgin of the Lake", "Alt_Title" : "", "Obj_Title" : "The Virgin of the Lake", "Series_Title" : "", "Disp_Maker_1" : "Alejandro Romero", "Sort_Artist" : "Romero, Alejandro", "Disp_Dimen" : "103.8 x 73.7 cm (40 7/8 x 29 in.)", "Disp_Height" : "103.8 cm", "Disp_Width" : "73.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "A complex religious figure, "la Virgen" is a traditional female role model that embodies both purity and motherhood. 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